Written by
Robert Browning |
That's my last duchess painted on the wall,
Looking as if she were alive.
I call
That piece a wonder, now: Frà Pandolf's hands
Worked busily a day, and there she stands.
Will't please you sit and look at her? I said
"Frà Pandolf" by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus.
Sir, 'twas not
Her husband's presence only, called that spot
Of joy into the Duchess' cheek: perhaps
Frà Pandolf chanced to say "Her mantle laps
Over my lady's wrist too much," or "Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat": such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy.
She had
A heart—how shall I say?—too soon made glad,
Too easily impressed; she liked whate'er
She looked on, and her looks went everywhere.
Sir, 'twas all one! My favor at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace—all and each
Would draw from her alike the approving speech,
Or blush, at least.
She thanked men—good! but thanked
Somehow—I know not how—as if she ranked
My gift of a nine-hundred-years-old name
With anybody's gift.
Who'd stoop to blame
This sort of trifling? Even had you skill
In speech—which I have not—to make your will
Quite clear to such an one, and say, "Just this
Or that in you disgusts me; here you miss,
Or there exceed the mark"—and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,
—E'en then would be some stooping; and I choose
Never to stoop.
Oh sir, she smiled, no doubt,
Whene'er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together.
There she stands
As if alive.
Will't please you rise? We'll meet
The company below, then.
I repeat,
The Count your master's known munificence
Is ample warrant that no just pretense
Of mine for dowry will be disallowed;
Though his fair daughter's self as I avowed
At starting, is my object.
Nay, we'll go
Together down, sir.
Notice Neptune, though,
Taming a sea horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!
|
Written by
Hilaire Belloc |
Who Slammed Doors For Fun And Perished Miserably
A trick that everyone abhors
In little girls is slamming doors.
A wealthy banker's little daughter
Who lived in Palace Green, Bayswater
(By name Rebecca Offendort),
Was given to this furious sport.
She would deliberately go
And slam the door like billy-o!
To make her uncle Jacob start.
She was not really bad at heart,
But only rather rude and wild;
She was an aggravating child.
.
.
It happened that a marble bust
Of Abraham was standing just
Above the door this little lamb
Had carefully prepared to slam,
And down it came! It knocked her flat!
It laid her out! She looked like that.
Her funeral sermon (which was long
And followed by a sacred song)
Mentioned her virtues, it is true,
But dwelt upon her vices too,
And showed the deadful end of one
Who goes and slams the door for fun.
The children who were brought to hear
The awful tale from far and near
Were much impressed, and inly swore
They never more would slam the door,
-- As often they had done before.
|
Written by
Bob Hicok |
Wasn't on purpose that I drilled
through my finger or the nurse
laughed.
She apologized
three times and gave me a shot
of something that was a lusher
apology.
The person
who drove me home
said my smile was a smeared
totem that followed
his body that night as it arced
over a cliff in a dream.
He's always flying
in his dreams and lands
on cruise ships or hovers
over Atlanta with an ********.
He put me to bed and the drugs
wore off and I woke
to cannibals at my extremities.
I woke with a sense
of what nails in the palms
might do to a spirit
temporarily confined to flesh.
That too was an accident
if you believe Judas
merely wanted to be loved.
To be loved by God,
Urban the 8th
had heads cut off
that were inadequately
bowed by dogma.
To be loved
by Blondie, Dagwood
gets nothing right
except the hallucinogenic
architecture of sandwiches.
He would have drilled
through a finger too
while making a case for books
on home repair and health.
Drilling through my finger's
not the dumbest thing
I've done.
Second place
was approaching
a frozen gas-cap with lighter
in hand while thinking
heat melts ice and not
explosion kills *******.
First
place was passing
through a bedroom door
and removing silk that did not
belong to my wife.
Making a bookcase is not
the extent of my apology.
I've also been beaten up
in a bar for saying huevos
rancheros in a way
insulting to the patrons'
ethnicity.
I've also lost
my job because lying
face down on the couch
didn't jibe with my employer's
definition of home
office.
I wanted her to come
through the door on Sunday
and see the bookcase
she'd asked me to build
for a year and be impressed
that it didn't lean
or wobble even though
I've only leaned and often
wobbled.
Now it's half
done but certainly
a better gift with its map
of my unfaithful blood.
|
Written by
Friedrich von Schiller |
"Do I believe," sayest thou, "what the masters of wisdom would teach me,
And what their followers' band boldly and readily swear?
