Get Your Premium Membership

Best Famous Obliquely Poems

Here is a collection of the all-time best famous Obliquely poems. This is a select list of the best famous Obliquely poetry. Reading, writing, and enjoying famous Obliquely poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of obliquely poems.

Search and read the best famous Obliquely poems, articles about Obliquely poems, poetry blogs, or anything else Obliquely poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by David Lehman | Create an image from this poem

A Little History

 Some people find out they are Jews.
They can't believe it.
Thy had always hated Jews.
As children they had roamed in gangs on winter nights in the old neighborhood, looking for Jews.
They were not Jewish, they were Irish.
They brandished broken bottles, tough guys with blood on their lips, looking for Jews.
They intercepted Jewish boys walking alone and beat them up.
Sometimes they were content to chase a Jew and he could elude them by running away.
They were happy just to see him run away.
The coward! All Jews were yellow.
They spelled Jew with a small j jew.
And now they find out they are Jews themselves.
It happened at the time of the Spanish Inquisition.
To escape persecution, they pretended to convert to Christianity.
They came to this country and settled in the Southwest.
At some point oral tradition failed the family, and their secret faith died.
No one would ever have known if not for the bones that turned up on the dig.
A disaster.
How could it have happened to them? They are in a state of panic--at first.
Then they realize that it is the answer to their prayers.
They hasten to the synagogue or build new ones.
They are Jews at last! They are free to marry other Jews, and divorce them, and intermarry with Gentiles, God forbid.
They are model citizens, clever and thrifty.
They debate the issues.
They fire off earnest letters to the editor.
They vote.
They are resented for being clever and thrifty.
They buy houses in the suburbs and agree not to talk so loud.
They look like everyone else, drive the same cars as everyone else, yet in their hearts they know they're different.
In every minyan there are always two or three, hated by the others, who give life to one ugly stereotype or another: The grasping Jew with the hooked nose or the Ivy League Bolshevik who thinks he is the agent of world history.
But most of them are neither ostentatiously pious nor excessively avaricious.
How I envy them! They believe.
How I envy them their annual family reunion on Passover, anniversary of the Exodus, when all the uncles and aunts and cousins get together.
They wonder about the heritage of Judaism they are passing along to their children.
Have they done as much as they could to keep the old embers burning? Others lead more dramatic lives.
A few go to Israel.
One of them calls Israel "the ultimate concentration camp.
" He tells Jewish jokes.
On the plane he gets tipsy, tries to seduce the stewardess.
People in the Midwest keep telling him reminds them of Woody Allen.
He wonders what that means.
I'm funny? A sort of nervous intellectual type from New York? A Jew? Around this time somebody accuses him of not being Jewish enough.
It is said by resentful colleagues that his parents changed their name from something that sounded more Jewish.
Everything he publishes is scrutinized with reference to "the Jewish question.
" It is no longer clear what is meant by that phrase.
He has already forgotten all the Yiddish he used to know, and the people of that era are dying out one after another.
The number of witnesses keeps diminishing.
Soon there will be no one left to remind the others and their children.
That is why he came to this dry place where the bones have come to life.
To live in a state of perpetual war puts a tremendous burden on the population.
As a visitor he felt he had to share that burden.
With his gift for codes and ciphers, he joined the counter- terrorism unit of army intelligence.
Contrary to what the spook novels say, he found it possible to avoid betraying either his country or his lover.
This was the life: strange bedrooms, the perfume of other men's wives.
As a spy he has a unique mission: to get his name on the front page of the nation's newspaper of record.
Only by doing that would he get the message through to his immediate superior.
If he goes to jail, he will do so proudly; if they're going to hang him anyway, he'll do something worth hanging for.
In time he may get used to being the center of attention, but this was incredible: To talk his way into being the chief suspect in the most flamboyant murder case in years! And he was innocent! He could prove it! And what a book he would write when they free him from this prison: A novel, obliquely autobiographical, set in Vienna in the twilight of the Hapsburg Empire, in the year that his mother was born.


