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Best Famous Lecture Poems

Here is a collection of the all-time best famous Lecture poems. This is a select list of the best famous Lecture poetry. Reading, writing, and enjoying famous Lecture poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of lecture poems.

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Written by Michael Ondaatje | Create an image from this poem

To A Sad Daughter

 All night long the hockey pictures
gaze down at you
sleeping in your tracksuit.
Belligerent goalies are your ideal.
Threats of being traded cuts and wounds --all this pleases you.
O my god! you say at breakfast reading the sports page over the Alpen as another player breaks his ankle or assaults the coach.
When I thought of daughters I wasn't expecting this but I like this more.
I like all your faults even your purple moods when you retreat from everyone to sit in bed under a quilt.
And when I say 'like' I mean of course 'love' but that embarrasses you.
You who feel superior to black and white movies (coaxed for hours to see Casablanca) though you were moved by Creature from the Black Lagoon.
One day I'll come swimming beside your ship or someone will and if you hear the siren listen to it.
For if you close your ears only nothing happens.
You will never change.
I don't care if you risk your life to angry goalies creatures with webbed feet.
You can enter their caves and castles their glass laboratories.
Just don't be fooled by anyone but yourself.
This is the first lecture I've given you.
You're 'sweet sixteen' you said.
I'd rather be your closest friend than your father.
I'm not good at advice you know that, but ride the ceremonies until they grow dark.
Sometimes you are so busy discovering your friends I ache with loss --but that is greed.
And sometimes I've gone into my purple world and lost you.
One afternoon I stepped into your room.
You were sitting at the desk where I now write this.
Forsythia outside the window and sun spilled over you like a thick yellow miracle as if another planet was coaxing you out of the house --all those possible worlds!-- and you, meanwhile, busy with mathematics.
I cannot look at forsythia now without loss, or joy for you.
You step delicately into the wild world and your real prize will be the frantic search.
Want everything.
If you break break going out not in.
How you live your life I don't care but I'll sell my arms for you, hold your secrets forever.
If I speak of death which you fear now, greatly, it is without answers.
except that each one we know is in our blood.
Don't recall graves.
Memory is permanent.
Remember the afternoon's yellow suburban annunciation.
Your goalie in his frightening mask dreams perhaps of gentleness.


Written by David Lehman | Create an image from this poem

Wittgensteins Ladder

 "My propositions serve as elucidations in the following way: 
 anyone who understands them eventually recognizes them as 
 nonsensical, when he has used them -- as steps -- to climb 
 up beyond them.
(He must, so to speak, throw away the ladder after he has climbed up it.
)" -- Ludwig Wittgenstein, Tractatus 1.
The first time I met Wittgenstein, I was late.
"The traffic was murder," I explained.
He spent the next forty-five minutes analyzing this sentence.
Then he was silent.
I wondered why he had chosen a water tower for our meeting.
I also wondered how I would leave, since the ladder I had used to climb up here had fallen to the ground.
2.
Wittgenstein served as a machine-gunner in the Austrian Army in World War I.
Before the war he studied logic in Cambridge with Bertrand Russell.
Having inherited his father's fortune (iron and steel), he gave away his money, not to the poor, whom it would corrupt, but to relations so rich it would not thus affect them.
3.
On leave in Vienna in August 1918 he assembled his notebook entries into the Tractatus, Since it provided the definitive solution to all the problems of philosophy, he decided to broaden his interests.
He became a schoolteacher, then a gardener's assistant at a monastery near Vienna.
He dabbled in architecture.
4.
He returned to Cambridge in 1929, receiving his doctorate for the Tractatus, "a work of genius," in G.
E.
Moore's opinion.
Starting in 1930 he gave a weekly lecture and led a weekly discussion group.
He spoke without notes amid long periods of silence.
Afterwards, exhausted, he went to the movies and sat in the front row.
He liked Carmen Miranda.
5.
He would visit Russell's rooms at midnight and pace back and forth "like a caged tiger.
On arrival, he would announce that when he left he would commit suicide.
So, in spite of getting sleepy, I did not like to turn him out.
" On such a night, after hours of dead silence, Russell said, "Wittgenstein, are you thinking about logic or about yours sins?" "Both," he said, and resumed his silence.
6.
Philosophy was an activity, not a doctrine.
"Solipsism, when its implications are followed out strictly, coincides with pure realism," he wrote.
Dozens of dons wondered what he meant.
Asked how he knew that "this color is red," he smiled and said, "because I have learnt English.
" There were no other questions.
Wittgenstein let the silence gather.
Then he said, "this itself is the answer.
" 7.
Religion went beyond the boundaries of language, yet the impulse to run against "the walls of our cage," though "perfectly, absolutely useless," was not to be dismissed.
A.
J.
Ayer, one of Oxford's ablest minds, was puzzled.
If logic cannot prove a nonsensical conclusion, why didn't Wittgenstein abandon it, "along with the rest of metaphysics, as not worth serious attention, except perhaps for sociologists"? 8.
Because God does not reveal himself in this world, and "the value of this work," Wittgenstein wrote, "is that it shows how little is achieved when these problems are solved.
" When I quoted Gertrude Stein's line about Oakland, "there's no there there," he nodded.
Was there a there, I persisted.
His answer: Yes and No.
It was as impossible to feel another's person's pain as to suffer another person's toothache.
9.
At Cambridge the dons quoted him reverently.
I asked them what they thought was his biggest contribution to philosophy.
"Whereof one cannot speak, thereof one must be silent," one said.
Others spoke of his conception of important nonsense.
But I liked best the answer John Wisdom gave: "His asking of the question `Can one play chess without the queen?'" 10.
Wittgenstein preferred American detective stories to British philosophy.
He liked lunch and didn't care what it was, "so long as it was always the same," noted Professor Malcolm of Cornell, a former student, in whose house in Ithaca Wittgenstein spent hours doing handyman chores.
He was happy then.
There was no need to say a word.
Written by Billy Collins | Create an image from this poem