Cannot I ever attain to true peace, excepting through knowledge,
Or is the system upheld only by fortune and law?
Must I distrust the gently-warning impulse, the precept
That thou, Nature, thyself hast in my bosom impressed,
Till the schools have affixed to the writ eternal their signet,
Till a mere formula's chain binds down the fugitive soul?
Answer me, then! for thou hast down into these deeps e'en descended,--
Out of the mouldering grave thou didst uninjured return.
Is't to thee known what within the tomb of obscure works is hidden,
Whether, yon mummies amid, life's consolations can dwell?
Must I travel the darksome road? The thought makes me tremble;
Yet I will travel that road, if 'tis to truth and to right.
"
Friend, hast thou heard of the golden age? Full many a story
Poets have sung in its praise, simply and touchingly sung--
Of the time when the holy still wandered over life's pathways,--
When with a maidenly shame every sensation was veiled,--
When the mighty law that governs the sun in his orbit,
And that, concealed in the bud, teaches the point how to move,
When necessity's silent law, the steadfast, the changeless,
Stirred up billows more free, e'en in the bosom of man,--
When the sense, unerring, and true as the hand of the dial,
Pointed only to truth, only to what was eternal?
Then no profane one was seen, then no initiate was met with,
And what as living was felt was not then sought 'mongst the dead;
Equally clear to every breast was the precept eternal,
Equally hidden the source whence it to gladden us sprang;
But that happy period has vanished! And self-willed presumption
Nature's godlike repose now has forever destroyed.
Feelings polluted the voice of the deities echo no longer,
In the dishonored breast now is the oracle dumb.
Save in the silenter self, the listening soul cannot find it,
There does the mystical word watch o'er the meaning divine;
There does the searcher conjure it, descending with bosom unsullied;
There does the nature long-lost give him back wisdom again.
If thou, happy one, never hast lost the angel that guards thee,
Forfeited never the kind warnings that instinct holds forth;
If in thy modest eye the truth is still purely depicted;
If in thine innocent breast clearly still echoes its call;
If in thy tranquil mind the struggles of doubt still are silent,
If they will surely remain silent forever as now;
If by the conflict of feelings a judge will ne'er be required;
If in its malice thy heart dims not the reason so clear,
Oh, then, go thy way in all thy innocence precious!
Knowledge can teach thee in naught; thou canst instruct her in much!
Yonder law, that with brazen staff is directing the struggling,
Naught is to thee.
What thou dost, what thou mayest will is thy law,
And to every race a godlike authority issues.
What thou with holy hand formest, what thou with holy mouth speakest,
Will with omnipotent power impel the wondering senses;
Thou but observest not the god ruling within thine own breast,
Not the might of the signet that bows all spirits before thee;
Simple and silent thou goest through the wide world thou hast won.
|
Written by
Robert Browning |
Grow old along with me!
The best is yet to be,
The last of life, for which the first was made:
Our times are in His hand
Who saith 'A whole I planned,
Youth shows but half; trust God: see all, nor be afraid!'
Not that, amassing flowers,
Youth sighed 'Which rose make ours,
Which lily leave and then as best recall?'
Not that, admiring stars,
It yearned 'Nor Jove, nor Mars;
Mine be some figured flame which blends, transcends them all!'
Not for such hopes and fears
Annulling youth's brief years,
Do I remonstrate: folly wide the mark!
Rather I prize the doubt
Low kinds exist without,
Finished and finite clods, untroubled by a spark.
Poor vaunt of life indeed,
Were man but formed to feed
On joy, to solely seek and find and feast:
Such feasting ended, then
As sure an end to men;
Irks care the crop-full bird? Frets doubt the maw-crammed beast?
Rejoice we are allied
To That which doth provide
And not partake, effect and not receive!
A spark disturbs our clod;
Nearer we hold of God
Who gives, than of His tribes that take, I must believe.
Then, welcome each rebuff
That turns earth's smoothness rough,
Each sting that bids nor sit nor stand but go!
Be our joys three-parts pain!
Strive, and hold cheap the strain;
Learn, nor account the pang; dare, never grudge the throe!
For thence,--a paradox
Which comforts while it mocks,--
Shall life succeed in that it seems to fail:
What I aspired to be,
And was not, comforts me:
A brute I might have been, but would not sink i' the scale.
