Written by
Henry Kendall |
RIFTED mountains, clad with forests, girded round by gleaming pines,
Where the morning, like an angel, robed in golden splendour shines;
Shimmering mountains, throwing downward on the slopes a mazy glare
Where the noonday glory sails through gulfs of calm and glittering air;
Stately mountains, high and hoary, piled with blocks of amber cloud,
Where the fading twilight lingers, when the winds are wailing loud;
Grand old mountains, overbeetling brawling brooks and deep ravines,
Where the moonshine, pale and mournful, flows on rocks and evergreens.
Underneath these regal ridges - underneath the gnarly trees,
I am sitting, lonely-hearted, listening to a lonely breeze!
Sitting by an ancient casement, casting many a longing look
Out across the hazy gloaming - out beyond the brawling brook!
Over pathways leading skyward - over crag and swelling cone,
Past long hillocks looking like to waves of ocean turned to stone;
Yearning for a bliss unworldly, yearning for a brighter change,
Yearning for the mystic Aidenn, built beyond this mountain range.
Happy years, amongst these valleys, happy years have come and gone,
And my youthful hopes and friendships withered with them one by one;
Days and moments bearing onward many a bright and beauteous dream,
All have passed me like to sunstreaks flying down a distant stream.
Oh, the love returned by loved ones! Oh, the faces that I knew!
Oh, the wrecks of fond affection! Oh, the hearts so warm and true!
But their voices I remember, and a something lingers still,
Like a dying echo roaming sadly round a far off hill.
I would sojourn here contented, tranquil as I was of yore,
And would never wish to clamber, seeking for an unknown shore;
I have dwelt within this cottage twenty summers, and mine eyes
Never wandered erewhile round in search of undiscovered skies;
But a spirit sits beside me, veiled in robes of dazzling white,
And a dear one's whisper wakens with the symphonies of night;
And a low sad music cometh, borne along on windy wings,
Like a strain familiar rising from a maze of slumbering springs.
And the Spirit, by my window, speaketh to my restless soul,
Telling of the clime she came from, where the silent moments roll;
Telling of the bourne mysterious, where the sunny summers flee
Cliffs and coasts, by man untrodden, ridging round a shipless sea.
There the years of yore are blooming - there departed life-dreams dwell,
There the faces beam with gladness that I loved in youth so well;
There the songs of childhood travel, over wave-worn steep and strand -
Over dale and upland stretching out behind this mountain land.
``Lovely Being, can a mortal, weary of this changeless scene,
Cross these cloudy summits to the land where man hath never been?
Can he find a pathway leading through that wildering mass of pines,
So that he shall reach the country where ethereal glory shines;
So that he may glance at waters never dark with coming ships;
Hearing round him gentle language floating from angelic lips;
Casting off his earthly fetters, living there for evermore;
All the blooms of Beauty near him, gleaming on that quiet shore?
``Ere you quit this ancient casement, tell me, is it well to yearn
For the evanescent visions, vanished never to return?
Is it well that I should with to leave this dreary world behind,
Seeking for your fair Utopia, which perchance I may not find?
Passing through a gloomy forest, scaling steeps like prison walls,
Where the scanty sunshine wavers and the moonlight seldom falls?
Oh, the feelings re-awakened! Oh, the hopes of loftier range!
Is it well, thou friendly Being, well to wish for such a change?''
But the Spirit answers nothing! and the dazzling mantle fades;
And a wailing whisper wanders out from dismal seaside shades!
``Lo, the trees are moaning loudly, underneath their hood-like shrouds,
And the arch above us darkens, scarred with ragged thunder clouds!''
But the spirit answers nothing, and I linger all alone,
Gazing through the moony vapours where the lovely Dream has flown;
And my heart is beating sadly, and the music waxeth faint,
Sailing up to holy Heaven, like the anthems of a Saint.
|
Written by
Tupac Shakur |
u r the omega of my heart
the foundation of my conception of love
when i think of what a black woman should be
its u that i first think of
u will never fully understand
how deeply my heart feels 4 u
i worry that we'll grow apart
and i'll end up losing u
u bring me 2 climax without sex
and u do it all with regal grace
u r my heart in human form
a friend i could never replace
|
Written by
Countee Cullen |
What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?
So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass
Where young forest lovers lie,
Plighting troth beneath the sky.
So I lie, who always hear,
Though I cram against my ear
Both my thumbs, and keep them there,
Great drums throbbing through the air.
