Written by
Emily Dickinson |
Heart, not so heavy as mine
Wending late home --
As it passed my window
Whistled itself a tune --
A careless snatch -- a ballad -- A ditty of the street --
Yet to my irritated Ear
An Anodyne so sweet --
It was as if a Bobolink
Sauntering this way
Carolled, and paused, and carolled --
Then bubbled slow away!
It was as if a chirping brook
Upon a dusty way --
Set bleeding feet to minuets
Without the knowing why!
Tomorrow, night will come again --
Perhaps, weary and sore --
Ah Bugle! By my window
I pray you pass once more.
|
Written by
Emily Dickinson |
Better -- than Music! For I -- who heard it --
I was used -- to the Birds -- before --
This -- was different -- 'Twas Translation --
Of all tunes I knew -- and more --
'Twasn't contained -- like other stanza --
No one could play it -- the second time --
But the Composer -- perfect Mozart --
Perish with him -- that Keyless Rhyme!
So -- Children -- told how Brooks in Eden --
Bubbled a better -- Melody --
Quaintly infer -- Eve's great surrender --
Urging the feet -- that would -- not -- fly --
Children -- matured -- are wiser -- mostly --
Eden -- a legend -- dimly told --
Eve -- and the Anguish -- Grandame's story --
But -- I was telling a tune -- I heard --
Not such a strain -- the Church -- baptizes --
When the last Saint -- goes up the Aisles --
Not such a stanza splits the silence --
When the Redemption strikes her Bells --
Let me not spill -- its smallest cadence --
Humming -- for promise -- when alone --
Humming -- until my faint Rehearsal --
Drop into tune -- around the Throne --
|
Written by
Allen Ginsberg |
I -- A Pleasant Afternoon
for Michael Brownstein and Dick Gallup
One day 3 poets and 60 ears sat under a green-striped Chau-
tauqua tent in Aurora
listening to Black spirituals, tapping their feet, appreciating
words singing by in mountain winds
on a pleasant sunny day of rest -- the wild wind blew thru
blue Heavens
filled with fluffy clouds stretched from Central City to Rocky
Flats, Plutonium sizzled in its secret bed,
hot dogs sizzled in the Lion's Club lunchwagon microwave
mouth, orangeade bubbled over in waxen cups
Traffic moved along Colefax, meditators silent in the Diamond
Castle shrine-room at Boulder followed the breath going
out of their nostrils,
Nobody could remember anything, spirits flew out of mouths
& noses, out of the sky, across Colorado plains & the
tent flapped happily open spacious & didn't fall down.
June 18, 1978
II -- Peace Protest
Cumulus clouds float across blue sky
over the white-walled Rockwell Corporation factory
-- am I going to stop that?
*
Rocky Mountains rising behind us
Denver shining in morning light
-- Led away from the crowd by police and photographers
*
Middleaged Ginsberg and Ellsberg taken down the road
to the greyhaired Sheriff's van --
But what about Einstein? What about Einstein? Hey, Einstein
Come back!
III -- Golden Courthouse
Waiting for the Judge, breathing silent
Prisoners, witnesses, Police --
the stenographer yawns into her palms.
August 9, 1978
IV -- Everybody's Fantasy
I walked outside & the bomb'd
dropped lots of plutonium
all over the Lower East Side
There weren't any buildings left just
iron skeletons
groceries burned, potholes open to
stinking sewer waters
There were people starving and crawling
across the desert
the Martian UFOs with blue
Light destroyer rays
passed over and dried up all the
waters
Charred Amazon palmtrees for
hundreds of miles on both sides
of the river
August 10, 1978
V -- Waiting Room at the Rocky Flats Plutonium Plant
"Give us the weapons we need to protect ourselves!"
the bareheaded guard lifts his flyswatter above the desk
-- whap!
*
A green-letter'd shield on the pressboard wall!
"Life is fragile. Handle with care" --
My Goodness! here's where they make the nuclear bomb
triggers.