Written by Margaret Atwood | Create an image from this poem

The City Planners

 Cruising these residential Sunday
streets in dry August sunlight:
what offends us is
the sanities:
the houses in pedantic rows, the planted
sanitary trees, assert
levelness of surface like a rebuke
to the dent in our car door.
No shouting here, or shatter of glass; nothing more abrupt than the rational whine of a power mower cutting a straight swath in the discouraged grass.
But though the driveways neatly sidestep hysteria by being even, the roofs all display the same slant of avoidance to the hot sky, certain things: the smell of spilled oil a faint sickness lingering in the garages, a splash of paint on brick surprising as a bruise, a plastic hose poised in a vicious coil; even the too-fixed stare of the wide windows give momentary access to the landscape behind or under the future cracks in the plaster when the houses, capsized, will slide obliquely into the clay seas, gradual as glaciers that right now nobody notices.
That is where the City Planners with the insane faces of political conspirators are scattered over unsurveyed territories, concealed from each other, each in his own private blizzard; guessing directions, they sketch transitory lines rigid as wooden borders on a wall in the white vanishing air tracing the panic of suburb order in a bland madness of snows
Written by John Donne | Create an image from this poem

A Valediction: Forbidding Mourning

 As virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say
The breath goes now, and some say, No:

So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move,
'Twere profanation of our joys
To tell the laity our love.
Moving of th' earth brings harms and fears, Men reckon what it did and meant, But trepidation of the spheres, Though greater far, is innocent.
Dull sublunary lovers' love (Whose soul is sense) cannot admit Absence, because it doth remove Those things which elemented it.
But we by a love so much refined That our selves know not what it is, Inter-assurèd of the mind, Care less, eyes, lips, and hands to miss.
Our two souls therefore, which are one, Though I must go, endure not yet A breach, but an expansion, Like gold to aery thinness beat.
If they be two, they are two so As stiff twin compasses are two; Thy soul, the fixed foot, makes no show To move, but doth, if th' other do.
And though it in the centre sit, Yet when the other far doth roam, It leans and hearkens after it, And grows erect, as that comes home.
Such wilt thou be to me, who must Like th' other foot, obliquely run; Thy firmness makes my circle just, And makes me end where I begun.
Written by Amy Lowell | Create an image from this poem

Afternoon Rain in State Street

 Cross-hatchings of rain against grey walls,
Slant lines of black rain
In front of the up and down, wet stone sides of buildings.
Below, Greasy, shiny, black, horizontal, The street.
And over it, umbrellas, Black polished dots Struck to white An instant, Stream in two flat lines Slipping past each other with the smoothness of oil.
Like a four-sided wedge The Custom House Tower Pokes at the low, flat sky, Pushing it farther and farther up, Lifting it away from the house-tops, Lifting it in one piece as though it were a sheet of tin, With the lever of its apex.
The cross-hatchings of rain cut the Tower obliquely, Scratching lines of black wire across it, Mutilating its perpendicular grey surface With the sharp precision of tools.
The city is rigid with straight lines and angles, A chequered table of blacks and greys.
Oblong blocks of flatness Crawl by with low-geared engines, And pass to short upright squares Shrinking with distance.
A steamer in the basin blows its whistle, And the sound shoots across the rain hatchings, A narrow, level bar of steel.
Hard cubes of lemon Superimpose themselves upon the fronts of buildings As the windows light up.
But the lemon cubes are edged with angles Upon which they cannot impinge.
Up, straight, down, straight -- square.
Crumpled grey-white papers Blow along the side-walks, Contorted, horrible, Without curves.
A horse steps in a puddle, And white, glaring water spurts up In stiff, outflaring lines, Like the rattling stems of reeds.
The city is heraldic with angles, A sombre escutcheon of argent and sable And countercoloured bends of rain Hung over a four-square civilization.
When a street lamp comes out, I gaze at it for fully thirty seconds To rest my brain with the suffusing, round brilliance of its globe.
Written by Alexander Pope | Create an image from this poem