So I lie, whose fount of pride,
Dear distress, and joy allied,
Is my somber flesh and skin,
With the dark blood dammed within
Like great pulsing tides of wine
That, I fear, must burst the fine
Channels of the chafing net
Where they surge and foam and fret.
Africa?A book one thumbs
Listlessly, till slumber comes.
Unremembered are her bats
Circling through the night, her cats
Crouching in the river reeds,
Stalking gentle flesh that feeds
By the river brink; no more
Does the bugle-throated roar
Cry that monarch claws have leapt
From the scabbards where they slept.
Silver snakes that once a year
Doff the lovely coats you wear,
Seek no covert in your fear
Lest a mortal eye should see;
What's your nakedness to me?
Here no leprous flowers rear
Fierce corollas in the air;
Here no bodies sleek and wet,
Dripping mingled rain and sweat,
Tread the savage measures of
Jungle boys and girls in love.
What is last year's snow to me,
Last year's anything?The tree
Budding yearly must forget
How its past arose or set
Bough and blossom, flower, fruit,
Even what shy bird with mute
Wonder at her travail there,
Meekly labored in its hair.
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?
So I lie, who find no peace
Night or day, no slight release
From the unremittent beat
Made by cruel padded feet
Walking through my body's street.
Up and down they go, and back,
Treading out a jungle track.
So I lie, who never quite
Safely sleep from rain at night--
I can never rest at all
When the rain begins to fall;
Like a soul gone mad with pain
I must match its weird refrain;
Ever must I twist and squirm,
Writhing like a baited worm,
While its primal measures drip
Through my body, crying, "Strip!
Doff this new exuberance.
Come and dance the Lover's Dance!"
In an old remembered way
Rain works on me night and day.
Quaint, outlandish heathen gods
Black men fashion out of rods,
Clay, and brittle bits of stone,
In a likeness like their own,
My conversion came high-priced;
I belong to Jesus Christ,
Preacher of humility;
Heathen gods are naught to me.
Father, Son, and Holy Ghost,
So I make an idle boast;
Jesus of the twice-turned cheek,
Lamb of God, although I speak
With my mouth thus, in my heart
Do I play a double part.
Ever at Thy glowing altar
Must my heart grow sick and falter,
Wishing He I served were black,
Thinking then it would not lack
Precedent of pain to guide it,
Let who would or might deride it;
Surely then this flesh would know
Yours had borne a kindred woe.
Lord, I fashion dark gods, too,
Daring even to give You
Dark despairing features where,
Crowned with dark rebellious hair,
Patience wavers just so much as
Mortal grief compels, while touches
Quick and hot, of anger, rise
To smitten cheek and weary eyes.
Lord, forgive me if my need
Sometimes shapes a human creed.
All day long and all night through,
One thing only must I do:
Quench my pride and cool my blood,
Lest I perish in the flood.
Lest a hidden ember set
Timber that I thought was wet
Burning like the dryest flax,
Melting like the merest wax,
Lest the grave restore its dead.
Not yet has my heart or head
In the least way realized
They and I are civilized.
|
Written by
Ogden Nash |
In fourteen hundred and ninety-two,
Someone sailed the ocean blue.
Somebody borrowed the fare in Spain
For a business trip on the bounding main,
And to prove to the people, by actual test,
You could get to the East by sailing West.
Somebody said, Sail on! Sail on!
And studied China and China's lingo,
And cried from the bow, There's China now!
And promptly bumped into San Domingo.
Somebody murmured, Oh dear, oh dear!
I've discovered the Western Hemisphere.
And that, you may think, my friends, was that.
But it wasn't. Not by a fireman's hat.
Well enough wasn't left alone,
And Columbus was only a cornerstone.
There came the Spaniards,
There came the Greeks,
There came the Pilgrims in leather breeks.
There came the Dutch,
And the Poles and Swedes,
The Persians, too,
And perhaps the Medes,
The Letts, the Lapps, and the Lithuanians,
Regal Russians, and ripe Roumanians.
There came the French
And there came the Finns,
And the Japanese
With their formal grins.
The Tartars came,
And the Terrible Turks -
In a word, humanity shot the works.
And the country that should have been Cathay
Decided to be
The U.S.A.
And that, you may think, my friends, was that.
But it wasn't. Not by a fireman's hat.
Christopher C. was the cornerstone,
And well enough wasn't left alone.
For those who followed
When he was through,
They burned to discover something, too.
