Best Famous In The Main Poems

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Written by Henry Wadsworth Longfellow | A Psalm of Life What the Heart of the Young Man Said to the Psalmist TELL me not in mournful numbers Life is but an empty dream!¡ª For the soul is dead that slumbers And things are not what they seem. Life is real! Life is earnest! 5 And the grave is not its goal; Dust thou art to dust returnest Was not spoken of the soul. Not enjoyment and not sorrow Is our destined end or way; 10 But to act that each to-morrow Find us farther than to-day. Art is long and Time is fleeting And our hearts though stout and brave Still like muffled drums are beating 15 Funeral marches to the grave. In the world's broad field of battle In the bivouac of Life Be not like dumb driven cattle! Be a hero in the strife! 20 Trust no Future howe'er pleasant! Let the dead Past bury its dead! Act ¡ªact in the living Present! Heart within and God o'erhead! Lives of great men all remind us 25 We can make our lives sublime And departing leave behind us Footprints on the sands of time; Footprints that perhaps another Sailing o'er life's solemn main 30 A forlorn and shipwrecked brother Seeing shall take heart again. Let us then be up and doing With a heart for any fate; Still achieving still pursuing 35 Learn to labor and to wait.

Written by Rudyard Kipling | The Land When Julius Fabricius, Sub-Prefect of the Weald, In the days of Diocletian owned our Lower River-field, He called to him Hobdenius-a Briton of the Clay, Saying: "What about that River-piece for layin'' in to hay?" And the aged Hobden answered: "I remember as a lad My father told your father that she wanted dreenin' bad. An' the more that you neeglect her the less you'll get her clean. Have it jest as you've a mind to, but, if I was you, I'd dreen." So they drained it long and crossways in the lavish Roman style-- Still we find among the river-drift their flakes of ancient tile, And in drouthy middle August, when the bones of meadows show, We can trace the lines they followed sixteen hundred years ago. Then Julius Fabricius died as even Prefects do, And after certain centuries, Imperial Rome died too. Then did robbers enter Britain from across the Northern main And our Lower River-field was won by Ogier the Dane. Well could Ogier work his war-boat --well could Ogier wield his brand-- Much he knew of foaming waters--not so much of farming land. So he called to him a Hobden of the old unaltered blood, Saying: "What about that River-piece; she doesn't look no good?" And that aged Hobden answered "'Tain't for me not interfere. But I've known that bit o' meadow now for five and fifty year. Have it jest as you've a mind to, but I've proved it time on ' time, If you want to change her nature you have got to give her lime!" Ogier sent his wains to Lewes, twenty hours' solemn walk, And drew back great abundance of the cool, grey, healing chalk. And old Hobden spread it broadcast, never heeding what was in't.-- Which is why in cleaning ditches, now and then we find a flint. Ogier died. His sons grew English-Anglo-Saxon was their name-- Till out of blossomed Normandy another pirate came; For Duke William conquered England and divided with his men, And our Lower River-field he gave to William of Warenne. But the Brook (you know her habit) rose one rainy autumn night And tore down sodden flitches of the bank to left and right. So, said William to his Bailiff as they rode their dripping rounds: "Hob, what about that River-bit--the Brook's got up no bounds? " And that aged Hobden answered: "'Tain't my business to advise, But ye might ha' known 'twould happen from the way the valley lies. Where ye can't hold back the water you must try and save the sile. Hev it jest as you've a mind to, but, if I was you, I'd spile!" They spiled along the water-course with trunks of willow-trees, And planks of elms behind 'em and immortal oaken knees. And when the spates of Autumn whirl the gravel-beds away You can see their faithful fragments, iron-hard in iron clay. . . . . . . . . . . Georgii Quinti Anno Sexto, I, who own the River-field, Am fortified with title-deeds, attested, signed and sealed, Guaranteeing me, my assigns, my executors and heirs All sorts of powers and profits which-are neither mine nor theirs, I have rights of chase and warren, as my dignity requires. I can fish-but Hobden tickles--I can shoot--but Hobden wires. I repair, but he reopens, certain gaps which, men allege, Have been used by every Hobden since a Hobden swapped a hedge. Shall I dog his morning progress o'er the track-betraying dew? Demand his dinner-basket into which my pheasant flew? Confiscate his evening ****** under which my conies ran, And summons him to judgment? I would sooner summons Pan. His dead are in the churchyard--thirty generations laid. Their names were old in history when Domesday Book was made; And the passion and the piety and prowess of his line Have seeded, rooted, fruited in some land the Law calls mine. Not for any beast that burrows, not for any bird that flies, Would I lose his large sound council, miss his keen amending eyes. He is bailiff, woodman, wheelwright, field-surveyor, engineer, And if flagrantly a poacher--'tain't for me to interfere. "Hob, what about that River-bit?" I turn to him again, With Fabricius and Ogier and William of Warenne. "Hev it jest as you've a mind to, but"-and here he takes com- mand. For whoever pays the taxes old Mus' Hobden owns the land.