August 17, 1978
VI -- Numbers in Red Notebook
2,000,000 killed in Vietnam
13,000,000 refugees in Indochina 1972
200,000,000 years for the Galaxy to revolve on its core
24,000 the Babylonian Great Year
24,000 half life of plutonium
2,000 the most I ever got for a poetry reading
80,000 dolphins killed in the dragnet
4,000,000,000 years earth been born
Summer 1978
|
Written by
Robert William Service |
In the little Crimson Manual it's written plain and clear
That who would wear the scarlet coat shall say good-bye to fear;
Shall be a guardian of the right, a sleuth-hound of the trail--
In the little Crimson Manual there's no such word as "fail"--
Shall follow on though heavens fall, or hell's top-turrets freeze,
Half round the world, if need there be, on bleeding hands and knees.
It's duty, duty, first and last, the Crimson Manual saith;
The Scarlet Rider makes reply: "It's duty--to the death."
And so they sweep the solitudes, free men from all the earth;
And so they sentinel the woods, the wilds that know their worth;
And so they scour the startled plains and mock at hurt and pain,
And read their Crimson Manual, and find their duty plain.
Knights of the lists of unrenown, born of the frontier's need,
Disdainful of the spoken word, exultant in the deed;
Unconscious heroes of the waste, proud players of the game,
Props of the power behind the throne, upholders of the name:
For thus the Great White Chief hath said, "In all my lands be peace",
And to maintain his word he gave his West the Scarlet Police.
Livid-lipped was the valley, still as the grave of God;
Misty shadows of mountain thinned into mists of cloud;
Corpselike and stark was the land, with a quiet that crushed and awed,
And the stars of the weird sub-arctic glimmered over its shroud.
Deep in the trench of the valley two men stationed the Post,
Seymour and Clancy the reckless, fresh from the long patrol;
Seymour, the sergeant, and Clancy--Clancy who made his boast
He could cinch like a bronco the Northland, and cling to the prongs of the Pole.
Two lone men on detachment, standing for law on the trail;
Undismayed in the vastness, wise with the wisdom of old--
Out of the night hailed a half-breed telling a pitiful tale,
"White man starving and crazy on the banks of the Nordenscold."
Up sprang the red-haired Clancy, lean and eager of eye;
Loaded the long toboggan, strapped each dog at its post;
Whirled his lash at the leader; then, with a whoop and a cry,
Into the Great White Silence faded away like a ghost.
The clouds were a misty shadow, the hills were a shadowy mist;
Sunless, voiceless and pulseless, the day was a dream of woe;
Through the ice-rifts the river smoked and bubbled and hissed;
Behind was a trail fresh broken, in front the untrodden snow.
Ahead of the dogs ploughed Clancy, haloed by steaming breath;
Through peril of open water, through ache of insensate cold;
Up rivers wantonly winding in a land affianced to death,
Till he came to a cowering cabin on the banks of the Nordenscold.
Then Clancy loosed his revolver, and he strode through the open door;
And there was the man he sought for, crouching beside the fire;
The hair of his beard was singeing, the frost on his back was hoar,
And ever he crooned and chanted as if he never would tire:--
"I panned and I panned in the shiny sand, and I sniped on the river bar;
But I know, I know, that it's down below that the golden treasures are;
So I'll wait and wait till the floods abate, and I'll sink a shaft once more,
And I'd like to bet that I'll go home yet with a brass band playing before."
He was nigh as thin as a sliver, and he whined like a Moose-hide cur;
So Clancy clothed him and nursed him as a mother nurses a child;
Lifted him on the toboggan, wrapped him in robes of fur,
Then with the dogs sore straining started to face the Wild.
Said the Wild, "I will crush this Clancy, so fearless and insolent;
For him will I loose my fury, and blind and buffet and beat;
Pile up my snows to stay him; then when his strength is spent,
Leap on him from my ambush and crush him under my feet.
"Him will I ring with my silence, compass him with my cold;
Closer and closer clutch him unto mine icy breast;
Buffet him with my blizzards, deep in my snows enfold,
Claiming his life as my tribute, giving my wolves the rest."
Clancy crawled through the vastness; o'er him the hate of the Wild;
Full on his face fell the blizzard; cheering his huskies he ran;
Fighting, fierce-hearted and tireless, snows that drifted and piled,
With ever and ever behind him singing the crazy man.
"Sing hey, sing ho, for the ice and snow,
And a heart that's ever merry;
Let us trim and square with a lover's care
(For why should a man be sorry?)
A grave deep, deep, with the moon a-peep,
A grave in the frozen mould.
Sing hey, sing ho, for the winds that blow,
And a grave deep down in the ice and snow,
A grave in the land of gold."
