Written by
Allen Ginsberg |
At gauzy dusk, thin haze like cigarette smoke
ribbons past Chrysler Building's silver fins
tapering delicately needletopped, Empire State's
taller antenna filmed milky lit amid blocks
black and white apartmenting veil'd sky over Manhattan,
offices new built dark glassed in blueish heaven--The East
50's & 60's covered with castles & watertowers, seven storied
tar-topped house-banks over York Avenue, late may-green trees
surrounding Rockefellers' blue domed medical arbor--
Geodesic science at the waters edge--Cars running up
East River Drive, & parked at N.
Y.
Hospital's oval door
where perfect tulips flower the health of a thousand sick souls
trembling inside hospital rooms.
Triboro bridge steel-spiked
penthouse orange roofs, sunset tinges the river and in a few
Bronx windows, some magnesium vapor brilliances're
spotted five floors above E 59th St under grey painted bridge
trestles.
Way downstream along the river, as Monet saw Thames
100 years ago, Con Edison smokestacks 14th street,
& Brooklyn Bridge's skeined dim in modern mists--
Pipes sticking up to sky nine smokestacks huge visible--
U.
N.
Building hangs under an orange crane, & red lights on
vertical avenues below the trees turn green at the nod
of a skull with a mild nerve ache.
Dim dharma, I return
to this spectacle after weeks of poisoned lassitude, my thighs
belly chest & arms covered with poxied welts,
head pains fading back of the neck, right eyebrow cheek
mouth paralyzed--from taking the wrong medicine, sweated
too much in the forehead helpless, covered my rage from
gorge to prostate with grinding jaw and tightening anus
not released the weeping scream of horror at robot Mayaguez
World self ton billions metal grief unloaded
Pnom Penh to Nakon Thanom, Santiago & Tehran.
Fresh warm breeze in the window, day's release
>from pain, cars float downside the bridge trestle
and uncounted building-wall windows multiplied a mile
deep into ash-delicate sky beguile
my empty mind.
A seagull passes alone wings
spread silent over roofs.
- May 20, 1975 Mayaguez Crisis
|
Written by
Alan Seeger |
First, London, for its myriads; for its height,
Manhattan heaped in towering stalagmite;
But Paris for the smoothness of the paths
That lead the heart unto the heart's delight.
.
.
.
Fair loiterer on the threshold of those days
When there's no lovelier prize the world displays
Than, having beauty and your twenty years,
You have the means to conquer and the ways,
And coming where the crossroads separate
And down each vista glories and wonders wait,
Crowning each path with pinnacles so fair
You know not which to choose, and hesitate --
Oh, go to Paris.
.
.
.
In the midday gloom
Of some old quarter take a little room
That looks off over Paris and its towers
From Saint Gervais round to the Emperor's Tomb, --
So high that you can hear a mating dove
Croon down the chimney from the roof above,
See Notre Dame and know how sweet it is
To wake between Our Lady and our love.
And have a little balcony to bring
Fair plants to fill with verdure and blossoming,
That sparrows seek, to feed from pretty hands,
And swallows circle over in the Spring.
There of an evening you shall sit at ease
In the sweet month of flowering chestnut-trees,
There with your little darling in your arms,
Your pretty dark-eyed Manon or Louise.
And looking out over the domes and towers
That chime the fleeting quarters and the hours,
While the bright clouds banked eastward back of them
Blush in the sunset, pink as hawthorn flowers,
You cannot fail to think, as I have done,
Some of life's ends attained, so you be one
Who measures life's attainment by the hours
That Joy has rescued from oblivion.
II
Come out into the evening streets.
The green light lessens in the west.
The city laughs and liveliest her fervid pulse of pleasure beats.
The belfry on Saint Severin strikes eight across the smoking eaves:
Come out under the lights and leaves
to the Reine Blanche on Saint Germain.
.
.
.
Now crowded diners fill the floor of brasserie and restaurant.
Shrill voices cry "L'Intransigeant," and corners echo "Paris-Sport.
"
Where rows of tables from the street are screened with shoots of box and bay,
The ragged minstrels sing and play and gather sous from those that eat.
And old men stand with menu-cards, inviting passers-by to dine
On the bright terraces that line the Latin Quarter boulevards.
.
.
.
But, having drunk and eaten well, 'tis pleasant then to stroll along
And mingle with the merry throng that promenades on Saint Michel.
