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Best Famous Chinks Poems

Here is a collection of the all-time best famous Chinks poems. This is a select list of the best famous Chinks poetry. Reading, writing, and enjoying famous Chinks poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of chinks poems.

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Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Growltigers Last Stand

 GROWLTIGER was a Bravo Cat, who lived upon a barge;
In fact he was the roughest cat that ever roamed at large.
From Gravesend up to Oxford he pursued his evil aims, Rejoicing in his title of "The Terror of the Thames.
" His manners and appearance did not calculate to please; His coat was torn and seedy, he was baggy at the knees; One ear was somewhat missing, no need to tell you why, And he scowled upon a hostile world from one forbidding eye.
The cottagers of Rotherhithe knew something of his fame, At Hammersmith and Putney people shuddered at his name.
They would fortify the hen-house, lock up the silly goose, When the rumour ran along the shore: GROWLTIGER'S ON THE LOOSE! Woe to the weak canary, that fluttered from its cage; Woe to the pampered Pekinese, that faced Growltiger's rage.
Woe to the bristly Bandicoot, that lurks on foreign ships, And woe to any Cat with whom Growltiger came to grips! But most to Cats of foreign race his hatred had been vowed; To Cats of foreign name and race no quarter was allowed.
The Persian and the Siamese regarded him with fear-- Because it was a Siamese had mauled his missing ear.
Now on a peaceful summer night, all nature seemed at play, The tender moon was shining bright, the barge at Molesey lay.
All in the balmy moonlight it lay rocking on the tide-- And Growltiger was disposed to show his sentimental side.
His bucko mate, GRUMBUSKIN, long since had disappeared, For to the Bell at Hampton he had gone to wet his beard; And his bosun, TUMBLEBRUTUS, he too had stol'n away- In the yard behind the Lion he was prowling for his prey.
In the forepeak of the vessel Growltiger sate alone, Concentrating his attention on the Lady GRIDDLEBONE.
And his raffish crew were sleeping in their barrels and their bunks-- As the Siamese came creeping in their sampans and their junks.
Growltiger had no eye or ear for aught but Griddlebone, And the Lady seemed enraptured by his manly baritone, Disposed to relaxation, and awaiting no surprise-- But the moonlight shone reflected from a thousand bright blue eyes.
And closer still and closer the sampans circled round, And yet from all the enemy there was not heard a sound.
The lovers sang their last duet, in danger of their lives-- For the foe was armed with toasting forks and cruel carving knives.
Then GILBERT gave the signal to his fierce Mongolian horde; With a frightful burst of fireworks the Chinks they swarmed aboard.
Abandoning their sampans, and their pullaways and junks, They battened down the hatches on the crew within their bunks.
Then Griddlebone she gave a screech, for she was badly skeered; I am sorry to admit it, but she quickly disappeared.
She probably escaped with ease, I'm sure she was not drowned-- But a serried ring of flashing steel Growltiger did surround.
The ruthless foe pressed forward, in stubborn rank on rank; Growltiger to his vast surprise was forced to walk the plank.
He who a hundred victims had driven to that drop, At the end of all his crimes was forced to go ker-flip, ker-flop.
Oh there was joy in Wapping when the news flew through the land; At Maidenhead and Henley there was dancing on the strand.
Rats were roasted whole at Brentford, and at Victoria Dock, And a day of celebration was commanded in Bangkok.