Somebody, bored with rural scenery,
Went to work and invented machinery,
While a couple of other mental giants
Got together
And thought up Science.
Platinum blondes
(They were once peroxide),
Peruvian bonds
And carbon monoxide,
Tax evaders
And Vitamin A,
Vice crusaders,
And tattletale gray -
These, with many another phobia,
We owe to that famous Twelfth of Octobia.
O misery, misery, mumble and moan!
Someone invented the telephone,
And interrupted a nation's slumbers,
Ringing wrong but similar numbers.
Someone devised the silver screen
And the intimate Hollywood magazine,
And life is a Hades
Of clicking cameras,
And foreign ladies
Behaving amorous.
Gags have erased
Amusing dialog,
As gas has replaced
The crackling firelog.
All that glitters is sold as gold,
And our daily diet grows odder and odder,
And breakfast foods are dusty and cold -
It's a wise child
That knows its fodder.
Someone invented the automobile,
And good Americans took the wheel
To view American rivers and rills
And justly famous forests and hills -
But someone equally enterprising
Had invented billboard advertising.
You linger at home
In dark despair,
And wistfully try the electric air.
You hope against hope for a quiz imperial,
And what do they give you?
A doctor serial.
Oh, Columbus was only a cornerstone,
And well enough wasn't left alone,
For the Inquisition was less tyrannical
Than the iron rules of an age mechanical,
Which, because of an error in '92,
Are clamped like corsets on me and you,
While Children of Nature we'd be today
If San Domingo
Had been Cathay.
And that, you may think, my friends, is that.
But it isn't - not by a fireman's hat.
The American people,
With grins jocose,
Always survive the fatal dose.
And though our systems are slightly wobbly,
We'll fool the doctor this time, probly.
|
Written by
Lucy Maud Montgomery |
Genius, like gold and precious stones,
is chiefly prized because of its rarity.
Geniuses are people who dash of weird, wild,
incomprehensible poems with astonishing facility,
and get booming drunk and sleep in the gutter.
Genius elevates its possessor to ineffable spheres
far above the vulgar world and fills his soul
with regal contempt for the gross and sordid things of earth.
It is probably on account of this
that people who have genius
do not pay their board, as a general thing.
Geniuses are very singular.
If you see a young man who has frowsy hair
and distraught look, and affects eccentricity in dress,
you may set him down for a genius.
If he sings about the degeneracy of a world
which courts vulgar opulence
and neglects brains,
he is undoubtedly a genius.
If he is too proud to accept assistance,
and spurns it with a lordly air
at the very same time
that he knows he can't make a living to save his life,
he is most certainly a genius.
If he hangs on and sticks to poetry,
notwithstanding sawing wood comes handier to him,
he is a true genius.
If he throws away every opportunity in life
and crushes the affection and the patience of his friends
and then protests in sickly rhymes of his hard lot,
and finally persists,
in spite of the sound advice of persons who have got sense
but not any genius,
persists in going up some infamous back alley
dying in rags and dirt,
he is beyond all question a genius.
But above all things,
to deftly throw the incoherent ravings of insanity into verse
and then rush off and get booming drunk,
is the surest of all the different signs
of genius.
|
Written by
Delmira Agustini |
SpanishVagos preludios. En la noche espléndidaSu voz de perlas una fuente calla,Cuelgan las brisas sus celestes pifanosEn el follaje. Las cabezas pardasDe los búhos acechan.Las flores se abren más, como asombradas.Los cisnes de marfil tienden los cuellosEn las lagunas pálidas.Selene mira del azul. Las frondasTiemblan… y todo! hasta el silencio, calla…Es que ella pasa con su boca tristeY el gran misterio de sus ojos de ámbar,A través de la noche, hacia el olvido,Como una estrella fugitiva y blanca.Como una destronada reina exóticaDe bellos gestos y palabras raras.Horizontes violados sus ojerasDentro sus ojos–dos estrellas de ámbar–Se abren cansados y húmedos y tristesComo llagas de luz que quejaran.Es un dolor que vive y que no espera,Es una aurora gris que se levantaDel gran lecho de sombras de la noche,Cansada ya, sin esplendor, sin ansiasY sus canciones son como hadas tristesAlhajadas de lágrimas… EnglishMurmuring preludes. On this resplendent nightHer pearled voice quiets a fountain.The breezes hang their celestial fifesIn the foliage. The gray headsOf the owls keep watch.Flowers open themselves, as if surprised.Ivory swans extend their necksIn the pallid lakes.Selene watches from the blue. FrondsTremble…and everything! Even the silence, quiets.She wanders with her sad mouthAnd the grand mystery of amber eyes,Across the night, toward forgetfulnessLike a star, fugitive and white.Like a dethroned exotic queenWith comely gestures and rare utterings.Her undereyes are violated horizonsAnd her irises–two stars of amber–Open wet and weary and sadLike ulcers of light that weep.She is a grief which thrives and does not hope,She is a gray aurora risingFrom the shadowy bed of night,Exhausted, without splendor, without anxiousness.And her songs are like dolorous fairiesJeweled in teardrops… The strings of lyres Are the souls' fibers.–The blood of bitter vineyards, noble vineyards,In goblets of regal beauty, risesTo her marble hands, to lips carvedLike the blazon of a great lineage.Strange Princes of Fantasy! TheyHave seen her languid head, once erect,And heard her laugh, for her eyesTremble with the flower of aristocracies!And her soul clean as fire, like a star,Burns in those pupils of amber.But with a mere glance, scarcely an intimacy,Perhaps the echo of a profane voice,This white and pristine soul shrinksLike a luminous flower, folding herself up!