Day after day of darkness, the whirl of the seething snows;
Day after day of blindness, the swoop of the stinging blast;
On through a blur of fury the swing of staggering blows;
On through a world of turmoil, empty, inane and vast.
Night with its writhing storm-whirl, night despairingly black;
Night with its hours of terror, numb and endlessly long;
Night with its weary waiting, fighting the shadows back,
And ever the crouching madman singing his crazy song.
Cold with its creeping terror, cold with its sudden clinch;
Cold so utter you wonder if 'twill ever again be warm;
Clancy grinned as he shuddered, "Surely it isn't a cinch
Being wet-nurse to a looney in the teeth of an arctic storm.
"The blizzard passed and the dawn broke, knife-edged and crystal clear;
The sky was a blue-domed iceberg, sunshine outlawed away;
Ever by snowslide and ice-rip haunted and hovered the Fear;
Ever the Wild malignant poised and panted to slay.
The lead-dog freezes in harness--cut him out of the team!
The lung of the wheel-dog's bleeding--shoot him and let him lie!
On and on with the others--lash them until they scream!
"Pull for your lives, you devils! On! To halt is to die."
There in the frozen vastness Clancy fought with his foes;
The ache of the stiffened fingers, the cut of the snowshoe thong;
Cheeks black-raw through the hood-flap, eyes that tingled and closed,
And ever to urge and cheer him quavered the madman's song.
Colder it grew and colder, till the last heat left the earth,
And there in the great stark stillness the bale fires glinted and gleamed,
And the Wild all around exulted and shook with a devilish mirth,
And life was far and forgotten, the ghost of a joy once dreamed.
Death! And one who defied it, a man of the Mounted Police;
Fought it there to a standstill long after hope was gone;
Grinned through his bitter anguish, fought without let or cease,
Suffering, straining, striving, stumbling, struggling on.
Till the dogs lay down in their traces, and rose and staggered and fell;
Till the eyes of him dimmed with shadows, and the trail was so hard to see;
Till the Wild howled out triumphant, and the world was a frozen hell--
Then said Constable Clancy: "I guess that it's up to me."
Far down the trail they saw him, and his hands they were blanched like bone;
His face was a blackened horror, from his eyelids the salt rheum ran;
His feet he was lifting strangely, as if they were made of stone,
But safe in his arms and sleeping he carried the crazy man.
So Clancy got into Barracks, and the boys made rather a scene;
And the O. C. called him a hero, and was nice as a man could be;
But Clancy gazed down his trousers at the place where his toes had been,
And then he howled like a husky, and sang in a shaky key:
"When I go back to the old love that's true to the finger-tips,
I'll say: `Here's bushels of gold, love,' and I'll kiss my girl on the lips;
It's yours to have and to hold, love.' It's the proud, proud boy I'll be,
When I go back to the old love that's waited so long for me."
|
Written by
John Greenleaf Whittier |
Maud Muller on a summer's day
Raked the meadow sweet with hay.
Beneath her torn hat glowed the wealth
Of simple beauty and rustic health.
Singing, she wrought, and her merry gleee
The mock-bird echoed from his tree.
But when she glanced to the far-off town
White from its hill-slope looking down,
The sweet song died, and a vague unrest
And a nameless longing filled her breast,-
A wish that she hardly dared to own,
For something better than she had known.
The Judge rode slowly down the lane,
Smoothing his horse's chestnut mane.
He drew his bridle in the shade
Of the apple-trees, to greet the maid,
And asked a draught from the spring that flowed
Through the meadow across the road.
She stooped where the cool spring bubbled up,
And filled for him her small tin cup,
And blushed as she gave it, looking down
On her feet so bare, and her tattered gown.
"Thanks!" said the Judge; "a sweeter draught
From a fairer hand was never quaffed."
He spoke of the grass and flowers and trees,
Of the singing birds and the humming bees;
Then talked of the haying, and wondered whether
The cloud in the west would bring foul weather.
And Maud forgot her brier-torn gown
And her graceful ankles bare and brown;
And listened, while a pleased surprise
Looked from her long-lashed hazel eyes.
At last, like one who for delay
Seeks a vain excuse, he rode away.
Maud Muller looked and sighed: "Ah me!
That I the Judge's bride might be!