What is he but a brute
Whose flesh has soul to suit,
Whose spirit works lest arms and legs want play?
To man, propose this test--
Thy body at its best,
How far can that project thy soul on its lone way?
Yet gifts should prove their use:
I own the Past profuse
Of power each side, perfection every turn:
Eyes, ears took in their dole,
Brain treasured up the whole;
Should not the heart beat once 'How good to live and learn?'
Not once beat 'Praise be Thine!
I see the whole design,
I, who saw power, see now love perfect too:
Perfect I call Thy plan:
Thanks that I was a man!
Maker, remake, complete,--I trust what Thou shalt do!'
For pleasant is this flesh;
Our soul, in its rose-mesh
Pulled ever to the earth, still yearns for rest;
Would we some prize might hold
To match those manifold
Possessions of the brute,--gain most, as we did best!
Let us not always say,
'Spite of this flesh to-day
I strove, made head, gained ground upon the whole!'
As the bird wings and sings,
Let us cry 'All good things
Are ours, nor soul helps flesh more, now, than flesh helps soul!'
Therefore I summon age
To grant youth's heritage,
Life's struggle having so far reached its term:
Thence shall I pass, approved
A man, for aye removed
From the developed brute; a god though in the germ.
And I shall thereupon
Take rest, ere I be gone
Once more on my adventure brave and new:
Fearless and unperplexed,
When I wage battle next,
What weapons to select, what armour to indue.
Youth ended, I shall try
My gain or loss thereby;
Leave the fire ashes, what survives is gold:
And I shall weigh the same,
Give life its praise or blame:
Young, all lay in dispute; I shall know, being old.
For note, when evening shuts,
A certain moment cuts
The deed off, calls the glory from the grey:
A whisper from the west
Shoots--'Add this to the rest,
Take it and try its worth: here dies another day.
'
So, still within this life,
Though lifted o'er its strife,
Let me discern, compare, pronounce at last,
This rage was right i' the main,
That acquiescence vain:
The Future I may face now I have proved the Past.
'
For more is not reserved
To man, with soul just nerved
To act to-morrow what he learns to-day:
Here, work enough to watch
The Master work, and catch
Hints of the proper craft, tricks of the tool's true play.
As it was better, youth
Should strive, through acts uncouth,
Toward making, than repose on aught found made:
So, better, age, exempt
From strife, should know, than tempt
Further.
Thou waitedst age: wait death nor be afraid!
Enough now, if the Right
And Good and Infinite
Be named here, as thou callest thy hand thine own
With knowledge absolute,
Subject to no dispute
From fools that crowded youth, nor let thee feel alone.
Be there, for once and all,
Severed great minds from small,
Announced to each his station in the Past!
Was I, the world arraigned,
Were they, my soul disdained,
Right? Let age speak the truth and give us peace at last!
Now, who shall arbitrate?
Ten men love what I hate,
Shun what I follow, slight what I receive;
Ten, who in ears and eyes
Match me: we all surmise,
They this thing, and I that: whom shall my soul believe?
Not on the vulgar mass
Called 'work,' must sentence pass,
Things done, that took the eye and had the price;
O'er which, from level stand,
The low world laid its hand,
Found straightway to its mind, could value in a trice:
But all, the world's coarse thumb
And finger failed to plumb,
So passed in making up the main account;
All instincts immature,
All purposes unsure,
That weighed not as his work, yet swelled the man's amount:
Thoughts hardly to be packed
Into a narrow act,
Fancies that broke through language and escaped;
All I could never be,
All, men ignored in me,
This, I was worth to God, whose wheel the pitcher shaped.
Ay, note that Potter's wheel,
That metaphor! and feel
Why time spins fast, why passive lies our clay,--
Thou, to whom fools propound,
When the wine makes its round,
'Since life fleets, all is change; the Past gone, seize to-day!'
Fool! All that is, at all,
Lasts ever, past recall;
Earth changes, but thy soul and God stand sure:
What entered into thee,
That was, is, and shall be:
Time's wheel runs back or stops: Potter and clay endure.
He fixed thee mid this dance
Of plastic circumstance,
This Present, thou, forsooth, wouldst fain arrest:
Machinery just meant
To give thy soul its bent,
Try thee and turn thee forth, sufficiently impressed.