The Rape of the Lock: Canto 3

 Close by those meads, for ever crown'd with flow'rs, 
Where Thames with pride surveys his rising tow'rs,
There stands a structure of majestic frame,
Which from the neighb'ring Hampton takes its name.
Here Britain's statesmen oft the fall foredoom Of foreign tyrants and of nymphs at home; Here thou, great Anna! whom three realms obey, Dost sometimes counsel take--and sometimes tea.
Hither the heroes and the nymphs resort, To taste awhile the pleasures of a court; In various talk th' instructive hours they pass'd, Who gave the ball, or paid the visit last; One speaks the glory of the British queen, And one describes a charming Indian screen; A third interprets motions, looks, and eyes; At ev'ry word a reputation dies.
Snuff, or the fan, supply each pause of chat, With singing, laughing, ogling, and all that.
Meanwhile, declining from the noon of day, The sun obliquely shoots his burning ray; The hungry judges soon the sentence sign, And wretches hang that jury-men may dine; The merchant from th' Exchange returns in peace, And the long labours of the toilet cease.
Belinda now, whom thirst of fame invites, Burns to encounter two adventrous knights, At ombre singly to decide their doom; And swells her breast with conquests yet to come.
Straight the three bands prepare in arms to join, Each band the number of the sacred nine.
Soon as she spreads her hand, th' aerial guard Descend, and sit on each important card: First Ariel perch'd upon a Matadore, Then each, according to the rank they bore; For Sylphs, yet mindful of their ancient race, Are, as when women, wondrous fond of place.
Behold, four Kings in majesty rever'd, With hoary whiskers and a forky beard; And four fair Queens whose hands sustain a flow'r, Th' expressive emblem of their softer pow'r; Four Knaves in garbs succinct, a trusty band, Caps on their heads, and halberds in their hand; And parti-colour'd troops, a shining train, Draw forth to combat on the velvet plain.
The skilful nymph reviews her force with care: "Let Spades be trumps!" she said, and trumps they were.
Now move to war her sable Matadores, In show like leaders of the swarthy Moors.
Spadillio first, unconquerable lord! Led off two captive trumps, and swept the board.
As many more Manillio forc'd to yield, And march'd a victor from the verdant field.
Him Basto follow'd, but his fate more hard Gain'd but one trump and one plebeian card.
With his broad sabre next, a chief in years, The hoary Majesty of Spades appears; Puts forth one manly leg, to sight reveal'd; The rest, his many-colour'd robe conceal'd.
The rebel Knave, who dares his prince engage, Proves the just victim of his royal rage.
Ev'n mighty Pam, that kings and queens o'erthrew And mow'd down armies in the fights of loo, Sad chance of war! now destitute of aid, Falls undistinguish'd by the victor Spade! Thus far both armies to Belinda yield; Now to the baron fate inclines the field.
His warlike Amazon her host invades, Th' imperial consort of the crown of Spades.
The Club's black tyrant first her victim died, Spite of his haughty mien, and barb'rous pride: What boots the regal circle on his head, His giant limbs, in state unwieldy spread; That long behind he trails his pompous robe, And of all monarchs, only grasps the globe? The baron now his diamonds pours apace; Th' embroider'd King who shows but half his face, And his refulgent Queen, with pow'rs combin'd Of broken troops an easy conquest find.
Clubs, Diamonds, Hearts, in wild disorder seen, With throngs promiscuous strow the level green.
Thus when dispers'd a routed army runs, Of Asia's troops, and Afric's sable sons, With like confusion diff'rent nations fly, Of various habit, and of various dye, The pierc'd battalions disunited fall.
In heaps on heaps; one fate o'erwhelms them all.
The Knave of Diamonds tries his wily arts, And wins (oh shameful chance!) the Queen of Hearts.
At this, the blood the virgin's cheek forsook, A livid paleness spreads o'er all her look; She sees, and trembles at th' approaching ill, Just in the jaws of ruin, and codille.
And now (as oft in some distemper'd state) On one nice trick depends the gen'ral fate.
An Ace of Hearts steps forth: The King unseen Lurk'd in her hand, and mourn'd his captive Queen: He springs to vengeance with an eager pace, And falls like thunder on the prostrate Ace.
The nymph exulting fills with shouts the sky; The walls, the woods, and long canals reply.
Oh thoughtless mortals! ever blind to fate, Too soon dejected, and too soon elate! Sudden, these honours shall be snatch'd away, And curs'd for ever this victorious day.