|
Written by
John Greenleaf Whittier |
Blessings on thee, little man,
Barefoot boy, with cheek of tan!
With thy turned-up pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy, -
I was once a barefoot boy!
Prince thou art, - the grown-up man
Only is republican.
Let the million-dollared ride!
Barefoot, trudging at his side,
Thou hast more than he can buy
In the reach of ear and eye, -
Outward sunshine, inward joy:
Blessings on thee, barefoot boy!
Oh for boyhood's painless play,
Sleep that wakes in laughing day,
Health that mocks the doctor's rules,
Knowledge never learned of schools,
Of the wild bee's morning chase,
Of the wild-flower's time and place,
Flight of fowl and habitude
Of the tenants of the wood;
How the tortoise bears his shell,
How the woodchuck digs his cell,
And the ground-mole sinks his well;
How the robin feeds her young,
How the oriole's nest is hung;
Where the whitest lilies blow,
Where the freshest berries grow,
Where the ground-nut trails its vine,
Where the wood-grape's clusters shine;
Of the black wasp's cunning way,
Mason of his walls of clay,
And the architectural plans
Of gray hornet artisans!
For, eschewing books and tasks,
Nature answers all he asks;
Hand in hand with her he walks,
Face to face with her he talks,
Part and parcel of her joy, -
Blessings on the barefoot boy!
Oh for boyhood's time of June,
Crowding years in one brief moon,
When all things I heard or saw,
Me, their master, waited for.
I was rich in flowers and trees,
Humming-birds and honey-bees;
For my sport the squirrel played,
Plied the snouted mole his spade;
For my taste the blackberry cone
Purpled over hedge and stone;
Laughed the brook for my delight
Through the day and through the night,
Whispering at the garden wall,
Talked with me from fall to fall;
Mine the sand-rimmed pickerel pond,
Mine the walnut slopes beyond,
Mine, on bending orchard trees,
Apples of Hesperides!
Still as my horizon grew,
Larger grew my riches too;
All the world I saw or knew
Seemed a complex Chinese toy,
Fashioned for a barefoot boy!
Oh for festal dainties spread,
Like my bowl of milk and bread;
Pewter spoon and bowl of wood,
On the door-stone, gray and rude!
O'er me, like a regal tent,
Cloudy-ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold;
While for music came the play
Of the pied frogs' orchestra;
And, to light the noisy choir,
Lit the fly his lamp of fire.
I was monarch: pomp and joy
Waited on the barefoot boy!
Cheerily, then, my little man,
Live and laugh, as boyhood can!
Though the flinty slopes be hard,
Stubble-speared the new-mown sward,
Every morn shall lead thee through
Fresh baptisms of the dew;
Every evening from thy feet
Shall the cool wind kiss the heat:
All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt's for work be shod,
Made to tread the mills of toil,
Up and down in ceaseless moil:
Happy if their track be found
Never on forbidden ground;
Happy if they sink not in
Quick and treacherous sands of sin.
Ah! that thou couldst know thy joy,
Ere it passes, barefoot boy!
|
Written by
George (Lord) Byron |
Fame, wisdom, love, and power were mine,
And health and youth possessed me;
My goblets blushed from every vine,
And lovely forms caressed me;
I sunned my heart in beauty’ eyes,
And felt my soul grow tender;
All earth can give, or mortal prize,
Was mine of regal splendour.
