Written by
Robert William Service |
Smith, great writer of stories, drank; found it immortalized his pen;
Fused in his brain-pan, else a blank, heavens of glory now and then;
Gave him the magical genius touch; God-given power to gouge out, fling
Flat in your face a soul-thought -- Bing!
Twiddle your heart-strings in his clutch. "Bah!" said Smith, "let my body lie
stripped to the buff in swinish shame,
If I can blaze in the radiant sky out of adoring stars my name.
Sober am I nonentitized; drunk am I more than half a god.
Well, let the flesh be sacrificed; spirit shall speak and shame the clod.
Who would not gladly, gladly give Life to do one thing that will live?"
Smith had a friend, we'll call him Brown; dearer than brothers were those two.
When in the wassail Smith would drown, Brown would rescue and pull him through.
When Brown was needful Smith would lend; so it fell as the years went by,
Each on the other would depend: then at the last Smith came to die.
There Brown sat in the sick man's room, still as a stone in his despair;
Smith bent on him his eyes of doom, shook back his lion mane of hair;
Said: "Is there one in my chosen line, writer of forthright tales my peer?
Look in that little desk of mine; there is a package, bring it here.
Story of stories, gem of all; essence and triumph, key and clue;
Tale of a loving woman's fall; soul swept hell-ward, and God! it's true.
I was the man -- Oh, yes, I've paid, paid with mighty and mordant pain.
Look! here's the masterpiece I've made out of my sin, my manhood slain.
Art supreme! yet the world would stare, know my mistress and blaze my shame.
I have a wife and daughter -- there! take it and thrust it in the flame."
Brown answered: "Master, you have dipped pen in your heart, your phrases sear.
Ruthless, unflinching, you have stripped naked your soul and set it here.
Have I not loved you well and true? See! between us the shadows drift;
This bit of blood and tears means You -- oh, let me have it, a parting gift.
Sacred I'll hold it, a trust divine; sacred your honour, her dark despair;
Never shall it see printed line: here, by the living God I swear."
Brown on a Bible laid his hand; Smith, great writer of stories, sighed:
"Comrade, I trust you, and understand. Keep my secret!" And so he died.
Smith was buried -- up soared his sales; lured you his books in every store;
Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more.
So when it slyly got about Brown had a posthumous manuscript,
Jones, the publisher, sought him out, into his pocket deep he dipped.
"A thousand dollars?" Brown shook his head. "The story is not for sale, " he said.
Jones went away, then others came. Tempted and taunted, Brown was true.
Guarded at friendship's shrine the fame of the unpublished story grew and grew.
It's a long, long lane that has no end, but some lanes end in the Potter's field;
Smith to Brown had been more than friend: patron, protector, spur and shield.
Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew,
Friendless he wandered up and down, gaunt as a wolf, as hungry too.
Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth
Garretless in the gloom and grime, singing his glad, mad songs of earth:
So at last with a faith divine, down and down to the Hunger-line.
There as he stood in a woeful plight, tears a-freeze on his sharp cheek-bones,
Who should chance to behold his plight, but the publisher, the plethoric Jones;
Peered at him for a little while, held out a bill: "NOW, will you sell?"
Brown scanned it with his twisted smile: "A thousand dollars! you go to hell!"
Brown enrolled in the homeless host, sleeping anywhere, anywhen;
Suffered, strove, became a ghost, slave of the lamp for other men;
For What's-his-name and So-and-so in the abyss his soul he stripped,
Yet in his want, his worst of woe, held he fast to the manuscript.
Then one day as he chewed his pen, half in hunger and half despair,
Creaked the door of his garret den; Dick, his brother, was standing there.
Down on the pallet bed he sank, ashen his face, his voice a wail:
"Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol.
Yet there's a chance: I could to-day pay back the money, save our name;
You have a manuscript, they say, worth a thousand -- think, man! the shame. . . ."
Brown with his heart pain-pierced the while, with his stern, starved face,
and his lips stone-pale,
Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol."
While poor Brown in the leer of dawn wrestled with God for the sacred fire,
Came there a woman weak and wan, out of the mob, the murk, the mire;
Frail as a reed, a fellow ghost, weary with woe, with sorrowing;
Two pale souls in the legion lost; lo! Love bent with a tender wing,
Taught them a joy so deep, so true, it seemed that the whole-world fabric shook,
Thrilled and dissolved in radiant dew; then Brown made him a golden book,
Full of the faith that Life is good, that the earth is a dream divinely fair,
Lauding his gem of womanhood in many a lyric rich and rare;
Took it to Jones, who shook his head: "I will consider it," he said.
While he considered, Brown's wife lay clutched in the tentacles of pain;
Then came the doctor, grave and grey; spoke of decline, of nervous strain;
Hinted Egypt, the South of France -- Brown with terror was tiger-gripped.
Where was the money? What the chance? Pitiful God! . . . the manuscript!
A thousand dollars! his only hope! he gazed and gazed at the garret wall. . . .
Reached at last for the envelope, turned to his wife and told her all.
Told of his friend, his promise true; told like his very heart would break:
"Oh, my dearest! what shall I do? shall I not sell it for your sake?"
Ghostlike she lay, as still as doom; turned to the wall her weary head;
Icy-cold in the pallid gloom, silent as death . . . at last she said:
"Do! my husband? Keep your vow! Guard his secret and let me die. . . .
