Written by
Jack Prelutsky |
I am Ebenezer Bleezer,
I run BLEEZER'S ICE CREAM STORE,
there are flavors in my freezer
you have never seen before,
twenty-eight divine creations
too delicious to resist,
why not do yourself a favor,
try the flavors on my list:
COCOA MOCHA MACARONI
TAPIOCA SMOKED BALONEY
CHECKERBERRY CHEDDAR CHEW
CHICKEN CHERRY HONEYDEW
TUTTI-FRUTTI STEWED TOMATO
TUNA TACO BAKED POTATO
LOBSTER LITCHI LIMA BEAN
MOZZARELLA MANGOSTEEN
ALMOND HAM MERINGUE SALAMI
YAM ANCHOVY PRUNE PASTRAMI
SASSAFRAS SOUVLAKI HASH
SUKIYAKI SUCCOTASH
BUTTER BRICKLE PEPPER PICKLE
POMEGRANATE PUMPERNICKEL
PEACH PIMENTO PIZZA PLUM
PEANUT PUMPKIN BUBBLEGUM
BROCCOLI BANANA BLUSTER
CHOCOLATE CHOP SUEY CLUSTER
AVOCADO BRUSSELS SPROUT
PERIWINKLE SAUERKRAUT
COTTON CANDY CARROT CUSTARD
CAULIFLOWER COLA MUSTARD
ONION DUMPLING DOUBLE DIP
TURNIP TRUFFLE TRIPLE FLIP
GARLIC GUMBO GRAVY GUAVA
LENTIL LEMON LIVER LAVA
ORANGE OLIVE BAGEL BEET
WATERMELON WAFFLE WHEAT
I am Ebenezer Bleezer,
I run BLEEZER'S ICE CREAM STORE,
taste a flavor from my freezer,
you will surely ask for more.
|
Written by
Robert William Service |
With belly like a poisoned pup
Said I: 'I must give bacon up:
And also, I profanely fear,
I must abandon bread and beer
That make for portliness they say;
Yet of them copiously today
I ate with an increasingly sense
Of grievous corpulence.
I like a lot of thinks I like.
Too bad that I must go on strike
Against pork sausages and mash,
Spaghetti and fried corn-beef hash.
I deem he is a lucky soul
Who has no need of girth control;
For in the old of age: 'Il faut
Souffrir pour etre bean.
'
Yet let me not be unconsoled:
So many greybeards I behold,
Distinguished in affairs of state,
In culture counted with the Great,
Have tummies with a shameless bulge,
And so I think I'll still indulge
In eats I like without a qualm,
And damn my diaphragm!'
|
Written by
Robert Browning |
1 It once might have been, once only:
2 We lodged in a street together,
3 You, a sparrow on the housetop lonely,
4 I, a lone she-bird of his feather.
5 Your trade was with sticks and clay,
6 You thumbed, thrust, patted and polished,
7 Then laughed 'They will see some day
8 Smith made, and Gibson demolished.
'
9 My business was song, song, song;
10 I chirped, cheeped, trilled and twittered,
11 'Kate Brown's on the boards ere long,
12 And Grisi's existence embittered!'
13 I earned no more by a warble
14 Than you by a sketch in plaster;
15 You wanted a piece of marble,
16 I needed a music-master.
17 We studied hard in our styles,
18 Chipped each at a crust like Hindoos,
19 For air looked out on the tiles,
20 For fun watched each other's windows.
21 You lounged, like a boy of the South,
22 Cap and blouse--nay, a bit of beard too;
23 Or you got it, rubbing your mouth
24 With fingers the clay adhered to.
25 And I--soon managed to find
26 Weak points in the flower-fence facing,
27 Was forced to put up a blind
28 And be safe in my corset-lacing.
29 No harm! It was not my fault
30 If you never turned your eye's tail up
31 As I shook upon E in alt,
32 Or ran the chromatic scale up:
33 For spring bade the sparrows pair,
34 And the boys and girls gave guesses,
35 And stalls in our street looked rare
36 With bulrush and watercresses.
37 Why did not you pinch a flower
38 In a pellet of clay and fling it?
39 Why did not I put a power
40 Of thanks in a look, or sing it?
41 I did look, sharp as a lynx,
42 (And yet the memory rankles,)
43 When models arrived, some minx
44 Tripped up-stairs, she and her ankles.
45 But I think I gave you as good!
46 'That foreign fellow,--who can know
47 How she pays, in a playful mood,
48 For his tuning her that piano?'
49 Could you say so, and never say
50 'Suppose we join hands and fortunes,
51 And I fetch her from over the way,
52 Her, piano, and long tunes and short tunes?'
53 No, no: you would not be rash,
54 Nor I rasher and something over:
55 You've to settle yet Gibson's hash,
56 And Grisi yet lives in clover.
57 But you meet the Prince at the Board,
58 I'm queen myself at bals-par?,
59 I've married a rich old lord,
60 And you're dubbed knight and an R.
A.