"He would dress me up in silks so fine,
And praise and toast me at his wine.
"My father should wear a broadcloth coat;
My brother should sail a pointed boat.
"I'd dress my mother so grand and gay,
And the baby should have a new toy each day.
"And I'd feed the hungry and clothe the poor,
And all should bless me who left our door."
The Judge looked back as he climbed the hill,
And saw Maud Muller standing still.
"A form more fair, a face more sweet,
Ne'er hath it been my lot to meet.
"And her modest answer and graceful air
Show her wise and good as she is fair.
"Would she were mine, and I to-day,
Like her, a harvester of hay.
"No doubtful balance of rights and wrongs,
Nor weary lawyers with endless tongues,
"But low of cattle and song of birds,
And health and quiet and loving words."
But he thought of his sisters, proud and cold,
And his mother, vain of her rank and gold.
So, closing his heart, the Judge rode on,
And Maud was left in the field alone.
But the lawyers smiled that afternoon,
When he hummed in court an old love-tune;
And the young girl mused beside the well
Till the rain on the unraked clover fell.
He wedded a wife of richest dower,
Who lived for fashion, as he for power.
Yet oft, in his marble hearth's bright glow,
He watched a picture come and go;
And sweet Maud Muller's hazel eyes
Looked out in their innocent surprise.
Oft, when the wine in his glass was red,
He longed for the wayside well instead;
And closed his eyes on his garnished rooms
To dream of meadows and clover-blooms.
And the proud man sighed, and with a secret pain,
"Ah, that I were free again!
"Free as when I rode that day,
Where the barefoot maiden raked her hay."
She wedded a man unlearned and poor,
And many children played round her door.
But care and sorrow, and childbirth pain,
Left their traces on heart and brain.
And oft, when the summer sun shone hot
On the new-mown hay in the meadow lot,
And she heard the little spring brook fall
Over the roadside, through a wall,
In the shade of the apple-tree again
She saw a rider draw his rein;
And, gazing down with timid grace,
She felt his pleased eyes read her face.
Sometimes her narrow kitchen walls
Stretched away into stately halls;
The weary wheel to a spinet turned,
The tallow candle an astral burned,
And for him who sat by the chimney lug,
Dozing and grumbling o'er pipe and mug,
A manly form at her side she saw,
And joy was duty and love was law.
Then she took up her burden of life again,
Saying only, "It might have been."
Alas for the maiden, alas for the Judge,
For rich repiner and househole drudge!
God pity them both and pity us all,
Who vainly the dreams of youth recall.
For of all sad words of tongue or pen,
The saddest are these: "It might have been!"
Ah, well! for us all some sweet hope lies
Deeply buried from human eyes;
And, in the hereafter, angels may
Roll the stone from its grave away!
|
Written by
Anthony Hecht |
For Heinrich Blucher and Hannah Arendt
Composed in the Tower before his execution
These moving verses, and being brought at that time
Painfully to the stake, submitted, declaring thus:
"I implore my God to witness that I have made no crime."
Nor was he forsaken of courage, but the death was horrible,
The sack of gunpowder failing to ignite.
His legs were blistered sticks on which the black sap
Bubbled and burst as he howled for the Kindly Light.
And that was but one, and by no means one of he worst;
Permitted at least his pitiful dignity;
And such as were by made prayers in the name of Christ,
That shall judge all men, for his soul's tranquility.
We move now to outside a German wood.
Three men are there commanded to dig a hole
In which the two Jews are ordered to lie down
And be buried alive by the third, who is a Pole.
Not light from the shrine at Weimar beyond the hill
Nor light from heaven appeared. But he did refuse.
A Luger settled back deeply in its glove.
He was ordered to change places with the Jews.
Much casual death had drained away their souls.
The thick dirt mounted toward the quivering chin.
When only the head was exposed the order came
To dig him out again and to get back in.
No light, no light in the blue Polish eye.
When he finished a riding boot packed down the earth.
The Luger hovered lightly in its glove.
He was shot in the belly and in three hours bled to death.
No prayers or incense rose up in those hours
Which grew to be years, and every day came mute
Ghosts from the ovens, sifting through crisp air,
And settled upon his eyes in a black soot.
|
Written by
Dylan Thomas |
I
Half of the fellow father as he doubles
His sea-sucked Adam in the hollow hulk,
Half of the fellow mother as she dabbles
To-morrow's diver in her horny milk,
Bisected shadows on the thunder's bone
Bolt for the salt unborn.
