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Best Famous Glares Poems

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Written by Thomas Chatterton | Create an image from this poem

February

 Begin, my muse, the imitative lay, 
Aonian doxies sound the thrumming string; 
Attempt no number of the plaintive Gay, 
Let me like midnight cats, or Collins sing. 
If in the trammels of the doleful line 
The bounding hail, or drilling rain descend; 
Come, brooding Melancholy, pow'r divine, 
And ev'ry unform'd mass of words amend. 

Now the rough goat withdraws his curling horns, 
And the cold wat'rer twirls his circling mop: 
Swift sudden anguish darts thro' alt'ring corns, 
And the spruce mercer trembles in his shop. 

Now infant authors, madd'ning for renown, 
Extend the plume, and him about the stage, 
Procure a benefit, amuse the town, 
And proudly glitter in a title page. 

Now, wrapt in ninefold fur, his squeamish grace 
Defies the fury of the howling storm; 
And whilst the tempest whistles round his face, 
Exults to find his mantled carcase warm. 

Now rumbling coaches furious drive along, 
Full of the majesty of city dames, 
Whose jewels sparkling in the gaudy throng, 
Raise strange emotions and invidious flames. 

Now Merit, happy in the calm of place, 
To mortals as a highlander appears, 
And conscious of the excellence of lace, 
With spreading frogs and gleaming spangles glares. 

Whilst Envy, on a tripod seated nigh, 
In form a shoe-boy, daubs the valu'd fruit, 
And darting lightnings from his vengeful eye, 
Raves about Wilkes, and politics, and Bute. 

Now Barry, taller than a grenadier, 
Dwindles into a stripling of eighteen; 
Or sabled in Othello breaks the ear, 
Exerts his voice, and totters to the scene. 

Now Foote, a looking-glass for all mankind, 
Applies his wax to personal defects; 
But leaves untouch'd the image of the mind, 
His art no mental quality reflects. 

Now Drury's potent kind extorts applause, 
And pit, box, gallery, echo, "how divine!" 
Whilst vers'd in all the drama's mystic laws, 
His graceful action saves the wooden line. 

Now-- but what further can the muses sing? 
Now dropping particles of water fall; 
Now vapours riding on the north wind's wing, 
With transitory darkness shadow all. 

Alas! how joyless the descriptive theme, 
When sorrow on the writer's quiet preys 
And like a mouse in Cheshire cheese supreme, 
Devours the substance of the less'ning bays. 

Come, February, lend thy darkest sky. 
There teach the winter'd muse with clouds to soar; 
Come, February, lift the number high; 
Let the sharp strain like wind thro' alleys roar. 

Ye channels, wand'ring thro' the spacious street, 
In hollow murmurs roll the dirt along, 
With inundations wet the sabled feet, 
Whilst gouts responsive, join th'elegiac song. 

Ye damsels fair, whose silver voices shrill, 
Sound thro' meand'ring folds of Echo's horn; 
Let the sweet cry of liberty be still, 
No more let smoking cakes awake the morn. 

O, Winter! Put away the snowy pride; 
O, Spring! Neglect the cowslip and the bell; 
O, Summer! Throw thy pears and plums aside; 
O, Autumn! Bid the grape with poison swell. 

The pension'd muse of Johnson is no more! 
Drown'd in a butt of wine his genius lies; 
Earth! Ocean! Heav'n! The wond'rous loss deplore, 
The dregs of nature with her glory dies. 

What iron Stoic can suppress the tear; 
What sour reviewer read with vacant eye! 
What bard but decks his literary bier! 
Alas! I cannot sing-- I howl-- I cry--


Written by William Blake | Create an image from this poem

Evening Star

 Thou fair hair'd angel of the evening,
Now, while the sun rests on the mountains light,
Thy bright torch of love; Thy radiant crown
Put on, and smile upon our evening bed!
Smile on our loves; and when thou drawest the 
Blue curtains, scatter thy silver dew
On every flower that shuts its sweet eyes
In timely sleep. Let thy west wind sleep on
The lake; speak silence with thy glimmering eyes
And wash the dusk with silver. Soon, full, soon,
Dost thou withdraw; Then, the wolf rages wide,
And the lion glares thro' the dun forest.
The fleece of our flocks are covered with 
Thy sacred dew; Protect them with thine influence.
Written by Ogden Nash | Create an image from this poem

