Written by
Edward Field |
The monster has escaped from the dungeon
where he was kept by the Baron,
who made him with knobs sticking out from each side of his neck
where the head was attached to the body
and stitching all over
where parts of cadavers were sewed together.
He is pursued by the ignorant villagers,
who think he is evil and dangerous because he is ugly
and makes ugly noises.
They wave firebrands at him and cudgels and rakes,
but he escapes and comes to the thatched cottage
of an old blind man playing on the violin Mendelssohn's "Spring Song."
Hearing him approach, the blind man welcomes him:
"Come in, my friend," and takes him by the arm.
"You must be weary," and sits him down inside the house.
For the blind man has long dreamed of having a friend
to share his lonely life.
The monster has never known kindness ‹ the Baron was cruel --
but somehow he is able to accept it now,
and he really has no instincts to harm the old man,
for in spite of his awful looks he has a tender heart:
Who knows what cadaver that part of him came from?
The old man seats him at table, offers him bread,
and says, "Eat, my friend." The monster
rears back roaring in terror.
"No, my friend, it is good. Eat -- gooood"
and the old man shows him how to eat,
and reassured, the monster eats
and says, "Eat -- gooood,"
trying out the words and finding them good too.
The old man offers him a glass of wine,
"Drink, my friend. Drink -- gooood."
The monster drinks, slurping horribly, and says,
"Drink -- gooood," in his deep nutty voice
and smiles maybe for the first time in his life.
Then the blind man puts a cigar in the monster's mouth
and lights a large wooden match that flares up in his face.
The monster, remembering the torches of the villagers,
recoils, grunting in terror.
"No, my friend, smoke -- gooood,"
and the old man demonstrates with his own cigar.
The monster takes a tentative puff
and smiles hugely, saying, "Smoke -- gooood,"
and sits back like a banker, grunting and puffing.
Now the old man plays Mendelssohn's "Spring Song" on the violin
while tears come into our dear monster s eyes
as he thinks of the stones of the mob the pleasures of meal-time,
the magic new words he has learned
and above all of the friend he has found.
It is just as well that he is unaware --
being simple enough to believe only in the present --
that the mob will find him and pursue him
for the rest of his short unnatural life,
until trapped at the whirlpool's edge
he plunges to his death.
|
Written by
Rudyard Kipling |
1911
When the Himalayan peasant meets the he-bear in his pride,
He shouts to scare the monster, who will often turn aside.
But the she-bear thus accosted rends the peasant tooth and nail.
For the female of the species is more deadly than the male.
When Nag the basking cobra hears the careless foot of man,
He will sometimes wriggle sideways and avoid it if he can.
But his mate makes no such motion where she camps beside the trail.
For the female of the species is more deadly than the male.
When the early Jesuit fathers preached to Hurons and Choctaws,
They prayed to be delivered from the vengeance of the squaws.
'Twas the women, not the warriors, turned those stark enthusiasts pale.
For the female of the species is more deadly than the male.
Man's timid heart is bursting with the things he must not say,
For the Woman that God gave him isn't his to give away;
But when hunter meets with husbands, each confirms the other's tale --
The female of the species is more deadly than the male.
Man, a bear in most relations-worm and savage otherwise, --
Man propounds negotiations, Man accepts the compromise.
Very rarely will he squarely push the logic of a fact
To its ultimate conclusion in unmitigated act.
Fear, or foolishness, impels him, ere he lay the wicked low,
To concede some form of trial even to his fiercest foe.
Mirth obscene diverts his anger --- Doubt and Pity oft perplex
Him in dealing with an issue -- to the scandal of The Sex!
But the Woman that God gave him, every fibre of her frame
Proves her launched for one sole issue, armed and engined for the same,
And to serve that single issue, lest the generations fail,
The female of the species must be deadlier than the male.
She who faces Death by torture for each life beneath her breast
May not deal in doubt or pity -- must not swerve for fact or jest.
These be purely male diversions -- not in these her honour dwells.
She the Other Law we live by, is that Law and nothing else.
She can bring no more to living than the powers that make her great
As the Mother of the Infant and the Mistress of the Mate.