I strive to number o’er what days
Remembrance can discover,
Which all that life or earth displays
Would lure me to live over.
There rose no day, there rolled no hour
Of pleasure unembittered;
And not a trapping decked my power
That galled not while it glittered.
The serpent of the field, by art
And spells, is won from harming;
But that which soils around the heart,
Oh! who hath power of charming?
It will not list to wisdom’s lore,
Nor music’s voice can lure it;
But there it stings for evermore
The soul that must endure it.
|
Written by
Walt Whitman |
TO get betimes in Boston town, I rose this morning early;
Here’s a good place at the corner—I must stand and see the show.
Clear the way there, Jonathan!
Way for the President’s marshal! Way for the government cannon!
Way for the Federal foot and dragoons—and the apparitions copiously tumbling.
I love to look on the stars and stripes—I hope the fifes will play Yankee Doodle.
How bright shine the cutlasses of the foremost troops!
Every man holds his revolver, marching stiff through Boston town.
A fog follows—antiques of the same come limping,
Some appear wooden-legged, and some appear bandaged and bloodless.
Why this is indeed a show! It has called the dead out of the earth!
The old grave-yards of the hills have hurried to see!
Phantoms! phantoms countless by flank and rear!
Cock’d hats of mothy mould! crutches made of mist!
Arms in slings! old men leaning on young men’s shoulders!
What troubles you, Yankee phantoms? What is all this chattering of bare gums?
Does the ague convulse your limbs? Do you mistake your crutches for fire-locks, and level
them?
If you blind your eyes with tears, you will not see the President’s marshal;
If you groan such groans, you might balk the government cannon.
For shame, old maniacs! Bring down those toss’d arms, and let your white hair be;
Here gape your great grand-sons—their wives gaze at them from the windows,
See how well dress’d—see how orderly they conduct themselves.
Worse and worse! Can’t you stand it? Are you retreating?
Is this hour with the living too dead for you?
Retreat then! Pell-mell!
To your graves! Back! back to the hills, old limpers!
I do not think you belong here, anyhow.
But there is one thing that belongs here—shall I tell you what it is, gentlemen of
Boston?
I will whisper it to the Mayor—he shall send a committee to England;
They shall get a grant from the Parliament, go with a cart to the royal vault—haste!
Dig out King George’s coffin, unwrap him quick from the grave-clothes, box up his
bones
for a
journey;
Find a swift Yankee clipper—here is freight for you, black-bellied clipper,
Up with your anchor! shake out your sails! steer straight toward Boston bay.
Now call for the President’s marshal again, bring out the government cannon,
Fetch home the roarers from Congress, make another procession, guard it with foot and
dragoons.
This centre-piece for them:
Look! all orderly citizens—look from the windows, women!
The committee open the box, set up the regal ribs, glue those that will not stay,
Clap the skull on top of the ribs, and clap a crown on top of the skull.
You have got your revenge, old buster! The crown is come to its own, and more than its
own.
Stick your hands in your pockets, Jonathan—you are a made man from this day;
You are mighty cute—and here is one of your bargains.
|
Written by
Ralph Waldo Emerson |
Trees in groves,
Kine in droves,
In ocean sport the scaly herds,
Wedge-like cleave the air the birds,
To northern lakes fly wind-borne ducks,
Browse the mountain sheep in flocks,
Men consort in camp and town,
But the poet dwells alone.
God who gave to him the lyre,
Of all mortals the desire,
For all breathing men's behoof,
Straitly charged him, "Sit aloof;"
Annexed a warning, poets say,
To the bright premium,—
Ever when twain together play,
Shall the harp be dumb.
Many may come,
But one shall sing;
Two touch the string,
The harp is dumb.
Though there come a million
Wise Saadi dwells alone.
Yet Saadi loved the race of men,—
No churl immured in cave or den,—
In bower and hall
He wants them all,
Nor can dispense
With Persia for his audience;
They must give ear,
Grow red with joy, and white with fear,
Yet he has no companion,
Come ten, or come a million,
Good Saadi dwells alone.
Be thou ware where Saadi dwells.
Gladly round that golden lamp
Sylvan deities encamp,
And simple maids and noble youth
Are welcome to the man of truth.
Most welcome they who need him most,
They feed the spring which they exhaust:
For greater need
Draws better deed:
But, critic, spare thy vanity,
Nor show thy pompous parts,
To vex with odious subtlety
The cheerer of men's hearts.