Oh, my dear, I must tell you now -- the women he loved and wronged was I;
Darling! I haven't long to live: I never told you -- forgive, forgive!"
For a long, long time Brown did not speak; sat bleak-browed in the wretched room;
Slowly a tear stole down his cheek, and he kissed her hand in the dismal gloom.
To break his oath, to brand her shame; his well-loved friend, his worshipped wife;
To keep his vow, to save her name, yet at the cost of what? Her life!
A moment's space did he hesitate, a moment of pain and dread and doubt,
Then he broke the seals, and, stern as fate, unfolded the sheets and spread them out. . . .
On his knees by her side he limply sank, peering amazed -- each page was blank.
(For oh, the supremest of our art are the stories we do not dare to tell,
Locked in the silence of the heart, for the awful records of Heav'n and Hell.)
Yet those two in the silence there, seemed less weariful than before.
Hark! a step on the garret stair, a postman knocks at the flimsy door.
"Registered letter!" Brown thrills with fear; opens, and reads, then bends above:
"Glorious tidings! Egypt, dear! The book is accepted -- life and love."
|
Written by
William Wordsworth |
Five years have passed; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur. Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedgerows, hardly hedgerows, little lines
Of sportive wood run wild; these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone.
These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye;
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind
With tranquil restoration—feelings too
Of unremembered pleasure; such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened—that serene and blessed mood,
In which the affections gently lead us on—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul;
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.
If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer through the woods,
How often has my spirit turned to thee!
And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again;
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years. And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led—more like a man
Flying from something that he dreads than one
Who sought the thing he loved. For nature then
(The coarser pleasures of my boyish days
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion; the tall rock,
The mountain, and the deep and gloomy wood,
Their colors and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, not any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense. For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue. And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man:
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear—both what they half create,
And what perceive; well pleased to recognize
In nature and the language of the sense
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.
Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes. Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings. Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance—
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence—wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service; rather say
With warmer love—oh! with far deeper zeal
Of holier love. Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!
|
Written by
William Wordsworth |
A simple child, dear brother Jim, That lightly draws its breath, And feels its life in every limb, What should it know of death? I met a little cottage girl, She was eight years old, she said; Her hair was thick with many a curl That cluster'd round her head. She had a rustic, woodland air, And she was wildly clad; Her eyes were fair, and very fair, —Her beauty made me glad. "Sisters and brothers, little maid, How many may you be?" "How many? seven in all," she said, And wondering looked at me. "And where are they, I pray you tell?" She answered, "Seven are we, And two of us at Conway dwell, And two are gone to sea." "Two of us in the church-yard lie, My sister and my brother, And in the church-yard cottage, I Dwell near them with my mother." "You say that two at Conway dwell, And two are gone to sea, Yet you are seven; I pray you tell Sweet Maid, how this may be?" Then did the little Maid reply, "Seven boys and girls are we; Two of us in the church-yard lie, Beneath the church-yard tree." "You run about, my little maid, Your limbs they are alive; If two are in the church-yard laid, Then ye are only five." "Their graves are green, they may be seen," The little Maid replied, "Twelve steps or more from my mother's door, And they are side by side." "My stockings there I often knit, My 'kerchief there I hem; And there upon the ground I sit— I sit and sing to them." "And often after sunset, Sir, When it is light and fair, I take my little porringer, And eat my supper there." "The first that died was little Jane; In bed she moaning lay, Till God released her of her pain, And then she went away." "So in the church-yard she was laid, And all the summer dry, Together round her grave we played, My brother John and I." "And when the ground was white with snow, And I could run and slide, My brother John was forced to go, And he lies by her side." "How many are you then," said I, "If they two are in Heaven?" The little Maiden did reply, "O Master! we are seven." "But they are dead; those two are dead! Their spirits are in heaven!" 'Twas throwing words away; for still The little Maid would have her will, And said, "Nay, we are seven!" ANECDOTE for FATHERS, Shewing how the practice of Lying may be taught. I have a boy of five years old, His face is fair and fresh to see; His limbs are cast in beauty's mould, And dearly he loves me. One morn we stroll'd on our dry walk, Our quiet house all full in view, And held such intermitted talk As we are wont to do. My thoughts on former pleasures ran; I thought of Kilve's delightful shore, My pleasant home, when Spring began, A long, long year before. A day it was when I could bear To think, and think, and think again; With so much happiness to spare, I could not feel a pain. My boy was by my side, so slim And graceful in his rustic dress! And oftentimes I talked to him In very idleness. The young lambs ran a pretty race; The morning sun shone bright and warm; "Kilve," said I, "was a pleasant place, And so is Liswyn farm." "My little boy, which like you more," I said and took him by the arm— "Our home by Kilve's delightful shore, Or here at Liswyn farm?" "And tell me, had you rather be," I said and held-him by the arm, "At Kilve's smooth shore by the green sea, Or here at Liswyn farm?" In careless mood he looked at me, While still I held him by the arm, And said, "At Kilve I'd rather be Than here at Liswyn farm." "Now, little Edward, say why so; My little Edward, tell me why;" "I cannot tell, I do not know." "Why this is strange," said I. "For, here are woods and green hills warm: There surely must some reason be Why you would change sweet Liswyn farm, For Kilve by the green sea." At this, my boy hung down his head, He blush'd with shame, nor made reply; And five times to the child I said, "Why, Edward, tell me, why?" His head he raised—there was in sight, It caught his eye, he saw it plain— Upon the house-top, glittering bright, A broad and gilded vane. Then did the boy his tongue unlock, And thus to me he made reply; "At Kilve there was no weather-cock, And that's the reason why." Oh dearest, dearest boy! my heart For better lore would seldom yearn Could I but teach the hundredth part Of what from thee I learn. LINES Written at a small distance from my House, and sent by my little boy to the person to whom they are addressed. It is the first mild day of March: Each minute sweeter than before, The red-breast sings from the tall larch That stands beside our door. There is a blessing in the air, Which seems a sense of joy to yield To the bare trees, and mountains bare, And grass in the green field. My Sister! ('tis a wish of mine) Now that our morning meal is done, Make haste, your morning task resign; Come forth and feel the sun. Edward will come with you, and pray, Put on with speed your woodland dress, And bring no book, for this one day We'll give to idleness. No joyless forms shall regulate Our living Calendar: We from to-day, my friend, will date The opening of the year. Love, now an universal birth, From heart to heart is stealing, From earth to man, from man to earth, —It is the hour of feeling. One moment now may give us more Than fifty years of reason; Our minds shall drink at every pore The spirit of the season. Some silent laws our hearts may make, Which they shall long obey; We for the year to come may take Our temper from to-day. And from the blessed power that rolls About, below, above; We'll frame the measure of our souls, They shall be tuned to love. Then come, my sister I come, I pray, With speed put on your woodland dress, And bring no book; for this one day We'll give to idleness.