And when Babe and Man are lacking and she strides unchained to claim
Her right as femme (and baron), her equipment is the same.
She is wedded to convictions -- in default of grosser ties;
Her contentions are her children, Heaven help him who denies! --
He will meet no suave discussion, but the instant, white-hot, wild,
Wakened female of the species warring as for spouse and child.
Unprovoked and awful charges -- even so the she-bear fights,
Speech that drips, corrodes, and poisons -- even so the cobra bites,
Scientific vivisection of one nerve till it is raw
And the victim writhes in anguish -- like the Jesuit with the squaw!
So it cames that Man, the coward, when he gathers to confer
With his fellow-braves in council, dare nat leave a place for her
Where, at war with Life and Conscience, he uplifts his erring hands
To some God of Abstract Justice -- which no woman understands.
And Man knows it! Knows, moreover, that the Woman that God gave him
Must command but may not govern -- shall enthral but not enslave him.
And She knows, because She warns him, and Her instincts never fail,
That the Female of Her Species is more deadly than the Male.
|
Written by
Robert Browning |
Grow old along with me!
The best is yet to be,
The last of life, for which the first was made:
Our times are in His hand
Who saith 'A whole I planned,
Youth shows but half; trust God: see all, nor be afraid!'
Not that, amassing flowers,
Youth sighed 'Which rose make ours,
Which lily leave and then as best recall?'
Not that, admiring stars,
It yearned 'Nor Jove, nor Mars;
Mine be some figured flame which blends, transcends them all!'
Not for such hopes and fears
Annulling youth's brief years,
Do I remonstrate: folly wide the mark!
Rather I prize the doubt
Low kinds exist without,
Finished and finite clods, untroubled by a spark.
Poor vaunt of life indeed,
Were man but formed to feed
On joy, to solely seek and find and feast:
Such feasting ended, then
As sure an end to men;
Irks care the crop-full bird? Frets doubt the maw-crammed beast?
Rejoice we are allied
To That which doth provide
And not partake, effect and not receive!
A spark disturbs our clod;
Nearer we hold of God
Who gives, than of His tribes that take, I must believe.
Then, welcome each rebuff
That turns earth's smoothness rough,
Each sting that bids nor sit nor stand but go!
Be our joys three-parts pain!
Strive, and hold cheap the strain;
Learn, nor account the pang; dare, never grudge the throe!
For thence,--a paradox
Which comforts while it mocks,--
Shall life succeed in that it seems to fail:
What I aspired to be,
And was not, comforts me:
A brute I might have been, but would not sink i' the scale.
What is he but a brute
Whose flesh has soul to suit,
Whose spirit works lest arms and legs want play?
To man, propose this test--
Thy body at its best,
How far can that project thy soul on its lone way?
Yet gifts should prove their use:
I own the Past profuse
Of power each side, perfection every turn:
Eyes, ears took in their dole,
Brain treasured up the whole;
Should not the heart beat once 'How good to live and learn?'
Not once beat 'Praise be Thine!
I see the whole design,
I, who saw power, see now love perfect too:
Perfect I call Thy plan:
Thanks that I was a man!
Maker, remake, complete,--I trust what Thou shalt do!'
For pleasant is this flesh;
Our soul, in its rose-mesh
Pulled ever to the earth, still yearns for rest;
Would we some prize might hold
To match those manifold
Possessions of the brute,--gain most, as we did best!
Let us not always say,
'Spite of this flesh to-day
I strove, made head, gained ground upon the whole!'
As the bird wings and sings,
Let us cry 'All good things
Are ours, nor soul helps flesh more, now, than flesh helps soul!'
Therefore I summon age
To grant youth's heritage,
Life's struggle having so far reached its term:
Thence shall I pass, approved
A man, for aye removed
From the developed brute; a god though in the germ.
And I shall thereupon
Take rest, ere I be gone
Once more on my adventure brave and new:
Fearless and unperplexed,
When I wage battle next,
What weapons to select, what armour to indue.
Youth ended, I shall try
My gain or loss thereby;
Leave the fire ashes, what survives is gold:
And I shall weigh the same,
Give life its praise or blame:
Young, all lay in dispute; I shall know, being old.