Written by Robert Browning | Create an image from this poem

Love Among The Ruins

 I

Where the quiet-coloured end of evening smiles
 Miles and miles
On the solitary pastures where our sheep
 Half-asleep
Tinkle homeward thro' the twilight, stray or stop
 As they crop— 
Was the site once of a city great and gay,
 (So they say)
Of our country's very capital, its prince
 Ages since
Held his court in, gathered councils, wielding far
 Peace or war.
II Now—the country does not even boast a tree, As you see, To distinguish slopes of verdure, certain rills From the hills Intersect and give a name to, (else they run Into one) Where the domed and daring palace shot its spires Up like fires O'er the hundred-gated circuit of a wall Bounding all, Made of marble, men might march on nor be prest, Twelve abreast.
III And such plenty and perfection, see, of grass Never was! Such a carpet as, this summer-time, o'erspreads And embeds Every vestige of the city, guessed alone, Stock or stone— Where a multitude of men breathed joy and woe Long ago; Lust of glory pricked their hearts up, dread of shame Struck them tame; And that glory and that shame alike, the gold Bought and sold.
IV Now,—the single little turret that remains On the plains, By the caper overrooted, by the gourd Overscored, While the patching houseleek's head of blossom winks Through the chinks— Marks the basement whence a tower in ancient time Sprang sublime, And a burning ring, all round, the chariots traced As they raced, And the monarch and his minions and his dames Viewed the games.
V And I know, while thus the quiet-coloured eve Smiles to leave To their folding, all our many-tinkling fleece In such peace, And the slopes and rills in undistinguished grey Melt away— That a girl with eager eyes and yellow hair Waits me there In the turret whence the charioteers caught soul For the goal, When the king looked, where she looks now, breathless, dumb Till I come.
VI But he looked upon the city, every side, Far and wide, All the mountains topped with temples, all the glades' Colonnades, All the causeys, bridges, aqueducts,—and then, All the men! When I do come, she will speak not, she will stand, Either hand On my shoulder, give her eyes the first embrace Of my face, Ere we rush, ere we extinguish sight and speech Each on each.
VII In one year they sent a million fighters forth South and north, And they built their gods a brazen pillar high As the sky, Yet reserved a thousand chariots in full force— Gold, of course.
Oh, heart! oh, blood that freezes, blood that burns! Earth's returns For whole centuries of folly, noise and sin! Shut them in, With their triumphs and their glories and the rest.
Love is best!
Written by Jane Kenyon | Create an image from this poem

Let Evening Come

 Let the light of late afternoon
shine through chinks in the barn, moving
up the bales as the sun moves down.
Let the cricket take up chafing as a woman takes up her needles and her yarn.
Let evening come.
Let dew collect on the hoe abandoned in long grass.
Let the stars appear and the moon disclose her silver horn.
Let the fox go back to its sandy den.
Let the wind die down.
Let the shed go black inside.
Let evening come.
To the bottle in the ditch, to the scoop in the oats, to air in the lung let evening come.
Let it come, as it will, and don't be afraid.
God does not leave us comfortless, so let evening come.
Written by Paul Laurence Dunbar | Create an image from this poem

THE OLD CABIN

In de dead of night I sometimes,
Git to t'inkin' of de pas'
An' de days w'en slavery helt me
In my mis'ry—ha'd an' fas'.
Dough de time was mighty tryin',
In dese houahs somehow hit seem
Dat a brightah light come slippin'
Thoo de kivahs of my dream.
An' my min' fu'gits de whuppins
Draps de feah o' block an' lash
An' flies straight to somep'n' joyful
In a secon's lightnin' flash.
Den hit seems I see a vision
Of a dearah long ago
Of de childern tumblin' roun' me
By my rough ol' cabin do'.
Talk about yo' go'geous mansions
An' yo' big house great an' gran',
Des bring up de fines' palace
Dat you know in all de lan'.
But dey's somep'n' dearah to me,
Somep'n' faihah to my eyes
In dat cabin, less you bring me
To yo' mansion in de skies.
I kin see de light a-shinin'
Thoo de chinks atween de logs,
I kin hyeah de way-off bayin'
Of my mastah's huntin' dogs,
An' de neighin' of de hosses
Stampin' on de ol' bahn flo',
But above dese soun's de laughin'
At my deah ol' cabin do'.
We would gethah daih at evenin',
All my frien's 'ud come erroun'
An' hit wan't no time, twell, bless you,
You could hyeah de banjo's soun'.
You could see de dahkies dancin'
[Pg 261]Pigeon wing an' heel an' toe—
Joyous times I tell you people
Roun' dat same ol' cabin do'.
But at times my t'oughts gits saddah,
Ez I riccolec' de folks,
An' dey frolickin' an' talkin'
Wid dey laughin' an dey jokes.
An' hit hu'ts me w'en I membahs
Dat I'll nevah see no mo'
Dem ah faces gethered smilin'
Roun' dat po' ol' cabin do'.
Written by Theodore Roethke | Create an image from this poem

Root Cellar

 Nothing would sleep in that cellar, dank as a ditch,
Bulbs broke out of boxes hunting for chinks in the dark,
Shoots dangled and drooped,
Lolling obscenely from mildewed crates,
Hung down long yellow evil necks, like tropical snakes.
And what a congress of stinks! Roots ripe as old bait, Pulpy stems, rank, silo-rich, Leaf-mold, manure, lime, piled against slippery planks.
Nothing would give up life: Even the dirt kept breathing a small breath.


