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Best Famous Eight Poems

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Written by Shel Silverstein | Create an image from this poem

I cannot go to school today!

"I cannot go to school today"
Said little Peggy Ann McKay.
"I have the measles and the mumps,
A gash, a rash and purple bumps.

My mouth is wet, my throat is dry.
I'm going blind in my right eye.
My tonsils are as big as rocks,
I've counted sixteen chicken pox.

And there's one more - that's seventeen,
And don't you think my face looks green?
My leg is cut, my eyes are blue,
It might be the instamatic flu.

I cough and sneeze and gasp and choke,
I'm sure that my left leg is broke.
My hip hurts when I move my chin,
My belly button's caving in.

My back is wrenched, my ankle's sprained,
My 'pendix pains each time it rains.
My toes are cold, my toes are numb,
I have a sliver in my thumb.

My neck is stiff, my voice is weak,
I hardly whisper when I speak.
My tongue is filling up my mouth,
I think my hair is falling out.

My elbow's bent, my spine ain't straight,
My temperature is one-o-eight.
My brain is shrunk, I cannot hear,
There is a hole inside my ear.

I have a hangnail, and my heart is ...
What? What's that? What's that you say?
You say today is .............. Saturday?
G'bye, I'm going out to play!"


Written by Nazim Hikmet | Create an image from this poem

Things I Didnt Know I Loved

 it's 1962 March 28th
I'm sitting by the window on the Prague-Berlin train 
night is falling
I never knew I liked
night descending like a tired bird on a smoky wet plain 
I don't like
comparing nightfall to a tired bird

I didn't know I loved the earth
can someone who hasn't worked the earth love it 
I've never worked the earth
it must be my only Platonic love

and here I've loved rivers all this time
whether motionless like this they curl skirting the hills
European hills crowned with chateaus
or whether stretched out flat as far as the eye can see
I know you can't wash in the same river even once
I know the river will bring new lights you'll never see
I know we live slightly longer than a horse but not nearly as long as a crow
I know this has troubled people before
 and will trouble those after me
I know all this has been said a thousand times before 
 and will be said after me

I didn't know I loved the sky 
cloudy or clear
the blue vault Andrei studied on his back at Borodino
in prison I translated both volumes of War and Peace into Turkish 
I hear voices
not from the blue vault but from the yard 
the guards are beating someone again
I didn't know I loved trees
bare beeches near Moscow in Peredelkino
they come upon me in winter noble and modest 
beeches are Russian the way poplars are Turkish 
"the poplars of Izmir
losing their leaves. . .
they call me The Knife. . .
 lover like a young tree. . .
I blow stately mansions sky-high"
in the Ilgaz woods in 1920 I tied an embroidered linen handkerchief 
 to a pine bough for luck

I never knew I loved roads 
even the asphalt kind
Vera's behind the wheel we're driving from Moscow to the Crimea 
 Koktebele
 formerly "Goktepé ili" in Turkish 
the two of us inside a closed box
the world flows past on both sides distant and mute 
I was never so close to anyone in my life
bandits stopped me on the red road between Bolu and Geredé
 when I was eighteen
apart from my life I didn't have anything in the wagon they could take 
and at eighteen our lives are what we value least
I've written this somewhere before
wading through a dark muddy street I'm going to the shadow play 
Ramazan night
a paper lantern leading the way
maybe nothing like this ever happened
maybe I read it somewhere an eight-year-old boy
 going to the shadow play
Ramazan night in Istanbul holding his grandfather's hand 
 his grandfather has on a fez and is wearing the fur coat
 with a sable collar over his robe
 and there's a lantern in the servant's hand
 and I can't contain myself for joy
flowers come to mind for some reason 
poppies cactuses jonquils
in the jonquil garden in Kadikoy Istanbul I kissed Marika 
fresh almonds on her breath
I was seventeen
my heart on a swing touched the sky 
I didn't know I loved flowers
friends sent me three red carnations in prison

I just remembered the stars 
I love them too
whether I'm floored watching them from below 
or whether I'm flying at their side

I have some questions for the cosmonauts 
were the stars much bigger
did they look like huge jewels on black velvet
 or apricots on orange
did you feel proud to get closer to the stars
I saw color photos of the cosmos in Ogonek magazine now don't 
 be upset comrades but nonfigurative shall we say or abstract 
 well some of them looked just like such paintings which is to 
 say they were terribly figurative and concrete
my heart was in my mouth looking at them 
they are our endless desire to grasp things
seeing them I could even think of death and not feel at all sad 
I never knew I loved the cosmos

snow flashes in front of my eyes
both heavy wet steady snow and the dry whirling kind 
I didn't know I liked snow

I never knew I loved the sun
even when setting cherry-red as now
in Istanbul too it sometimes sets in postcard colors 
but you aren't about to paint it that way
I didn't know I loved the sea
 except the Sea of Azov
or how much

I didn't know I loved clouds
whether I'm under or up above them
whether they look like giants or shaggy white beasts

moonlight the falsest the most languid the most petit-bourgeois 
strikes me
I like it

I didn't know I liked rain
whether it falls like a fine net or splatters against the glass my 
 heart leaves me tangled up in a net or trapped inside a drop 
 and takes off for uncharted countries I didn't know I loved 
 rain but why did I suddenly discover all these passions sitting 
 by the window on the Prague-Berlin train
is it because I lit my sixth cigarette 
one alone could kill me
is it because I'm half dead from thinking about someone back in Moscow
her hair straw-blond eyelashes blue

the train plunges on through the pitch-black night
I never knew I liked the night pitch-black
sparks fly from the engine
I didn't know I loved sparks
I didn't know I loved so many things and I had to wait until sixty 
 to find it out sitting by the window on the Prague-Berlin train 
 watching the world disappear as if on a journey of no return