|
Written by
Thomas Campbell |
Hark ! from the battlements of yonder tower
The solemn bell has tolled the midnight hour !
Roused from drear visions of distempered sleep,
Poor Broderick wakes—in solitude to weep !
"Cease, Memory; cease (the friendless mourner cried)
To probe the bosom too severely tried !
Oh ! ever cease, my pensive thoughts, to stray
Through tie bright fields of Fortune's better day,
When youthful Hope, the music of the mind,
Tuned all its charms, and Errington was kind !
Yet, can I cease, while glows this trembling frame,
In sighs to speak thy melancholy name !
I hear thy spirit wail in every storm !
In midniglit shades I view thy passing form !
Pale as in that sad hour when doomed to feel !
Deep in thy perjured heart, the bloody steel !
Demons of Vengeance ! ye, at whose command
I grasped the sword with more than woman's hand
Say ye, did Pity's trembling voice control,
Or horror damp the purpose of my soul ?
No ! my wild heart sat smiling o'er the plan,
'Till Hate fulfilled what baffled love began !
Yes ; let the clay-cold breast that never knew
One tender pang to generous nature true,
Half-mingling pity with the gall of scorn,
Condemn this heart, that bled in love forlorn !
And ye, proud fair, whose soul no gladness warms,
Save Rapture's homage to your conscious charms !
Delighted idols of a gaudy train,
Ill can your blunter feelings guess the pain,
When the fond, faithful heart, inspired to prove
Friendship refined, the calm delight of Love,
Feels all its tender strings with anguish torn,
And bleeds at perjured Pride's inhuman scorn.
Say, then, did pitying Heaven condemn the deed,
When Vengeance bade thee, faithless lover! bleed ?
Long had I watched thy dark foreboding brow,
What time thy bosom scorned its dearest vow !
Sad, though I wept the friend, the lover changed,
Still thy cold look was scornful and estranged,
Till from thy pity, love, and shelter thrown,
I wandered hopeless, friendless, and alone !
Oh ! righteous Heaven ! 't was then my tortured soul
First gave to wrath unlimited control !
Adieu the silent look ! the streaming eye !
The murmured plaint ! the deep heart-heaving sigh !
Long-slumbering Vengeance wakes to better deeds ;
He shrieks, he falls, the perjured lover bleeds !
Now the last laugh of agony is o'er,
And pale in blood he sleeps, to wake no more !
'T is done ! the flame of hate no longer burns :
Nature relents, but, ah! too late returns!
Why does my soul this gush of fondness feel ?
Trembling and faint, I drop the guilty steel !
Cold on my heart the hand of terror lies,
And shades of horror close my languid eyes !
Oh ! 't was a deed of Murder's deepest grain !
Could Broderick's soul so true to wrath remain ?
A friend long true, a once fond lover fell ?
Where Love was fostered could not Pity dwell ?
Unhappy youth ! while you pale cresscent glows
To watch on silent Nature's deep repose,
Thy sleepless spirit, breathing from the tomb ,
Foretells my fate, and summons me to come !
Once more I see thy sheeted spectre stand ,
Roll the dim eye, and wave the paly hand !
Soon may this fluttering spark of vital flame
Forsake its languid melancholy frame !
Soon may these eyes their trembling lustre close,
Welcome the dreamless night of long repose !
Soon may this woe-worn spirit seek the bourne
Where, lulled to slumber, Grief forgets to mourn !"
|
Written by
Lucy Maud Montgomery |
Come, for the dusk is our own; let us fare forth together,
With a quiet delight in our hearts for the ripe, still, autumn weather,
Through the rustling valley and wood and over the crisping meadow,
Under a high-sprung sky, winnowed of mist and shadow.
Sharp is the frosty air, and through the far hill-gaps showing
Lucent sunset lakes of crocus and green are glowing;
'Tis the hour to walk at will in a wayward, unfettered roaming,
Caring for naught save the charm, elusive and swift, of the gloaming.
