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Thompsons Lunch Room -- Grand Central Station

 Study in Whites

Wax-white --
Floor, ceiling, walls.
Ivory shadows Over the pavement Polished to cream surfaces By constant sweeping.
The big room is coloured like the petals Of a great magnolia, And has a patina Of flower bloom Which makes it shine dimly Under the electric lamps.
Chairs are ranged in rows Like sepia seeds Waiting fulfilment.
The chalk-white spot of a cook's cap Moves unglossily against the vaguely bright wall -- Dull chalk-white striking the retina like a blow Through the wavering uncertainty of steam.
Vitreous-white of glasses with green reflections, Ice-green carboys, shifting -- greener, bluer -- with the jar of moving water.
Jagged green-white bowls of pressed glass Rearing snow-peaks of chipped sugar Above the lighthouse-shaped castors Of grey pepper and grey-white salt.
Grey-white placards: "Oyster Stew, Cornbeef Hash, Frankfurters": Marble slabs veined with words in meandering lines.
Dropping on the white counter like horn notes Through a web of violins, The flat yellow lights of oranges, The cube-red splashes of apples, In high plated `epergnes'.
The electric clock jerks every half-minute: "Coming! -- Past!" "Three beef-steaks and a chicken-pie," Bawled through a slide while the clock jerks heavily.
A man carries a china mug of coffee to a distant chair.
Two rice puddings and a salmon salad Are pushed over the counter; The unfulfilled chairs open to receive them.
A spoon falls upon the floor with the impact of metal striking stone, And the sound throws across the room Sharp, invisible zigzags Of silver.

Poem by Amy Lowell
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