 19 April 1962
 Moscow
Written by Allen Ginsberg | Create an image from this poem

Plutonian Ode

 I

What new element before us unborn in nature? Is there
 a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
 Scientific theme
First penned unmindful by Doctor Seaborg with poison-
 ous hand, named for Death's planet through the 
 sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of 
 Hades, Sire of avenging Furies, billionaire Hell-
 King worshipped once
with black sheep throats cut, priests's face averted from
 underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
 Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow, 
 black hail, grey winter rain or Polar ice, immemor-
 able seasons before
Fish flew in Heaven, before a Ram died by the starry
 bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
 flood
washed memory from the skull, or Lion sniffed the
 lilac breeze in Eden--
Before the Great Year began turning its twelve signs,
 ere constellations wheeled for twenty-four thousand
 sunny years
slowly round their axis in Sagittarius, one hundred 
 sixty-seven thousand times returning to this night

Radioactive Nemesis were you there at the beginning 
 black dumb tongueless unsmelling blast of Disil-
 lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
 dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao, 
 Ialdabaoth, Aeon from Aeon born ignorant in an
 Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-
 pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
 oblivion!
Grand Subject that annihilates inky hands & pages'
 prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
 sky over silent mills at Hanford, Savannah River,
 Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado, 
 Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the 
 Sun, where Rockwell war-plants fabricate this death
 stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
 secret by ten thousands, & where Manzano Moun-
 tain boasts to store
its dreadful decay through two hundred forty millenia
 while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with 
 your presence, I roar your Lion Roar with mortal
 mouth.
One microgram inspired to one lung, ten pounds of 
 heavy metal dust adrift slow motion over grey
 Alps
the breadth of the planet, how long before your radiance
 speeds blight and death to sentient beings?
Enter my body or not I carol my spirit inside you,
 Unnaproachable Weight,
O heavy heavy Element awakened I vocalize your con-
 sciousness to six worlds
I chant your absolute Vanity. Yeah monster of Anger
 birthed in fear O most
Ignorant matter ever created unnatural to Earth! Delusion
 of metal empires!
Destroyer of lying Scientists! Devourer of covetous
 Generals, Incinerator of Armies & Melter of Wars!
Judgement of judgements, Divine Wind over vengeful 
 nations, Molester of Presidents, Death-Scandal of
 Capital politics! Ah civilizations stupidly indus-
 trious!
Canker-Hex on multitudes learned or illiterate! Manu-
 factured Spectre of human reason! O solidified
 imago of practicioner in Black Arts
I dare your reality, I challenge your very being! I 
 publish your cause and effect!
I turn the wheel of Mind on your three hundred tons!
 Your name enters mankind's ear! I embody your
 ultimate powers!
My oratory advances on your vaunted Mystery! This 
 breath dispels your braggart fears! I sing your 
 form at last
behind your concrete & iron walls inside your fortress
 of rubber & translucent silicon shields in filtered
 cabinets and baths of lathe oil,
My voice resounds through robot glove boxes & ignot 
 cans and echoes in electric vaults inert of atmo-
 sphere,
I enter with spirit out loud into your fuel rod drums
 underground on soundless thrones and beds of
 lead
O density! This weightless anthem trumpets transcendent 
 through hidden chambers and breaks through 
 iron doors into the Infernal Room!
Over your dreadful vibration this measured harmony 
 floats audible, these jubilant tones are honey and 
 milk and wine-sweet water
Poured on the stone black floor, these syllables are
 barley groats I scatter on the Reactor's core, 
I call your name with hollow vowels, I psalm your Fate
 close by, my breath near deathless ever at your
 side
to Spell your destiny, I set this verse prophetic on your
 mausoleum walls to seal you up Eternally with
 Diamond Truth! O doomed Plutonium.

 II

The Bar surveys Plutonian history from midnight 
 lit with Mercury Vapor streetlamps till in dawn's 
 early light
he contemplates a tranquil politic spaced out between 
 Nations' thought-forms proliferating bureaucratic
& horrific arm'd, Satanic industries projected sudden
 with Five Hundred Billion Dollar Strength
around the world same time this text is set in Boulder,
 Colorado before front range of Rocky Mountains
twelve miles north of Rocky Flats Nuclear Facility in 
 United States of North America, Western Hemi-
 sphere
of planet Earth six months and fourteen days around
 our Solar System in a Spiral Galaxy
the local year after Dominion of the last God nineteen 
 hundred seventy eight
Completed as yellow hazed dawn clouds brighten East,
 Denver city white below
Blue sky transparent rising empty deep & spacious to a 
 morning star high over the balcony 
above some autos sat with wheels to curb downhill 
 from Flatiron's jagged pine ridge,
sunlit mountain meadows sloped to rust-red sandstone
 cliffs above brick townhouse roofs
as sparrows waked whistling through Marine Street's
 summer green leafed trees.