Childrens Party

 May I join you in the doghouse, Rover?
I wish to retire till the party's over.
Since three o'clock I've done my best
To entertain each tiny guest. My conscience now I've left behind me,
And if they want me, let them find me.
I blew their bubbles, I sailed their boats,
I kept them from each other's throats. I told them tales of magic lands,
I took them out to wash their hands.
I sorted their rubbers and tied their laces,
I wiped their noses and dried their faces. Of similarities there's lots
Twixt tiny tots and Hottentots.
I've earned repose to heal the ravages
Of these angelic-looking savages. Oh, progeny playing by itself
Is a lonely little elf,
But progeny in roistering batches
Would drive St. francis from here to Natchez. Shunned are the games a parent proposes,
They prefer to squirt each other with hoses,
Their playmates are their natural foemen
And they like to poke each other's abdomen. Their joy needs another woe's to cushion it,
Say a puddle, and someone littler to push in it.
They observe with glee the ballistic results
Of ice cream with spoons for catapults, And inform the assembly with tears and glares
That everyone's presents are better than theirs.
Oh, little women and little men,
Someday I hope to love you again, But not till after the party's over,
So give me the key to the doghouse, Rover
Written by Oliver Wendell Holmes | Create an image from this poem

The Flaâneur

 I love all sights of earth and skies, 
From flowers that glow to stars that shine; 
The comet and the penny show, 
All curious things, above, below, 
Hold each in turn my wandering eyes: 
I claim the Christian Pagan's line, 
Humani nihil, -- even so, -- 
And is not human life divine? 
When soft the western breezes blow, 
And strolling youths meet sauntering maids, 
I love to watch the stirring trades 
Beneath the Vallombrosa shades 
Our much-enduring elms bestow; 
The vender and his rhetoric's flow, 
That lambent stream of liquid lies; 
The bait he dangles from his line, 
The gudgeon and his gold-washed prize. 
I halt before the blazoned sign 
That bids me linger to admire 
The drama time can never tire, 
The little hero of the hunch, 
With iron arm and soul of fire, 
And will that works his fierce desire, -- 
Untamed, unscared, unconquered Punch! 
My ear a pleasing torture finds 
In tones the withered sibyl grinds, -- 
The dame sans merci's broken strain, 
Whom I erewhile, perchance, have known, 
When Orleans filled the Bourbon throne, 
A siren singing by the Seine. 

But most I love the tube that spies 
The orbs celestial in their march; 
That shows the comet as it whisks 
Its tail across the planets' disks, 
As if to blind their blood-shot eyes; 
Or wheels so close against the sun 
We tremble at the thought of risks 
Our little spinning ball may run, 
To pop like corn that children parch, 
From summer something overdone, 
And roll, a cinder, through the skies. 

Grudge not to-day the scanty fee 
To him who farms the firmament, 
To whom the Milky Way is free; 
Who holds the wondrous crystal key, 
The silent Open Sesame 
That Science to her sons has lent; 
Who takes his toll, and lifts the bar 
That shuts the road to sun and star. 
If Venus only comes to time, 
(And prophets say she must and shall,) 
To-day will hear the tinkling chime 
Of many a ringing silver dime, 
For him whose optic glass supplies 
The crowd with astronomic eyes, -- 
The Galileo of the Mall. 

Dimly the transit morning broke; 
The sun seemed doubting what to do, 
As one who questions how to dress, 
And takes his doublets from the press, 
And halts between the old and new. 
Please Heaven he wear his suit of blue, 
Or don, at least, his ragged cloak, 
With rents that show the azure through! 

I go the patient crowd to join 
That round the tube my eyes discern, 
The last new-comer of the file, 
And wait, and wait, a weary while, 
And gape, and stretch, and shrug, and smile, 
(For each his place must fairly earn, 
Hindmost and foremost, in his turn,) 
Till hitching onward, pace by pace, 
I gain at last the envied place, 
And pay the white exiguous coin: 
The sun and I are face to face; 
He glares at me, I stare at him; 
And lo! my straining eye has found 
A little spot that, black and round, 
Lies near the crimsoned fire-orb's rim. 
O blessed, beauteous evening star, 
Well named for her whom earth adores, -- 
The Lady of the dove-drawn car, -- 
I know thee in thy white simar; 
But veiled in black, a rayless spot, 
Blank as a careless scribbler's blot, 
Stripped of thy robe of silvery flame, -- 
The stolen robe that Night restores 
When Day has shut his golden doors, -- 
I see thee, yet I know thee not; 
And canst thou call thyself the same? 

