Written by
Roger McGough |
I explain quietly.
You
hear me shouting.
You
try a new tack.
I
feel old wounds reopen.
You see both sides.
I
see your blinkers.
I
am placatory.
You
sense a new selfishness.
I am a dove.
You
recognize the hawk.
You
offer an olive branch.
I
feel the thorns.
You bleed.
I
see crocodile tears.
I
withdraw.
You
reel from the impact.
|
Written by
Anne Sexton |
Until tonight they were separate specialties,
different stories, the best of their own worst.
Riding my warm cabin home, I remember Betsy's
laughter; she laughed as you did, Rose, at the first
story.
Someday, I promised her, I'll be someone
going somewhere and we plotted it in the humdrum
school for proper girls.
The next April the plane
bucked me like a horse, my elevators turned
and fear blew down my throat, that last profane
gauge of a stomach coming up.
And then returned
to land, as unlovely as any seasick sailor,
sincerely eighteen; my first story, my funny failure.
Maybe Rose, there is always another story,
better unsaid, grim or flat or predatory.
Half a mile down the lights of the in-between cities
turn up their eyes at me.
And I remember Betsy's
story, the April night of the civilian air crash
and her sudden name misspelled in the evening paper,
the interior of shock and the paper gone in the trash
ten years now.
She used the return ticket I gave her.
This was the rude kill of her; two planes cracking
in mid-air over Washington, like blind birds.
And the picking up afterwards, the morticians tracking
bodies in the Potomac and piecing them like boards
to make a leg or a face.
There is only her miniature
photograph left, too long now for fear to remember.
Special tonight because I made her into a story
that I grew to know and savor.
A reason to worry,
Rose, when you fix an old death like that,
and outliving the impact, to find you've pretended.
We bank over Boston.
I am safe.
I put on my hat.
I am almost someone going home.
The story has ended.
|
Written by
Thomas Edward Brown |
The Man that hath great griefs I pity not;
’Tis something to be great
In any wise, and hint the larger state,
Though but in shadow of a shade, God wot!
Moreover, while we wait the possible,
This man has touched the fact,
And probed till he has felt the core, where, packed
In pulpy folds, resides the ironic ill.
And while we others sip the obvious sweet—
Lip-licking after-taste
Of glutinous rind, lo! this man hath made haste,
And pressed the sting that holds the central seat.
For thus it is God stings us into life,
Provoking actual souls
From bodily systems, giving us the poles
That are His own, not merely balanced strife.
Nay, the great passions are His veriest thought,
Which whoso can absorb,
Nor, querulous halting, violate their orb,
In him the mind of God is fullest wrought.
Thrice happy such an one! Far other he
Who dallies on the edge
Of the great vortex, clinging to a sedge
Of patent good, a timorous Manichee;
Who takes the impact of a long-breathed force,
And fritters it away
In eddies of disgust, that else might stay
His nerveless heart, and fix it to the course.
For there is threefold oneness with the One;
And he is one, who keeps
The homely laws of life; who, if he sleeps,
Or wakes, in his true flesh God’s will is done.
And he is one, who takes the deathless forms,
Who schools himself to think
With the All-thinking, holding fast the link,
God-riveted, that bridges casual storms.
But tenfold one is he, who feels all pains
Not partial, knowing them
As ripples parted from the gold-beaked stem,
Wherewith God’s galley onward ever strains.
To him the sorrows are the tension-thrills
Of that serene endeavour,
Which yields to God for ever and for ever
The joy that is more ancient than the hills.
|
Written by
G K Chesterton |
O learned man who never learned to learn,
Save to deduce, by timid steps and small,
From towering smoke that fire can never burn
And from tall tales that men were never tall.
Say, have you thought what manner of man it is
Of who men say "He could strike giants down" ?
Or what strong memories over time's abyss
Bore up the pomp of Camelot and the crown.
And why one banner all the background fills,
Beyond the pageants of so many spears,
And by what witchery in the western hills
A throne stands empty for a thousand years.
Who hold, unheeding this immense impact,
Immortal story for a mortal sin;
Lest human fable touch historic fact,
Chase myths like moths, and fight them with a pin.
Take comfort; rest--there needs not this ado.
You shall not be a myth, I promise you.
|
Written by
Amy Lowell |
Study in Whites
Wax-white --
Floor, ceiling, walls.
Ivory shadows
Over the pavement
Polished to cream surfaces
By constant sweeping.
