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Best Famous Inching Poems

Here is a collection of the all-time best famous Inching poems. This is a select list of the best famous Inching poetry. Reading, writing, and enjoying famous Inching poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of inching poems.

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Written by Carol Ann Duffy | Create an image from this poem

Talent

 This is the word tightrope.
Now imagine a man, inching across it in the space between our thoughts.
He holds our breath.
There is no word net.
You want him to fall, don't you? I guessed as much; he teeters but succeeds.
The word applause is written all over him.


Written by Charles Bukowski | Create an image from this poem

Let It Enfold You

 either peace or happiness,
let it enfold you

when i was a young man
I felt these things were
dumb,unsophisticated.
I had bad blood,a twisted mind, a pecarious upbringing.
I was hard as granite,I leered at the sun.
I trusted no man and especially no woman.
I was living a hell in small rooms, I broke things, smashed things, walked through glass, cursed.
I challenged everything, was continually being evicted,jailed,in and out of fights,in and aout of my mind.
women were something to screw and rail at,i had no male freinds, I changed jobs and cities,I hated holidays, babies,history, newspapers, museums, grandmothers, marriage, movies, spiders, garbagemen, english accents,spain, france,italy,walnuts and the color orange.
algebra angred me, opera sickened me, charlie chaplin was a fake and flowers were for pansies.
peace an happiness to me were signs of inferiority, tenants of the weak an addled mind.
but as I went on with my alley fights, my suicidal years, my passage through any number of women-it gradually began to occur to me that I wasn't diffrent from the others, I was the same, they were all fulsome with hatred, glossed over with petty greivances, the men I fought in alleys had hearts of stone.
everybody was nudging, inching, cheating for some insignificant advantage, the lie was the weapon and the plot was emptey, darkness was the dictator.
cautiously, I allowed myself to feel good at times.
I found moments of peace in cheap rooms just staring at the knobs of some dresser or listening to the rain in the dark.
the less i needed the better i felt.
maybe the other life had worn me down.
I no longer found glamour in topping somebody in conversation.
or in mounting the body of some poor drunken female whose life had slipped away into sorrow.
I could never accept life as it was, i could never gobble down all its poisons but there were parts, tenous magic parts open for the asking.
I re formulated I don't know when, date,time,all that but the change occured.
something in me relaxed, smoothed out.
i no longer had to prove that i was a man, I did'nt have to prove anything.
I began to see things: coffe cups lined up behind a counter in a cafe.
or a dog walking along a sidewalk.
or the way the mouse on my dresser top stopped there with its body, its ears, its nose, it was fixed, a bit of life caught within itself and its eyes looked at me and they were beautiful.
then- it was gone.
I began to feel good, I began to feel good in the worst situations and there were plenty of those.
like say, the boss behind his desk, he is going to have to fire me.
I've missed too many days.
he is dressed in a suit, necktie, glasses, he says, "i am going to have to let you go" "it's all right" i tell him.
He must do what he must do, he has a wife, a house, children.
expenses, most probably a girlfreind.
I am sorry for him he is caught.
I walk onto the blazing sunshine.
the whole day is mine temporailiy, anyhow.
(the whole world is at the throat of the world, everybody feels angry, short-changed, cheated, everybody is despondent, dissillusioned) I welcomed shots of peace, tattered shards of happiness.
I embraced that stuff like the hottest number, like high heels,breasts, singing,the works.
(dont get me wrong, there is such a thing as cockeyed optimism that overlooks all basic problems justr for the sake of itself- this is a sheild and a sickness.
) The knife got near my throat again, I almost turned on the gas again but when the good moments arrived again I did'nt fight them off like an alley adversary.
I let them take me, i luxuriated in them, I bade them welcome home.
I even looked into the mirror once having thought myself to be ugly, I now liked what I saw,almost handsome,yes, a bit ripped and ragged, scares,lumps, odd turns, but all in all, not too bad, almost handsome, better at least than some of those movie star faces like the cheeks of a babys butt.
and finally I discovered real feelings fo others, unhearleded, like latley, like this morning, as I was leaving, for the track, i saw my wif in bed, just the shape of her head there (not forgetting centuries of the living and the dead and the dying, the pyarimids, Mozart dead but his music still there in the room, weeds growing, the earth turning, the toteboard waiting for me) I saw the shape of my wife's head, she so still, i ached for her life, just being there under the covers.
i kissed her in the, forehead, got down the stairway, got outside, got into my marvelous car, fixed the seatbelt, backed out the drive.
feeling warm to the fingertips, down to my foot on the gas pedal, I entered the world once more, drove down the hill past the houses full and emptey of people, i saw the mailman, honked, he waved back at me.
Written by James Tate | Create an image from this poem

Success Comes To Cow Creek

 I sit on the tracks,
a hundred feet from
earth, fifty from the
water.
Gerald is inching toward me as grim, slow, and determined as a season, because he has no trade and wants none.
It's been nine months since I last listened to his fate, but I know what he will say: he's the fire hydrant of the underdog.
When he reaches my point above the creek, he sits down without salutation, and spits profoundly out past the edge, and peeks for meaning in the ripple it brings.
He scowls.
He speaks: when you walk down any street you see nothing but coagulations of **** and vomit, and I'm sick of it.
I suggest suicide; he prefers murder, and spits again for the sake of all the great devout losers.
A conductor's horn concerto breaks the air, and we, two doomed pennies on the track, shove off and somersault like anesthetized fleas, ruffling the ideal locomotive poised on the water with our light, dry bodies.
Gerald shouts terrifically as he sails downstream like a young man with a destination.
I swim toward shore as fast as my boots will allow; as always, neglecting to drown.
Written by Edward Taylor | Create an image from this poem

Success Comes To Cow Creek

 I sit on the tracks,
a hundred feet from
earth, fifty from the
water.
Gerald is inching toward me as grim, slow, and determined as a season, because he has no trade and wants none.
It's been nine months since I last listened to his fate, but I know what he will say: he's the fire hydrant of the underdog.
When he reaches my point above the creek, he sits down without salutation, and spits profoundly out past the edge, and peeks for meaning in the ripple it brings.
He scowls.
He speaks: when you walk down any street you see nothing but coagulations of **** and vomit, and I'm sick of it.
I suggest suicide; he prefers murder, and spits again for the sake of all the great devout losers.
A conductor's horn concerto breaks the air, and we, two doomed pennies on the track, shove off and somersault like anesthetized fleas, ruffling the ideal locomotive poised on the water with our light, dry bodies.
Gerald shouts terrifically as he sails downstream like a young man with a destination.
I swim toward shore as fast as my boots will allow; as always, neglecting to drown.

Book: Reflection on the Important Things