 III

This ode to you O Poets and Orators to come, you
 father Whitman as I join your side, you Congress
 and American people,
you present meditators, spiritual friends & teachers,
 you O Master of the Diamond Arts,
Take this wheel of syllables in hand, these vowels and 
 consonants to breath's end
take this inhalation of black poison to your heart, breath
 out this blessing from your breast on our creation 
forests cities oceans deserts rocky flats and mountains 
 in the Ten Directions pacify with exhalation,
enrich this Plutonian Ode to explode its empty thunder
 through earthen thought-worlds
Magnetize this howl with heartless compassion, destroy
 this mountain of Plutonium with ordinary mind
 and body speech,
thus empower this Mind-guard spirit gone out, gone
 out, gone beyond, gone beyond me, Wake space,
 so Ah!

 July 14, 1978
Written by William Wordsworth | Create an image from this poem

We Are Seven

  A simple child, dear brother Jim,  That lightly draws its breath,  And feels its life in every limb,  What should it know of death?

  I met a little cottage girl,  She was eight years old, she said;  Her hair was thick with many a curl  That cluster'd round her head.

  She had a rustic, woodland air,  And she was wildly clad;  Her eyes were fair, and very fair,  —Her beauty made me glad.

  "Sisters and brothers, little maid,  How many may you be?"  "How many? seven in all," she said,  And wondering looked at me.

  "And where are they, I pray you tell?"  She answered, "Seven are we,  And two of us at Conway dwell,  And two are gone to sea."

  "Two of us in the church-yard lie,  My sister and my brother,  And in the church-yard cottage, I  Dwell near them with my mother."

  "You say that two at Conway dwell,  And two are gone to sea,  Yet you are seven; I pray you tell  Sweet Maid, how this may be?"

  Then did the little Maid reply,  "Seven boys and girls are we;  Two of us in the church-yard lie,  Beneath the church-yard tree."

  "You run about, my little maid,  Your limbs they are alive;  If two are in the church-yard laid,  Then ye are only five."

  "Their graves are green, they may be seen,"  The little Maid replied,  "Twelve steps or more from my mother's door,  And they are side by side."

  "My stockings there I often knit,  My 'kerchief there I hem;  And there upon the ground I sit—  I sit and sing to them."

  "And often after sunset, Sir,  When it is light and fair,  I take my little porringer,  And eat my supper there."

  "The first that died was little Jane;  In bed she moaning lay,  Till God released her of her pain,  And then she went away."

  "So in the church-yard she was laid,  And all the summer dry,  Together round her grave we played,  My brother John and I."

  "And when the ground was white with snow,  And I could run and slide,  My brother John was forced to go,  And he lies by her side."

  "How many are you then," said I,  "If they two are in Heaven?"  The little Maiden did reply,  "O Master! we are seven."

  "But they are dead; those two are dead!  Their spirits are in heaven!"  'Twas throwing words away; for still  The little Maid would have her will,  And said, "Nay, we are seven!"

ANECDOTE for FATHERS,   Shewing how the practice of Lying may be taught.

  I have a boy of five years old,  His face is fair and fresh to see;  His limbs are cast in beauty's mould,  And dearly he loves me.

  One morn we stroll'd on our dry walk,  Our quiet house all full in view,  And held such intermitted talk  As we are wont to do.

  My thoughts on former pleasures ran;  I thought of Kilve's delightful shore,  My pleasant home, when Spring began,  A long, long year before.

  A day it was when I could bear  To think, and think, and think again;  With so much happiness to spare,  I could not feel a pain.

  My boy was by my side, so slim  And graceful in his rustic dress!  And oftentimes I talked to him  In very idleness.

  The young lambs ran a pretty race;  The morning sun shone bright and warm;  "Kilve," said I, "was a pleasant place,  And so is Liswyn farm."

  "My little boy, which like you more,"  I said and took him by the arm—  "Our home by Kilve's delightful shore,  Or here at Liswyn farm?"

  "And tell me, had you rather be,"  I said and held-him by the arm,  "At Kilve's smooth shore by the green sea,  Or here at Liswyn farm?"

  In careless mood he looked at me,  While still I held him by the arm,  And said, "At Kilve I'd rather be  Than here at Liswyn farm."

  "Now, little Edward, say why so;  My little Edward, tell me why;"  "I cannot tell, I do not know."  "Why this is strange," said I.

  "For, here are woods and green hills warm:  There surely must some reason be  Why you would change sweet Liswyn farm,  For Kilve by the green sea."

  At this, my boy hung down his head,  He blush'd with shame, nor made reply;  And five times to the child I said,  "Why, Edward, tell me, why?"

  His head he raised—there was in sight,  It caught his eye, he saw it plain—  Upon the house-top, glittering bright,  A broad and gilded vane.

  Then did the boy his tongue unlock,  And thus to me he made reply;  "At Kilve there was no weather-cock,  And that's the reason why."

  Oh dearest, dearest boy! my heart  For better lore would seldom yearn  Could I but teach the hundredth part  Of what from thee I learn.

LINES  Written at a small distance from my House, and sent by  my little boy to the person to whom they are addressed.

  It is the first mild day of March:  Each minute sweeter than before,  The red-breast sings from the tall larch  That stands beside our door.

  There is a blessing in the air,  Which seems a sense of joy to yield  To the bare trees, and mountains bare,  And grass in the green field.

  My Sister! ('tis a wish of mine)  Now that our morning meal is done,  Make haste, your morning task resign;  Come forth and feel the sun.

  Edward will come with you, and pray,  Put on with speed your woodland dress,  And bring no book, for this one day  We'll give to idleness.