The Only Day In Existence

 The early sun is so pale and shadowy,
I could be looking up at a ghost
in the shape of a window,
a tall, rectangular spirit
looking down at me in bed,
about to demand that I avenge
the murder of my father.
But the morning light is only the first line in the play of this day-- the only day in existence-- the opening chord of its long song, or think of what is permeating the thin bedroom curtains as the beginning of a lecture I will listen to until it is dark, a curious student in a V-neck sweater, angled into the wooden chair of his life, ready with notebook and a chewed-up pencil, quiet as a goldfish in winter, serious as a compass at sea, eager to absorb whatever lesson this damp, overcast Tuesday has to teach me, here in the spacious classroom of the world with its long walls of glass, its heavy, low-hung ceiling.
Written by Amy Levy | Create an image from this poem

A Minor Poet

 "What should such fellows as I do,
Crawling between earth and heaven?"


Here is the phial; here I turn the key
Sharp in the lock.
Click!--there's no doubt it turned.
This is the third time; there is luck in threes-- Queen Luck, that rules the world, befriend me now And freely I'll forgive you many wrongs! Just as the draught began to work, first time, Tom Leigh, my friend (as friends go in the world), Burst in, and drew the phial from my hand, (Ah, Tom! ah, Tom! that was a sorry turn!) And lectured me a lecture, all compact Of neatest, newest phrases, freshly culled From works of newest culture: "common good ;" "The world's great harmonies;""must be content With knowing God works all things for the best, And Nature never stumbles.
" Then again, "The common good," and still, "the common, good;" And what a small thing was our joy or grief When weigh'd with that of thousands.
Gentle Tom, But you might wag your philosophic tongue From morn till eve, and still the thing's the same: I am myself, as each man is himself-- Feels his own pain, joys his own joy, and loves With his own love, no other's.
Friend, the world Is but one man; one man is but the world.
And I am I, and you are Tom, that bleeds When needles prick your flesh (mark, yours, not mine).
I must confess it; I can feel the pulse A-beating at my heart, yet never knew The throb of cosmic pulses.
I lament The death of youth's ideal in my heart; And, to be honest, never yet rejoiced In the world's progress--scarce, indeed, discerned; (For still it seems that God's a Sisyphus With the world for stone).
You shake your head.
I'm base, Ignoble? Who is noble--you or I? I was not once thus? Ah, my friend, we are As the Fates make us.
This time is the third; The second time the flask fell from my hand, Its drowsy juices spilt upon the board; And there my face fell flat, and all the life Crept from my limbs, and hand and foot were bound With mighty chains, subtle, intangible; While still the mind held to its wonted use, Or rather grew intense and keen with dread, An awful dread--I thought I was in Hell.
In Hell, in Hell ! Was ever Hell conceived By mortal brain, by brain Divine devised, Darker, more fraught with torment, than the world For such as I? A creature maimed and marr'd From very birth.
A blot, a blur, a note All out of tune in this world's instrument.
A base thing, yet not knowing to fulfil Base functions.
A high thing, yet all unmeet For work that's high.
A dweller on the earth, Yet not content to dig with other men Because of certain sudden sights and sounds (Bars of broke music; furtive, fleeting glimpse Of angel faces 'thwart the grating seen) Perceived in Heaven.
Yet when I approach To catch the sound's completeness, to absorb The faces' full perfection, Heaven's gate, Which then had stood ajar, sudden falls to, And I, a-shiver in the dark and cold, Scarce hear afar the mocking tones of men: "He would not dig, forsooth ; but he must strive For higher fruits than what our tillage yields; Behold what comes, my brothers, of vain pride!" Why play with figures? trifle prettily With this my grief which very simply's said, "There is no place for me in all the world"? The world's a rock, and I will beat no more A breast of flesh and blood against a rock.
.
.
A stride across the planks for old time's sake.
Ah, bare, small room that I have sorrowed in; Ay, and on sunny days, haply, rejoiced; We know some things together, you and I! Hold there, you rangèd row of books ! In vain You beckon from your shelf.
You've stood my friends Where all things else were foes; yet now I'll turn My back upon you, even as the world Turns it on me.
And yet--farewell, farewell! You, lofty Shakespere, with the tattered leaves And fathomless great heart, your binding's bruised Yet did I love you less? Goethe, farewell; Farewell, triumphant smile and tragic eyes, And pitiless world-wisdom! For all men These two.
And 'tis farewell with you, my friends, More dear because more near: Theokritus; Heine that stings and smiles; Prometheus' bard; (I've grown too coarse for Shelley latterly:) And one wild singer of to-day, whose song Is all aflame with passionate bard's blood Lash'd into foam by pain and the world's wrong.
