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Best Famous Boast Poems

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Written by William Cowper | Create an image from this poem

The Castaway

 Obscurest night involv'd the sky,
Th' Atlantic billows roar'd,
When such a destin'd wretch as I,
Wash'd headlong from on board,
Of friends, of hope, of all bereft,
His floating home for ever left.

No braver chief could Albion boast
Than he with whom he went,
Nor ever ship left Albion's coast,
With warmer wishes sent.
He lov'd them both, but both in vain,
Nor him beheld, nor her again.

Not long beneath the whelming brine,
Expert to swim, he lay;
Nor soon he felt his strength decline,
Or courage die away;
But wag'd with death a lasting strife,
Supported by despair of life.

He shouted: nor his friends had fail'd
To check the vessel's course,
But so the furious blast prevail'd,
That, pitiless perforce,
They left their outcast mate behind,
And scudded still before the wind.

Some succour yet they could afford;
And, such as storms allow,
The cask, the coop, the floated cord,
Delay'd not to bestow.
But he (they knew) nor ship, nor shore,
Whate'er they gave, should visit more.

Nor, cruel as it seem'd, could he
Their haste himself condemn,
Aware that flight, in such a sea,
Alone could rescue them;
Yet bitter felt it still to die
Deserted, and his friends so nigh.

He long survives, who lives an hour
In ocean, self-upheld;
And so long he, with unspent pow'r,
His destiny repell'd;
And ever, as the minutes flew,
Entreated help, or cried--Adieu!

At length, his transient respite past,
His comrades, who before
Had heard his voice in ev'ry blast,
Could catch the sound no more.
For then, by toil subdued, he drank
The stifling wave, and then he sank.

No poet wept him: but the page
Of narrative sincere;
That tells his name, his worth, his age,
Is wet with Anson's tear.
And tears by bards or heroes shed
Alike immortalize the dead.

I therefore purpose not, or dream,
Descanting on his fate,
To give the melancholy theme
A more enduring date:
But misery still delights to trace
Its semblance in another's case.

No voice divine the storm allay'd,
No light propitious shone;
When, snatch'd from all effectual aid,
We perish'd, each alone:
But I beneath a rougher sea,
And whelm'd in deeper gulfs than he.


Written by William Cullen Bryant | Create an image from this poem

A Forest Hymn

The groves were God's first temples. Ere man learned 
To hew the shaft, and lay the architrave, 
And spread the roof above them,---ere he framed 
The lofty vault, to gather and roll back 
The sound of anthems; in the darkling wood, 
Amidst the cool and silence, he knelt down, 
And offered to the Mightiest solemn thanks 
And supplication. For his simple heart 
Might not resist the sacred influences, 
Which, from the stilly twilight of the place, 
And from the gray old trunks that high in heaven 
Mingled their mossy boughs, and from the sound 
Of the invisible breath that swayed at once 
All their green tops, stole over him, and bowed 
His spirit with the thought of boundless power 
And inaccessible majesty. Ah, why 
Should we, in the world's riper years, neglect 
God's ancient sanctuaries, and adore 
Only among the crowd, and under roofs, 
That our frail hands have raised? Let me, at least, 
Here, in the shadow of this aged wood, 
Offer one hymn---thrice happy, if it find 
Acceptance in His ear. 
Father, thy hand 
Hath reared these venerable columns, thou 
Didst weave this verdant roof. Thou didst look down 
Upon the naked earth, and, forthwith, rose 
All these fair ranks of trees. They, in thy sun, 
Budded, and shook their green leaves in the breeze, 
And shot towards heaven. The century-living crow, 
Whose birth was in their tops, grew old and died 
Among their branches, till, at last, they stood, 
As now they stand, massy, and tall, and dark, 
Fit shrine for humble worshipper to hold 
Communion with his Maker. These dim vaults, 
These winding aisles, of human pomp and pride 
Report not. No fantastic carvings show 
The boast of our vain race to change the form 
Of thy fair works. But thou art here---thou fill'st 
The solitude. Thou art in the soft winds 
That run along the summit of these trees 
In music; thou art in the cooler breath 
That from the inmost darkness of the place 
Comes, scarcely felt; the barky trunks, the ground, 
The fresh moist ground, are all instinct with thee. 
Here is continual worship;---Nature, here, 
In the tranquility that thou dost love, 
Enjoys thy presence. Noiselessly, around, 
From perch to perch, the solitary bird 
Passes; and yon clear spring, that, midst its herbs, 
Wells softly forth and wandering steeps the roots 
Of half the mighty forest, tells no tale 
Of all the good it does. Thou hast not left 
Thyself without a witness, in these shades, 
Of thy perfections. Grandeur, strength, and grace 
Are here to speak of thee. This mighty oak--- 
By whose immovable stem I stand and seem 
Almost annihilated---not a prince, 
In all that proud old world beyond the deep, 
E'er wore his crown as lofty as he 
Wears the green coronal of leaves with which 
Thy hand has graced him. Nestled at his root 
Is beauty, such as blooms not in the glare 
Of the broad sun. That delicate forest flower 
With scented breath, and look so like a smile, 
Seems, as it issues from the shapeless mould, 
An emanation of the indwelling Life, 
A visible token of the upholding Love, 
That are the soul of this wide universe. 