Watchful and stirless the fields as if not unkindly holding
Harvested joys in their clasp, and to their broad bosoms folding
Baby hopes of a Spring, trusted to motherly keeping,
Thus to be cherished and happed through the long months of their sleeping.
Silent the woods are and gray; but the firs than ever are greener,
Nipped by the frost till the tang of their loosened balsam is keener;
And one little wind in their boughs, eerily swaying and swinging,
Very soft and low, like a wandering minstrel is singing.
Beautiful is the year, but not as the springlike maiden
Garlanded with her hopesrather the woman laden
With wealth of joy and grief, worthily won through living,
Wearing her sorrow now like a garment of praise and thanksgiving.
Gently the dark comes down over the wild, fair places,
The whispering glens in the hills, the open, starry spaces;
Rich with the gifts of the night, sated with questing and dreaming,
We turn to the dearest of paths where the star of the homelight is gleaming.
|
Written by
Gerard Manley Hopkins |
The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
And all is seared with trade; bleared, smeared with toil;
And wears man's smudge and shares man's smell: the soil
Is bare now, nor can foot feel, being shod.
And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs—
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.
|
Written by
James Whitcomb Riley |
New Castle, July 4, 1878
or a hundred years the pulse of time
Has throbbed for Liberty;
For a hundred years the grand old clime
Columbia has been free;
For a hundred years our country's love,
The Stars and Stripes, has waved above.
Away far out on the gulf of years--
Misty and faint and white
Through the fogs of wrong--a sail appears,
And the Mayflower heaves in sight,
And drifts again, with its little flock
Of a hundred souls, on Plymouth Rock.
Do you see them there--as long, long since--
Through the lens of History;
Do you see them there as their chieftain prints
In the snow his bended knee,
And lifts his voice through the wintry blast
In thanks for a peaceful home at last?
Though the skies are dark and the coast is bleak,
And the storm is wild and fierce,
Its frozen flake on the upturned cheek
Of the Pilgrim melts in tears,
And the dawn that springs from the darkness there
Is the morning light of an answered prayer.
The morning light of the day of Peace
That gladdens the aching eyes,
And gives to the soul that sweet release
That the present verifies,--
Nor a snow so deep, nor a wind so chill
To quench the flame of a freeman's will!
II
Days of toil when the bleeding hand
Of the pioneer grew numb,
When the untilled tracts of the barren land
Where the weary ones had come
Could offer nought from a fruitful soil
To stay the strength of the stranger's toil.
Days of pain, when the heart beat low,
And the empty hours went by
Pitiless, with the wail of woe
And the moan of Hunger's cry--
When the trembling hands upraised in prayer
Had only the strength to hold them there.
Days when the voice of hope had fled--
Days when the eyes grown weak
Were folded to, and the tears they shed
Were frost on a frozen cheek--
When the storm bent down from the skies and gave
A shroud of snow for the Pilgrim's grave.
Days at last when the smiling sun
Glanced down from a summer sky,
And a music rang where the rivers run,
And the waves went laughing by;
And the rose peeped over the mossy bank
While the wild deer stood in the stream and drank.
And the birds sang out so loud and good,
In a symphony so clear
And pure and sweet that the woodman stood
With his ax upraised to hear,
And to shape the words of the tongue unknown
Into a language all his own--
1
'Sing! every bird, to-day!
Sing for the sky so clear,
And the gracious breath of the atmosphere
Shall waft our cares away.
Sing! sing! for the sunshine free;
Sing through the land from sea to sea;
Lift each voice in the highest key
And sing for Liberty!'
2
'Sing for the arms that fling
Their fetters in the dust
And lift their hands in higher trust
Unto the one Great King;
Sing for the patriot heart and hand;
Sing for the country they have planned;
Sing that the world may understand
This is Freedom's land!'
3
'Sing in the tones of prayer,
Sing till the soaring soul
Shall float above the world's control
In freedom everywhere!
Sing for the good that is to be,
Sing for the eyes that are to see
The land where man at last is free,
O sing for liberty!'
III
A holy quiet reigned, save where the hand
Of labor sent a murmur through the land,
And happy voices in a harmony
Taught every lisping breeze a melody.
A nest of cabins, where the smoke upcurled
A breathing incense to the other world.
A land of languor from the sun of noon,
That fainted slowly to the pallid moon,
Till stars, thick-scattered in the garden-land
Of Heaven by the great Jehovah's hand,
Had blossomed into light to look upon
The dusky warrior with his arrow drawn,
As skulking from the covert of the night
With serpent cunning and a fiend's delight,
With murderous spirit, and a yell of hate
The voice of Hell might tremble to translate:
When the fond mother's tender lullaby
Went quavering in shrieks all suddenly,
And baby-lips were dabbled with the stain
Of crimson at the bosom of the slain,
And peaceful homes and fortunes ruined--lost
In smoldering embers of the holocaust.
Yet on and on, through years of gloom and strife,
Our country struggled into stronger life;
Till colonies, like footprints in the sand,
Marked Freedom's pathway winding through the land--
And not the footprints to be swept away
Before the storm we hatched in Boston Bay,--
But footprints where the path of war begun
That led to Bunker Hill and Lexington,--
For he who "dared to lead where others dared
To follow" found the promise there declared
Of Liberty, in blood of Freedom's host
Baptized to Father, Son, and Holy Ghost!