The fellow half was frozen as it bubbled
Corrosive spring out of the iceberg's crop,
The fellow seed and shadow as it babbled
The swing of milk was tufted in the pap,
For half of love was planted in the lost,
And the unplanted ghost.
The broken halves are fellowed in a cripple,
The crutch that marrow taps upon their sleep,
Limp in the street of sea, among the rabble
Of tide-tongued heads and bladders in the deep,
And stake the sleepers in the savage grave
That the vampire laugh.
The patchwork halves were cloven as they scudded
The wild pigs' wood, and slime upon the trees,
Sucking the dark, kissed on the cyanide,
And loosed the braiding adders from their hairs,
Rotating halves are horning as they drill
The arterial angel.
What colour is glory? death's feather? tremble
The halves that pierce the pin's point in the air,
And prick the thumb-stained heaven through the thimble.
The ghost is dumb that stammered in the straw,
The ghost that hatched his havoc as he flew
Blinds their cloud-tracking eye.
II
My world is pyramid. The padded mummer
Weeps on the desert ochre and the salt
Incising summer.
My Egypt's armour buckling in its sheet,
I scrape through resin to a starry bone
And a blood parhelion.
My world is cypress, and an English valley.
I piece my flesh that rattled on the yards
Red in an Austrian volley.
I hear, through dead men's drums, the riddled lads,
Screwing their bowels from a hill of bones,
Cry Eloi to the guns.
My grave is watered by the crossing Jordan.
The Arctic scut, and basin of the South,
Drip on my dead house garden.
Who seek me landward, marking in my mouth
The straws of Asia, lose me as I turn
Through the Atlantic corn.
The fellow halves that, cloven as they swivel
On casting tides, are tangled in the shells,
Bearding the unborn devil,
Bleed from my burning fork and smell my heels.
The tongue's of heaven gossip as I glide
Binding my angel's hood.
Who blows death's feather? What glory is colour?
I blow the stammel feather in the vein.
The loin is glory in a working pallor.
My clay unsuckled and my salt unborn,
The secret child, I sift about the sea
Dry in the half-tracked thigh.
|
Written by
Amy Lowell |
Slowly, without force, the rain drops into the
city. It stops a moment
on the carved head of Saint John, then slides on again, slipping
and trickling
over his stone cloak. It splashes from the lead conduit
of a gargoyle,
and falls from it in turmoil on the stones in the Cathedral square.
Where are the people, and why does the fretted steeple sweep about
in the sky?
Boom! The sound swings against the rain. Boom,
again! After it, only water
rushing in the gutters, and the turmoil from the spout of the gargoyle.
Silence. Ripples and mutters. Boom!
The room is damp, but warm. Little flashes swarm about
from the firelight.
The lustres of the chandelier are bright, and clusters of rubies
leap in the bohemian glasses on the `etagere'. Her hands
are restless,
but the white masses of her hair are quite still. Boom! Will
it never cease
to torture, this iteration! Boom! The vibration
shatters a glass
on the `etagere'. It lies there, formless and glowing,
with all its crimson gleams shot out of pattern, spilled, flowing
red,
blood-red. A thin bell-note pricks through the silence. A
door creaks.
The old lady speaks: "Victor, clear away that broken
glass." "Alas!
Madame, the bohemian glass!" "Yes, Victor, one hundred
years ago
my father brought it --" Boom! The room shakes,
the servitor quakes.
Another goblet shivers and breaks. Boom!
It rustles at the window-pane, the smooth, streaming rain, and he
is shut
within its clash and murmur. Inside is his candle, his
table, his ink,
his pen, and his dreams. He is thinking, and the walls
are pierced with
beams of sunshine, slipping through young green. A fountain
tosses itself
up at the blue sky, and through the spattered water in the basin
he can see
copper carp, lazily floating among cold leaves. A wind-harp
in a cedar-tree
grieves and whispers, and words blow into his brain, bubbled, iridescent,
shooting up like flowers of fire, higher and higher. Boom!
The flame-flowers snap on their slender stems. The fountain
rears up
in long broken spears of dishevelled water and flattens into the
earth. Boom!