Written by John Trumbull | To A Young Lady In vain, fair Maid, you ask in vain, My pen should try th' advent'rous strain, And following truth's unalter'd law, Attempt your character to draw. I own indeed, that generous mind That weeps the woes of human kind, That heart by friendship's charms inspired, That soul with sprightly fancy fired, The air of life, the vivid eye, The flowing wit, the keen reply-- To paint these beauties as they shine, Might ask a nobler pen than mine. Yet what sure strokes can draw the Fair, Who vary, like the fleeting air, Like willows bending to the force, Where'er the gales direct their course, Opposed to no misfortune's power, And changing with the changing hour. Now gaily sporting on the plain, They charm the grove with pleasing strain; Anon disturb'd, they know not why, The sad tear trembles in their eye: Led through vain life's uncertain dance, The dupes of whim, the slaves of chance. From me, not famed for much goodnature, Expect not compliment, but satire; To draw your picture quite unable, Instead of fact accept a Fable. One morn, in Æsop's noisy time, When all things talk'd, and talk'd in rhyme, A cloud exhaled by vernal beams Rose curling o'er the glassy streams. The dawn her orient blushes spread, And tinged its lucid skirts with red, Wide waved its folds with glitt'ring dies, And gaily streak'd the eastern skies; Beneath, illumed with rising day, The sea's broad mirror floating lay. Pleased, o'er the wave it hung in air, Survey'd its glittering glories there, And fancied, dress'd in gorgeous show, Itself the brightest thing below: For clouds could raise the vaunting strain, And not the fair alone were vain. Yet well it knew, howe'er array'd, That beauty, e'en in clouds, might fade, That nothing sure its charms could boast Above the loveliest earthly toast; And so, like them, in early dawn Resolved its picture should be drawn, That when old age with length'ning day Should brush the vivid rose away, The world should from the portrait own Beyond all clouds how bright it shone. Hard by, a painter raised his stage, Far famed, the Copley[1] of his age. So just a form his colours drew, Each eye the perfect semblance knew; Yet still on every blooming face He pour'd the pencil's flowing grace; Each critic praised the artist rare, Who drew so like, and yet so fair. To him, high floating in the sky Th' elated Cloud advanced t' apply. The painter soon his colours brought, The Cloud then sat, the artist wrought; Survey'd her form, with flatt'ring strictures, Just as when ladies sit for pictures, Declared "whatever art can do, My utmost skill shall try for you: But sure those strong and golden dies Dipp'd in the radiance of the skies, Those folds of gay celestial dress, No mortal colours can express. Not spread triumphal o'er the plain, The rainbow boasts so fair a train, Nor e'en the morning sun so bright, Who robes his face in heav'nly light. To view that form of angel make, Again Ixion would mistake,[2] And justly deem so fair a prize, The sovereign Mistress of the skies," He said, and drew a mazy line, With crimson touch his pencils shine, The mingling colours sweetly fade, And justly temper light and shade. He look'd; the swelling Cloud on high With wider circuit spread the sky, Stretch'd to the sun an ampler train, And pour'd new glories on the main. As quick, effacing every ground, His pencil swept the canvas round, And o'er its field, with magic art, Call'd forth new forms in every part. But now the sun, with rising ray, Advanced with speed his early way; Each colour takes a differing die, The orange glows, the purples fly. The artist views the alter'd sight, And varies with the varying light; In vain! a sudden gust arose, New folds ascend, new shades disclose, And sailing on with swifter pace, The Cloud displays another face. In vain the painter, vex'd at heart, Tried all the wonders of his art; In vain he begg'd, her form to grace, One moment she would keep her place: For, "changing thus with every gale, Now gay with light, with gloom now pale, Now high in air with gorgeous train, Now settling on the darken'd main, With looks more various than the moon; A French coquette were drawn as soon." He spoke; again the air was mild, The Cloud with opening radiance smiled; With canvas new his art he tries, Anew he joins the glitt'ring dies; Th' admiring Cloud with pride beheld Her image deck the pictured field, And colours half-complete adorn The splendor of the painted morn. When lo, the stormy winds arise, Deep gloom invests the changing skies; The sounding tempest shakes the plain, And lifts in billowy surge the main. The Cloud's gay dies in darkness fade, Its folds condense in thicker shade, And borne by rushing blasts, its form With lowering vapour joins the storm.