  No joyless forms shall regulate  Our living Calendar:  We from to-day, my friend, will date  The opening of the year.

  Love, now an universal birth,  From heart to heart is stealing,  From earth to man, from man to earth,  —It is the hour of feeling.

  One moment now may give us more  Than fifty years of reason;  Our minds shall drink at every pore  The spirit of the season.

  Some silent laws our hearts may make,  Which they shall long obey;  We for the year to come may take  Our temper from to-day.

  And from the blessed power that rolls  About, below, above;  We'll frame the measure of our souls,  They shall be tuned to love.

  Then come, my sister I come, I pray,  With speed put on your woodland dress,  And bring no book; for this one day  We'll give to idleness.

Written by William Butler Yeats | Create an image from this poem

The Phases Of The Moon

 An old man cocked his car upon a bridge;
 He and his friend, their faces to the South,
 Had trod the uneven road. Their hoots were soiled,
 Their Connemara cloth worn out of shape;
 They had kept a steady pace as though their beds,
 Despite a dwindling and late-risen moon,
 Were distant still. An old man cocked his ear.

Aherne. What made that Sound?

Robartes. A rat or water-hen
Splashed, or an otter slid into the stream.
We are on the bridge; that shadow is the tower,
And the light proves that he is reading still.
He has found, after the manner of his kind,
Mere images; chosen this place to live in
Because, it may be, of the candle-light
From the far tower where Milton's Platonist
Sat late, or Shelley's visionary prince:
The lonely light that Samuel Palmer engraved,
An image of mysterious wisdom won by toil;
And now he seeks in book or manuscript
What he shall never find.

Ahernc. Why should not you
Who know it all ring at his door, and speak
Just truth enough to show that his whole life
Will scarcely find for him a broken crust
Of all those truths that are your daily bread;
And when you have spoken take the roads again?

Robartes. He wrote of me in that extravagant style
He had learnt from pater, and to round his tale
Said I was dead; and dead I choose to be.

Aherne. Sing me the changes of the moon once more;
True song, though speech: "mine author sung it me.'

Robartes. Twenty-and-eight the phases of the moon,
The full and the moon's dark and all the crescents,
Twenty-and-eight, and yet but six-and-twenty
The cradles that a man must needs be rocked in:
For there's no human life at the full or the dark.
From the first crescent to the half, the dream
But summons to adventure and the man
Is always happy like a bird or a beast;
But while the moon is rounding towards the full
He follows whatever whim's most difficult
Among whims not impossible, and though scarred.
As with the cat-o'-nine-tails of the mind,
His body moulded from within his body
Grows comelier. Eleven pass, and then
Athene takes Achilles by the hair,
Hector is in the dust, Nietzsche is born,
Because the hero's crescent is the twelfth.
And yet, twice born, twice buried, grow he must,
Before the full moon, helpless as a worm.
The thirteenth moon but sets the soul at war
In its own being, and when that war's begun
There is no muscle in the arm; and after,
Under the frenzy of the fourteenth moon,
The soul begins to tremble into stillness,
To die into the labyrinth of itself!

Aherne. Sing out the song; sing to the end, and sing
The strange reward of all that discipline.

Robartes. All thought becomes an image and the soul
Becomes a body: that body and that soul
Too perfect at the full to lie in a cradle,
Too lonely for the traffic of the world:
Body and soul cast out and cast away
Beyond the visible world.

Aherne. All dreams of the soul
End in a beautiful man's or woman's body.

Robartes, Have you not always known it?

Aherne. The song will have it
That those that we have loved got their long fingers
From death, and wounds, or on Sinai's top,
Or from some bloody whip in their own hands.
They ran from cradle to cradle till at last
Their beauty dropped out of the loneliness
Of body and soul.

Robartes. The lover's heart knows that.

Aherne. It must be that the terror in their eyes
Is memory or foreknowledge of the hour
When all is fed with light and heaven is bare.

Robartes. When the moon's full those creatures of the
 full
Are met on the waste hills by countrymen
Who shudder and hurry by: body and soul
Estranged amid the strangeness of themselves,
Caught up in contemplation, the mind's eye
Fixed upon images that once were thought;
For separate, perfect, and immovable
Images can break the solitude
Of lovely, satisfied, indifferent eyes.

 And thereupon with aged, high-pitched voice
 Aherne laughed, thinking of the man within,
 His sleepless candle and lahorious pen.

Robartes. And after that the crumbling of the moon.
The soul remembering its loneliness
Shudders in many cradles; all is changed,
It would be the world's servant, and as it serves,
Choosing whatever task's most difficult
Among tasks not impossible, it takes
Upon the body and upon the soul
The coarseness of the drudge.

Aherne. Before the full
It sought itself and afterwards the world.

Robartes. Because you are forgotten, half out of life,
And never wrote a book, your thought is clear.
Reformer, merchant, statesman, learned man,
Dutiful husband, honest wife by turn,
Cradle upon cradle, and all in flight and all
Deformed because there is no deformity
But saves us from a dream.

Aherne. And what of those
That the last servile crescent has set free?

Robartes. Because all dark, like those that are all light,
They are cast beyond the verge, and in a cloud,
Crying to one another like the bats;
And having no desire they cannot tell
What's good or bad, or what it is to triumph
At the perfection of one's own obedience;
And yet they speak what's blown into the mind;
Deformed beyond deformity, unformed,
Insipid as the dough before it is baked,
They change their bodies at a word.