Sad-eyed Fakirs swiftly say
Endless dirges to decay;
Never in the blaze of light
Lose the shudder of midnight;
And at overflowing noon,
Hear wolves barking at the moon;
In the bower of dalliance sweet
Hear the far Avenger's feet;
And shake before those awful Powers
Who in their pride forgive not ours.
Thus the sad-eyed Fakirs preach;
"Bard, when thee would Allah teach,
And lift thee to his holy mount,
He sends thee from his bitter fount,
Wormwood; saying, Go thy ways,
Drink not the Malaga of praise,
But do the deed thy fellows hate,
And compromise thy peaceful state.
Smite the white breasts which thee fed,
Stuff sharp thorns beneath the head
Of them thou shouldst have comforted.
For out of woe and out of crime
Draws the heart a lore sublime."
And yet it seemeth not to me
That the high gods love tragedy;
For Saadi sat in the sun,
And thanks was his contrition;
For haircloth and for bloody whips,
Had active hands and smiling lips;
And yet his runes he rightly read,
And to his folk his message sped.
Sunshine in his heart transferred
Lighted each transparent word;
And well could honoring Persia learn
What Saadi wished to say;
For Saadi's nightly stars did burn
Brighter than Dschami's day.
Whispered the muse in Saadi's cot;
O gentle Saadi, listen not,
Tempted by thy praise of wit,
Or by thirst and appetite
For the talents not thine own,
To sons of contradiction.
Never, sun of eastern morning,
Follow falsehood, follow scorning,
Denounce who will, who will, deny,
And pile the hills to scale the sky;
Let theist, atheist, pantheist,
Define and wrangle how they list,—
Fierce conserver, fierce destroyer,
But thou joy-giver and enjoyer,
Unknowing war, unknowing crime,
Gentle Saadi, mind thy rhyme.
Heed not what the brawlers say,
Heed thou only Saadi's lay.
Let the great world bustle on
With war and trade, with camp and town.
A thousand men shall dig and eat,
At forge and furnace thousands sweat,
And thousands sail the purple sea,
And give or take the stroke of war,
Or crowd the market and bazaar.
Oft shall war end, and peace return,
And cities rise where cities burn,
Ere one man my hill shall climb,
Who can turn the golden rhyme;
Let them manage how they may,
Heed thou only Saadi's lay.
Seek the living among the dead:
Man in man is imprisoned.
Barefooted Dervish is not poor,
If fate unlock his bosom's door.
So that what his eye hath seen
His tongue can paint, as bright, as keen,
And what his tender heart hath felt,
With equal fire thy heart shall melt.
For, whom the muses shine upon,
And touch with soft persuasion,
His words like a storm-wind can bring
Terror and beauty on their wing;
In his every syllable
Lurketh nature veritable;
And though he speak in midnight dark,
In heaven, no star; on earth, no spark;
Yet before the listener's eye
Swims the world in ecstasy,
The forest waves, the morning breaks,
The pastures sleep, ripple the lakes,
Leaves twinkle, flowers like persons be,
And life pulsates in rock or tree.
Saadi! so far thy words shall reach;
Suns rise and set in Saadi's speech.
And thus to Saadi said the muse;
Eat thou the bread which men refuse;
Flee from the goods which from thee flee;
Seek nothing; Fortune seeketh thee.
Nor mount, nor dive; all good things keep
The midway of the eternal deep;
Wish not to fill the isles with eyes
To fetch thee birds of paradise;
On thine orchard's edge belong
All the brass of plume and song;
Wise Ali's sunbright sayings pass
For proverbs in the market-place;
Through mountains bored by regal art
Toil whistles as he drives his cart.
Nor scour the seas, nor sift mankind,
A poet or a friend to find;
Behold, he watches at the door,
Behold his shadow on the floor.
Open innumerable doors,
The heaven where unveiled Allah pours
The flood of truth, the flood of good,
The seraph's and the cherub's food;
Those doors are men; the pariah kind
Admits thee to the perfect Mind.
Seek not beyond thy cottage wall
Redeemer that can yield thee all.
While thou sittest at thy door,
On the desert's yellow floor,
Listening to the gray-haired crones,
Foolish gossips, ancient drones,—
Saadi, see, they rise in stature
To the height of mighty nature,
And the secret stands revealed
Fraudulent Time in vain concealed,
That blessed gods in servile masks
Plied for thee thy household tasks.
|