For note, when evening shuts,
A certain moment cuts
The deed off, calls the glory from the grey:
A whisper from the west
Shoots--'Add this to the rest,
Take it and try its worth: here dies another day.'
So, still within this life,
Though lifted o'er its strife,
Let me discern, compare, pronounce at last,
This rage was right i' the main,
That acquiescence vain:
The Future I may face now I have proved the Past.'
For more is not reserved
To man, with soul just nerved
To act to-morrow what he learns to-day:
Here, work enough to watch
The Master work, and catch
Hints of the proper craft, tricks of the tool's true play.
As it was better, youth
Should strive, through acts uncouth,
Toward making, than repose on aught found made:
So, better, age, exempt
From strife, should know, than tempt
Further. Thou waitedst age: wait death nor be afraid!
Enough now, if the Right
And Good and Infinite
Be named here, as thou callest thy hand thine own
With knowledge absolute,
Subject to no dispute
From fools that crowded youth, nor let thee feel alone.
Be there, for once and all,
Severed great minds from small,
Announced to each his station in the Past!
Was I, the world arraigned,
Were they, my soul disdained,
Right? Let age speak the truth and give us peace at last!
Now, who shall arbitrate?
Ten men love what I hate,
Shun what I follow, slight what I receive;
Ten, who in ears and eyes
Match me: we all surmise,
They this thing, and I that: whom shall my soul believe?
Not on the vulgar mass
Called 'work,' must sentence pass,
Things done, that took the eye and had the price;
O'er which, from level stand,
The low world laid its hand,
Found straightway to its mind, could value in a trice:
But all, the world's coarse thumb
And finger failed to plumb,
So passed in making up the main account;
All instincts immature,
All purposes unsure,
That weighed not as his work, yet swelled the man's amount:
Thoughts hardly to be packed
Into a narrow act,
Fancies that broke through language and escaped;
All I could never be,
All, men ignored in me,
This, I was worth to God, whose wheel the pitcher shaped.
Ay, note that Potter's wheel,
That metaphor! and feel
Why time spins fast, why passive lies our clay,--
Thou, to whom fools propound,
When the wine makes its round,
'Since life fleets, all is change; the Past gone, seize to-day!'
Fool! All that is, at all,
Lasts ever, past recall;
Earth changes, but thy soul and God stand sure:
What entered into thee,
That was, is, and shall be:
Time's wheel runs back or stops: Potter and clay endure.
He fixed thee mid this dance
Of plastic circumstance,
This Present, thou, forsooth, wouldst fain arrest:
Machinery just meant
To give thy soul its bent,
Try thee and turn thee forth, sufficiently impressed.
What though the earlier grooves,
Which ran the laughing loves
Around thy base, no longer pause and press?
What though, about thy rim,
Skull-things in order grim
Grow out, in graver mood, obey the sterner stress?
Look not thou down but up!
To uses of a cup,
The festal board, lamp's flash and trumpet's peal,
The new wine's foaming flow,
The Master's lips a-glow!
Thou, heaven's consummate cup, what need'st thou with earth's wheel?
But I need, now as then,
Thee, God, who mouldest men;
And since, not even while the whirl was worst,
Did I,--to the wheel of life
With shapes and colours rife,
Bound dizzily,--mistake my end, to slake Thy thirst:
So, take and use Thy work:
Amend what flaws may lurk,
What strain o' the stuff, what warpings past the aim!
My times be in Thy hand!
Perfect the cup as planned!
Let age approve of youth, and death complete the same!
|
Written by
Edward Field |
The Baron has decided to mate the monster,
to breed him perhaps,
in the interests of pure science, his only god.
So he goes up into his laboratory
which he has built in the tower of the castle
to be as near the interplanetary forces as possible,
and puts together the prettiest monster-woman you ever saw
with a body like a pin-up girl
and hardly any stitching at all
where he sewed on the head of a raped and murdered beauty queen.
He sets his liquids burping, and coils blinking and buzzing,
and waits for an electric storm to send through the equipment
the spark vital for life.
The storm breaks over the castle
and the equipment really goes crazy
like a kitchen full of modern appliances
as the lightning juice starts oozing right into that pretty corpse.