Aherne. And then?

Rohartes. When all the dough has been so kneaded up
That it can take what form cook Nature fancies,
The first thin crescent is wheeled round once more.

Aherne. But the escape; the song's not finished yet.

Robartes. Hunchback and Saint and Fool are the last
 crescents.
The burning bow that once could shoot an arrow
Out of the up and down, the wagon-wheel
Of beauty's cruelty and wisdom's chatter -
Out of that raving tide - is drawn betwixt
Deformity of body and of mind.

Aherne. Were not our beds far off I'd ring the bell,
Stand under the rough roof-timbers of the hall
Beside the castle door, where all is stark
Austerity, a place set out for wisdom
That he will never find; I'd play a part;
He would never know me after all these years
But take me for some drunken countryman:
I'd stand and mutter there until he caught
"Hunchback and Sant and Fool,' and that they came
Under the three last crescents of the moon.
And then I'd stagger out. He'd crack his wits
Day after day, yet never find the meaning.

 And then he laughed to think that what seemed hard
 Should be so simple - a bat rose from the hazels
 And circled round him with its squeaky cry,
 The light in the tower window was put out.


Written by Sylvia Plath | Create an image from this poem

The Moon And The Yew Tree

 This is the light of the mind, cold and planetary
The trees of the mind are black. The light is blue.
The grasses unload their griefs on my feet as if I were God
Prickling my ankles and murmuring of their humility
Fumy, spiritous mists inhabit this place.
Separated from my house by a row of headstones.
I simply cannot see where there is to get to.

The moon is no door. It is a face in its own right,
White as a knuckle and terribly upset.
It drags the sea after it like a dark crime; it is quiet
With the O-gape of complete despair. I live here.
Twice on Sunday, the bells startle the sky ----
Eight great tongues affirming the Resurrection
At the end, they soberly bong out their names.

The yew tree points up, it has a Gothic shape.
The eyes lift after it and find the moon.
The moon is my mother. She is not sweet like Mary.
Her blue garments unloose small bats and owls.
How I would like to believe in tenderness ----
The face of the effigy, gentled by candles,
Bending, on me in particular, its mild eyes.

I have fallen a long way. Clouds are flowering
Blue and mystical over the face of the stars
Inside the church, the saints will all be blue,
Floating on their delicate feet over the cold pews,
Their hands and faces stiff with holiness.
The moon sees nothing of this. She is bald and wild.
And the message of the yew tree is blackness -- blackness and silence
Written by Jack Prelutsky | Create an image from this poem

Bleezers Ice Cream

 I am Ebenezer Bleezer,
I run BLEEZER'S ICE CREAM STORE,
there are flavors in my freezer
you have never seen before,
twenty-eight divine creations
too delicious to resist,
why not do yourself a favor,
try the flavors on my list:

COCOA MOCHA MACARONI
TAPIOCA SMOKED BALONEY
CHECKERBERRY CHEDDAR CHEW
CHICKEN CHERRY HONEYDEW
TUTTI-FRUTTI STEWED TOMATO
TUNA TACO BAKED POTATO
LOBSTER LITCHI LIMA BEAN
MOZZARELLA MANGOSTEEN
ALMOND HAM MERINGUE SALAMI
YAM ANCHOVY PRUNE PASTRAMI
SASSAFRAS SOUVLAKI HASH
SUKIYAKI SUCCOTASH
BUTTER BRICKLE PEPPER PICKLE
POMEGRANATE PUMPERNICKEL
PEACH PIMENTO PIZZA PLUM
PEANUT PUMPKIN BUBBLEGUM
BROCCOLI BANANA BLUSTER
CHOCOLATE CHOP SUEY CLUSTER
AVOCADO BRUSSELS SPROUT
PERIWINKLE SAUERKRAUT
COTTON CANDY CARROT CUSTARD
CAULIFLOWER COLA MUSTARD
ONION DUMPLING DOUBLE DIP
TURNIP TRUFFLE TRIPLE FLIP
GARLIC GUMBO GRAVY GUAVA
LENTIL LEMON LIVER LAVA
ORANGE OLIVE BAGEL BEET
WATERMELON WAFFLE WHEAT

I am Ebenezer Bleezer,
I run BLEEZER'S ICE CREAM STORE,
taste a flavor from my freezer,
you will surely ask for more.
Written by Alan Seeger | Create an image from this poem

Paris

 First, London, for its myriads; for its height, 
Manhattan heaped in towering stalagmite; 
But Paris for the smoothness of the paths 
That lead the heart unto the heart's delight. . . . 


Fair loiterer on the threshold of those days 
When there's no lovelier prize the world displays 
Than, having beauty and your twenty years, 
You have the means to conquer and the ways, 


And coming where the crossroads separate 
And down each vista glories and wonders wait, 
Crowning each path with pinnacles so fair 
You know not which to choose, and hesitate -- 


Oh, go to Paris. . . . In the midday gloom 
Of some old quarter take a little room 
That looks off over Paris and its towers 
From Saint Gervais round to the Emperor's Tomb, -- 


So high that you can hear a mating dove 
Croon down the chimney from the roof above, 
See Notre Dame and know how sweet it is 
To wake between Our Lady and our love. 


And have a little balcony to bring 
Fair plants to fill with verdure and blossoming, 
That sparrows seek, to feed from pretty hands, 
And swallows circle over in the Spring. 