At least, he has a voice to cry his pain; For him, no silent writhing in the dark, No muttering of mute lips, no straining out Of a weak throat a-choke with pent-up sound, A-throb with pent-up passion.
.
.
Ah, my sun! That's you, then, at the window, looking in To beam farewell on one who's loved you long And very truly.
Up, you creaking thing, You squinting, cobwebbed casement! So, at last, I can drink in the sunlight.
How it falls.
Across that endless sea of London roofs, Weaving such golden wonders on the grey, That almost, for the moment, we forget The world of woe beneath them.
Underneath, For all the sunset glory, Pain is king.
Yet, the sun's there, and very sweet withal; And I'll not grumble that it's only sun, But open wide my lips--thus--drink it in; Turn up my face to the sweet evening sky (What royal wealth of scarlet on the blue So tender toned, you'd almost think it green) And stretch my hands out--so--to grasp it tight.
Ha, ha! 'tis sweet awhile to cheat the Fates, And be as happy as another man.
The sun works in my veins like wine, like wine! 'Tis a fair world: if dark, indeed, with woe, Yet having hope and hint of such a joy, That a man, winning, well might turn aside, Careless of Heaven .
.
.
O enough; I turn From the sun's light, or haply I shall hope.
I have hoped enough; I would not hope again: 'Tis hope that is most cruel.
Tom, my friend, You very sorry philosophic fool; 'Tis you, I think, that bid me be resign'd, Trust, and be thankful.
Out on you! Resign'd? I'm not resign'd, not patient, not school'd in To take my starveling's portion and pretend I'm grateful for it.
I want all, all, all; I've appetite for all.
I want the best: Love, beauty, sunlight, nameless joy of life.
There's too much patience in the world, I think.
We have grown base with crooking of the knee.
Mankind--say--God has bidden to a feast; The board is spread, and groans with cates and drinks; In troop the guests; each man with appetite Keen-whetted with expectance.
In they troop, Struggle for seats, jostle and push and seize.
What's this? what's this? There are not seats for all! Some men must stand without the gates; and some Must linger by the table, ill-supplied With broken meats.
One man gets meat for two, The while another hungers.
If I stand Without the portals, seeing others eat Where I had thought to satiate the pangs Of mine own hunger; shall I then come forth When all is done, and drink my Lord's good health In my Lord's water? Shall I not rather turn And curse him, curse him for a niggard host? O, I have hungered, hungered, through the years, Till appetite grows craving, then disease; I am starved, wither'd, shrivelled.
Peace, O peace! This rage is idle; what avails to curse The nameless forces, the vast silences That work in all things.
This time is the third, I wrought before in heat, stung mad with pain, Blind, scarcely understanding; now I know What thing I do.
There was a woman once; Deep eyes she had, white hands, a subtle smile, Soft speaking tones: she did not break my heart, Yet haply had her heart been otherwise Mine had not now been broken.
Yet, who knows? My life was jarring discord from the first: Tho' here and there brief hints of melody, Of melody unutterable, clove the air.
From this bleak world, into the heart of night, The dim, deep bosom of the universe, I cast myself.
I only crave for rest; Too heavy is the load.
I fling it down.
EPILOGUE.
We knocked and knocked; at last, burst in the door, And found him as you know--the outstretched arms Propping the hidden face.
The sun had set, And all the place was dim with lurking shade.
There was no written word to say farewell, Or make more clear the deed.
I search'd and search'd; The room held little: just a row of books Much scrawl'd and noted; sketches on the wall, Done rough in charcoal; the old instrument (A violin, no Stradivarius) He played so ill on; in the table drawer Large schemes of undone work.
Poems half-writ; Wild drafts of symphonies; big plans of fugues; Some scraps of writing in a woman's hand: No more--the scattered pages of a tale, A sorry tale that no man cared to read.
Alas, my friend, I lov'd him well, tho' he Held me a cold and stagnant-blooded fool, Because I am content to watch, and wait With a calm mind the issue of all things.
Certain it is my blood's no turbid stream; Yet, for all that, haply I understood More than he ever deem'd; nor held so light The poet in him.
Nay, I sometimes doubt If they have not, indeed, the better part-- These poets, who get drunk with sun, and weep Because the night or a woman's face is fair.
Meantime there is much talk about my friend.
The women say, of course, he died for love; The men, for lack of gold, or cavilling Of carping critics.
I, Tom Leigh, his friend I have no word at all to say of this.
Nay, I had deem'd him more philosopher; For did he think by this one paltry deed To cut the knot of circumstance, and snap The chain which binds all being?
Written by Lewis Carroll | Create an image from this poem