He goes to get the monster
so he will be right there when she opens her eyes,
for she might fall in love with the first thing she sees as ducklings do.
That monster is already straining at his chains and slurping,
ready to go right to it:
He has been well prepared for coupling
by his pinching leering keeper who's been saying for weeks,
"Ya gonna get a little nookie, kid,"
or "How do you go for some poontang, baby?"
All the evil in him is focused on this one thing now
as he is led into her very presence.
She awakens slowly,
she bats her eyes,
she gets up out of the equipment,
and finally she stands in all her seamed glory,
a monster princess with a hairdo like a fright wig,
lightning flashing in the background
like a halo and a wedding veil,
like a photographer snapping pictures of great moments.
She stands and stares with her electric eyes,
beginning to understand that in this life too
she was just another body to be raped.
The monster is ready to go:
He roars with joy at the sight of her,
so they let him loose and he goes right for those knockers.
And she starts screaming to break your heart
and you realize that she was just born:
In spite of her big **** she was just a baby.
But her instincts are right --
rather death than that green slobber:
She jumps off the parapet.
And then the monster's sex drive goes wild.
Thwarted, it turns to violence, demonstrating sublimation crudely;
and he wrecks the lab, those burping acids and buzzing coils,
overturning the control panel so the equipment goes off like a bomb,
and the stone castle crumbles and crashes in the storm
destroying them all . . . perhaps.
Perhaps somehow the Baron got out of that wreckage of his dreams
with his evil intact, if not his good looks,
and more wicked than ever went on with his thrilling career.
And perhaps even the monster lived
to roam the earth, his desire still ungratified;
and lovers out walking in shadowy and deserted places
will see his shape loom up over them, their doom --
and children sleeping in their beds
will wake up in the dark night screaming
as his hideous body grabs them.
|
Written by
Arthur Hugh Clough |
What we, when face to face we see
The Father of our souls, shall be,
John tells us, doth not yet appear;
Ah! did he tell what we are here!
A mind for thoughts to pass into,
A heart for loves to travel through,
Five senses to detect things near,
Is this the whole that we are here?
Rules baffle instincts--instinct rules,
Wise men are bad--and good are fools,
Facts evil--wishes vain appear,
We cannot go, why are we here?
O may we for assurance's sake,
Some arbitrary judgement take,
And wilfully pronounce it clear,
For this or that 'tis we are here?
Or is it right, and will it do,
To pace the sad confusion through,
And say:--It doth not yet appear,
What we shall be, what we are here?
Ah yet, when all is thought and said,
The heart still overrules the head;
Still what we hope we must believe,
And what is given us receive;
Must still believe, for still we hope
That in a world of larger scope,
What here is faithfully begun
Will be completed, not undone.
My child, we still must think, when we
That ampler life together see,
Some true result will yet appear
Of what we are, together, here.
|
Written by
Jean Ingelow |
A Scholar is musing on his want of success.)
To strive—and fail. Yes, I did strive and fail;
I set mine eyes upon a certain night
To find a certain star—and could not hail
With them its deep-set light.
Fool that I was! I will rehearse my fault:
I, wingless, thought myself on high to lift
Among the winged—I set these feet that halt
To run against the swift.
And yet this man, that loved me so, can write—
That loves me, I would say, can let me see;
Or fain would have me think he counts but light
These Honors lost to me.
(The letter of his friend.)
"What are they? that old house of yours which gave
Such welcome oft to me, the sunbeams fall
Yet, down the squares of blue and white which pave
Its hospitable hall.
"A brave old house! a garden full of bees,
Large dropping poppies, and Queen hollyhocks,
With butterflies for crowns—tree peonies
And pinks and goldilocks.
"Go, when the shadow of your house is long
Upon the garden—when some new-waked bird.
