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(About her Mum) She was entrancing, fantastic at making up rhymes and stories. I think it was her Irish syntax and voice music that started my love of words.
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You can teach form. You can teach students how to write a limerick and when those forms become recognisable to the students then they can start to imitate them. I always start with my favourite one: “There was a young man from Australia, who painted his arse like a dahlia, tuppence a smell, went down very well, but thruppence a lick was a failure.” That’s not even the rudest one I teach.
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(Poetry) It’s the place in language we are most human and we can see ourselves fully – far more than prose in fiction. A poem is able to hold so much in so little space. It’s a time capsule, a Tardis so much bigger on the inside than it seems on the outside.
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Look at Seamus Heaney or Jo Shapcott – poets that have proved they can reach a huge readership by the quality of their poetry.
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You can find poetry in your everyday life, your memory, in what people say on the bus, in the news, or just what's in your heart.
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