Written by Amy Lowell | Create an image from this poem

In a Castle

 I
Over the yawning chimney hangs the fog.
Drip -- hiss -- drip -- hiss -- fall the raindrops on the oaken log which burns, and steams, and smokes the ceiling beams.
Drip -- hiss -- the rain never stops.
The wide, state bed shivers beneath its velvet coverlet.
Above, dim, in the smoke, a tarnished coronet gleams dully.
Overhead hammers and chinks the rain.
Fearfully wails the wind down distant corridors, and there comes the swish and sigh of rushes lifted off the floors.
The arras blows sidewise out from the wall, and then falls back again.
It is my lady's key, confided with much nice cunning, whisperingly.
He enters on a sob of wind, which gutters the candles almost to swaling.
The fire flutters and drops.
Drip -- hiss -- the rain never stops.
He shuts the door.
The rushes fall again to stillness along the floor.
Outside, the wind goes wailing.
The velvet coverlet of the wide bed is smooth and cold.
Above, in the firelight, winks the coronet of tarnished gold.
The knight shivers in his coat of fur, and holds out his hands to the withering flame.
She is always the same, a sweet coquette.
He will wait for her.
How the log hisses and drips! How warm and satisfying will be her lips! It is wide and cold, the state bed; but when her head lies under the coronet, and her eyes are full and wet with love, and when she holds out her arms, and the velvet counterpane half slips from her, and alarms her trembling modesty, how eagerly he will leap to cover her, and blot himself beneath the quilt, making her laugh and tremble.
Is it guilt to free a lady from her palsied lord, absent and fighting, terribly abhorred? He stirs a booted heel and kicks a rolling coal.
His spur clinks on the hearth.
Overhead, the rain hammers and chinks.
She is so pure and whole.
Only because he has her soul will she resign herself to him, for where the soul has gone, the body must be given as a sign.
He takes her by the divine right of the only lover.
He has sworn to fight her lord, and wed her after.
Should he be overborne, she will die adoring him, forlorn, shriven by her great love.
Above, the coronet winks in the darkness.
Drip -- hiss -- fall the raindrops.
The arras blows out from the wall, and a door bangs in a far-off hall.
The candles swale.
In the gale the moat below plunges and spatters.
Will the lady lose courage and not come? The rain claps on a loosened rafter.
Is that laughter? The room is filled with lisps and whispers.
Something mutters.
One candle drowns and the other gutters.
Is that the rain which pads and patters, is it the wind through the winding entries which chatters? The state bed is very cold and he is alone.
How far from the wall the arras is blown! Christ's Death! It is no storm which makes these little chuckling sounds.
By the Great Wounds of Holy Jesus, it is his dear lady, kissing and clasping someone! Through the sobbing storm he hears her love take form and flutter out in words.
They prick into his ears and stun his desire, which lies within him, hard and dead, like frozen fire.
And the little noise never stops.
Drip -- hiss -- the rain drops.
He tears down the arras from before an inner chamber's bolted door.
II The state bed shivers in the watery dawn.
Drip -- hiss -- fall the raindrops.
For the storm never stops.
On the velvet coverlet lie two bodies, stripped and fair in the cold, grey air.
Drip -- hiss -- fall the blood-drops, for the bleeding never stops.
The bodies lie quietly.
At each side of the bed, on the floor, is a head.
A man's on this side, a woman's on that, and the red blood oozes along the rush mat.
A wisp of paper is twisted carefully into the strands of the dead man's hair.
It says, "My Lord: Your wife's paramour has paid with his life for the high favour.
" Through the lady's silver fillet is wound another paper.
It reads, "Most noble Lord: Your wife's misdeeds are as a double-stranded necklace of beads.
But I have engaged that, on your return, she shall welcome you here.
She will not spurn your love as before, you have still the best part of her.
Her blood was red, her body white, they will both be here for your delight.
The soul inside was a lump of dirt, I have rid you of that with a spurt of my sword point.
Good luck to your pleasure.
She will be quite complaisant, my friend, I wager.
" The end was a splashed flourish of ink.
Hark! In the passage is heard the clink of armour, the tread of a heavy man.
The door bursts open and standing there, his thin hair wavering in the glare of steely daylight, is my Lord of Clair.
Over the yawning chimney hangs the fog.
Drip -- hiss -- drip -- hiss -- fall the raindrops.
Overhead hammers and chinks the rain which never stops.
The velvet coverlet is sodden and wet, yet the roof beams are tight.
Overhead, the coronet gleams with its blackened gold, winking and blinking.
Among the rushes three corpses are growing cold.
III In the castle church you may see them stand, Two sumptuous tombs on either hand Of the choir, my Lord's and my Lady's, grand In sculptured filigrees.
And where the transepts of the church expand, A crusader, come from the Holy Land, Lies with crossed legs and embroidered band.
The page's name became a brand For shame.
He was buried in crawling sand, After having been burnt by royal command.
Written by William Topaz McGonagall | Create an image from this poem