There of an evening you shall sit at ease 
In the sweet month of flowering chestnut-trees, 
There with your little darling in your arms, 
Your pretty dark-eyed Manon or Louise. 


And looking out over the domes and towers 
That chime the fleeting quarters and the hours, 
While the bright clouds banked eastward back of them 
Blush in the sunset, pink as hawthorn flowers, 


You cannot fail to think, as I have done, 
Some of life's ends attained, so you be one 
Who measures life's attainment by the hours 
That Joy has rescued from oblivion. 

II 


Come out into the evening streets. The green light lessens in the west. 
The city laughs and liveliest her fervid pulse of pleasure beats. 


The belfry on Saint Severin strikes eight across the smoking eaves: 
Come out under the lights and leaves 
to the Reine Blanche on Saint Germain. . . . 


Now crowded diners fill the floor of brasserie and restaurant. 
Shrill voices cry "L'Intransigeant," and corners echo "Paris-Sport." 


Where rows of tables from the street are screened with shoots of box and bay, 
The ragged minstrels sing and play and gather sous from those that eat. 


And old men stand with menu-cards, inviting passers-by to dine 
On the bright terraces that line the Latin Quarter boulevards. . . . 


But, having drunk and eaten well, 'tis pleasant then to stroll along 
And mingle with the merry throng that promenades on Saint Michel. 


Here saunter types of every sort. The shoddy jostle with the chic: 
Turk and Roumanian and Greek; student and officer and sport; 


Slavs with their peasant, Christ-like heads, 
and courtezans like powdered moths, 
And peddlers from Algiers, with cloths 
bright-hued and stitched with golden threads; 


And painters with big, serious eyes go rapt in dreams, fantastic shapes 
In corduroys and Spanish capes and locks uncut and flowing ties; 


And lovers wander two by two, oblivious among the press, 
And making one of them no less, all lovers shall be dear to you: 


All laughing lips you move among, all happy hearts that, knowing what 
Makes life worth while, have wasted not the sweet reprieve of being young. 


"Comment ca va!" "Mon vieux!" "Mon cher!" 
Friends greet and banter as they pass. 
'Tis sweet to see among the mass comrades and lovers everywhere, 


A law that's sane, a Love that's free, and men of every birth and blood 
Allied in one great brotherhood of Art and Joy and Poverty. . . . 


The open cafe-windows frame loungers at their liqueurs and beer, 
And walking past them one can hear fragments of Tosca and Boheme. 


And in the brilliant-lighted door of cinemas the barker calls, 
And lurid posters paint the walls with scenes of Love and crime and war. 


But follow past the flaming lights, borne onward with the stream of feet, 
Where Bullier's further up the street is marvellous on Thursday nights. 


Here all Bohemia flocks apace; you could not often find elsewhere 
So many happy heads and fair assembled in one time and place. 


Under the glare and noise and heat the galaxy of dancing whirls, 
Smokers, with covered heads, and girls dressed in the costume of the street. 


From tables packed around the wall the crowds that drink and frolic there 
Spin serpentines into the air far out over the reeking hall, 


That, settling where the coils unroll, tangle with pink and green and blue 
The crowds that rag to "Hitchy-koo" and boston to the "Barcarole". . . . 


Here Mimi ventures, at fifteen, to make her debut in romance, 
And join her sisters in the dance and see the life that they have seen. 


Her hair, a tight hat just allows to brush beneath the narrow brim, 
Docked, in the model's present whim, `frise' and banged above the brows. 


Uncorseted, her clinging dress with every step and turn betrays, 
In pretty and provoking ways her adolescent loveliness, 


As guiding Gaby or Lucile she dances, emulating them 
In each disturbing stratagem and each lascivious appeal. 


Each turn a challenge, every pose an invitation to compete, 
Along the maze of whirling feet the grave-eyed little wanton goes, 


And, flaunting all the hue that lies in childish cheeks and nubile waist, 
She passes, charmingly unchaste, illumining ignoble eyes. . . . 


But now the blood from every heart leaps madder through abounding veins 
As first the fascinating strains of "El Irresistible" start. 


Caught in the spell of pulsing sound, impatient elbows lift and yield 
The scented softnesses they shield to arms that catch and close them round, 


Surrender, swift to be possessed, the silken supple forms beneath 
To all the bliss the measures breathe and all the madness they suggest. 


Crowds congregate and make a ring. Four deep they stand and strain to see 
The tango in its ecstasy of glowing lives that clasp and cling. 


Lithe limbs relaxed, exalted eyes fastened on vacancy, they seem 
To float upon the perfumed stream of some voluptuous Paradise, 


Or, rapt in some Arabian Night, to rock there, cradled and subdued, 
In a luxurious lassitude of rhythm and sensual delight. 


And only when the measures cease and terminate the flowing dance 
They waken from their magic trance and join the cries that clamor "Bis!" . . . 


Midnight adjourns the festival. The couples climb the crowded stair, 
And out into the warm night air go singing fragments of the ball. 


Close-folded in desire they pass, or stop to drink and talk awhile 
In the cafes along the mile from Bullier's back to Montparnasse: 


The "Closerie" or "La Rotonde", where smoking, under lamplit trees, 
Sit Art's enamored devotees, chatting across their `brune' and `blonde'. . . . 


Make one of them and come to know sweet Paris -- not as many do, 
Seeing but the folly of the few, the froth, the tinsel, and the show -- 


But taking some white proffered hand that from Earth's barren every day 
Can lead you by the shortest way into Love's florid fairyland. 