And there is only the room, the table, the candle, and the sliding
rain.
Again, Boom! -- Boom! -- Boom! He stuffs his fingers
into his ears.
He sees corpses, and cries out in fright. Boom! It
is night,
and they are shelling the city! Boom! Boom!
A child wakes and is afraid, and weeps in the darkness. What
has made
the bed shake? "Mother, where are you? I am
awake." "Hush, my Darling,
I am here." "But, Mother, something so ***** happened,
the room shook."
Boom! "Oh! What is it? What is
the matter?" Boom! "Where is Father?
I am so afraid." Boom! The child sobs and
shrieks. The house
trembles and creaks. Boom!
Retorts, globes, tubes, and phials lie shattered. All
his trials
oozing across the floor. The life that was his choosing,
lonely, urgent,
goaded by a hope, all gone. A weary man in a ruined laboratory,
that is his story. Boom! Gloom and ignorance,
and the jig of drunken brutes.
Diseases like snakes crawling over the earth, leaving trails of
slime.
Wails from people burying their dead. Through the window,
he can see
the rocking steeple. A ball of fire falls on the lead
of the roof,
and the sky tears apart on a spike of flame. Up the spire,
behind the lacings of stone, zigzagging in and out of the carved
tracings,
squirms the fire. It spouts like yellow wheat from the
gargoyles, coils round
the head of Saint John, and aureoles him in light. It
leaps into the night
and hisses against the rain. The Cathedral is a burning
stain on the white,
wet night.
Boom! The Cathedral is a torch, and the houses next to
it begin to scorch.
Boom! The bohemian glass on the `etagere' is no longer
there.
Boom! A stalk of flame sways against the red damask curtains.
The old lady cannot walk. She watches the creeping stalk
and counts.
Boom! -- Boom! -- Boom!
The poet rushes into the street, and the rain wraps him in a sheet
of silver.
But it is threaded with gold and powdered with scarlet beads. The
city burns.
Quivering, spearing, thrusting, lapping, streaming, run the flames.
Over roofs, and walls, and shops, and stalls. Smearing
its gold on the sky,
the fire dances, lances itself through the doors, and lisps and
chuckles
along the floors.
The child wakes again and screams at the yellow petalled flower
flickering at the window. The little red lips of flame
creep along
the ceiling beams.
The old man sits among his broken experiments and looks at
the burning Cathedral. Now the streets are swarming with
people.
They seek shelter and crowd into the cellars. They shout
and call,
and over all, slowly and without force, the rain drops into the
city.
Boom! And the steeple crashes down among the people. Boom! Boom,
again!
The water rushes along the gutters. The fire roars and
mutters. Boom!
|
Written by
Rudyard Kipling |
When the flush of a new-born sun fell first on Eden's green and gold,
Our father Adam sat under the Tree and scratched with a stick in the mould;
And the first rude sketch that the world had seen was joy to his mighty heart,
Till the Devil whispered behind the leaves, "It's pretty, but is it Art?"
Wherefore he called to his wife, and fled to fashion his work anew --
The first of his race who cared a fig for the first, most dread review;
And he left his lore to the use of his sons -- and that was a glorious gain
When the Devil chuckled "Is it Art?" in the ear of the branded Cain.
They fought and they talked in the North and the South, they talked and they fought in the West,
Till the waters rose on the pitiful land, and the poor Red Clay had rest --
Had rest till that dank blank-canvas dawn when the dove was preened to start,
And the Devil bubbled below the keel: "It's human, but is it Art?"
They builded a tower to shiver the sky and wrench the stars apart,
Till the Devil grunted behind the bricks: "It's striking, but is it Art?"
The stone was dropped at the quarry-side and the idle derrick swung,
While each man talked of the aims of Art, and each in an alien tongue.
The tale is as old as the Eden Tree -- and new as the new-cut tooth --
For each man knows ere his lip-thatch grows he is master of Art and Truth;
And each man hears as the twilight nears, to the beat of his dying heart,
The Devil drum on the darkened pane: "You did it, but was it Art?"
We have learned to whittle the Eden Tree to the shape of a surplice-peg,
We have learned to bottle our parents twain in the yelk of an addled egg,
We know that the tail must wag the dog, for the horse is drawn by the cart;
But the Devil whoops, as he whooped of old: "It's clever, but is it Art?"