For lo! the board with cups and spoons is crown'd, The berries crackle, and the mill turns round.
On shining altars of Japan they raise The silver lamp; the fiery spirits blaze.
From silver spouts the grateful liquors glide, While China's earth receives the smoking tide.
At once they gratify their scent and taste, And frequent cups prolong the rich repast.
Straight hover round the fair her airy band; Some, as she sipp'd, the fuming liquor fann'd, Some o'er her lap their careful plumes display'd, Trembling, and conscious of the rich brocade.
Coffee, (which makes the politician wise, And see through all things with his half-shut eyes) Sent up in vapours to the baron's brain New stratagems, the radiant lock to gain.
Ah cease, rash youth! desist ere 'tis too late, Fear the just gods, and think of Scylla's fate! Chang'd to a bird, and sent to flit in air, She dearly pays for Nisus' injur'd hair! But when to mischief mortals bend their will, How soon they find fit instruments of ill! Just then, Clarissa drew with tempting grace A two-edg'd weapon from her shining case; So ladies in romance assist their knight Present the spear, and arm him for the fight.
He takes the gift with rev'rence, and extends The little engine on his fingers' ends; This just behind Belinda's neck he spread, As o'er the fragrant steams she bends her head.
Swift to the lock a thousand sprites repair, A thousand wings, by turns, blow back the hair, And thrice they twitch'd the diamond in her ear, Thrice she look'd back, and thrice the foe drew near.
Just in that instant, anxious Ariel sought The close recesses of the virgin's thought; As on the nosegay in her breast reclin'd, He watch'd th' ideas rising in her mind, Sudden he view'd, in spite of all her art, An earthly lover lurking at her heart.
Amaz'd, confus'd, he found his pow'r expir'd, Resign'd to fate, and with a sigh retir'd.
The peer now spreads the glitt'ring forfex wide, T' inclose the lock; now joins it, to divide.
Ev'n then, before the fatal engine clos'd, A wretched Sylph too fondly interpos'd; Fate urg'd the shears, and cut the Sylph in twain, (But airy substance soon unites again).
The meeting points the sacred hair dissever From the fair head, for ever, and for ever! Then flash'd the living lightning from her eyes, And screams of horror rend th' affrighted skies.
Not louder shrieks to pitying Heav'n are cast, When husbands or when lap-dogs breathe their last, Or when rich China vessels, fall'n from high, In glitt'ring dust and painted fragments lie! "Let wreaths of triumph now my temples twine," The victor cried, "the glorious prize is mine! While fish in streams, or birds delight in air, Or in a coach and six the British fair, As long at Atalantis shall be read, Or the small pillow grace a lady's bed, While visits shall be paid on solemn days, When num'rous wax-lights in bright order blaze, While nymphs take treats, or assignations give, So long my honour, name, and praise shall live! What time would spare, from steel receives its date, And monuments, like men, submit to fate! Steel could the labour of the gods destroy, And strike to dust th' imperial tow'rs of Troy; Steel could the works of mortal pride confound, And hew triumphal arches to the ground.
What wonder then, fair nymph! thy hairs should feel The conqu'ring force of unresisted steel?"


Written by Rudyard Kipling | Create an image from this poem

The Puzzler

 The Celt in all his variants from Builth to Ballyhoo,
His mental processes are plain--one knows what he will do,
And can logically predicate his finish by his start;
But the English--ah, the English!--they are quite a race apart.
Their psychology is bovine, their outlook crude and raw.
They abandon vital matters to be tickled with a straw; But the straw that they were tickled with-the chaff that they were fed with-- They convert into a weaver's beam to break their foeman's head with.
For undemocratic reasons and for motives not of State, They arrive at their conclusions--largely inarticulate.
Being void of self-expression they confide their views to none; But sometimes in a smoking-room, one learns why things were done.
Yes, sometimes in a smoking-room, through clouds of "Ers" an "Ums," Obliquely and by inference, illumination comes, On some step that they have taken, or some action they approve Embellished with the argot of the Upper Fourth Remove.
In telegraphic sentences half nodded to their friends, They hint a matter's inwardness--and there the matter ends.
And while the Celt is talking from Valencia to Kirkwall, The English--ah, the English!--don't say anything at all.

Book: Reflection on the Important Things