Here saunter types of every sort.
The shoddy jostle with the chic:
Turk and Roumanian and Greek; student and officer and sport;
Slavs with their peasant, Christ-like heads,
and courtezans like powdered moths,
And peddlers from Algiers, with cloths
bright-hued and stitched with golden threads;
And painters with big, serious eyes go rapt in dreams, fantastic shapes
In corduroys and Spanish capes and locks uncut and flowing ties;
And lovers wander two by two, oblivious among the press,
And making one of them no less, all lovers shall be dear to you:
All laughing lips you move among, all happy hearts that, knowing what
Makes life worth while, have wasted not the sweet reprieve of being young.
"Comment ca va!" "Mon vieux!" "Mon cher!"
Friends greet and banter as they pass.
'Tis sweet to see among the mass comrades and lovers everywhere,
A law that's sane, a Love that's free, and men of every birth and blood
Allied in one great brotherhood of Art and Joy and Poverty.
.
.
.
The open cafe-windows frame loungers at their liqueurs and beer,
And walking past them one can hear fragments of Tosca and Boheme.
And in the brilliant-lighted door of cinemas the barker calls,
And lurid posters paint the walls with scenes of Love and crime and war.
But follow past the flaming lights, borne onward with the stream of feet,
Where Bullier's further up the street is marvellous on Thursday nights.
Here all Bohemia flocks apace; you could not often find elsewhere
So many happy heads and fair assembled in one time and place.
Under the glare and noise and heat the galaxy of dancing whirls,
Smokers, with covered heads, and girls dressed in the costume of the street.
From tables packed around the wall the crowds that drink and frolic there
Spin serpentines into the air far out over the reeking hall,
That, settling where the coils unroll, tangle with pink and green and blue
The crowds that rag to "Hitchy-koo" and boston to the "Barcarole".
.
.
.
Here Mimi ventures, at fifteen, to make her debut in romance,
And join her sisters in the dance and see the life that they have seen.
Her hair, a tight hat just allows to brush beneath the narrow brim,
Docked, in the model's present whim, `frise' and banged above the brows.
Uncorseted, her clinging dress with every step and turn betrays,
In pretty and provoking ways her adolescent loveliness,
As guiding Gaby or Lucile she dances, emulating them
In each disturbing stratagem and each lascivious appeal.
Each turn a challenge, every pose an invitation to compete,
Along the maze of whirling feet the grave-eyed little wanton goes,
And, flaunting all the hue that lies in childish cheeks and nubile waist,
She passes, charmingly unchaste, illumining ignoble eyes.
.
.
.
But now the blood from every heart leaps madder through abounding veins
As first the fascinating strains of "El Irresistible" start.
Caught in the spell of pulsing sound, impatient elbows lift and yield
The scented softnesses they shield to arms that catch and close them round,
Surrender, swift to be possessed, the silken supple forms beneath
To all the bliss the measures breathe and all the madness they suggest.
Crowds congregate and make a ring.
Four deep they stand and strain to see
The tango in its ecstasy of glowing lives that clasp and cling.
Lithe limbs relaxed, exalted eyes fastened on vacancy, they seem
To float upon the perfumed stream of some voluptuous Paradise,
Or, rapt in some Arabian Night, to rock there, cradled and subdued,
In a luxurious lassitude of rhythm and sensual delight.
And only when the measures cease and terminate the flowing dance
They waken from their magic trance and join the cries that clamor "Bis!" .
.
.
Midnight adjourns the festival.
The couples climb the crowded stair,
And out into the warm night air go singing fragments of the ball.
Close-folded in desire they pass, or stop to drink and talk awhile
In the cafes along the mile from Bullier's back to Montparnasse:
The "Closerie" or "La Rotonde", where smoking, under lamplit trees,
Sit Art's enamored devotees, chatting across their `brune' and `blonde'.
.
.
.
Make one of them and come to know sweet Paris -- not as many do,
Seeing but the folly of the few, the froth, the tinsel, and the show --
But taking some white proffered hand that from Earth's barren every day
Can lead you by the shortest way into Love's florid fairyland.
And that divine enchanted life that lurks under Life's common guise --
That city of romance that lies within the City's toil and strife --
Shall, knocking, open to your hands, for Love is all its golden key,
And one's name murmured tenderly the only magic it demands.