Written by Walt Whitman | American Feuillage AMERICA always! Always our own feuillage! Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the cotton-fields of Alabama and Texas! Always California’s golden hills and hollows—and the silver mountains of New Mexico! Always soft-breath’d Cuba! Always the vast slope drain’d by the Southern Sea—inseparable with the slopes drain’d by the Eastern and Western Seas; The area the eighty-third year of These States—the three and a half millions of square miles; The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty thousand miles of river navigation, The seven millions of distinct families, and the same number of dwellings—Always these, and more, branching forth into numberless branches; Always the free range and diversity! always the continent of Democracy! Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows; Always these compact lands—lands tied at the hips with the belt stringing the huge oval lakes; Always the West, with strong native persons—the increasing density there—the habitans, friendly, threatening, ironical, scorning invaders; All sights, South, North, East—all deeds, promiscuously done at all times, All characters, movements, growths—a few noticed, myriads unnoticed, Through Mannahatta’s streets I walking, these things gathering; On interior rivers, by night, in the glare of pine knots, steamboats wooding up; Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and Rappahannock, and the valleys of the Roanoke and Delaware; In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or lapping the Saginaw waters to drink; In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking silently; In farmers’ barns, oxen in the stable, their harvest labor done—they rest standing—they are too tired; Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply, crystalline, open, beyond the floes; White drift spooning ahead, where the ship in the tempest dashes; On solid land, what is done in cities, as the bells all strike midnight together; In primitive woods, the sounds there also sounding—the howl of the wolf, the scream of the panther, and the hoarse bellow of the elk; In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the clear waters, the great trout swimming; In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating slowly, high beyond the tree tops, Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing out of the white sand that spreads far and flat; Rude boats descending the big Pedee—climbing plants, parasites, with color’d flowers and berries, enveloping huge trees, The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind; The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and eating by whites and *******, Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, The shadows, gleams, up under the leaves of the old sycamore-trees—the flames—with the black smoke from the pitch-pine, curling and rising; Southern fishermen fishing—the sounds and inlets of North Carolina’s coast—the shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on shore work’d by horses—the clearing, curing, and packing-houses; Deep in the forest, in piney woods, turpentine dropping from the incisions in the trees—There are the turpentine works, There are the ******* at work, in good health—the ground in all directions is cover’d with pine straw: —In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the furnace-blaze, or at the corn-shucking; In Virginia, the planter’s son returning after a long absence, joyfully welcom’d and kiss’d by the aged mulatto nurse; On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high banks, Some of the younger men dance to the sound of the banjo or fiddle—others sit on the gunwale, smoking and talking; Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the cypress tree, and the juniper tree; —Northward, young men of Mannahatta—the target company from an excursion returning home at evening—the musket-muzzles all bear bunches of flowers presented by women; Children at play—or on his father’s lap a young boy fallen asleep, (how his lips move! how he smiles in his sleep!) The scout riding on horseback over the plains west of the Mississippi—he ascends a knoll and sweeps his eye around; California life—the miner, bearded, dress’d in his rude costume—the stanch California friendship—the sweet air—the graves one, in passing, meets, solitary, just aside the horsepath; Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen before rude carts—cotton bales piled on banks and wharves; Encircling all, vast-darting, up and wide, the American Soul, with equal hemispheres—one Love, one Dilation or Pride; —In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the pipe of good-will, arbitration, and indorsement, The sachem blowing the smoke first toward the sun and then toward the earth, The drama of the scalp-dance enacted with painted faces and guttural exclamations, The setting out of the war-party—the long and stealthy march, The single-file—the swinging hatchets—the surprise and slaughter of enemies; —All the acts, scenes, ways, persons, attitudes of These States—reminiscences, all institutions, All These States, compact—Every square mile of These States, without excepting a particle—you also—me also, Me pleas’d, rambling in lanes and country fields, Paumanok’s fields, Me, observing the spiral flight of two little yellow butterflies, shuffling between each other, ascending high in the air; The darting swallow, the destroyer of insects—the fall traveler southward, but returning northward early in the spring; The country boy at the close of