The big room is coloured like the petals
Of a great magnolia,
And has a patina
Of flower bloom
Which makes it shine dimly
Under the electric lamps.
Chairs are ranged in rows
Like sepia seeds
Waiting fulfilment.
The chalk-white spot of a cook's cap
Moves unglossily against the vaguely bright wall --
Dull chalk-white striking the retina like a blow
Through the wavering uncertainty of steam.
Vitreous-white of glasses with green reflections,
Ice-green carboys, shifting -- greener, bluer -- with the jar of
moving water.
Jagged green-white bowls of pressed glass
Rearing snow-peaks of chipped sugar
Above the lighthouse-shaped castors
Of grey pepper and grey-white salt.
Grey-white placards: "Oyster Stew, Cornbeef Hash, Frankfurters":
Marble slabs veined with words in meandering lines.
Dropping on the white counter like horn notes
Through a web of violins,
The flat yellow lights of oranges,
The cube-red splashes of apples,
In high plated `epergnes'.
The electric clock jerks every half-minute:
"Coming! -- Past!"
"Three beef-steaks and a chicken-pie,"
Bawled through a slide while the clock jerks heavily.
A man carries a china mug of coffee to a distant chair.
Two rice puddings and a salmon salad
Are pushed over the counter;
The unfulfilled chairs open to receive them.
A spoon falls upon the floor with the impact of metal striking stone,
And the sound throws across the room
Sharp, invisible zigzags
Of silver.
|
Written by
A S J Tessimond |
Is it sounds
converging,
Sounds
nearing,
Infringement,
impingement,
Impact,
contact
With surfaces of the sounds
Or surfaces without the sounds:
Diagrams,
skeletal,
strange?
Is it winds
curling round invisible corners?
Polyphony of perfumes?
Antennae discovering an axis,
erecting the architecture of a world?
Is it
orchestration of the finger-tips,
graph of a fugue:
Scaffold for colours:
colour itself being god?
|
Written by
Stephen Crane |
The impact of a dollar upon the heart
Smiles warm red light,
Sweeping from the hearth rosily upon the white table,
With the hanging cool velvet shadows
Moving softly upon the door.
The impact of a million dollars
Is a crash of flunkeys,
And yawning emblems of Persia
Cheeked against oak, France and a sabre,
The outcry of old beauty
Whored by pimping merchants
To submission before wine and chatter.
Silly rich peasants stamp the carpets of men,
Dead men who dreamed fragrance and light
Into their woof, their lives;
The rug of an honest bear
Under the feet of a cryptic slave
Who speaks always of baubles,
Forgetting state, multitude, work, and state,
Champing and mouthing of hats,
Making ratful squeak of hats,
Hats.
|
Written by
Edna St Vincent Millay |
(He speaks, but to himself, being aware how it is with her)
Think not I have not heard.
Well-fanged the double word
And well-directed flew.
I felt it.
Down my side
Innocent as oil I see the ugly venom slide:
Poison enough to stiffen us both, and all our friends;
But I am not pierced, so there the mischief ends.
There is more to be said: I see it coiling;
The impact will be pain.
Yet coil; yet strike again.
You cannot riddle the stout mail I wove
Long since, of wit and love.
As for my answer .
.
.
stupid in the sun
He lies, his fangs drawn:
I will not war with you.
You know how wild you are.
You are willing to be turned
To other matters; you would be grateful, even.
You watch me shyly.
I (for I have learned
More things than one in our few years together)
Chafe at the churlish wind, the unseasonable weather.
"Unseasonable?" you cry, with harsher scorn
Than the theme warrants; "Every year it is the same!
'Unseasonable!' they whine, these stupid peasants!—and never
since they were born
Have they known a spring less wintry! Lord, the shame,
The crying shame of seeing a man no wiser than the beasts he
feeds—
His skull as empty as a shell!"
("Go to.
You are unwell.
")
Such is my thought, but such are not my words.
"What is the name," I ask, "of those big birds
With yellow breast and low and heavy flight,
That make such mournful whistling?"
"Meadowlarks,"
You answer primly, not a little cheered.
"Some people shoot them.
" Suddenly your eyes are wet
And your chin trembles.
On my breast you lean,
And sob most pitifullly for all the lovely things that are not and
have been.
"How silly I am!—and I know how silly I am!"
You say; "You are very patient.
You are very kind.
I shall be better soon.
Just Heaven consign and damn
To tedious Hell this body with its muddy feet in my mind!"
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