And when all else is gray and void in the vast gulf of memory,
Green islands of delight shall be all blessed moments so enjoyed:
When vaulted with the city skies, on its cathedral floors you stood,
And, priest of a bright brotherhood, performed the mystic sacrifice,
At Love's high altar fit to stand, with fire and incense aureoled,
The celebrant in cloth of gold with Spring and Youth on either hand.
III
Choral Song
Have ye gazed on its grandeur
Or stood where it stands
With opal and amber
Adorning the lands,
And orcharded domes
Of the hue of all flowers?
Sweet melody roams
Through its blossoming bowers,
Sweet bells usher in from its belfries the train of the honey-sweet hour.
A city resplendent,
Fulfilled of good things,
On its ramparts are pendent
The bucklers of kings.
Broad banners unfurled
Are afloat in its air.
The lords of the world
Look for harborage there.
None finds save he comes as a bridegroom, having roses and vine in his hair.
'Tis the city of Lovers,
There many paths meet.
Blessed he above others,
With faltering feet,
Who past its proud spires
Intends not nor hears
The noise of its lyres
Grow faint in his ears!
Men reach it through portals of triumph, but leave through a postern of tears.
It was thither, ambitious,
We came for Youth's right,
When our lips yearned for kisses
As moths for the light,
When our souls cried for Love
As for life-giving rain
Wan leaves of the grove,
Withered grass of the plain,
And our flesh ached for Love-flesh beside it with bitter, intolerable pain.
Under arbor and trellis,
Full of flutes, full of flowers,
What mad fortunes befell us,
What glad orgies were ours!
In the days of our youth,
In our festal attire,
When the sweet flesh was smooth,
When the swift blood was fire,
And all Earth paid in orange and purple to pavilion the bed of Desire!
|
Written by
Wole Soyinka |
Blue diaphane, tobacco smoke
Serpentine on wet film and wood glaze,
Mutes chrome, wreathes velvet drapes,
Dims the cave of mirrors.
Ghost fingers
Comb seaweed hair, stroke acquamarine veins
Of marooned mariners, captives
Of Circe's sultry notes.
The barman
Dispenses igneous potions ?
Somnabulist, the band plays on.
Cocktail mixer, silvery fish
Dances for limpet clients.
Applause is steeped in lassitude,
Tangled in webs of lovers' whispers
And artful eyelash of the androgynous.
The hovering notes caress the night
Mellowed deep indigo ?still they play.
Departures linger.
Absences do not
Deplete the tavern.
They hang over the haze
As exhalations from receded shores.
Soon,
Night repossesses the silence, but till dawn
The notes hold sway, smoky
Epiphanies, possessive of the hours.
This music's plaint forgives, redeems
The deafness of the world.
Night turns
Homewards, sheathed in notes of solace, pleats
The broken silence of the heart.
|
Written by
Adrienne Rich |
I know you are reading this poem
late, before leaving your office
of the one intense yellow lamp-spot and the darkening window
in the lassitude of a building faded to quiet
long after rush-hour.
I know you are reading this poem
standing up in a bookstore far from the ocean
on a grey day of early spring, faint flakes driven
across the plains' enormous spaces around you.
I know you are reading this poem
in a room where too much has happened for you to bear
where the bedclothes lie in stagnant coils on the bed
and the open valise speaks of flight
but you cannot leave yet.
I know you are reading this poem
as the underground train loses momentum and before running
up the stairs
toward a new kind of love
your life has never allowed.
I know you are reading this poem by the light
of the television screen where soundless images jerk and slide
while you wait for the newscast from the intifada.
I know you are reading this poem in a waiting-room
of eyes met and unmeeting, of identity with strangers.
I know you are reading this poem by fluorescent light
in the boredom and fatigue of the young who are counted out,
count themselves out, at too early an age.
I know
you are reading this poem through your failing sight, the thick
lens enlarging these letters beyond all meaning yet you read on
because even the alphabet is precious.
I know you are reading this poem as you pace beside the stove
warming milk, a crying child on your shoulder, a book in your
hand
because life is short and you too are thirsty.
I know you are reading this poem which is not in your language
guessing at some words while others keep you reading
and I want to know which words they are.
I know you are reading this poem listening for something, torn
between bitterness and hope
turning back once again to the task you cannot refuse.