Oh, there were times when every patriot breast
Was riotous with sentiments expressed
In tones that swelled in volume till the sound
Of lusty war itself was well-nigh drowned.
Oh, those were times when happy eyes with tears
Brimmed o'er as all the misty doubts and fears
Were washed away, and Hope with gracious mien,
Reigned from her throne again a sovereign queen.
Until at last, upon a day like this
When flowers were blushing at the summer's kiss,
And when the sky was cloudless as the face
Of some sweet infant in its angel grace,--
There came a sound of music, thrown afloat
Upon the balmy air--a clanging note
Reiterated from the brazen throat
Of Independence Bell: A sound so sweet,
The clamoring throngs of people in the streets
Were stilled as at the solemn voice of prayer,
And heads were bowed, and lips were moving there
That made no sound--until the spell had passed,
And then, as when all sudden comes the blast
Of some tornado, came the cheer on cheer
Of every eager voice, while far and near
The echoing bells upon the atmosphere
Set glorious rumors floating, till the ear
Of every listening patriot tingled clear,
And thrilled with joy and jubilee to hear.
I
'Stir all your echoes up,
O Independence Bell,
And pour from your inverted cup
The song we love so well.
'Lift high your happy voice,
And swing your iron tongue
Till syllables of praise rejoice
That never yet were sung.
'Ring in the gleaming dawn
Of Freedom--Toll the knell
Of Tyranny, and then ring on,
O Independence Bell.--
'Ring on, and drown the moan,
Above the patriot slain,
Till sorrow's voice shall catch the tone
And join the glad refrain.
'Ring out the wounds of wrong
And rankle in the breast;
Your music like a slumber-song
Will lull revenge to rest.
'Ring out from Occident
To Orient, and peal
From continent to continent
The mighty joy you feel.
'Ring! Independence Bell!
Ring on till worlds to be
Shall listen to the tale you tell
Of love and Liberty!'
IV
O Liberty--the dearest word
A bleeding country ever heard,--
We lay our hopes upon thy shrine
And offer up our lives for thine.
You gave us many happy years
Of peace and plenty ere the tears
A mourning country wept were dried
Above the graves of those who died
Upon thy threshold. And again
When newer wars were bred, and men
Went marching in the cannon's breath
And died for thee and loved the death,
While, high above them, gleaming bright,
The dear old flag remained in sight,
And lighted up their dying eyes
With smiles that brightened paradise.
O Liberty, it is thy power
To gladden us in every hour
Of gloom, and lead us by thy hand
As little children through a land
Of bud and blossom; while the days
Are filled with sunshine, and thy praise
Is warbled in the roundelays
Of joyous birds, and in the song
Of waters, murmuring along
The paths of peace, whose flowery fringe
Has roses finding deeper tinge
Of crimson, looking on themselves
Reflected--leaning from the shelves
Of cliff and crag and mossy mound
Of emerald splendor shadow-drowned.--
We hail thy presence, as you come
With bugle blast and rolling drum,
And booming guns and shouts of glee
Commingled in a symphony
That thrills the worlds that throng to see
The glory of thy pageantry.
0And with thy praise, we breathe a prayer
That God who leaves you in our care
May favor us from this day on
With thy dear presence--till the dawn
Of Heaven, breaking on thy face,
Lights up thy first abiding place.
|
Written by
Jane Austen |
My dearest Frank, I wish you joy
Of Mary's safety with a Boy,
Whose birth has given little pain
Compared with that of Mary Jane.--
May he a growing Blessing prove,
And well deserve his Parents' Love!--
Endow'd with Art's and Nature's Good,
Thy Name possessing with thy Blood,
In him, in all his ways, may we
Another Francis WIlliam see!--
Thy infant days may he inherit,
THey warmth, nay insolence of spirit;--
We would not with one foult dispense
To weaken the resemblance.
May he revive thy Nursery sin,
Peeping as daringly within,
His curley Locks but just descried,
With 'Bet, my be not come to bide.'--
Fearless of danger, braving pain,
And threaten'd very oft in vain,
Still may one Terror daunt his Soul,
One needful engine of Controul
Be found in this sublime array,
A neigbouring Donkey's aweful Bray.
So may his equal faults as Child,
Produce Maturity as mild!
His saucy words and fiery ways
In early Childhood's pettish days,
In Manhood, shew his Father's mind
Like him, considerate and Kind;
All Gentleness to those around,
And anger only not to wound.
Then like his Father too, he must,
To his own former struggles just,
Feel his Deserts with honest Glow,
And all his self-improvement know.
A native fault may thus give birth
To the best blessing, conscious Worth.
As for ourselves we're very well;
As unaffected prose will tell.--
Cassandra's pen will paint our state,
The many comforts that await
Our Chawton home, how much we find
Already in it, to our mind;
And how convinced, that when complete
It will all other Houses beat
The ever have been made or mended,
With rooms concise, or rooms distended.
You'll find us very snug next year,
Perhaps with Charles and Fanny near,
For now it often does delight us
To fancy them just over-right us.--
|
Written by
Jonathan Swift |
To the Priest, on Observing how most Men mistake their own Talents
When beasts could speak (the learned say,
They still can do so ev'ry day),
It seems, they had religion then,
As much as now we find in men.