the day, driving the herd of cows, and shouting to them as they loiter to browse by the road-side; The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San Francisco, The departing ships, when the sailors heave at the capstan; —Evening—me in my room—the setting sun, The setting summer sun shining in my open window, showing the swarm of flies, suspended, balancing in the air in the centre of the room, darting athwart, up and down, casting swift shadows in specks on the opposite wall, where the shine is; The athletic American matron speaking in public to crowds of listeners; Males, females, immigrants, combinations—the copiousness—the individuality of The States, each for itself—the money-makers; Factories, machinery, the mechanical forces—the windlass, lever, pulley—All certainties, The certainty of space, increase, freedom, futurity, In space, the sporades, the scatter’d islands, the stars—on the firm earth, the lands, my lands; O lands! all so dear to me—what you are, (whatever it is,) I become a part of that, whatever it is; Southward there, I screaming, with wings slowly flapping, with the myriads of gulls wintering along the coasts of Florida—or in Louisiana, with pelicans breeding; Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the Brazos, the Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters laughing and skipping and running; Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons wading in the wet to seek worms and aquatic plants; Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill, for amusement—And I triumphantly twittering; The migrating flock of wild geese alighting in autumn to refresh themselves—the body of the flock feed—the sentinels outside move around with erect heads watching, and are from time to time reliev’d by other sentinels—And I feeding and taking turns with the rest; In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising desperately on his hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I, plunging at the hunters, corner’d and desperate; In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen working in the shops, And I too of the Mannahatta, singing thereof—and no less in myself than the whole of the Mannahatta in itself, Singing the song of These, my ever united lands—my body no more inevitably united, part to part, and made one identity, any more than my lands are inevitably united, and made ONE IDENTITY; Nativities, climates, the grass of the great Pastoral Plains; Cities, labors, death, animals, products, war, good and evil—these me, These affording, in all their particulars, endless feuillage to me and to America, how can I do less than pass the clew of the union of them, to afford the like to you? Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am? How can I but, as here, chanting, invite you for yourself to collect bouquets of the incomparable feuillage of These States?

Written by William Wordsworth | Resolution And Independence I There was a roaring in the wind all night; The rain came heavily and fell in floods; But now the sun is rising calm and bright; The birds are singing in the distant woods; Over his own sweet voice the Stock-dove broods; The Jay makes answer as the Magpie chatters; And all the air is filled with pleasant noise of waters. II All things that love the sun are out of doors; The sky rejoices in the morning's birth; The grass is bright with rain-drops;--on the moors The hare is running races in her mirth; And with her feet she from the plashy earth Raises a mist, that, glittering in the sun, Runs with her all the way, wherever she doth run. III I was a Traveller then upon the moor, I saw the hare that raced about with joy; I heard the woods and distant waters roar; Or heard them not, as happy as a boy: The pleasant season did my heart employ: My old remembrances went from me wholly; And all the ways of men, so vain and melancholy. IV But, as it sometimes chanceth, from the might Of joy in minds that can no further go, As high as we have mounted in delight In our dejection do we sink as low; To me that morning did it happen so; And fears and fancies thick upon me came; Dim sadness--and blind thoughts, I knew not, nor could name. V I heard the sky-lark warbling in the sky; And I bethought me of the playful hare: Even such a happy Child of earth am I; Even as these blissful creatures do I fare; Far from the world I walk, and from all care; But there may come another day to me-- Solitude, pain of heart, distress, and poverty. VI My whole life I have lived in pleasant thought, As if life's business were a summer mood; As if all needful things would come unsought To genial faith, still rich in genial good; But how can He expect that others should Build for him, sow for him, and at his call Love him, who for himself will take no heed at all? VII I thought of Chatterton, the marvellous Boy, The sleepless Soul that perished in his pride; Of Him who walked in glory and in joy Following his plough, along the mountain-side: By our own spirits are we deified: We Poets in our youth begin in gladness; But thereof come in the end despondency and madness. VIII Now, whether it were by peculiar grace, A leading from above, a something given, Yet it befell, that, in this lonely place, When I with these untoward thoughts had striven, Beside a pool bare to the eye of heaven I saw a Man before me unawares: The oldest man he seemed that ever wore grey hairs. IX As a huge stone is sometimes seen to lie Couched on the bald top of an eminence; Wonder to all who do the same espy, By what means it could thither come, and whence; So that