I know you are reading this poem because there is nothing else
left to read
there where you have landed, stripped as you are.
|
Written by
Henry Van Dyke |
I
IN EXCELSIS
Two dwellings, Peace, are thine.
One is the mountain-height,
Uplifted in the loneliness of light
Beyond the realm of shadows,--fine,
And far, and clear,--where advent of the night
Means only glorious nearness of the stars,
And dawn, unhindered, breaks above the bars
That long the lower world in twilight keep.
Thou sleepest not, and hast no need of sleep,
For all thy cares and fears have dropped away;
The night's fatigue, the fever-fret of day,
Are far below thee; and earth's weary wars,
In vain expense of passion, pass
Before thy sight like visions in a glass,
Or like the wrinkles of the storm that creep
Across the sea and leave no trace
Of trouble on that immemorial face,--
So brief appear the conflicts, and so slight
The wounds men give, the things for which they fight.
Here hangs a fortress on the distant steep,--
A lichen clinging to the rock:
There sails a fleet upon the deep,--
A wandering flock
Of snow-winged gulls: and yonder, in the plain,
A marble palace shines,--a grain
Of mica glittering in the rain.
Beneath thy feet the clouds are rolled
By voiceless winds: and far between
The rolling clouds new shores and peaks are seen,
In shimmering robes of green and gold,
And faint aerial hue
That silent fades into the silent blue.
Thou, from thy mountain-hold,
All day, in tranquil wisdom, looking down
On distant scenes of human toil and strife,
All night, with eyes aware of loftier life,
Uplooking to the sky, where stars are sown,
Dost watch the everlasting fields grow white
Unto the harvest of the sons of light,
And welcome to thy dwelling-place sublime
The few strong souls that dare to climb
The slippery crags and find thee on the height.
II
DE PROFUNDIS
But in the depth thou hast another home,
For hearts less daring, or more frail.
Thou dwellest also in the shadowy vale;
And pilgrim-souls that roam
With weary feet o'er hill and dale,
Bearing the burden and the heat
Of toilful days,
Turn from the dusty ways
To find thee in thy green and still retreat.
Here is no vision wide outspread
Before the lonely and exalted seat
Of all-embracing knowledge.
Here, instead,
A little garden, and a sheltered nook,
With outlooks brief and sweet
Across the meadows, and along the brook,--
A little stream that little knows
Of the great sea towards which it gladly flows,--
A little field that bears a little wheat
To make a portion of earth's daily bread.
The vast cloud-armies overhead
Are marshalled, and the wild wind blows
Its trumpet, but thou canst not tell
Whence the storm comes nor where it goes.
Nor dost thou greatly care, since all is well;
Thy daily task is done,
And though a lowly one,
Thou gavest it of thy best,
And art content to rest
In patience till its slow reward is won.
Not far thou lookest, but thy sight is clear;
Not much thou knowest, but thy faith is dear;
For life is love, and love is always near.
Here friendship lights the fire, and every heart,
Sure of itself and sure of all the rest,
Dares to be true, and gladly takes its part
In open converse, bringing forth its best:
Here is Sweet music, melting every chain
Of lassitude and pain:
And here, at last, is sleep, the gift of gifts,
The tender nurse, who lifts
The soul grown weary of the waking world,
And lays it, with its thoughts all furled,
Its fears forgotten, and its passions still,
On the deep bosom of the Eternal Will.
|
Written by
Ogden Nash |
I sit in an office at 244 Madison Avenue
And say to myself You have a responsible job havenue?
Why then do you fritter away your time on this doggerel?
If you have a sore throat you can cure it by using a good goggeral,
If you have a sore foot you can get it fixed by a chiropodist,
And you can get your original sin removed by St.
John the Bopodist,
Why then should this flocculent lassitude be incurable?
Kansas City, Kansas, proves that even Kansas City needn't always be
Missourible.
Up up my soul! This inaction is abominable.
Perhaps it is the result of disturbances abdominable.
The pilgrims settled Massachusetts in 1620 when they landed on a stone
hummock.
Maybe if they were here now they would settle my stomach.
Oh, if I only had the wings of a bird
Instead of being confined on Madison Avenue I could soar in a jiffy to
Second or Third.
|
Written by
William Matthews |
What did I think, a storm clutching a clarinet
and boarding a downtown bus, headed for lessons?
I had pieces to learn by heart, but at twelve
you think the heart and memory are different.
"'It's a poor sort of memory that only works
backwards,' the Queen remarked.