What though the earlier grooves,
Which ran the laughing loves
Around thy base, no longer pause and press?
What though, about thy rim,
Skull-things in order grim
Grow out, in graver mood, obey the sterner stress?
Look not thou down but up!
To uses of a cup,
The festal board, lamp's flash and trumpet's peal,
The new wine's foaming flow,
The Master's lips a-glow!
Thou, heaven's consummate cup, what need'st thou with earth's wheel?
But I need, now as then,
Thee, God, who mouldest men;
And since, not even while the whirl was worst,
Did I,--to the wheel of life
With shapes and colours rife,
Bound dizzily,--mistake my end, to slake Thy thirst:
So, take and use Thy work:
Amend what flaws may lurk,
What strain o' the stuff, what warpings past the aim!
My times be in Thy hand!
Perfect the cup as planned!
Let age approve of youth, and death complete the same!
|
Written by
Robert William Service |
You want me to tell you a story, a yarn of the firin' line,
Of our thin red kharki 'eroes, out there where the bullets whine;
Out there where the bombs are bustin',
and the cannons like 'ell-doors slam --
Just order another drink, boys, and I'll tell you of Soulful Sam.
Oh, Sam, he was never 'ilarious, though I've 'ad some mates as was wus;
He 'adn't C.
B.
on his programme, he never was known to cuss.
For a card or a skirt or a beer-mug he 'adn't a friendly word;
But when it came down to Scriptures, say! Wasn't he just a bird!
He always 'ad tracts in his pocket, the which he would haste to present,
And though the fellers would use them in ways that they never was meant,
I used to read 'em religious, and frequent I've been impressed
By some of them bundles of 'oly dope he carried around in his vest.
For I -- and oh, 'ow I shudder at the 'orror the word conveys!
'Ave been -- let me whisper it 'oarsely -- a gambler 'alf of me days;
A gambler, you 'ear -- a gambler.
It makes me wishful to weep,
And yet 'ow it's true, my brethren! -- I'd rather gamble than sleep.
I've gambled the 'ole world over, from Monte Carlo to Maine;
From Dawson City to Dover, from San Francisco to Spain.
Cards! They 'ave been me ruin.
They've taken me pride and me pelf,
And when I'd no one to play with -- why, I'd go and I'd play by meself.
And Sam 'e would sit and watch me, as I shuffled a greasy deck,
And 'e'd say: "You're bound to Perdition,"
And I'd answer: "Git off me neck!"
And that's 'ow we came to get friendly, though built on a different plan,
Me wot's a desprite gambler, 'im sich a good young man.
But on to me tale.
Just imagine .
.
.
Darkness! The battle-front!
The furious 'Uns attackin'! Us ones a-bearin' the brunt!
Me crouchin' be'ind a sandbag, tryin' 'ard to keep calm,
When I 'ears someone singin' a 'ymn toon; be'old! it is Soulful Sam.
Yes; right in the crash of the combat, in the fury of flash and flame,
'E was shootin' and singin' serenely as if 'e enjoyed the same.
And there in the 'eat of the battle, as the 'ordes of demons attacked,
He dipped down into 'is tunic, and 'e 'anded me out a tract.
Then a star-shell flared, and I read it: Oh, Flee From the Wrath to Come!
Nice cheerful subject, I tell yer, when you're 'earin' the bullets 'um.
And before I 'ad time to thank 'im, just one of them bits of lead
Comes slingin' along in a 'urry, and it 'its my partner.
.
.
.
Dead?
No, siree! not by a long sight! For it plugged 'im 'ard on the chest,
Just where 'e'd tracts for a army corps stowed away in 'is vest.
On its mission of death that bullet 'ustled along, and it caved
A 'ole in them tracts to 'is 'ide, boys -- but the life o' me pal was saved.
And there as 'e showed me in triumph, and 'orror was chokin' me breath,
On came another bullet on its 'orrible mission of death;
On through the night it cavorted, seekin' its 'aven of rest,
And it zipped through a crack in the sandbags, and it wolloped me bang on the breast.
Was I killed, do you ask? Oh no, boys.
Why am I sittin' 'ere
Gazin' with mournful vision at a mug long empty of beer?
With a throat as dry as a -- oh, thanky! I don't much mind if I do.
Beer with a dash of 'ollands, that's my particular brew.