The Death of Fred Marsden the American Playwright

 A pathetic tragedy I will relate,
Concerning poor Fred.
Marsden's fate, Who suffocated himself by the fumes of gas, On the 18th of May, and in the year of 1888, alas! Fred.
Marsden was a playwright, the theatrical world knows, And was highly esteemed by the people, and had very few foes; And in New York, in his bedroom, he took his life away, And was found by his servant William in his bedroom where he lay.
The manner in which he took his life : first he locked the door, Then closed down the window, and a sheet to shreds he tore And then stopped the keyholes and chinks through which air might come, Then turned on the single gas-burner, and soon the deed was done.
About seven o'clock in the evening he bade his wife good-night, And she left him, smoking, in his room, thinking all was right, But when morning came his daughter said she smelled gas, Then William, his servant, called loudly on him, but no answer, alas! Then suspicion flashed across William's brain, and he broke open the door, Then soon the family were in a state of uproar, For the room was full of gas, and Mr Marsden quite dead, And a more kind-hearted father never ate of the world's bread.
And by his kindness he spoiled his only child, His pretty daughter Blanche, which made him wild; For some time he thought her an angel, she was so very civil, But she dishonoured herself, and proved herself a devil.
Her father idolised her, and on her spared no expense, And the kind-hearted father gave her too much indulgence, Because evening parties and receptions were got up for her sake, Besides, he bought her a steam yacht to sail on Schroon Lake.
His means he lavished upon his home and his wife, And he loved his wife and daughter as dear as his life; But Miss Blanche turned to folly, and wrecked their home through strife, And through Miss Marsden's folly her father took his life.
She wanted to ride, and her father bought her a horse, And by giving her such indulgences, in morals she grew worse; And by her immoral actions she broke her father's heart; And, in my opinion, she has acted a very ungrateful part.
At last she fled from her father's house, which made him mourn, Then the crazy father went after her and begged her to return, But she tore her father's beard, and about the face beat him, Then fled to her companions in evil, and thought it no sin.
Then her father sent her one hundred dollars, and found her again, And he requested her to come home, but it was all in vain; For his cruel daughter swore at him without any dread, And, alas! next morning, he was found dead in his bed.
And soon theatrical circles were shocked to learn, Of the sudden death of genial Fred Marsden, Whose house had been famous for its hospitality, To artists, litterateurs, and critics of high and low degree.
And now dear Mrs Marsden is left alone to mourn The loss of her loving husband, whom to her will ne'er return; But I hope God will be kind to her in her bereavement, And open her daughter's eyes, and make her repent For being the cause of her father's death, the generous Fred, Who oft poor artists and mendicants has fed; But, alas! his bounties they will never receive more, Therefore poor artists and mendicants will his loss deplore.
Therefore, all ye kind parents of high and low degree, I pray ye all, be advised by me, And never pamper your children in any way, Nor idolise them, for they are apt to go astray, And treat ye, like pretty Blanche Marsden, Who by her folly has been the death of one of the finest men; So all kind parents, be warned by me, And remember always this sad Tragedy!
Written by Siegfried Sassoon | Create an image from this poem