It happen'd, when a plague broke out
(Which therefore made them more devout),
The king of brutes (to make it plain,
Of quadrupeds I only mean)
By proclamation gave command,
That ev'ry subject in the land
Should to the priest confess their sins;
And thus the pious wolf begins:
"Good father, I must own with shame,
That often I have been to blame:
I must confess, on Friday last,
Wretch that I was! I broke my fast:
But I defy the basest tongue
To prove I did my neighbour wrong;
Or ever went to seek my food
By rapine, theft, or thirst of blood."
The ass, approaching next, confess'd
That in his heart he lov'd a jest:
A wag he was, he needs must own,
And could not let a dunce alone:
Sometimes his friend he would not spare,
And might perhaps be too severe:
But yet, the worst that could be said,
He was a wit both born and bred;
And, if it be a sin or shame,
Nature alone must bear the blame:
One fault he hath, is sorry for't,
His ears are half a foot too short;
Which could he to the standard bring,
He'd show his face before the King:
Then for his voice, there's none disputes
That he's the nightingale of brutes.
The swine with contrite heart allow'd,
His shape and beauty made him proud:
In diet was perhaps too nice,
But gluttony was ne'er his vice:
In ev'ry turn of life content,
And meekly took what fortune sent:
Inquire through all the parish round,
A better neighbour ne'er was found:
His vigilance might some displease;
'Tis true he hated sloth like peas.
The mimic ape began his chatter,
How evil tongues his life bespatter:
Much of the cens'ring world complain'd,
Who said, his gravity was feign'd:
Indeed, the strictness of his morals
Engag'd him in a hundred quarrels:
He saw, and he was griev'd to see't,
His zeal was sometimes indiscreet:
He found his virtues too severe
For our corrupted times to bear:
Yet, such a lewd licentious age
Might well excuse a Stoic's rage.
The goat advanc'd with decent pace;
And first excus'd his youthful face;
Forgiveness begg'd that he appear'd
('Twas nature's fault) without a beard.
'Tis true, he was not much inclin'd
To fondness for the female kind;
Not, as his enemies object,
From chance, or natural defect;
Not by his frigid constitution,
But through a pious resolution;
For he had made a holy vow
Of chastity as monks do now;
Which he resolv'd to keep for ever hence,
As strictly too, as doth his Reverence.
Apply the tale, and you shall find,
How just it suits with human kind.
Some faults we own: but, can you guess?
Why?--virtues carried to excess,
Wherewith our vanity endows us,
Though neither foe nor friend allows us.
The lawyer swears, you may rely on't,
He never squeez'd a needy client;
And this he makes his constant rule,
For which his brethren call him fool:
His conscience always was so nice,
He freely gave the poor advice;
By which he lost, he may affirm,
A hundred fees last Easter term.
While others of the learned robe
Would break the patience of a Job;
No pleader at the bar could match
His diligence and quick dispatch;
Ne'er kept a cause, he well may boast,
Above a term or two at most.
The cringing knave, who seeks a place
Without success, thus tells his case:
Why should he longer mince the matter?
He fail'd because he could not flatter;
He had not learn'd to turn his coat,
Nor for a party give his vote:
His crime he quickly understood;
Too zealous for the nation's good:
He found the ministers resent it,
Yet could not for his heart repent it.
The chaplain vows he cannot fawn,
Though it would raise him to the lawn:
He pass'd his hours among his books;
You find it in his meagre looks:
He might, if he were worldly wise,
Preferment get and spare his eyes:
But own'd he had a stubborn spirit,
That made him trust alone in merit:
Would rise by merit to promotion;
Alas! a mere chimeric notion.
The doctor, if you will believe him,
Confess'd a sin; and God forgive him!
Call'd up at midnight, ran to save
A blind old beggar from the grave:
But see how Satan spreads his snares;
He quite forgot to say his prayers.
He cannot help it for his heart
Sometimes to act the parson's part:
Quotes from the Bible many a sentence,
That moves his patients to repentance:
And, when his med'cines do no good,
Supports their minds with heav'nly food,
At which, however well intended,
He hears the clergy are offended;
And grown so bold behind his back,
To call him hypocrite and quack.
In his own church he keeps a seat;
Says grace before and after meat;
And calls, without affecting airs,
His household twice a day to prayers.
He shuns apothecaries' shops;
And hates to cram the sick with slops:
He scorns to make his art a trade;
Nor bribes my lady's fav'rite maid.
Old nurse-keepers would never hire
To recommend him to the squire;
Which others, whom he will not name,
Have often practis'd to their shame.
The statesman tells you with a sneer,
His fault is to be too sincere;
And, having no sinister ends,
Is apt to disoblige his friends.
The nation's good, his master's glory,
Without regard to Whig or Tory,
Were all the schemes he had in view;
Yet he was seconded by few:
Though some had spread a hundred lies,
'Twas he defeated the Excise.
'Twas known, though he had borne aspersion,
That standing troops were his aversion:
His practice was, in ev'ry station,
To serve the King, and please the nation.
Though hard to find in ev'ry case
The fittest man to fill a place:
His promises he ne'er forgot,
But took memorials on the spot:
His enemies, for want of charity,
Said he affected popularity:
'Tis true, the people understood,
That all he did was for their good;
Their kind affections he has tried;
No love is lost on either side.