When the flicker of London sun falls faint on the Club-room's green and gold,
The sons of Adam sit them down and scratch with their pens in the mould --
They scratch with their pens in the mould of their graves, and the ink and the anguish start,
For the Devil mutters behind the leaves: "It's pretty, but is it Art?"
Now, if we could win to the Eden Tree where the Four Great Rivers flow,
And the Wreath of Eve is red on the turf as she left it long ago,
And if we could come when the sentry slept and softly scurry through,
By the favour of God we might know as much -- as our father Adam knew!
|
Written by
Friedrich von Schiller |
A gentle was Fridolin,
And he his mistress dear,
Savern's fair Countess, honored in
All truth and godly fear.
She was so meek, and, ah! so good!
Yet each wish of her wayward mood,
He would have studied to fulfil,
To please his God, with earnest will.
From the first hour when daylight shone
Till rang the vesper-chime,
He lived but for her will alone,
And deemed e'en that scarce time.
And if she said, "Less anxious be!"
His eye then glistened tearfully.
Thinking that he in duty failed,
And so before no toil he quailed.
And so, before her serving train,
The Countess loved to raise him;
While her fair mouth, in endless strain,
Was ever wont to praise him.
She never held him as her slave,
Her heart a child's rights to him gave;
Her clear eye hung in fond delight
Upon his well-formed features bright.
Soon in the huntsman Robert's breast
Was poisonous anger fired;
His black soul, long by lust possessed,
With malice was inspired;
He sought the Count, whom, quick in deed,
A traitor might with ease mislead,
As once from hunting home they rode,
And in his heart suspicion sowed.
"Happy art thou, great Count, in truth,"
Thus cunningly he spoke;
"For ne'er mistrust's envenomed tooth
Thy golden slumbers broke;
A noble wife thy love rewards,
And modesty her person guards.
The tempter will be able ne'er
Her true fidelity to snare."
A gloomy scowl the Count's eye filled:
"What's this thou say'st to me?
Shall I on woman's virtue build,
Inconstant as the sea?
The flatterer's mouth with ease may lure;
My trust is placed on ground more sure.
No one, methinks, dare ever burn
To tempt the wife of Count Savern."
The other spoke: "Thou sayest it well,
The fool deserves thy scorn
Who ventures on such thoughts to dwell,
A mere retainer born,--
Who to the lady he obeys
Fears not his wishes' lust to raise."--
"What!" tremblingly the Count began,
"Dost speak, then, of a living man?"--
"Is, then, the thing, to all revealed,
Hid from my master's view?
Yet, since with care from thee concealed,
I'd fain conceal it too"--
"Speak quickly, villain! speak or die!"
Exclaimed the other fearfully.
"Who dares to look on Cunigond?"
"'Tis the fair page that is so fond."
"He's not ill-shaped in form, I wot,"
He craftily went on;
The Count meanwhile felt cold and hot,
By turns in every bone.
"Is't possible thou seest not, sir,
How he has eyes for none but her?
At table ne'er attends to thee,
But sighs behind her ceaselessly?"
"Behold the rhymes that from him came
His passion to confess"--
"Confess!"--"And for an answering flame,--
The impious knave!--to press.
My gracious lady, soft and meek,
Through pity, doubtless, feared to speak;
That it has 'scaped me, sore I rue;
What, lord, canst thou to help it do?"
Into the neighboring wood then rode
The Count, inflamed with wrath,
Where, in his iron foundry, glowed
The ore, and bubbled forth.
The workmen here, with busy hand,
The fire both late and early fanned.
The sparks fly out, the bellows ply,
As if the rock to liquefy.
The fire and water's might twofold
Are here united found;
The mill-wheel, by the flood seized hold,
Is whirling round and round;
The works are clattering night and day,
With measured stroke the hammers play,
And, yielding to the mighty blows,
The very iron plastic grows.
Then to two workmen beckons he,
And speaks thus in his ire;
"The first who's hither sent by me
Thus of ye to inquire
'Have ye obeyed my lord's word well?'
Him cast ye into yonder hell,
That into ashes he may fly,
And ne'er again torment mine eye!"
The inhuman pair were overjoyed,
With devilish glee possessed
For as the iron, feeling void,
Their heart was in their breast,
And brisker with the bellows' blast,
The foundry's womb now heat they fast,
And with a murderous mind prepare
To offer up the victim there.