And that divine enchanted life that lurks under Life's common guise -- 
That city of romance that lies within the City's toil and strife -- 


Shall, knocking, open to your hands, for Love is all its golden key, 
And one's name murmured tenderly the only magic it demands. 


And when all else is gray and void in the vast gulf of memory, 
Green islands of delight shall be all blessed moments so enjoyed: 


When vaulted with the city skies, on its cathedral floors you stood, 
And, priest of a bright brotherhood, performed the mystic sacrifice, 


At Love's high altar fit to stand, with fire and incense aureoled, 
The celebrant in cloth of gold with Spring and Youth on either hand. 

III 


Choral Song 


Have ye gazed on its grandeur 
Or stood where it stands 
With opal and amber 
Adorning the lands, 
And orcharded domes 
Of the hue of all flowers? 
Sweet melody roams 
Through its blossoming bowers, 
Sweet bells usher in from its belfries the train of the honey-sweet hour. 


A city resplendent, 
Fulfilled of good things, 
On its ramparts are pendent 
The bucklers of kings. 
Broad banners unfurled 
Are afloat in its air. 
The lords of the world 
Look for harborage there. 
None finds save he comes as a bridegroom, having roses and vine in his hair. 


'Tis the city of Lovers, 
There many paths meet. 
Blessed he above others, 
With faltering feet, 
Who past its proud spires 
Intends not nor hears 
The noise of its lyres 
Grow faint in his ears! 
Men reach it through portals of triumph, but leave through a postern of tears. 


It was thither, ambitious, 
We came for Youth's right, 
When our lips yearned for kisses 
As moths for the light, 
When our souls cried for Love 
As for life-giving rain 
Wan leaves of the grove, 
Withered grass of the plain, 
And our flesh ached for Love-flesh beside it with bitter, intolerable pain. 


Under arbor and trellis, 
Full of flutes, full of flowers, 
What mad fortunes befell us, 
What glad orgies were ours! 
In the days of our youth, 
In our festal attire, 
When the sweet flesh was smooth, 
When the swift blood was fire, 
And all Earth paid in orange and purple to pavilion the bed of Desire!
Written by Anne Sexton | Create an image from this poem

Flee On Your Donkey

 Because there was no other place
to flee to,
I came back to the scene of the disordered senses,
came back last night at midnight,
arriving in the thick June night
without luggage or defenses,
giving up my car keys and my cash,
keeping only a pack of Salem cigarettes
the way a child holds on to a toy.
I signed myself in where a stranger
puts the inked-in X's—
for this is a mental hospital,
not a child's game.

Today an intern knocks my knees,
testing for reflexes.
Once I would have winked and begged for dope.
Today I am terribly patient.
Today crows play black-jack
on the stethoscope.

Everyone has left me
except my muse,
that good nurse.
She stays in my hand,
a mild white mouse.

The curtains, lazy and delicate,
billow and flutter and drop
like the Victorian skirts
of my two maiden aunts
who kept an antique shop.

Hornets have been sent.
They cluster like floral arrangements on the screen.
Hornets, dragging their thin stingers,
hover outside, all knowing,
hissing: the hornet knows.
I heard it as a child
but what was it that he meant?
The hornet knows!
What happened to Jack and Doc and Reggy?
Who remembers what lurks in the heart of man?
What did The Green Hornet mean, he knows?
Or have I got it wrong?
Is it The Shadow who had seen
me from my bedside radio?

Now it's Dinn, Dinn, Dinn!
while the ladies in the next room argue
and pick their teeth.
Upstairs a girl curls like a snail;
in another room someone tries to eat a shoe;
meanwhile an adolescent pads up and down
the hall in his white tennis socks.
A new doctor makes rounds
advertising tranquilizers, insulin, or shock
to the uninitiated.

Six years of such small preoccupations!
Six years of shuttling in and out of this place!
O my hunger! My hunger!
I could have gone around the world twice
or had new children - all boys.
It was a long trip with little days in it
and no new places.

In here,
it's the same old crowd,
the same ruined scene.
The alcoholic arrives with his gold culbs.
The suicide arrives with extra pills sewn
into the lining of her dress.
The permanent guests have done nothing new.
Their faces are still small
like babies with jaundice.

Meanwhile,
they carried out my mother,
wrapped like somebody's doll, in sheets,
bandaged her jaw and stuffed up her holes.
My father, too. He went out on the rotten blood
he used up on other women in the Middle West.
He went out, a cured old alcoholic
on crooked feet and useless hands.
He went out calling for his father
who died all by himself long ago -
that fat banker who got locked up,
his genes suspened like dollars,
wrapped up in his secret,
tied up securely in a straitjacket.

But you, my doctor, my enthusiast,
were better than Christ;
you promised me another world
to tell me who
I was.

I spent most of my time,
a stranger,
damned and in trance—that little hut,
that naked blue-veined place,
my eyes shut on the confusing office,
eyes circling into my childhood,
eyes newly cut.
Years of hints
strung out—a serialized case history—
thirty-three years of the same dull incest
that sustained us both.
You, my bachelor analyst,
who sat on Marlborough Street,
sharing your office with your mother
and giving up cigarettes each New Year,
were the new God,
the manager of the Gideon Bible.

I was your third-grader
with a blue star on my forehead.
In trance I could be any age,
voice, gesture—all turned backward
like a drugstore clock.
Awake, I memorized dreams.
Dreams came into the ring
like third string fighters,
each one a bad bet
who might win
because there was no other.