He came to Court with fortune clear,
Which now he runs out ev'ry year:
Must, at the rate that he goes on,
Inevitably be undone:
Oh! if his Majesty would please
To give him but a writ of ease,
Would grant him licence to retire,
As it hath long been his desire,
By fair accounts it would be found,
He's poorer by ten thousand pound.
He owns, and hopes it is no sin,
He ne'er was partial to his kin;
He thought it base for men in stations
To crowd the Court with their relations;
His country was his dearest mother,
And ev'ry virtuous man his brother;
Through modesty or awkward shame
(For which he owns himself to blame),
He found the wisest man he could,
Without respect to friends or blood;
Nor ever acts on private views,
When he hath liberty to choose.
The sharper swore he hated play,
Except to pass an hour away:
And well he might; for, to his cost,
By want of skill he always lost;
He heard there was a club of cheats,
Who had contriv'd a thousand feats;
Could change the stock, or cog a die,
And thus deceive the sharpest eye:
Nor wonder how his fortune sunk,
His brothers fleece him when he's drunk.
I own the moral not exact;
Besides, the tale is false in fact;
And so absurd, that could I raise up
From fields Elysian fabling Aesop;
I would accuse him to his face
For libelling the four-foot race.
Creatures of ev'ry kind but ours
Well comprehend their natural pow'rs;
While we, whom reason ought to sway,
Mistake our talents ev'ry day.
The ass was never known so stupid
To act the part of Tray or Cupid;
Nor leaps upon his master's lap,
There to be strok'd, and fed with pap,
As Aesop would the world persuade;
He better understands his trade:
Nor comes, whene'er his lady whistles;
But carries loads, and feeds on thistles.
Our author's meaning, I presume, is
A creature bipes et implumis;
Wherein the moralist design'd
A compliment on human kind:
For here he owns, that now and then
Beasts may degenerate into men.
|
Written by
Walt Whitman |
1
PROUD music of the storm!
Blast that careers so free, whistling across the prairies!
Strong hum of forest tree-tops! Wind of the mountains!
Personified dim shapes! you hidden orchestras!
You serenades of phantoms, with instruments alert,
Blending, with Nature’s rhythmus, all the tongues of nations;
You chords left us by vast composers! you choruses!
You formless, free, religious dances! you from the Orient!
You undertone of rivers, roar of pouring cataracts;
You sounds from distant guns, with galloping cavalry!
Echoes of camps, with all the different bugle-calls!
Trooping tumultuous, filling the midnight late, bending me powerless,
Entering my lonesome slumber-chamber—Why have you seiz’d me?
2
Come forward, O my Soul, and let the rest retire;
Listen—lose not—it is toward thee they tend;
Parting the midnight, entering my slumber-chamber,
For thee they sing and dance, O Soul.
A festival song!
The duet of the bridegroom and the bride—a marriage-march,
With lips of love, and hearts of lovers, fill’d to the brim with love;
The red-flush’d cheeks, and perfumes—the cortege swarming, full of friendly
faces,
young and old,
To flutes’ clear notes, and sounding harps’ cantabile.
3
Now loud approaching drums!
Victoria! see’st thou in powder-smoke the banners torn but flying? the rout of the
baffled?
Hearest those shouts of a conquering army?
(Ah, Soul, the sobs of women—the wounded groaning in agony,
The hiss and crackle of flames—the blacken’d ruins—the embers of cities,
The dirge and desolation of mankind.)
4
Now airs antique and medieval fill me!
I see and hear old harpers with their harps, at Welsh festivals:
I hear the minnesingers, singing their lays of love,
I hear the minstrels, gleemen, troubadours, of the feudal ages.
5
Now the great organ sounds,
Tremulous—while underneath, (as the hid footholds of the earth,
On which arising, rest, and leaping forth, depend,
All shapes of beauty, grace and strength—all hues we know,
Green blades of grass, and warbling birds—children that gambol and play—the
clouds of
heaven above,)
The strong base stands, and its pulsations intermits not,
Bathing, supporting, merging all the rest—maternity of all the rest;
And with it every instrument in multitudes,
The players playing—all the world’s musicians,
The solemn hymns and masses, rousing adoration,
All passionate heart-chants, sorrowful appeals,
The measureless sweet vocalists of ages,
And for their solvent setting, Earth’s own diapason,
Of winds and woods and mighty ocean waves;
A new composite orchestra—binder of years and climes—ten-fold renewer,
As of the far-back days the poets tell—the Paradiso,
The straying thence, the separation long, but now the wandering done,
The journey done, the Journeyman come home,
And Man and Art, with Nature fused again.
6
Tutti! for Earth and Heaven!
The Almighty Leader now for me, for once has signal’d with his wand.
The manly strophe of the husbands of the world,
And all the wives responding.
The tongues of violins!
(I think, O tongues, ye tell this heart, that cannot tell itself;
This brooding, yearning heart, that cannot tell itself.)
7
Ah, from a little child,
Thou knowest, Soul, how to me all sounds became music;
My mother’s voice, in lullaby or hymn;
(The voice—O tender voices—memory’s loving voices!
Last miracle of all—O dearest mother’s, sister’s, voices;)
The rain, the growing corn, the breeze among the long-leav’d corn,
The measur’d sea-surf, beating on the sand,
The twittering bird, the hawk’s sharp scream,
The wild-fowl’s notes at night, as flying low, migrating north or south,
The psalm in the country church, or mid the clustering trees, the open air camp-meeting,
The fiddler in the tavern—the glee, the long-strung sailor-song,
The lowing cattle, bleating sheep—the crowing cock at dawn.