A black, round spot, -- and that is all; 
And such a speck our earth would be 
If he who looks upon the stars 
Through the red atmosphere of Mars 
Could see our little creeping ball 
Across the disk of crimson crawl 
As I our sister planet see. 

And art thou, then, a world like ours, 
Flung from the orb that whirled our own 
A molten pebble from its zone? 
How must thy burning sands absorb 
The fire-waves of the blazing orb, 
Thy chain so short, thy path so near, 
Thy flame-defying creatures hear 
The maelstroms of the photosphere! 
And is thy bosom decked with flowers 
That steal their bloom from scalding showers? 
And hast thou cities, domes, and towers, 
And life, and love that makes it dear, 
And death that fills thy tribes with fear? 


Lost in my dream, my spirit soars 
Through paths the wandering angels know; 
My all-pervading thought explores 
The azure ocean's lucent shores; 
I leave my mortal self below, 
As up the star-lit stairs I climb, 
And still the widening view reveals 
In endless rounds the circling wheels 
That build the horologe of time. 
New spheres, new suns, new systems gleam; 
The voice no earth-born echo hears 
Steals softly on my ravished ears: 
I hear them "singing as they shine" -- 
A mortal's voice dissolves my dream: 
My patient neighbor, next in line, 
Hints gently there are those who wait. 
O guardian of the starry gate, 
What coin shall pay this debt of mine? 
Too slight thy claim, too small the fee 
That bids thee turn the potent key 
The Tuscan's hand has placed in thine. 
Forgive my own the small affront, 
The insult of the proffered dime; 
Take it, O friend, since this thy wont, 
But still shall faithful memory be 
A bankrupt debtor unto thee, 
And pay thee with a grateful rhyme.
Written by William Blake | Create an image from this poem

An Imitation of Spenser

 Thou fair hair'd angel of the evening,
Now, while the sun rests on the mountains light,
Thy bright torch of love; Thy radiant crown
Put on, and smile upon our evening bed!
Smile on our loves; and when thou drawest the 
Blue curtains, scatter thy silver dew
On every flower that shuts its sweet eyes
In timely sleep. Let thy west wind sleep on
The lake; speak silence with thy glimmering eyes
And wash the dusk with silver. Soon, full, soon,
Dost thou withdraw; Then, the wolf rages wide,
And the lion glares thro' the dun forest.
The fleece of our flocks are covered with 
Thy sacred dew; Protect them with thine influence.Golden Apollo, that thro' heaven wide
Scatter'st the rays of light, and truth's beams,
In lucent words my darkling verses dight,
And wash my earthy mind in thy clear streams,
That wisdom may descend in fairy dreams,
All while the jocund hours in thy train
Scatter their fancies at thy poet's feet;
And when thou yields to night thy wide domain,
Let rays of truth enlight his sleeping brain.
For brutish Pan in vain might thee assay
With tinkling sounds to dash thy nervous verse,
Sound without sense; yet in his rude affray,
(For ignorance is Folly's leasing nurse
And love of Folly needs none other's curse)
Midas the praise hath gain'd of lengthen'd ears,
For which himself might deem him ne'er the worse
To sit in council with his modern peers,
And judge of tinkling rimes and elegances terse.

And thou, Mercurius, that with wing?d brow
Dost mount aloft into the yielding sky,
And thro' Heav'n's halls thy airy flight dost throw,
Entering with holy feet to where on high
Jove weighs the counsel of futurity;
Then, laden with eternal fate, dost go
Down, like a falling star, from autumn sky,
And o'er the surface of the silent deep dost fly:

If thou arrivest at the sandy shore
Where nought but envious hissing adders dwell,
Thy golden rod, thrown on t 1000 he dusty floor,
Can charm to harmony with potent spell.
Such is sweet Eloquence, that does dispel
Envy and Hate that thirst for human gore;
And cause in sweet society to dwell
Vile savage minds that lurk in lonely cell

O Mercury, assist my lab'ring sense
That round the circle of the world would fly,
As the wing'd eagle scorns the tow'ry fence
Of Alpine hills round his high a?ry,
And searches thro' the corners of the sky,
Sports in the clouds to hear the thunder's sound,
And see the wing?d lightnings as they fly;
Then, bosom'd in an amber cloud, around
Plumes his wide wings, and seeks Sol's palace high.