Yes, that was a terrible moment.
It 'ammered me 'ard o'er the 'eart;
It bowled me down like a nine-pin, and I looked for the gore to start;
And I saw in the flash of a moment, in that thunder of hate and strife,
Me wretched past like a pitchur -- the sins of a gambler's life.
For I 'ad no tracts to save me, to thwart that mad missile's doom;
I 'ad no pious pamphlets to 'elp me to cheat the tomb;
I 'ad no 'oly leaflets to baffle a bullet's aim;
I'd only -- a deck of cards, boys, but .
.
.
it seemed to do just the same.
|
Written by
Kahlil Gibran |
The dark wings of night enfolded the city upon which Nature had spread a pure white garment of snow; and men deserted the streets for their houses in search of warmth, while the north wind probed in contemplation of laying waste the gardens.
There in the suburb stood an old hut heavily laden with snow and on the verge of falling.
In a dark recess of that hovel was a poor bed in which a dying youth was lying, staring at the dim light of his oil lamp, made to flicker by the entering winds.
He a man in the spring of life who foresaw fully that the peaceful hour of freeing himself from the clutches of life was fast nearing.
He was awaiting Death's visit gratefully, and upon his pale face appeared the dawn of hope; and on his lops a sorrowful smile; and in his eyes forgiveness.
He was poet perishing from hunger in the city of living rich.
He was placed in the earthly world to enliven the heart of man with his beautiful and profound sayings.
He as noble soul, sent by the Goddess of Understanding to soothe and make gentle the human spirit.
But alas! He gladly bade the cold earth farewell without receiving a smile from its strange occupants.
He was breathing his last and had no one at his bedside save the oil lamp, his only companion, and some parchments upon which he had inscribed his heart's feeling.
As he salvaged the remnants of his withering strength he lifted his hands heavenward; he moved his eyes hopelessly, as if wanting to penetrate the ceiling in order to see the stars from behind the veil clouds.
And he said, "Come, oh beautiful Death; my soul is longing for you.
Come close to me and unfasten the irons life, for I am weary of dragging them.
Come, oh sweet Death, and deliver me from my neighbors who looked upon me as a stranger because I interpret to them the language of the angels.
Hurry, oh peaceful Death, and carry me from these multitudes who left me in the dark corner of oblivion because I do not bleed the weak as they do.
Come, oh gentle Death, and enfold me under your white wings, for my fellowmen are not in want of me.
Embrace me, oh Death, full of love and mercy; let your lips touch my lips which never tasted a mother's kiss, not touched a sister's cheeks, not caresses a sweetheart's fingertips.
Come and take me, by beloved Death.
"
Then, at the bedside of the dying poet appeared an angel who possessed a supernatural and divine beauty, holding in her hand a wreath of lilies.
She embraced him and closed his eyes so he could see no more, except with the eye of his spirit.
She impressed a deep and long and gently withdrawn kiss that left and eternal smile of fulfillment upon his lips.
Then the hovel became empty and nothing was lest save parchments and papers which the poet had strewn with bitter futility.
Hundreds of years later, when the people of the city arose from the diseases slumber of ignorance and saw the dawn of knowledge, they erected a monument in the most beautiful garden of the city and celebrated a feast every year in honor of that poet, whose writings had freed them.
Oh, how cruel is man's ignorance!
|
Written by
Amy Lowell |
The nursery fire burns brightly, crackling in cheerful
little explosions
and trails of sparks up the back of the chimney.
Miniature
rockets
peppering the black bricks with golden stars, as though a gala
flamed a night of victorious wars.
The nodding mandarin on the bookcase moves his
head forward and back, slowly,
and looks into the air with his blue-green eyes.
He stares
into the air
and nods -- forward and back.
The red rose in his hand
is a crimson splash
on his yellow coat.
Forward and back, and his blue-green
eyes stare
into the air, and he nods -- nods.
Tommy's soldiers march to battle,
Trumpets flare and snare-drums rattle.
Bayonets flash, and sabres glance --
How the horses snort and prance!
Cannon drawn up in a line
Glitter in the dizzy shine
Of the morning sunlight.
Flags
Ripple colours in great jags.
Red blows out, then blue, then green,
Then all three -- a weaving sheen
Of prismed patriotism.
March
Tommy's soldiers, stiff and starch,
Boldly stepping to the rattle
Of the drums, they go to battle.