8
All songs of current lands come sounding ’round me,
The German airs of friendship, wine and love,
Irish ballads, merry jigs and dances—English warbles,
Chansons of France, Scotch tunes—and o’er the rest,
Italia’s peerless compositions.
Across the stage, with pallor on her face, yet lurid passion,
Stalks Norma, brandishing the dagger in her hand.
I see poor crazed Lucia’s eyes’ unnatural gleam;
Her hair down her back falls loose and dishevell’d.
I see where Ernani, walking the bridal garden,
Amid the scent of night-roses, radiant, holding his bride by the hand,
Hears the infernal call, the death-pledge of the horn.
To crossing swords, and grey hairs bared to heaven,
The clear, electric base and baritone of the world,
The trombone duo—Libertad forever!
From Spanish chestnut trees’ dense shade,
By old and heavy convent walls, a wailing song,
Song of lost love—the torch of youth and life quench’d in despair,
Song of the dying swan—Fernando’s heart is breaking.
Awaking from her woes at last, retriev’d Amina sings;
Copious as stars, and glad as morning light, the torrents of her joy.
(The teeming lady comes!
The lustrious orb—Venus contralto—the blooming mother,
Sister of loftiest gods—Alboni’s self I hear.)
9
I hear those odes, symphonies, operas;
I hear in the William Tell, the music of an arous’d and angry people;
I hear Meyerbeer’s Huguenots, the Prophet, or Robert;
Gounod’s Faust, or Mozart’s Don Juan.
10
I hear the dance-music of all nations,
The waltz, (some delicious measure, lapsing, bathing me in bliss;)
The bolero, to tinkling guitars and clattering castanets.
I see religious dances old and new,
I hear the sound of the Hebrew lyre,
I see the Crusaders marching, bearing the cross on high, to the martial clang of cymbals;
I hear dervishes monotonously chanting, interspers’d with frantic shouts, as they
spin
around, turning always towards Mecca;
I see the rapt religious dances of the Persians and the Arabs;
Again, at Eleusis, home of Ceres, I see the modern Greeks dancing,
I hear them clapping their hands, as they bend their bodies,
I hear the metrical shuffling of their feet.
I see again the wild old Corybantian dance, the performers wounding each other;
I see the Roman youth, to the shrill sound of flageolets, throwing and catching their
weapons,
As they fall on their knees, and rise again.
I hear from the Mussulman mosque the muezzin calling;
I see the worshippers within, (nor form, nor sermon, argument, nor word,
But silent, strange, devout—rais’d, glowing heads—extatic faces.)
11
I hear the Egyptian harp of many strings,
The primitive chants of the Nile boatmen;
The sacred imperial hymns of China,
To the delicate sounds of the king, (the stricken wood and stone;)
Or to Hindu flutes, and the fretting twang of the vina,
A band of bayaderes.
12
Now Asia, Africa leave me—Europe, seizing, inflates me;
To organs huge, and bands, I hear as from vast concourses of voices,
Luther’s strong hymn, Eine feste Burg ist unser Gott;
Rossini’s Stabat Mater dolorosa;
Or, floating in some high cathedral dim, with gorgeous color’d windows,
The passionate Agnus Dei, or Gloria in Excelsis.
13
Composers! mighty maestros!
And you, sweet singers of old lands—Soprani! Tenori! Bassi!
To you a new bard, carolling free in the west,
Obeisant, sends his love.
(Such led to thee, O Soul!
All senses, shows and objects, lead to thee,
But now, it seems to me, sound leads o’er all the rest.)
14
I hear the annual singing of the children in St. Paul’s Cathedral;
Or, under the high roof of some colossal hall, the symphonies, oratorios of Beethoven,
Handel,
or Haydn;
The Creation, in billows of godhood laves me.
Give me to hold all sounds, (I, madly struggling, cry,)
Fill me with all the voices of the universe,
Endow me with their throbbings—Nature’s also,
The tempests, waters, winds—operas and chants—marches and dances,
Utter—pour in—for I would take them all.
15
Then I woke softly,
And pausing, questioning awhile the music of my dream,
And questioning all those reminiscences—the tempest in its fury,
And all the songs of sopranos and tenors,
And those rapt oriental dances, of religious fervor,
And the sweet varied instruments, and the diapason of organs,
And all the artless plaints of love, and grief and death,
I said to my silent, curious Soul, out of the bed of the slumber-chamber,
Come, for I have found the clue I sought so long,
Let us go forth refresh’d amid the day,
Cheerfully tallying life, walking the world, the real,
Nourish’d henceforth by our celestial dream.
And I said, moreover,
Haply, what thou hast heard, O Soul, was not the sound of winds,
Nor dream of raging storm, nor sea-hawk’s flapping wings, nor harsh scream,
Nor vocalism of sun-bright Italy,
Nor German organ majestic—nor vast concourse of voices—nor layers of harmonies;
Nor strophes of husbands and wives—nor sound of marching soldiers,
Nor flutes, nor harps, nor the bugle-calls of camps;
But, to a new rhythmus fitted for thee,
Poems, bridging the way from Life to Death, vaguely wafted in night air, uncaught,
unwritten,
Which, let us go forth in the bold day, and write.
|