And thou, O warrior maid invincible,
Arm'd with the terrors of Almighty Jove,
Pallas, Minerva, maiden terrible,
Lov'st thou to walk the peaceful solemn grove,
In solemn gloom of branches interwove?
Or bear'st thy AEgis o'er the burning field,
Where, like the sea, the waves of battle move?
Or have thy soft piteous eyes beheld
The weary wanderer thro' the desert rove?
Or does th' afflicted man thy heav'nly bosom move?


Written by Elizabeth Bishop | Create an image from this poem

Letter to N.Y

for Louise crane


In your next letter I wish you'd say
where you are going and what you are doing;
how are the plays and after the plays
what other pleasures you're pursuing:

taking cabs in the middle of the night,
driving as if to save your soul
where the road gose round and round the park
and the meter glares like a moral owl,

and the trees look so ***** and green
standing alone in big black caves
and suddenly you're in a different place
where everything seems to happen in waves,

and most of the jokes you just can't catch, 
like dirty words rubbed off a slate,
and the songs are loud but somehow dim
and it gets so teribly late,

and coming out of the brownstone house
to the gray sidewalk, the watered street,
one side of the buildings rises with the sun
like a glistening field of wheat.

--Wheat, not oats, dear. I'm afraid
if it's wheat it's none of your sowing, 
nevertheless I'd like to know
what you are doing and where you are going.
Written by Amy Lowell | Create an image from this poem

1777

 I
The Trumpet-Vine Arbour
The throats of the little red trumpet-flowers are 
wide open,
And the clangour of brass beats against the hot sunlight.
They bray and blare at the burning sky.
Red! Red! Coarse notes of red,
Trumpeted at the blue sky.
In long streaks of sound, molten metal,
The vine declares itself.
Clang! -- from its red and yellow trumpets.
Clang! -- from its long, nasal trumpets,
Splitting the sunlight into ribbons, tattered and shot with noise.
I sit in the cool arbour, in a green-and-gold twilight.
It is very still, for I cannot hear the trumpets,
I only know that they are red and open,
And that the sun above the arbour shakes with heat.
My quill is newly mended,
And makes fine-drawn lines with its point.
Down the long, white paper it makes little lines,
Just lines -- up -- down -- criss-cross.
My heart is strained out at the pin-point of my quill;
It is thin and writhing like the marks of the pen.
My hand marches to a squeaky tune,
It marches down the paper to a squealing of fifes.
My pen and the trumpet-flowers,
And Washington's armies away over the smoke-tree to the Southwest.
"Yankee Doodle," my Darling! It is you against the British,
Marching in your ragged shoes to batter down King George.
What have you got in your hat? Not a feather, I wager.
Just a hay-straw, for it is the harvest you are fighting for.
Hay in your hat, and the whites of their eyes for a target!
Like Bunker Hill, two years ago, when I watched all day from the 
house-top
Through Father's spy-glass.
The red city, and the blue, bright water,
And puffs of smoke which you made.
Twenty miles away,
Round by Cambridge, or over the Neck,
But the smoke was white -- white!
To-day the trumpet-flowers are red -- red --
And I cannot see you fighting,
But old Mr. Dimond has fled to Canada,
And Myra sings "Yankee Doodle" at her milking.
The red throats of the trumpets bray and clang in the sunshine,
And the smoke-tree puffs dun blossoms into the blue air.