it seems a thing endued with sense: Like a sea-beast crawled forth, that on a shelf Of rock or sand reposeth, there to sun itself; X Such seemed this Man, not all alive nor dead, Nor all asleep--in his extreme old age: His body was bent double, feet and head Coming together in life's pilgrimage; As if some dire constraint of pain, or rage Of sickness felt by him in times long past, A more than human weight upon his frame had cast. XI Himself he propped, limbs, body, and pale face, Upon a long grey staff of shaven wood: And, still as I drew near with gentle pace, Upon the margin of that moorish flood Motionless as a cloud the old Man stood, That heareth not the loud winds when they call And moveth all together, if it move at all. XII At length, himself unsettling, he the pond Stirred with his staff, and fixedly did look Upon the muddy water, which he conned, As if he had been reading in a book: And now a stranger's privilege I took; And, drawing to his side, to him did say, "This morning gives us promise of a glorious day." XIII A gentle answer did the old Man make, In courteous speech which forth he slowly drew: And him with further words I thus bespake, "What occupation do you there pursue? This is a lonesome place for one like you." Ere he replied, a flash of mild surprise Broke from the sable orbs of his yet-vivid eyes, XIV His words came feebly, from a feeble chest, But each in solemn order followed each, With something of a lofty utterance drest-- Choice word and measured phrase, above the reach Of ordinary men; a stately speech; Such as grave Livers do in Scotland use, Religious men, who give to God and man their dues. XV He told, that to these waters he had come To gather leeches, being old and poor: Employment hazardous and wearisome! And he had many hardships to endure: From pond to pond he roamed, from moor to moor; Housing, with God's good help, by choice or chance, And in this way he gained an honest maintenance. XVI The old Man still stood talking by my side; But now his voice to me was like a stream Scarce heard; nor word from word could I divide; And the whole body of the Man did seem Like one whom I had met with in a dream; Or like a man from some far region sent, To give me human strength, by apt admonishment. XVII My former thoughts returned: the fear that kills; And hope that is unwilling to be fed; Cold, pain, and labour, and all fleshly ills; And mighty Poets in their misery dead. --Perplexed, and longing to be comforted, My question eagerly did I renew, "How is it that you live, and what is it you do?" XVIII He with a smile did then his words repeat; And said, that, gathering leeches, far and wide He travelled; stirring thus about his feet The waters of the pools where they abide. "Once I could meet with them on every side; But they have dwindled long by slow decay; Yet still I persevere, and find them where I may." XIX While he was talking thus, the lonely place, The old Man's shape, and speech--all troubled me: In my mind's eye I seemed to see him pace About the weary moors continually, Wandering about alone and silently. While I these thoughts within myself pursued, He, having made a pause, the same discourse renewed. XX And soon with this he other matter blended, Cheerfully uttered, with demeanour kind, But stately in the main; and when he ended, I could have laughed myself to scorn to find In that decrepit Man so firm a mind. "God," said I, "be my help and stay secure; I'll think of the Leech-gatherer on the lonely moor!"

Written by Wendell Berry | Manifesto: The Mad Farmer Liberation Front Love the quick profit, the annual raise, vacation with pay. Want more of everything ready-made. Be afraid to know your neighbors and to die. And you will have a window in your head. Not even your future will be a mystery any more. Your mind will be punched in a card and shut away in a little drawer. When they want you to buy something they will call you. When they want you to die for profit they will let you know. So, friends, every day do something that won't compute. Love the Lord. Love the world. Work for nothing. Take all that you have and be poor. Love someone who does not deserve it. Denounce the government and embrace the flag. Hope to live in that free republic for which it stands. Give your approval to all you cannot understand. Praise ignorance, for what man has not encountered he has not destroyed. Ask the questions that have no answers. Invest in the millenium. Plant sequoias. Say that your main crop is the forest that you did not plant, that you will not live to harvest. Say that the leaves are harvested when they have rotted into the mold. Call that profit. Prophesy such returns. Put your faith in the two inches of humus that will build under the trees every thousand years. Listen to carrion -- put your ear close, and hear the faint chattering of the songs that are to come. Expect the end of the world. Laugh. Laughter is immeasurable. Be joyful though you have considered all the facts. So long as women do not go cheap for power, please women more than men. Ask yourself: Will this satisfy a woman satisfied to bear a child? Will this disturb the sleep of a woman near to giving birth? Go with your love to the fields. Lie down in the shade. Rest your head in her lap. Swear allegiance to what is nighest your thoughts. As soon as the generals and the politicos can predict the motions of your mind, lose it. Leave it as a sign to mark the false trail, the way you didn't go. Be like the fox who makes more tracks than necessary, some in the wrong direction. Practice resurrection.