Lays of Sorrow

 The day was wet, the rain fell souse
Like jars of strawberry jam, [1] a
sound was heard in the old henhouse,
A beating of a hammer.
Of stalwart form, and visage warm, Two youths were seen within it, Splitting up an old tree into perches for their poultry At a hundred strokes [2] a minute.
The work is done, the hen has taken Possession of her nest and eggs, Without a thought of eggs and bacon, [3] (Or I am very much mistaken happy) She turns over each shell, To be sure that all's well, Looks into the straw To see there's no flaw, Goes once round the house, [4] Half afraid of a mouse, Then sinks calmly to rest On the top of her nest, First doubling up each of her legs.
Time rolled away, and so did every shell, "Small by degrees and beautifully less," As the large mother with a powerful spell [5] Forced each in turn its contents to express, [6] But ah! "imperfect is expression," Some poet said, I don't care who, If you want to know you must go elsewhere, One fact I can tell, if you're willing to hear, He never attended a Parliament Session, For I'm certain that if he had ever been there, Full quickly would he have changed his ideas, With the hissings, the hootings, the groans and the cheers.
And as to his name it is pretty clear That it wasn't me and it wasn't you! And so it fell upon a day, (That is, it never rose again) A chick was found upon the hay, Its little life had ebbed away.
No longer frolicsome and gay, No longer could it run or play.
"And must we, chicken, must we part?" Its master [7] cried with bursting heart, And voice of agony and pain.
So one, whose ticket's marked "Return", [8] When to the lonely roadside station He flies in fear and perturbation, Thinks of his home--the hissing urn-- Then runs with flying hat and hair, And, entering, finds to his despair He's missed the very last train.
[9] Too long it were to tell of each conjecture Of chicken suicide, and poultry victim, The deadly frown, the stern and dreary lecture, The timid guess, "perhaps some needle pricked him!" The din of voice, the words both loud and many, The sob, the tear, the sigh that none could smother, Till all agreed "a shilling to a penny It killed itself, and we acquit the mother!" Scarce was the verdict spoken, When that still calm was broken, A childish form hath burst into the throng; With tears and looks of sadness, That bring no news of gladness, But tell too surely something hath gone wrong! "The sight I have come upon The stoutest heart [10] would sicken, That nasty hen has been and gone And killed another chicken!"


