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You can find poetry in your everyday life, your memory, in what people say on the bus, in the news, or just what's in your heart.
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Every time a poet writes a poem it’s like it’s the first time. When you’ve finished a poem, you don’t know if you’ll ever write another one. Some poems arrive with a weight that’s more significant than other poems and you know it will take a lot of care to do it justice. Poetry, for so long now, has been the way I relate to everything. It’s like a companion. I can’t imagine ever being separated from it.
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You can teach form. You can teach students how to write a limerick and when those forms become recognisable to the students then they can start to imitate them. I always start with my favourite one: “There was a young man from Australia, who painted his arse like a dahlia, tuppence a smell, went down very well, but thruppence a lick was a failure.” That’s not even the rudest one I teach.
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(About her Mum) She was entrancing, fantastic at making up rhymes and stories. I think it was her Irish syntax and voice music that started my love of words.
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Reading it aloud – poetry is, after all, just written down speech – allow the poem to have a moment to exist. The reader has to put as much care into the reading of the poem as the poet has into writing it. In the relationship between poet, poem and reader, every element has to pull its weight.
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