Written by Anne Bradstreet | The Prologue 1 To sing of wars, of captains, and of kings, Of cities founded, commonwealths begun, For my mean pen, are too superior things, And how they all, or each, their dates have run Let poets, and historians set these forth, My obscure verse shall not so dim their worth. 2 But when my wond'ring eyes, and envious heart, Great Bartas' sugared lines do but read o'er, Fool, I do grudge the Muses did not part 'Twixt him and me that overfluent store; A Bartas can do what a Bartas will, But simple I, according to my skill. 3 From schoolboy's tongue, no rhetoric we expect, Nor yet a sweet consort, from broken strings, Nor perfect beauty, where's a main defect; My foolish, broken, blemished Muse so sings; And this to mend, alas, no art is able, 'Cause nature made it so irreparable. 4 Nor can I, like that fluent sweet-tongued Greek Who lisped at first, speak afterwards more plain. By art, he gladly found what he did seek, A full requital of his striving pain: Art can do much, but this maxim's most sure. A weak or wounded brain admits no cure. 5 I am obnoxious to each carping tongue, Who says my hand a needle better fits; A poet's pen all scorn I should thus wrong; For such despite they cast on female wits: If what I do prove well, it won't advance, They'll say it's stolen, or else it was by chance. 6 But sure the antique Greeks were far more mild, Else of our sex, why feigned they those nine, And poesy made Calliope's own child? So 'mongst the rest they placed the arts divine: But this weak knot they will full soon untie, The Greeks did nought, but play the fool and lie. 7 Let Greeks be Greeks, and women what they are, Men have precedency, and still excel; It is but vain, unjustly to wage war; Men can do best, and women know it well; Preeminence in each and all is yours, Yet grant some small acknowledgement of ours. 8 And oh, ye high flown quills that soar the skies, And ever with your prey, still catch your praise, If e'er you deign these lowly lines your eyes, Give wholesome parsley wreath, I ask no bays: This mean and unrefinèd stuff of mine, Will make your glistering gold but more to shine.

Written by Henry Wadsworth Longfellow | The Fire of Drift-Wood We sat within the farm-house old, Whose windows, looking o'er the bay, Gave to the sea-breeze damp and cold, An easy entrance, night and day. Not far away we saw the port, The strange, old-fashioned, silent town, The lighthouse, the dismantled fort, The wooden houses, quaint and brown. We sat and talked until the night, Descending, filled the little room; Our faces faded from the sight, Our voices only broke the gloom. We spake of many a vanished scene, Of what we once had thought and said, Of what had been, and might have been, And who was changed, and who was dead; And all that fills the hearts of friends, When first they feel, with secret pain, Their lives thenceforth have separate ends, And never can be one again; The first slight swerving of the heart, That words are powerless to express, And leave it still unsaid in part, Or say it in too great excess. The very tones in which we spake Had something strange, I could but mark; The leaves of memory seemed to make A mournful rustling in the dark. Oft died the words upon our lips, As suddenly, from out the fire Built of the wreck of stranded ships, The flames would leap and then expire. And, as their splendor flashed and failed, We thought of wrecks upon the main, Of ships dismasted, that were hailed And sent no answer back again. The windows, rattling in their frames, The ocean, roaring up the beach, The gusty blast, the bickering flames, All mingled vaguely in our speech; Until they made themselves a part Of fancies floating through the brain, The long-lost ventures of the heart, That send no answers back again. O flames that glowed! O hearts that yearned! They were indeed too much akin, The drift-wood fire without that burned, The thoughts that burned and glowed within.

Written by Charles Bukowski | O We Are The Outcasts ah, christ, what a CREW: more poetry, always more P O E T R Y . if it doesn't come, coax it out with a laxative. get your name in LIGHTS, get it up there in 8 1/2 x 11 mimeo. keep it coming like a miracle. ah christ, writers are the most sickening of all the louts! yellow-toothed, slump-shouldered, gutless, flea-bitten and obvious . . . in tinker-toy rooms with their flabby hearts they tell us what's wrong with the world- as if we didn't know that a cop's club can crack the head and that war is a dirtier game than marriage . . . or down in a basement bar hiding from a wife who doesn't appreciate him and children he doesn't want he tells us that his heart is drowning in vomit. hell, all our hearts are drowning in vomit, in pork salt, in bad verse, in soggy love. but he thinks he's alone and he thinks he's special and he thinks he's Rimbaud and he thinks he's Pound. and death! how about death? did you know that we all have to die? even Keats died, even Milton! and D. Thomas-THEY KILLED HIM, of course. Thomas didn't want all those free drinks all that free pussy- they . . . FORCED IT ON HIM when they should have left him alone so he could write write WRITE! poets. and there's another type. I've met them at their country places (don't ask me what I was doing there because I don't know). they