61 Each life unfulfilled, you see;
62 It hangs still, patchy and scrappy:
63 We have not sighed deep, laughed free,
64 Starved, feasted, despaired,--been happy.
65 And nobody calls you a dunce,
66 And people suppose me clever:
67 This could but have happened once,
68 And we missed it, lost it for ever.
|
Written by
Amy Lowell |
Study in Whites
Wax-white --
Floor, ceiling, walls.
Ivory shadows
Over the pavement
Polished to cream surfaces
By constant sweeping.
The big room is coloured like the petals
Of a great magnolia,
And has a patina
Of flower bloom
Which makes it shine dimly
Under the electric lamps.
Chairs are ranged in rows
Like sepia seeds
Waiting fulfilment.
The chalk-white spot of a cook's cap
Moves unglossily against the vaguely bright wall --
Dull chalk-white striking the retina like a blow
Through the wavering uncertainty of steam.
Vitreous-white of glasses with green reflections,
Ice-green carboys, shifting -- greener, bluer -- with the jar of
moving water.
Jagged green-white bowls of pressed glass
Rearing snow-peaks of chipped sugar
Above the lighthouse-shaped castors
Of grey pepper and grey-white salt.
Grey-white placards: "Oyster Stew, Cornbeef Hash, Frankfurters":
Marble slabs veined with words in meandering lines.
Dropping on the white counter like horn notes
Through a web of violins,
The flat yellow lights of oranges,
The cube-red splashes of apples,
In high plated `epergnes'.
The electric clock jerks every half-minute:
"Coming! -- Past!"
"Three beef-steaks and a chicken-pie,"
Bawled through a slide while the clock jerks heavily.
A man carries a china mug of coffee to a distant chair.
Two rice puddings and a salmon salad
Are pushed over the counter;
The unfulfilled chairs open to receive them.
A spoon falls upon the floor with the impact of metal striking stone,
And the sound throws across the room
Sharp, invisible zigzags
Of silver.
|
Written by
Robert William Service |
One said: Thy life is thine to make or mar,
To flicker feebly, or to soar, a star;
It lies with thee -- the choice is thine, is thine,
To hit the ties or drive thy auto-car.
I answered Her: The choice is mine -- ah, no!
We all were made or marred long, long ago.
The parts are written; hear the super wail:
"Who is stage-managing this cosmic show?"
Blind fools of fate and slaves of circumstance,
Life is a fiddler, and we all must dance.
From gloom where mocks that will-o'-wisp, Free-will
I heard a voice cry: "Say, give us a chance.
"
Chance! Oh, there is no chance! The scene is set.
Up with the curtain! Man, the marionette,
Resumes his part.
The gods will work the wires.
They've got it all down fine, you bet, you bet!
It's all decreed -- the mighty earthquake crash,
The countless constellations' wheel and flash;
The rise and fall of empires, war's red tide;
The composition of your dinner hash.
There's no haphazard in this world of ours.
Cause and effect are grim, relentless powers.
They rule the world.
(A king was shot last night;
Last night I held the joker and both bowers.
)
From out the mesh of fate our heads we thrust.
We can't do what we would, but what we must.
Heredity has got us in a cinch --
(Consoling thought when you've been on a "bust".
)
Hark to the song where spheral voices blend:
"There's no beginning, never will be end.
"
It makes us nutty; hang the astral chimes!
The tables spread; come, let us dine, my friend.
|
Written by
Andrew Barton Paterson |
It was the lunatic poet escaped from the local asylum,
Loudly he twanged on his banjo and sang with his voice like a saw-mill,
While as with fervour he sang there was borne o'er the shuddering wildwood,
Borne on the breath of the poet a flavour of rum and of onions.
He sang of the Deficit Demon that dqelt in the Treasury Mountains,
How it was small in its youth and a champion was sent to destroy it:
Dibbs he was salled, and he boasted, "Soon I will wipe out the Monster,"
But while he was boasting and bragging the monster grew larger and larger.
One day as Dibbs bragged of his prowess in daylight the Deficit met him,
Settled his hash in one act and made him to all man a byword,
Sent hin, a raving ex-Premier, to dwell in the shades of oblivion,
And the people put forward a champion known as Sir Patrick the Portly.
As in the midnight the tom-cat who seeketh his love on the house top,
Lifteth his voice up and is struck by the fast whizzing brickbat,
Drops to the ground in a swoon and glides to the silent hereafter,
So fell Sir Patrick the Portly at the stroke of the Deficit Demon.
Then were the people amazed and they called for the champion of champions
Known as Sir 'Enry the Fishfag unequalled in vilification.
He is the man, said the people, to wipe out the Deficit Monster,
If nothing else fetches him through he can at the least talk its head off.
So he sharpened his lance of Freetrade and he practised in loud-mouthing abusing,
"Poodlehead," "Craven," and "Mole-eyes" were things that he purposed to call it,
He went to the fight full of valour and all men are waiting the issue,
Though they know not his armour nor weapons excepting his power of abusing.
Loud sang the lunatic his song of the champions of valour
Until he was sighted and captured by fleet-footed keepers pursuing,
To whom he remarked with a smile as they ran him off back to the madhouse,
"If you want to back Parkes I'm your man -- here's a cool three to one on the Deficit.
"
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