Tommy lies on his stomach on the floor and directs his columns.
He puts his infantry in front, and before them ambles a mounted
band.
Their instruments make a strand of gold before the scarlet-tunicked
soldiers,
and they take very long steps on their little green platforms,
and from the ranks bursts the song of Tommy's soldiers marching
to battle.
The song jolts a little as the green platforms stick on the thick
carpet.
Tommy wheels his guns round the edge of a box of blocks, and places
a squad of cavalry on the commanding eminence of a footstool.
The fire snaps pleasantly, and the old Chinaman nods -- nods.
The
fire makes
the red rose in his hand glow and twist.
Hist! That
is a bold song
Tommy's soldiers sing as they march along to battle.
Crack! Rattle! The sparks
fly up the chimney.
Tommy's army's off to war --
Not a soldier knows what for.
But he knows about his rifle,
How to shoot it, and a trifle
Of the proper thing to do
When it's he who is shot through.
Like a cleverly trained flea,
He can follow instantly
Orders, and some quick commands
Really make severe demands
On a mind that's none too rapid,
Leaden brains tend to the vapid.
But how beautifully dressed
Is this army! How impressed
Tommy is when at his heel
All his baggage wagons wheel
About the patterned carpet, and
Moving up his heavy guns
He sees them glow with diamond suns
Flashing all along each barrel.
And the gold and blue apparel
Of his gunners is a joy.
Tommy is a lucky boy.
Boom! Boom! Ta-ra!
The old mandarin nods under his purple umbrella.
The
rose in his hand
shoots its petals up in thin quills of crimson.
Then
they collapse
and shrivel like red embers.
The fire sizzles.
Tommy is galloping his cavalry, two by two, over the floor.
They
must pass
the open terror of the door and gain the enemy encamped under the
wash-stand.
The mounted band is very grand, playing allegro and leading the
infantry on
at the double quick.
The tassel of the hearth-rug has
flung down
the bass-drum, and he and his dapple-grey horse lie overtripped,
slipped out of line, with the little lead drumsticks glistening
to the fire's shine.
The fire burns and crackles, and tickles the tripped
bass-drum
with its sparkles.
The marching army hitches its little green platforms
valiantly, and steadily
approaches the door.
The overturned bass-drummer, lying
on the hearth-rug,
melting in the heat, softens and sheds tears.
The song
jeers
at his impotence, and flaunts the glory of the martial and still
upstanding,
vaunting the deeds it will do.
For are not Tommy's soldiers
all bright and new?
Tommy's leaden soldiers we,
Glittering with efficiency.
Not a button's out of place,
Tons and tons of golden lace
Wind about our officers.
Every manly bosom stirs
At the thought of killing -- killing!
Tommy's dearest wish fulfilling.
We are gaudy, savage, strong,
And our loins so ripe we long
First to kill, then procreate,
Doubling so the laws of Fate.
On their women we have sworn
To graft our sons.
And overborne
They'll rear us younger soldiers, so
Shall our race endure and grow,
Waxing greater in the wombs
Borrowed of them, while damp tombs
Rot their men.
O Glorious War!
Goad us with your points, Great Star!
The china mandarin on the bookcase nods slowly, forward and back
--
forward and back -- and the red rose writhes and wriggles,
thrusting its flaming petals under and over one another like tortured
snakes.
The fire strokes them with its dartles, and purrs
at them,
and the old man nods.
Tommy does not hear the song.
He only sees the beautiful,
new,
gaily-coloured lead soldiers.
They belong to him, and
he is very proud
and happy.
He shouts his orders aloud, and gallops his
cavalry past the door
to the wash-stand.
He creeps over the floor on his hands
and knees
to one battalion and another, but he sees only the bright colours
of his soldiers and the beautiful precision of their gestures.
He is a lucky boy to have such fine lead soldiers to enjoy.
Tommy catches his toe in the leg of the wash-stand, and jars the
pitcher.
He snatches at it with his hands, but it is too late.
The
pitcher falls,
and as it goes, he sees the white water flow over its lip.
It
slips
between his fingers and crashes to the floor.
But it
is not water which oozes
to the door.
The stain is glutinous and dark, a spark
from the firelight
heads it to red.
In and out, between the fine, new soldiers,
licking over the carpet, squirms the stream of blood, lapping at
the little green platforms, and flapping itself against the painted
uniforms.