Written by Ogden Nash | Create an image from this poem

More About People

 When people aren't asking questions 
They're making suggestions 
And when they're not doing one of those 
They're either looking over your shoulder or stepping on your toes 
And then as if that weren't enough to annoy you 
They employ you.
Anybody at leisure Incurs everybody's displeasure.
It seems to be very irking To people at work to see other people not working, So they tell you that work is wonderful medicine, Just look at Firestone and Ford and Edison, And they lecture you till they're out of breath or something And then if you don't succumb they starve you to death or something.
All of which results in a nasty quirk: That if you don't want to work you have to work to earn enough money so that you won't have to work.
Written by Barry Tebb | Create an image from this poem

THE SINGING SCHOOL

 The Poetry School, The Poetry Book Society, The Poetry Business:

So much poetry about you’d think I’d want to shout, “Hurray, hurray,

Every day’s Poetry Day!” but I don’t and you don’t either-

You know its flim-flam on the ether, grants for Jack-the-lads

Of both sexes, poets who’ve never been seen in a little magazine

Then gone on to win the Oopla Prize and made baroque architecture

The subject of an O.
U.
lecture.
Seventy five pounds for a seminar on sensitivity in verse; A hundred and fifty for an infinitely worse whole weekend of ‘Steps towards a personal fiction in post-modern diction’; And the inevitable course anthology, eight pounds for eleven Nameless poets Pascale Petit and Mimi Kahlvati carefully selected From, well honestly! Who cares? God only knows how banal they’re Bound to be.
Budding Roddy Lumsdens, (Has anyone read a Roddy Lumsden Poem?) “Yeah! Yeah! Yeah!” his first collection short-listed here and there - The sheer hype’s enough to put me off for life.
I still write at bus-stops and avoid competitions like the plague.
I’m not lucky that way, I’ve still to win a single literary prize.
Is there one for every day of the year? And as for James Kirkup, My mentor of forty-odd years, his name evokes blank stares; but Look him up in ‘Who’s Who’, countless OUP collections, the best- ever Version of Val?ry’s ‘Cimeti?re Marin’, translations from eleven tongues Including Vietnamese.
Is there nothing Jamie can do to please? I help one poet to write and one to stay alive; Please God help poor poets thrive.
Written by Edgar Lee Masters | Create an image from this poem

Jim Brown

 While I was handling Dom Pedro
I got at the thing that divides the race between men who are
For singing "Turkey in the straw" or "There is a fountain filled with blood" --
(Like Rile Potter used to sing it over at Concord);
For cards, or for Rev.
Peet's lecture on the holy land; For skipping the light fantastic, or passing the plate; For Pinafore, or a Sunday school cantata; For men, or for money; For the people or against them.
This was it: Rev.
Peet and the Social Purity Club, Headed by Ben Pantier's wife, Went to the Village trustees, And asked them to make me take Dom Pedro From the barn of Wash McNeely, there at the edge of town, To a barn outside of the corporation, On the ground that it corrupted public morals.
Well, Ben Pantier and Fiddler Jones saved the day -- They thought it a slam on colts.
Written by Sir Walter Raleigh | Create an image from this poem