Pecking and fluttering, chirps a sudden song,
And not a leaf is stirred;
"But every one drops dew from either edge
Upon its fellow, while an amber ray
Slants up among the tree-tops like a wedge
Of liquid gold—to play
"Over and under them, and so to fall
Upon that lane of water lying below—
That piece of sky let in, that you do call
A pond, but which I know
"To be a deep and wondrous world; for I
Have seen the trees within it—marvellous things
So thick no bird betwixt their leaves could fly
But she would smite her wings;—
"Go there, I say; stand at the water's brink,
And shoals of spotted barbel you shall see
Basking between the shadows—look, and think
'This beauty is for me;
"'For me this freshness in the morning hours,
For me the water's clear tranquillity;
For me the soft descent of chestnut flowers;
The cushat's cry for me.
"'The lovely laughter of the wind-swayed wheat
The easy slope of yonder pastoral hill;
The sedgy brook whereby the red kine meet
And wade and drink their fill.'
"Then saunter down that terrace whence the sea
All fair with wing-like sails you may discern;
Be glad, and say 'This beauty is for me—
A thing to love and learn.
"'For me the bounding in of tides; for me
The laying bare of sands when they retreat;
The purple flush of calms, the sparkling glee
When waves and sunshine meet.'
"So, after gazing, homeward turn, and mount
To that long chamber in the roof; there tell
Your heart the laid-up lore it holds to count
And prize and ponder well.
"The lookings onward of the race before
It had a past to make it look behind;
Its reverent wonder, and its doubting sore,
Its adoration blind.
"The thunder of its war-songs, and the glow
Of chants to freedom by the old world sung;
The sweet love cadences that long ago
Dropped from the old-world tongue.
"And then this new-world lore that takes account
Of tangled star-dust; maps the triple whirl
Of blue and red and argent worlds that mount
And greet the IRISH EARL;
"Or float across the tube that HERSCHEL sways,
Like pale-rose chaplets, or like sapphire mist;
Or hang or droop along the heavenly ways,
Like scarves of amethyst.
"O strange it is and wide the new-world lore,
For next it treateth of our native dust!
Must dig out buried monsters, and explore
The green earth's fruitful crust;
"Must write the story of her seething youth—
How lizards paddled in her lukewarm seas;
Must show the cones she ripened, and forsooth
Count seasons on her trees;
"Must know her weight, and pry into her age,
Count her old beach lines by their tidal swell;
Her sunken mountains name, her craters gauge,
Her cold volcanoes tell;
"And treat her as a ball, that one might pass
From this hand to the other—such a ball
As he could measure with a blade of grass,
And say it was but small!
"Honors! O friend, I pray you bear with me:
The grass hath time to grow in meadow lands,
And leisurely the opal murmuring sea
Breaks on her yellow sands;
"And leisurely the ring-dove on her nest
Broods till her tender chick will peck the shell
And leisurely down fall from ferny crest
The dew-drops on the well;
"And leisurely your life and spirit grew,
With yet the time to grow and ripen free:
No judgment past withdraws that boon from you,
Nor granteth it to me.
"Still must I plod, and still in cities moil;
From precious leisure, learned leisure far,
Dull my best self with handling common soil;
Yet mine those honors are.
"Mine they are called; they are a name which means,
'This man had steady pulses, tranquil nerves:
Here, as in other fields, the most he gleans
Who works and never swerves.
"We measure not his mind; we cannot tell
What lieth under, over, or beside
The test we put him to; he doth excel,
We know, where he is tried;
"But, if he boast some farther excellence—
Mind to create as well as to attain;
To sway his peers by golden eloquence,
As wind doth shift a fane;
"'To sing among the poets—we are nought:
We cannot drop a line into that sea
And read its fathoms off, nor gauge a thought,
Nor map a simile.
"'It may be of all voices sublunar
The only one he echoes we did try;
We may have come upon the only star
That twinkles in his sky,'
"And so it was with me."
O false my friend!
False, false, a random charge, a blame undue;
Wrest not fair reasoning to a crooked end:
False, false, as you are true!
But I read on: "And so it was with me;
Your golden constellations lying apart
They neither hailed nor greeted heartily,
Nor noted on their chart.
"And yet to you and not to me belong
Those finer instincts that, like second sight
And hearing, catch creation's undersong,
And see by inner light.
"You are a well, whereon I, gazing, see
Reflections of the upper heavens—a well
From whence come deep, deep echoes up to me—
Some underwave's low swell.