were born with money and they don't have to dirty their hands in slaughterhouses or washing dishes in grease joints or driving cabs or pimping or selling pot. this gives them time to understand Life. they walk in with their cocktail glass held about heart high and when they drink they just sip. you are drinking green beer which you brought with you because you have found out through the years that rich bastards are tight- they use 5 cent stamps instead of airmail they promise to have all sorts of goodies ready upon your arrival from gallons of whisky to 50 cent cigars. but it's never there. and they HIDE their women from you- their wives, x-wives, daughters, maids, so forth, because they've read your poems and figure all you want to do is **** everybody and everything. which once might have been true but is no longer quite true. and- he WRITES TOO. POETRY, of course. everybody writes poetry. he has plenty of time and a postoffice box in town and he drives there 3 or 4 times a day looking and hoping for accepted poems. he thinks that poverty is a weakness of the soul. he thinks your mind is ill because you are drunk all the time and have to work in a factory 10 or 12 hours a night. he brings his wife in, a beauty, stolen from a poorer rich man. he lets you gaze for 30 seconds then hustles her out. she has been crying for some reason. you've got 3 or 4 days to linger in the guesthouse he says, "come on over to dinner sometime." but he doesn't say when or where. and then you find out that you are not even IN HIS HOUSE. you are in ONE of his houses but his house is somewhere else- you don't know where. he even has x-wives in some of his houses. his main concern is to keep his x-wives away from you. he doesn't want to give up a damn thing. and you can't blame him: his x-wives are all young, stolen, kept, talented, well-dressed, schooled, with varying French-German accents. and!: they WRITE POETRY TOO. or PAINT. or ****. but his big problem is to get down to that mail box in town to get back his rejected poems and to keep his eye on all the other mail boxes in all his other houses. meanwhile, the starving Indians sell beads and baskets in the streets of the small desert town. the Indians are not allowed in his houses not so much because they are a ****-threat but because they are dirty and ignorant. dirty? I look down at my shirt with the beerstain on the front. ignorant? I light a 6 cent cigar and forget about it. he or they or somebody was supposed to meet me at the train station. of course, they weren't there. "We'll be there to meet the great Poet!" well, I looked around and didn't see any great poet. besides it was 7 a.m. and 40 degrees. those things happen. the trouble was there were no bars open. nothing open. not even a jail. he's a poet. he's also a doctor, a head-shrinker. no blood involved that way. he won't tell me whether I am crazy or not-I don't have the money. he walks out with his cocktail glass disappears for 2 hours, 3 hours, then suddenly comes walking back in unannounced with the same cocktail glass to make sure I haven't gotten hold of something more precious than Life itself. my cheap green beer is killing me. he shows heart (hurrah) and gives me a little pill that stops my gagging. but nothing decent to drink. he'd bought a small 6 pack for my arrival but that was gone in an hour and 15 minutes. "I'll buy you barrels of beer," he had said. I used his phone (one of his phones) to get deliveries of beer and cheap whisky. the town was ten miles away, downhill. I peeled my poor dollars from my poor roll. and the boy needed a tip, of course. the way it was shaping up I could see that I was hardly Dylan Thomas yet, not even Robert Creeley. certainly Creeley wouldn't have had beerstains on his shirt. anyhow, when I finally got hold of one of his x-wives I was too drunk to make it. scared too. sure, I imagined him peering through the window- he didn't want to give up a damn thing- and leveling the luger while I was working while "The March to the Gallows" was playing over the Muzak and shooting me in the ass first and my poor brain later. "an intruder," I could hear him telling them, "ravishing one of my helpless x-wives." I see him published in some of the magazines now. not very good stuff. a poem about me too: the Polack. the Polack whines too much. the Polack whines about his country, other countries, all countries, the Polack works overtime in a factory like a fool, among other fools with "pre-drained spirits." the Polack drinks seas of green beer full of acid. the Polack has an ulcerated hemorrhoid. the Polack picks on fags "fragile fags." the Polack hates his wife, hates his daughter. his daughter will become an alcoholic, a prostitute. the Polack has an "obese burned out wife." the Polack has a spastic gut. the Polack has a "rectal brain." thank you, Doctor (and poet). any charge for this? I know I still owe you for the pill. Your poem is not too good but at least I got your starch up. most of your stuff is about as lively as a wet and deflated beachball. but it is your round, you've won a round. going to invite me out this Summer? I might scrape up trainfare. got an Indian friend who'd like to meet you and yours. he swears he's got the biggest pecker in the state of California. and guess what? he writes POETRY too!