II
The City of Falling Leaves
Leaves fall,
Brown leaves,
Yellow leaves streaked with brown.
They fall,
Flutter,
Fall again.
The brown leaves,
And the streaked yellow leaves,
Loosen on their branches
And drift slowly downwards.
One,
One, two, three,
One, two, five.
All Venice is a falling of Autumn leaves --
Brown,
And yellow streaked with brown.
"That sonnet, Abate,
Beautiful,
I am quite exhausted by it.
Your phrases turn about my heart
And stifle me to swooning.
Open the window, I beg.
Lord! What a strumming of fiddles and mandolins!
'Tis really a shame to stop indoors.
Call my maid, or I will make you lace me yourself.
Fie, how hot it is, not a breath of air!
See how straight the leaves are falling.
Marianna, I will have the yellow satin caught up with silver fringe,
It peeps out delightfully from under a mantle.
Am I well painted to-day, `caro Abate mio'?
You will be proud of me at the `Ridotto', hey?
Proud of being `Cavalier Servente' to such a lady?"
"Can you doubt it, `Bellissima Contessa'?
A pinch more rouge on the right cheek,
And Venus herself shines less . . ."
"You bore me, Abate,
I vow I must change you!
A letter, Achmet?
Run and look out of the window, Abate.
I will read my letter in peace."
The little black slave with the yellow satin turban
Gazes at his mistress with strained eyes.
His yellow turban and black skin
Are gorgeous -- barbaric.
The yellow satin dress with its silver flashings
Lies on a chair
Beside a black mantle and a black mask.
Yellow and black,
Gorgeous -- barbaric.
The lady reads her letter,
And the leaves drift slowly
Past the long windows.
"How silly you look, my dear Abate,
With that great brown leaf in your wig.
Pluck it off, I beg you,
Or I shall die of laughing."
A yellow wall
Aflare in the sunlight,
Chequered with shadows,
Shadows of vine leaves,
Shadows of masks.
Masks coming, printing themselves for an instant,
Then passing on,
More masks always replacing them.
Masks with tricorns and rapiers sticking out behind
Pursuing masks with plumes and high heels,
The sunlight shining under their insteps.
One,
One, two,
One, two, three,
There is a thronging of shadows on the hot wall,
Filigreed at the top with moving leaves.
Yellow sunlight and black shadows,
Yellow and black,
Gorgeous -- barbaric.
Two masks stand together,
And the shadow of a leaf falls through them,
Marking the wall where they are not.
From hat-tip to shoulder-tip,
From elbow to sword-hilt,
The leaf falls.
The shadows mingle,
Blur together,
Slide along the wall and disappear.
Gold of mosaics and candles,
And night blackness lurking in the ceiling beams.
Saint Mark's glitters with flames and reflections.
A cloak brushes aside,
And the yellow of satin
Licks out over the coloured inlays of the pavement.
Under the gold crucifixes
There is a meeting of hands
Reaching from black mantles.
Sighing embraces, bold investigations,
Hide in confessionals,
Sheltered by the shuffling of feet.
Gorgeous -- barbaric
In its mail of jewels and gold,
Saint Mark's looks down at the swarm of black masks;
And outside in the palace gardens brown leaves fall,
Flutter,
Fall.
Brown,
And yellow streaked with brown.
Blue-black, the sky over Venice,
With a pricking of yellow stars.
There is no moon,
And the waves push darkly against the prow
Of the gondola,
Coming from Malamocco
And streaming toward Venice.
It is black under the gondola hood,
But the yellow of a satin dress
Glares out like the eye of a watching tiger.
Yellow compassed about with darkness,
Yellow and black,
Gorgeous -- barbaric.
The boatman sings,
It is Tasso that he sings;
The lovers seek each other beneath their mantles,
And the gondola drifts over the lagoon, aslant to the coming dawn.
But at Malamocco in front,
In Venice behind,
Fall the leaves,
Brown,
And yellow streaked with brown.
They fall,
Flutter,
Fall.
Written by Henry Lawson | Create an image from this poem

In the Storm that is to come

 By our place in the midst of the furthest seas we were fated to stand alone -
When the nations fly at each other's throats let Australia look to her own;
Let her spend her gold on the barren west, let her keep her men at home;
For the South must look to the South for strength in the storm that is to come.

Now who shall gallop from cape to cape, and who shall defend our shores - 
The crowd that stand on the kerb agape and glares at the cricket scores?
And who will hold the invader back when the shells tear up the ground - 
The weeds that yelp by the cycling track while a ****** scorches round?