" Alice in Wonderland.
Although I knew the way music can fill a room,
even with loneliness, which is of course a kind
of company.
I could swelter through an August
afternoon -- torpor rising from the river -- and listen
to Stan Getz and J.
J.
Johnson braid variations
on "My Funny Valentine" and feel there in the room
with me the force and weight of what I couldn't
say.
What's an emotion anyhow?
Lassitude and sweat lay all about me
like a stubble field, it was so hot and listless,
but I was quick and furtive as a fox
who has his thirty-miles-a-day metabolism
to burn off as ordinary business.
I had about me, after all, the bare eloquence
of the becalmed, the plain speech of the leafless
tree.
I had the cunning of my body and a few
bars -- they were enough -- of music.
Looking back,
it almost seems as though I could remember --
but this can't be; how could I bear it? --
the future toward which I'd clatter
with that boy tied like a bell around my throat,
a brave man and a coward both,
to break and break my metronomic heart
and just enough to learn to love the blues.
|
Written by
|
Blue diaphane, tobacco smoke
Serpentine on wet film and wood glaze,
Mutes chrome, wreathes velvet drapes,
Dims the cave of mirrors.
Ghost fingers
Comb seaweed hair, stroke acquamarine veins
Of marooned mariners, captives
Of Circe's sultry notes.
The barman
Dispenses igneous potions ?
Somnabulist, the band plays on.
Cocktail mixer, silvery fish
Dances for limpet clients.
Applause is steeped in lassitude,
Tangled in webs of lovers' whispers
And artful eyelash of the androgynous.
The hovering notes caress the night
Mellowed deep indigo ?still they play.
Departures linger.
Absences do not
Deplete the tavern.
They hang over the haze
As exhalations from receded shores.
Soon,
Night repossesses the silence, but till dawn
The notes hold sway, smoky
Epiphanies, possessive of the hours.
This music's plaint forgives, redeems
The deafness of the world.
Night turns
Homewards, sheathed in notes of solace, pleats
The broken silence of the heart.
|
Written by
Robert William Service |
Do you recall that happy bike
With bundles on our backs?
How near to heaven it was like
To blissfully relax!
In cosy tavern of good cheer
To doff our heavy packs,
And with a mug of foamy beer
Relax.
Learn to relax: to clean the mind
Of fear and doubt and care,
And in vacuity to find
The perfect peace that's there.
With lassitude of heart and hand,
When every sinew slacks,
How good to rest the old bean and
Relax, relax.
Just sink back in an easy chair
For forty winks or so,
And fold your hands as if in prayer,
--That helps a lot, you know.
Forget that you are you awhile,
And pliable as wax,
Just beatifically smile .
.
.
Relax, relax, relax.
|
Written by
D. H. Lawrence |
I
=The Town=
Oh you stiff shapes, swift transformation seethes
About you: only last night you were
A Sodom smouldering in the dense, soiled air;
To-day a thicket of sunshine with blue smoke-wreaths.
To-morrow swimming in evening's vague, dim vapour
Like a weeded city in shadow under the sea,
Beneath an ocean of shimmering light you will be:
Then a group of toadstools waiting the moon's white taper.
And when I awake in the morning, after rain,
To find the new houses a cluster of lilies glittering
In scarlet, alive with the birds' bright twittering,
I'll say your bond of ugliness is vain.
II
=The Earth=
Oh Earth, you spinning clod of earth,
And then you lamp, you lemon-coloured beauty;
Oh Earth, you rotten apple rolling downward,
Then brilliant Earth, from the burr of night in beauty
As a jewel-brown horse-chestnut newly issued:--
You are all these, and strange, it is my duty
To take you all, sordid or radiant tissued.
III
=Men=
Oh labourers, oh shuttles across the blue frame of morning,
You feet of the rainbow balancing the sky!
Oh you who flash your arms like rockets to heaven,
Who in lassitude lean as yachts on the sea-wind lie!
You who in crowds are rhododendrons in blossom,
Who stand alone in pride like lighted lamps;
Who grappling down with work or hate or passion,
Take strange lithe form of a beast that sweats and ramps:
You who are twisted in grief like crumpled beech-leaves,
Who curl in sleep like kittens, who kiss as a swarm
Of clustered, vibrating bees; who fall to earth
At last like a bean-pod: what are you, oh multiform?
|