"I cannot soar into the heights you show,
Nor dive among the deeps that you reveal;
But it is much that high things ARE to know,
That deep things ARE to feel.
"'Tis yours, not mine, to pluck out of your breast
Some human truth, whose workings recondite
Were unattired in words, and manifest
And hold it forth to light
"And cry, 'Behold this thing that I have found,'
And though they knew not of it till that day,
Nor should have done with no man to expound
Its meaning, yet they say,
"'We do accept it: lower than the shoals
We skim, this diver went, nor did create,
But find it for us deeper in our souls
Than we can penetrate.'
"You were to me the world's interpreter,
The man that taught me Nature's unknown tongue,
And to the notes of her wild dulcimer
First set sweet words, and sung.
"And what am I to you? A steady hand
To hold, a steadfast heart to trust withal;
Merely a man that loves you, and will stand
By you, whatever befall.
"But need we praise his tendance tutelar
Who feeds a flame that warms him? Yet 'tis true
I love you for the sake of what you are,
And not of what you do:—
"As heaven's high twins, whereof in Tyrian blue
The one revolveth: through his course immense
Might love his fellow of the damask hue,
For like, and difference.
"For different pathways evermore decreed
To intersect, but not to interfere;
For common goal, two aspects, and one speed,
One centre and one year;
"For deep affinities, for drawings strong,
That by their nature each must needs exert;
For loved alliance, and for union long,
That stands before desert.
"And yet desert makes brighter not the less,
For nearest his own star he shall not fail
To think those rays unmatched for nobleness,
That distance counts but pale.
"Be pale afar, since still to me you shine,
And must while Nature's eldest law shall hold;"—
Ah, there's the thought which makes his random line
Dear as refinèd gold!
Then shall I drink this draft of oxymel,
Part sweet, part sharp? Myself o'erprized to know
Is sharp; the cause is sweet, and truth to tell
Few would that cause forego,
Which is, that this of all the men on earth
Doth love me well enough to count me great—
To think my soul and his of equal girth—
O liberal estimate!
And yet it is so; he is bound to me,
For human love makes aliens near of kin;
By it I rise, there is equality:
I rise to thee, my twin.
"Take courage"—courage! ay, my purple peer
I will take courage; for thy Tyrian rays
Refresh me to the heart, and strangely dear
And healing is thy praise.
"Take courage," quoth he, "and respect the mind
Your Maker gave, for good your fate fulfil;
The fate round many hearts your own to wind."
Twin soul, I will! I will!
|
Written by
John Keats |
Where's the Poet? show him! show him,
Muses nine! that I may know him.
'Tis the man who with a man
Is an equal, be he King,
Or poorest of the beggar-clan
Or any other wonderous thing
A man may be 'twixt ape and Plato;
'Tis the man who with a bird,
Wren or Eagle, finds his way to
All its instincts; he hath heard
The Lion's roaring, and can tell
What his horny throat expresseth,
And to him the Tiger's yell
Come articulate and presseth
Or his ear like mother-tongue.
|
Written by
Ogden Nash |
Master I may be,
But not of my fate.
Now come the kisses, too many too late.
Tell me, O Parcae,
For fain would I know,
Where were these kisses three decades ago?
Girls there were plenty,
Mint julep girls, beer girls,
Gay younger married and headstrong career girls,
The girls of my friends
And the wives of my friends,
Some smugly settled and some at loose ends,
Sad girls, serene girls,
Girls breathless and turbulent,
Debs cosmopolitan, matrons suburbulent,
All of them amiable,
All of them cordial,
Innocent rousers of instincts primordial,
But even though health and wealth
Hadn't yet missed me,
None of them,
Not even Jenny,
Once kissed me.
These very same girls
Who with me have grown older
Now freely relax with a head on my shoulder,
And now come the kisses,
A flood in full spate,
The meaningless kisses, too many too late.
They kiss me hello,
They kiss me goodbye,
Should I offer a light, there's a kiss for reply.
They kiss me at weddings,
They kiss me at wakes,
The drop of a hat is less than it takes.
They kiss me at cocktails,
They kiss me at bridge,
It's all automatic, like slapping a midge.