There may be many to man the forts in the big towns beside the sea - 
But the East will call to the West for scouts in the storm that is to be:
The West cries out to the East in drought, but the coastal towns are dumb;
And the East must look to the West for food in the war that is to come.

The rain comes down on the Western land and the rivers run to waste,
When the city folk rush for the special tram in their childless, senseless haste,
And never a pile of a lock we drive - but a few mean tanks we scratch - 
For the fate of a nation is nought compared with the turn of a cricket match!

There's a gutter of mud where there spread a flood from the land-long western creeks,
There is dust and drought on the plains far out where the water lay for weeks,
There's a pitiful dam where a dyke should stretch and a tank where a lake should be,
And the rain goes down through the silt and sand and the floods waste into the seas.

We'll fight for Britain or for Japan, we will fling the land's wealth out;
While every penny and every man should be used to fight the drought.
God helps the nation that helps itself, and the water brings the rain,
And a deadlier foe than the world could send is loose on the western plain.

I saw a vision in days gone by and would dream that dream again
Of the days when the Darling shall not back her billabongs up in vain.
There were reservoirs and grand canals where the Dry Country had been,
And a glorious network of aqueducts, and the fields were always green.

I have seen so long in the land I love what the land I love might be,
Where the Darling rises from Queensland rains and the floods run into the sea.
And it is our fate that we'll wake to late to the truth that we were blind,
With a foreign foe at our harbour gate and a blazing drought behind!
Written by Les Murray | Create an image from this poem

Pigs

 Us all on sore cement was we.
Not warmed then with glares. Not glutting mush
under that pole the lightning's tied to.
No farrow-**** in milk to make us randy.
Us back in cool god-****. We ate crisp.
We nosed up good rank in the tunnelled bush.
Us all fuckers then. And Big, huh? Tusked
the balls-biting dog and gutsed him wet.
Us shoved down the soft cement of rivers.
Us snored the earth hollow, filled farrow, grunted.
Never stopped growing. We sloughed, we soughed
and balked no weird till the high ridgebacks was us
with weight-buried hooves. Or bristly, with milk.
Us never knowed like slitting nor hose-biff then.
Nor the terrible sheet-cutting screams up ahead.
The burnt water kicking. This gone-already feeling
here in no place with our heads on upside down.
Written by Rudyard Kipling | Create an image from this poem

Rimmon

 1903

After Boer War


Duly with knees that feign to quake--
 Bent head and shaded brow,--
Yet once again, for my father's sake,
 In Rimmon's House I bow.

The curtains part, the trumpet blares,
 And the eunuchs howl aloud;
And the gilt, swag-bellied idol glares
 Insolent over the crowd.

"This is Rimmon, Lord of the Earth--
 "Fear Him and bow the knee!"
And I watch my comrades hide their mirth
 That rode to the wars with me.

For we remember the sun and the sand
 And the rocks whereon we trod,
Ere we came to a scorched and a scornful land
 That did not know our God;

As we remember the sacrifice,
 Dead men an hundred laid--
Slain while they served His mysteries,
 And that He would not aid--

Not though we gashed ourselves and wept,
 For the high-priest bade us wait;
Saying He went on a journey or slept,
 Or was drunk or had taken a mate.

(Praise ye Rimmon, King of Kings,
 Who ruleth Earth and Sky!
And again I bow as the censer swings
 And the God Enthroned goes by.)

Ay, we remember His sacred ark
 And the virtuous men that knelt
To the dark and the hush behind the dark
 Wherein we dreamed He dwelt;

Until we entered to hale Him out
 And found no more than an old
Uncleanly image girded about
 The loins with scarlet and gold.

Him we o'erset with the butts of our spears--
 Him and his vast designs--
To be scorn of our muleteers
 And the jest of our halted line.

By the picket-pins that the dogs defile,
 In the dung and the dust He lay,
Till the priests ran and chattered awhile
 And we wiped Him and took Him away.

Hushing the matter before it was known,
 They returned to our fathers afar,
And hastily set Him afresh on His throne
 Because he had won us the war.

Wherefore with knees that feign to quake--
 Bent head and shaded brow--
To this dog, for my father's sake,
 In the Rimmon's House I bow!

Book: Radiant Verses: A Journey Through Inspiring Poetry