The nodding mandarin moves his head slowly, forward and back.
The rose is broken, and where it fell is black blood.
The
old mandarin leers
under his purple umbrella, and nods -- forward and back, staring
into the air
with blue-green eyes.
Every time his head comes forward
a rosebud pushes
between his lips, rushes into full bloom, and drips to the ground
with a splashing sound.
The pool of black blood grows
and grows,
with each dropped rose, and spreads out to join the stream from
the wash-stand.
The beautiful army of lead soldiers steps
boldly forward,
but the little green platforms are covered in the rising stream
of blood.
The nursery fire burns brightly and flings fan-bursts of stars up
the chimney,
as though a gala flamed a night of victorious wars.
|
Written by
Isaac Watts |
The wonderful formation of man.
'Twas from thy hand, my God, I came,
A work of such a curious frame
In me thy fearful wonders shine,
And each proclaims thy skill divine.
Thine eyes did all my limbs survey,
Which yet in dark confusion lay;
Thou saw'st the daily growth they took,
Formed by the model of thy book.
By thee my growing parts were named,
And what thy sovereign counsels framed-
The breathing lungs, the beating heart-
Was copied with unerring art.
At last, to show my Maker's name,
God stamped his image on my frame,
And in some unknown moment joined
The finished members to the mind.
There the young seeds of thought began,
And all the passions of the man:
Great God, our infant nature pays
Immortal tribute to thy praise.
PAUSE.
Lord, since in my advancing age
I've acted on life's busy stage,
Thy thoughts of love to me surmount
The power of numbers to recount.
I could survey the ocean o'er,
And count each sand that makes the shore,
Before my swiftest thoughts could trace
The num'rous wonders of thy grace.
These on my heart are still impressed,
With these I give my eyes to rest;
And at my waking hour I find
God and his love possess my mind.
|
Written by
Barry Tebb |
Lavender musk rose from the volume I was reading through,
The college crest impressed in gold, tooled gold lettering on the spine.
It was not mine but my son’s, jammed in the corner of a cardboard box
With dozens more; just one box of a score, stored in a heap
Across my ex-wife’s floor, our son gone far, as far as Samarkand and Ind
To where his strange imaginings had led, to heat and dust, some lust
To know Bengali, to translate Tagore, or just, for all we know,
Stroll round those sordid alleys and bazaars and ask for toddy
If it’s still the same and say it in a tongue they know.
The Classics books lay everywhere around the flat, so many that my mind
Grew numb.
Heavy, dusty dictionaries of Mandarin and Greek,
Crumbling Victorian commentaries where every men and de was weighed
And weighed again, and then, through a scholar’s gloss on Aristotle,
That single sentence glowed, ‘And thus we see nobility of soul
Comes only with the conquering of loss’; meaning shimmered in that empty space
Where we believed there was no way to resurrect two sons we’d watched grow up,
One lost to oriental heat and dust, the other to a fate of wards.
It seemed that rainy April Sunday in the musty book-lined rooms
Of Brenda’s flat, mourning the death of Beethoven, her favourite cat,
Watching Mozart’s ginger fur, his plaintive tone of loss, whether
Some miscreant albatross was laid across our deck, or bound around
The ship, or tangled about whatever destiny we moved towards
Across that frozen sea of dark extremity; fatigued as if our barque
Had hardly stirred for all those years of strife, for all the times
We’d set the compass right, sorted through those heaped up charts
And with fingers weary and bleary-eyed retraced our course.
The books, a thousand books that lined the walls:
Plato’s chariot racing across the empty sky,
Sartre’s waiters dancing like angels on the heads of pins,
And Wittgenstein, nodding in his smoke-filled Cambridge den,
Dreaming of a school room in the Austrian hills and walks
In mountain air, wondering why he wasn’t there.
We wondered, too, at what, if anything we knew, trying to sift some
Single fact that might elicit hope from loss, enough to get us through
Another year with other griefs to come, we knew.
Some, by a little,
Through God’s grace or chance or simple will, we might delay.
More likely we would have no say.
By words or actions who can stay
The rolling balls across the table’s baize, the click of ball on ball,
The line of bottles in the hall?
We heard the ticking of the Roman -figured clock
My mother made us take when all was lost,
Together until the last breath had flown
Into the blue empyrean with her soul.
|