The sound of their kisses
Is loud in my ears
Like the locusts that swarm every seventeen years.
I'm arthritic, dyspeptic,
Potentially ulcery,
And weary of kisses by custom compulsory.
Should my dear ones commit me
As senile demential,
It's from kisses perfunctory, inconsequential.
Answer, O Parcae,
For fain would I know,
Where were these kisses three decades ago?
|
Written by
Emily Dickinson |
I've dropped my Brain -- My Soul is numb --
The Veins that used to run
Stop palsied -- 'tis Paralysis
Done perfecter on stone
Vitality is Carved and cool.
My nerve in Marble lies --
A Breathing Woman
Yesterday -- Endowed with Paradise.
Not dumb -- I had a sort that moved --
A Sense that smote and stirred --
Instincts for Dance -- a caper part --
An Aptitude for Bird --
Who wrought Carrara in me
And chiselled all my tune
Were it a Witchcraft -- were it Death --
I've still a chance to strain
To Being, somewhere -- Motion -- Breath --
Though Centuries beyond,
And every limit a Decade --
I'll shiver, satisfied.
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Written by
Victor Hugo |
("O Charles, je te sens près de moi.")
{July, 1871.}
I feel thy presence, Charles. Sweet martyr! down
In earth, where men decay,
I search, and see from cracks which rend thy tomb,
Burst out pale morning's ray.
Close linked are bier and cradle: here the dead,
To charm us, live again:
Kneeling, I mourn, when on my threshold sounds
Two little children's strain.
George, Jeanne, sing on! George, Jeanne, unconscious play!
Your father's form recall,
Now darkened by his sombre shade, now gilt
By beams that wandering fall.
Oh, knowledge! what thy use? did we not know
Death holds no more the dead;
But Heaven, where, hand in hand, angel and star
Smile at the grave we dread?
A Heaven, which childhood represents on earth.
Orphans, may God be nigh!
That God, who can your bright steps turn aside
From darkness, where I sigh.
All joy be yours, though sorrow bows me down!
To each his fitting wage:
Children, I've passed life's span, and men are plagued
By shadows at that stage.
Hath any done—nay, only half performed—
The good he might for others?
Hath any conquered hatred, or had strength
To treat his foes like brothers?
E'en he, who's tried his best, hath evil wrought:
Pain springs from happiness:
My heart has triumphed in defeat, my pulse
Ne'er quickened at success.
I seemed the greater when I felt the blow:
The prick gives sense of gain;
Since to make others bleed my courage fails,
I'd rather bear the pain.
To grow is sad, since evils grow no less;
Great height is mark for all:
The more I have of branches, more of clustering boughs,
The ghastlier shadows fall.
Thence comes my sadness, though I grant your charms:
Ye are the outbursting
Of the soul in bloom, steeped in the draughts
Of nature's boundless spring.
George is the sapling, set in mournful soil;
Jeanne's folding petals shroud
A mind which trembles at our uproar, yet
Half longs to speak aloud.
Give, then, my children—lowly, blushing plants,
Whom sorrow waits to seize—
Free course to instincts, whispering 'mid the flowers,
Like hum of murmuring bees.
Some day you'll find that chaos comes, alas!
That angry lightning's hurled,
When any cheer the People, Atlas huge,
Grim bearer of the world!
You'll see that, since our fate is ruled by chance,
Each man, unknowing, great,
Should frame life so, that at some future hour
Fact and his dreamings meet.
I, too, when death is past, one day shall grasp
That end I know not now;
And over you will bend me down, all filled
With dawn's mysterious glow.
I'll learn what means this exile, what this shroud
Enveloping your prime;
And why the truth and sweetness of one man
Seem to all others crime.
I'll hear—though midst these dismal boughs you sang—
How came it, that for me,
Who every pity feel for every woe,
So vast a gloom could be.
I'll know why night relentless holds me, why
So great a pile of doom:
Why endless frost enfolds me, and methinks
My nightly bed's a tomb:
Why all these battles, all these tears, regrets,
And sorrows were my share;
And why God's will of me a cypress made,
When roses bright ye were.
MARWOOD TUCKER.
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