A Working Party

 Three hours ago he blundered up the trench, 
Sliding and poising, groping with his boots; 
Sometimes he tripped and lurched against the walls 
With hands that pawed the sodden bags of chalk.
He couldn't see the man who walked in front; Only he heard the drum and rattle of feet Stepping along barred trench boards, often splashing Wretchedly where the sludge was ankle-deep.
Voices would grunt `Keep to your right -- make way!' When squeezing past some men from the front-line: White faces peered, puffing a point of red; Candles and braziers glinted through the chinks And curtain-flaps of dug-outs; then the gloom Swallowed his sense of sight; he stooped and swore Because a sagging wire had caught his neck.
A flare went up; the shining whiteness spread And flickered upward, showing nimble rats And mounds of glimmering sand-bags, bleached with rain; Then the slow silver moment died in dark.
The wind came posting by with chilly gusts And buffeting at the corners, piping thin.
And dreary through the crannies; rifle-shots Would split and crack and sing along the night, And shells came calmly through the drizzling air To burst with hollow bang below the hill.
Three hours ago, he stumbled up the trench; Now he will never walk that road again: He must be carried back, a jolting lump Beyond all needs of tenderness and care.
He was a young man with a meagre wife And two small children in a Midland town, He showed their photographs to all his mates, And they considered him a decent chap Who did his work and hadn't much to say, And always laughed at other people's jokes Because he hadn't any of his own.
That night when he was busy at his job Of piling bags along the parapet, He thought how slow time went, stamping his feet And blowing on his fingers, pinched with cold.
He thought of getting back by half-past twelve, And tot of rum to send him warm to sleep In draughty dug-out frowsty with the fumes Of coke, and full of snoring weary men.
He pushed another bag along the top, Craning his body outward; then a flare Gave one white glimpse of No Man's Land and wire; And as he dropped his head the instant split His startled life with lead, and all went out.
Written by Ogden Nash | Create an image from this poem

sten..

 There is a knocking in the skull,
An endless silent shout
Of something beating on a wall,
And crying, “Let me out!”

That solitary prisoner
Will never hear reply.
No comrade in eternity Can hear the frantic cry.
No heart can share the terror That haunts his monstrous dark.
The light that filters through the chinks No other eye can mark.
When flesh is linked with eager flesh, And words run warm and full, I think that he is loneliest then, The captive in the skull.
Caught in a mesh of living veins, In cell of padded bone, He loneliest is when he pretends That he is not alone.
We’d free the incarcerate race of man That such a doom endures Could only you unlock my skull, Or I creep into yours.
Written by Siegfried Sassoon | Create an image from this poem

The Working Party

 Three hours ago he blundered up the trench, 
Sliding and poising, groping with his boots; 
Sometimes he tripped and lurched against the walls 
With hands that pawed the sodden bags of chalk.
He couldn't see the man who walked in front; Only he heard the drum and rattle of feet Stepping along barred trench boards, often splashing Wretchedly where the sludge was ankle-deep.
Voices would grunt `Keep to your right -- make way!' When squeezing past some men from the front-line: White faces peered, puffing a point of red; Candles and braziers glinted through the chinks And curtain-flaps of dug-outs; then the gloom Swallowed his sense of sight; he stooped and swore Because a sagging wire had caught his neck.
A flare went up; the shining whiteness spread And flickered upward, showing nimble rats And mounds of glimmering sand-bags, bleached with rain; Then the slow silver moment died in dark.
The wind came posting by with chilly gusts And buffeting at the corners, piping thin.
And dreary through the crannies; rifle-shots Would split and crack and sing along the night, And shells came calmly through the drizzling air To burst with hollow bang below the hill.
Three hours ago, he stumbled up the trench; Now he will never walk that road again: He must be carried back, a jolting lump Beyond all needs of tenderness and care.
He was a young man with a meagre wife And two small children in a Midland town, He showed their photographs to all his mates, And they considered him a decent chap Who did his work and hadn't much to say, And always laughed at other people's jokes Because he hadn't any of his own.
That night when he was busy at his job Of piling bags along the parapet, He thought how slow time went, stamping his feet And blowing on his fingers, pinched with cold.
He thought of getting back by half-past twelve, And tot of rum to send him warm to sleep In draughty dug-out frowsty with the fumes Of coke, and full of snoring weary men.
He pushed another bag along the top, Craning his body outward; then a flare Gave one white glimpse of No Man's Land and wire; And as he dropped his head the instant split His startled life with lead, and all went out.

Book: Reflection on the Important Things