Written by Charlotte Bronte | The Missionary Lough, vessel, plough the British main, Seek the free ocean's wider plain; Leave English scenes and English skies, Unbind, dissever English ties; Bear me to climes remote and strange, Where altered life, fast-following change, Hot action, never-ceasing toil, Shall stir, turn, dig, the spirit's soil; Fresh roots shall plant, fresh seed shall sow, Till a new garden there shall grow, Cleared of the weeds that fill it now,­ Mere human love, mere selfish yearning, Which, cherished, would arrest me yet. I grasp the plough, there's no returning, Let me, then, struggle to forget. But England's shores are yet in view, And England's skies of tender blue Are arched above her guardian sea. I cannot yet Remembrance flee; I must again, then, firmly face That task of anguish, to retrace. Wedded to home­I home forsake, Fearful of change­I changes make; Too fond of ease­I plunge in toil; Lover of calm­I seek turmoil: Nature and hostile Destiny Stir in my heart a conflict wild; And long and fierce the war will be Ere duty both has reconciled. What other tie yet holds me fast To the divorced, abandoned past? Smouldering, on my heart's altar lies The fire of some great sacrifice, Not yet half quenched. The sacred steel But lately struck my carnal will, My life-long hope, first joy and last, What I loved well, and clung to fast; What I wished wildly to retain, What I renounced with soul-felt pain; What­when I saw it, axe-struck, perish­ Left me no joy on earth to cherish; A man bereft­yet sternly now I do confirm that Jephtha vow: Shall I retract, or fear, or flee ? Did Christ, when rose the fatal tree Before him, on Mount Calvary ? 'Twas a long fight, hard fought, but won, And what I did was justly done. Yet, Helen ! from thy love I turned, When my heart most for thy heart burned; I dared thy tears, I dared thy scorn­ Easier the death-pang had been borne. Helen ! thou mightst not go with me, I could not­dared not stay for thee ! I heard, afar, in bonds complain The savage from beyond the main; And that wild sound rose o'er the cry Wrung out by passion's agony; And even when, with the bitterest tear I ever shed, mine eyes were dim, Still, with the spirit's vision clear, I saw Hell's empire, vast and grim, Spread on each Indian river's shore, Each realm of Asia covering o'er. There the weak, trampled by the strong, Live but to suffer­hopeless die; There pagan-priests, whose creed is Wrong, Extortion, Lust, and Cruelty, Crush our lost race­and brimming fill The bitter cup of human ill; And I­who have the healing creed, The faith benign of Mary's Son; Shall I behold my brother's need And selfishly to aid him shun ? I­who upon my mother's knees, In childhood, read Christ's written word, Received his legacy of peace, His holy rule of action heard; I­in whose heart the sacred sense Of Jesus' love was early felt; Of his pure full benevolence, His pitying tenderness for guilt; His shepherd-care for wandering sheep, For all weak, sorrowing, trembling things, His mercy vast, his passion deep Of anguish for man's sufferings; I­schooled from childhood in such lore­ Dared I draw back or hesitate, When called to heal the sickness sore Of those far off and desolate ? Dark, in the realm and shades of Death, Nations and tribes and empires lie, But even to them the light of Faith Is breaking on their sombre sky: And be it mine to bid them raise Their drooped heads to the kindling scene, And know and hail the sunrise blaze Which heralds Christ the Nazarene. I know how Hell the veil will spread Over their brows and filmy eyes, And earthward crush the lifted head That would look up and seek the skies; I know what war the fiend will wage Against that soldier of the cross, Who comes to dare his demon-rage, And work his kingdom shame and loss. Yes, hard and terrible the toil Of him who steps on foreign soil, Resolved to plant the gospel vine, Where tyrants rule and slaves repine; Eager to lift Religion's light Where thickest shades of mental night Screen the false god and fiendish rite; Reckless that missionary blood, Shed in wild wilderness and wood, Has left, upon the unblest air, The man's deep moan­the martyr's prayer. I know my lot­I only ask Power to fulfil the glorious task; Willing the spirit, may the flesh Strength for the day receive afresh. May burning sun or deadly wind Prevail not o'er an earnest mind; May torments strange or direst death Nor trample truth, nor baffle faith. Though such blood-drops should fall from me As fell in old Gethsemane, Welcome the anguish, so it gave More strength to work­more skill to save. And, oh ! if brief must be my time, If hostile hand or fatal clime Cut short my course­still o'er my grave, Lord, may thy harvest whitening wave. So I the culture may begin, Let others thrust the sickle in; If but the seed will faster grow, May my blood water what I sow ! What ! have I ever trembling stood, And feared to give to God that blood ? What ! has the coward love of life Made me shrink from the righteous strife ? Have human passions, human fears Severed me from those Pioneers, Whose task is to march first, and trace Paths for the progress of our race ? It has been so; but grant me, Lord, Now to stand steadfast by thy word ! Protected by salvation's helm, Shielded by faith­with truth begirt, To smile when trials seek to whelm And stand 'mid testing fires unhurt ! Hurling hell's strongest bulwarks down, Even when the last pang thrills my breast, When Death bestows the Martyr's crown, And calls me into Jesus' rest. Then for my ultimate reward­ Then for the world-rejoicing word­ The voice from Father­Spirit­Son: " Servant of God, well hast thou done !"