Then Robert to his comrade spake,
With false hypocrisy:
"Up, comrade, up! no tarrying make!
Our lord has need of thee."
The lord to Fridolin then said:
"The pathway toward the foundry tread,
And of the workmen there inquire,
If they have done their lord's desire."
The other answered, "Be it so!"
But o'er him came this thought,
When he was all-prepared to go,
"Will she command me aught?"
So to the Countess straight he went:
"I'm to the iron-foundry sent;
Then say, can I do aught for thee?
For thou 'tis who commandest me."
To this the Lady of Savern
Replied in gentle tone:
"To hear the holy mass I yearn,
For sick now lies my son;
So go, my child, and when thou'rt there,
Utter for me a humble prayer,
And of thy sins think ruefully,
That grace may also fall on me."
And in this welcome duty glad,
He quickly left the place;
But ere the village bounds he had
Attained with rapid pace,
The sound of bells struck on his ear,
From the high belfry ringing clear,
And every sinner, mercy-sent,
Inviting to the sacrament.
"Never from praising God refrain
Where'er by thee He's found!"
He spoke, and stepped into the fane,
But there he heard no sound;
For 'twas the harvest time, and now
Glowed in the fields the reaper's brow;
No choristers were gathered there,
The duties of the mass to share.
The matter paused he not to weigh,
But took the sexton's part;
"That thing," he said, "makes no delay
Which heavenward guides the heart."
Upon the priest, with helping hand,
He placed the stole and sacred band,
The vessels he prepared beside,
That for the mass were sanctified.
And when his duties here were o'er,
Holding the mass-book, he,
Ministering to the priest, before
The altar bowed his knee,
And knelt him left, and knelt him right,
While not a look escaped his sight,
And when the holy Sanctus came,
The bell thrice rang he at the name.
And when the priest, bowed humbly too,
In hand uplifted high,
Facing the altar, showed to view
The present Deity,
The sacristan proclaimed it well,
Sounding the clearly-tinkling bell,
While all knelt down, and beat the breast,
And with a cross the Host confessed.
The rites thus served he, leaving none,
With quick and ready wit;
Each thing that in God's house is done,
He also practised it.
Unweariedly he labored thus,
Till the Vobiscum Dominus,
When toward the people turned the priest,
Blessed them,--and so the service ceased.
Then he disposed each thing again,
In fair and due array;
First purified the holy fane,
And then he went his way,
And gladly, with a mind at rest,
On to the iron-foundry pressed,
Saying the while, complete to be,
Twelve paternosters silently.
And when he saw the furnace smoke,
And saw the workmen stand,
"Have ye, ye fellows," thus he spoke,
"Obeyed the Count's command?"
Grinning they ope the orifice,
And point into the fell abyss:
"He's cared for--all is at an end!
The Count his servants will commend."
The answer to his lord he brought,
Returning hastily,
Who, when his form his notice caught,
Could scarcely trust his eye:
"Unhappy one! whence comest thou?"--
"Back from the foundry"--"Strange, I vow!
Hast in thy journey, then, delayed?"--
"'Twas only, lord, till I had prayed."
"For when I from thy presence went
(Oh pardon me!) to-day,
As duty bid, my steps I bent
To her whom I obey.
She told me, lord, the mass to hear,
I gladly to her wish gave ear,
And told four rosaries at the shrine,
For her salvation and for thine."
In wonder deep the Count now fell,
And, shuddering, thus spake he:
"And, at the foundry, quickly tell,
What answer gave they thee?"
"Obscure the words they answered in,--
Showing the furnace with a grin:
'He's cared for--all is at an end!
The Count his servants will commend.'"
"And Robert?" interrupted he,
While deadly pale he stood,--
"Did he not, then, fall in with thee?
I sent him to the wood."--
"Lord, neither in the wood nor field
Was trace of Robert's foot revealed."--
"Then," cried the Count, with awe-struck mien,
"Great God in heaven his judge hath been!"
With kindness he before ne'er proved,
He led him by the hand
Up to the Countess,--deeply moved,--
Who naught could understand.
"This child, let him be dear to thee,
No angel is so pure as he!
Though we may have been counselled ill,
God and His hosts watch o'er him still."
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