My Last Will

 When I am safely laid away, 
Out of work and out of play, 
Sheltered by the kindly ground 
From the world of sight and sound, 
One or two of those I leave 
Will remember me and grieve, 
Thinking how I made them gay 
By the things I used to say; 
-- But the crown of their distress 
Will be my untidiness.
What a nuisance then will be All that shall remain of me! Shelves of books I never read, Piles of bills, undocketed, Shaving-brushes, razors, strops, Bottles that have lost their tops, Boxes full of odds and ends, Letters from departed friends, Faded ties and broken braces Tucked away in secret places, Baggy trousers, ragged coats, Stacks of ancient lecture-notes, And that ghostliest of shows, Boots and shoes in horrid rows.
Though they are of cheerful mind, My lovers, whom I leave behind, When they find these in my stead, Will be sorry I am dead.
They will grieve; but you, my dear, Who have never tasted fear, Brave companion of my youth, Free as air and true as truth, Do not let these weary things Rob you of your junketings.
Burn the papers; sell the books; Clear out all the pestered nooks; Make a mighty funeral pyre For the corpse of old desire, Till there shall remain of it Naught but ashes in a pit: And when you have done away All that is of yesterday, If you feel a thrill of pain, Master it, and start again.
This, at least, you have never done Since you first beheld the sun: If you came upon your own Blind to light and deaf to tone, Basking in the great release Of unconsciousness and peace, You would never, while you live, Shatter what you cannot give; -- Faithful to the watch you keep, You would never break their sleep.
Clouds will sail and winds will blow As they did an age ago O'er us who lived in little towns Underneath the Berkshire downs.
When at heart you shall be sad, Pondering the joys we had, Listen and keep very still.
If the lowing from the hill Or the tolling of a bell Do not serve to break the spell, Listen; you may be allowed To hear my laughter from a cloud.
Take the good that life can give For the time you have to live.
Friends of yours and friends of mine Surely will not let you pine.
Sons and daughters will not spare More than friendly love and care.
If the Fates are kind to you, Some will stay to see you through; And the time will not be long Till the silence ends the song.
Sleep is God's own gift; and man, Snatching all the joys he can, Would not dare to give his voice To reverse his Maker's choice.
Brief delight, eternal quiet, How change these for endless riot Broken by a single rest? Well you know that sleep is best.
We that have been heart to heart Fall asleep, and drift apart.
Will that overwhelming tide Reunite us, or divide? Whence we come and whither go None can tell us, but I know Passion's self is often marred By a kind of self-regard, And the torture of the cry "You are you, and I am I.
" While we live, the waking sense Feeds upon our difference, In our passion and our pride Not united, but allied.
We are severed by the sun, And by darkness are made one.
Written by Anne Kingsmill Finch | Create an image from this poem

Reformation

 A Gentleman, most wretched in his Lot, 
A wrangling and reproving Wife had got, 
Who, tho' she curb'd his Pleasures, and his Food, 
Call'd him My Dear, and did it for his Good, 
Ills to prevent; She of all Ills the worst, 
So wisely Froward, and so kindly Curst.
The Servants too experiment her Lungs, And find they've Breath to serve a thousand Tongues.
Nothing went on; for her eternal Clack Still rectifying, set all Matters back; Nor Town, nor Neighbours, nor the Court cou'd please, But furnish'd Matter for her sharp Disease.
To distant Plains at length he gets her down, With no Affairs to manage of her own; Hoping from that unactive State to find A calmer Habit, grown upon her Mind: But soon return'd he hears her at his Door, As noisy and tempestuous as before; Yet mildly ask'd, How she her Days had spent Amidst the Quiet of a sweet Content, Where Shepherds 'tend their Flocks, and Maids their Pails, And no harsh Mistress domineers, or rails? Not rail! she cries–Why, I that had no share In their Concerns, cou'd not the Trollops spare; But told 'em, they were Sluts–And for the Swains, My Name a Terror to them still remains; So often I reprov'd their slothful Faults, And with such Freedom told 'em all my Thoughts, That I no more amongst them cou'd reside.
Has then, alas! the Gentleman reply'd, One single Month so much their patience try'd? Where you by Day, and but at Seasons due, Cou'd with your Clamours their Defects pursue; How had they shrunk, and justly been afraid, Had they with me one Curtain Lecture heard! Yet enter Madam, and resume your Sway; Who can't Command, must silently Obey.
In secret here let endless Faults be found, Till, like Reformers who in States abound, You all to Ruin bring, and ev'ry Part confound.

Book: Reflection on the Important Things