I stared at them,
concentrating on the abyss
the way one looks down into a rock quarry,
uncountable miles down,
my hands swinging down like hooks
to pull dreams up out of their cage.
O my hunger! My hunger!

Once, outside your office,
I collapsed in the old-fashioned swoon
between the illegally parked cars.
I threw myself down,
pretending dead for eight hours.
I thought I had died
into a snowstorm.
Above my head
chains cracked along like teeth
digging their way through the snowy street.
I lay there
like an overcoat
that someone had thrown away.
You carried me back in,
awkwardly, tenderly,
with help of the red-haired secretary
who was built like a lifeguard.
My shoes,
I remember,
were lost in the snowbank
as if I planned never to walk again.

That was the winter
that my mother died,
half mad on morphine,
blown up, at last,
like a pregnant pig.
I was her dreamy evil eye.
In fact,
I carried a knife in my pocketbook—
my husband's good L. L. Bean hunting knife.
I wasn't sure if I should slash a tire
or scrape the guts out of some dream.

You taught me
to believe in dreams;
thus I was the dredger.
I held them like an old woman with arthritic fingers,
carefully straining the water out—
sweet dark playthings,
and above all, mysterious
until they grew mournful and weak.
O my hunger! My hunger!
I was the one
who opened the warm eyelid
like a surgeon
and brought forth young girls
to grunt like fish.

I told you,
I said—
but I was lying—
that the kife was for my mother . . .
and then I delivered her.

The curtains flutter out
and slump against the bars.
They are my two thin ladies
named Blanche and Rose.
The grounds outside
are pruned like an estate at Newport.
Far off, in the field,
something yellow grows.

Was it last month or last year
that the ambulance ran like a hearse
with its siren blowing on suicide—
Dinn, dinn, dinn!—
a noon whistle that kept insisting on life
all the way through the traffic lights?

I have come back
but disorder is not what it was.
I have lost the trick of it!
The innocence of it!
That fellow-patient in his stovepipe hat
with his fiery joke, his manic smile—
even he seems blurred, small and pale.
I have come back,
recommitted,
fastened to the wall like a bathroom plunger,
held like a prisoner
who was so poor
he fell in love with jail.

I stand at this old window
complaining of the soup,
examining the grounds,
allowing myself the wasted life.
Soon I will raise my face for a white flag,
and when God enters the fort,
I won't spit or gag on his finger.
I will eat it like a white flower.
Is this the old trick, the wasting away,
the skull that waits for its dose
of electric power?

This is madness
but a kind of hunger.
What good are my questions
in this hierarchy of death
where the earth and the stones go
Dinn! Dinn! Dinn!
It is hardly a feast.
It is my stomach that makes me suffer.

Turn, my hungers!
For once make a deliberate decision.
There are brains that rot here
like black bananas.
Hearts have grown as flat as dinner plates.

Anne, Anne,
flee on your donkey,
flee this sad hotel,
ride out on some hairy beast,
gallop backward pressing
your buttocks to his withers,
sit to his clumsy gait somehow.
Ride out
any old way you please!
In this place everyone talks to his own mouth.
That's what it means to be crazy.
Those I loved best died of it—
the fool's disease.
Written by Nazim Hikmet | Create an image from this poem

Autobiography

 I was born in 1902
I never once went back to my birthplace
I don't like to turn back
at three I served as a pasha's grandson in Aleppo
at nineteen as a student at Moscow Communist University
at forty-nine I was back in Moscow as the Tcheka Party's guest
and I've been a poet since I was fourteen
some people know all about plants some about fish
 I know separation
some people know the names of the stars by heart
 I recite absences
I've slept in prisons and in grand hotels
I've known hunger even a hunger strike and there's almost no food
 I haven't tasted
at thirty they wanted to hang me
at forty-eight to give me the Peace Prize
 which they did
at thirty-six I covered four square meters of concrete in half a year
at fifty-nine I flew from Prague to Havana in eighteen hours
I never saw Lenin I stood watch at his coffin in '24
in '61 the tomb I visit is his books
they tried to tear me away from my party
 it didn't work
nor was I crushed under the falling idols
in '51 I sailed with a young friend into the teeth of death
in '52 I spent four months flat on my back with a broken heart
 waiting to die
I was jealous of the women I loved
I didn't envy Charlie Chaplin one bit
I deceived my women
I never talked my friends' backs
I drank but not every day
I earned my bread money honestly what happiness
out of embarrassment for others I lied
I lied so as not to hurt someone else
 but I also lied for no reason at all
I've ridden in trains planes and cars
most people don't get the chance
I went to opera
 most people haven't even heard of the opera
and since '21 I haven't gone to the places most people visit
 mosques churches temples synagogues sorcerers
 but I've had my coffee grounds read
my writings are published in thirty or forty languages
 in my Turkey in my Turkish they're banned
cancer hasn't caught up with me yet
and nothing says it will
I'll never be a prime minister or anything like that
and I wouldn't want such a life
nor did I go to war
or burrow in bomb shelters in the bottom of the night
and I never had to take to the road under diving planes
but I fell in love at almost sixty
in short comrades
even if today in Berlin I'm croaking of grief
 I can say I've lived like a human being
and who knows
 how much longer I'll live
 what else will happen to me


 This autobiography was written 
 in east Berlin on 11 September 1961

Book: Reflection on the Important Things