My heart is awed within me when I think 
Of the great miracle that still goes on, 
In silence, round me---the perpetual work 
Of thy creation, finished, yet renewed 
Forever. Written on thy works I read 
The lesson of thy own eternity. 
Lo! all grow old and die---but see again, 
How on the faltering footsteps of decay 
Youth presses----ever gay and beautiful youth 
In all its beautiful forms. These lofty trees 
Wave not less proudly that their ancestors 
Moulder beneath them. Oh, there is not lost 
One of earth's charms: upon her bosom yet, 
After the flight of untold centuries, 
The freshness of her far beginning lies 
And yet shall lie. Life mocks the idle hate 
Of his arch enemy Death---yea, seats himself 
Upon the tyrant's throne---the sepulchre, 
And of the triumphs of his ghastly foe 
Makes his own nourishment. For he came forth 
From thine own bosom, and shall have no end. 

There have been holy men who hid themselves 
Deep in the woody wilderness, and gave 
Their lives to thought and prayer, till they outlived 
The generation born with them, nor seemed 
Less aged than the hoary trees and rocks 
Around them;---and there have been holy men 
Who deemed it were not well to pass life thus. 
But let me often to these solitudes 
Retire, and in thy presence reassure 
My feeble virtue. Here its enemies, 
The passions, at thy plainer footsteps shrink 
And tremble and are still. Oh, God! when thou 
Dost scare the world with falling thunderbolts, or fill, 
With all the waters of the firmament, 
The swift dark whirlwind that uproots the woods 
And drowns the village; when, at thy call, 
Uprises the great deep and throws himself 
Upon the continent, and overwhelms 
Its cities---who forgets not, at the sight 
Of these tremendous tokens of thy power, 
His pride, and lays his strifes and follies by? 
Oh, from these sterner aspects of thy face 
Spare me and mine, nor let us need the wrath 
Of the mad unchained elements to teach 
Who rules them. Be it ours to meditate, 
In these calm shades, thy milder majesty, 
And to the beautiful order of the works 
Learn to conform the order of our lives. 
Written by John Trumbull | Create an image from this poem

To A Young Lady

 In vain, fair Maid, you ask in vain,
My pen should try th' advent'rous strain,
And following truth's unalter'd law,
Attempt your character to draw.
I own indeed, that generous mind
That weeps the woes of human kind,
That heart by friendship's charms inspired,
That soul with sprightly fancy fired,
The air of life, the vivid eye,
The flowing wit, the keen reply--
To paint these beauties as they shine,
Might ask a nobler pen than mine.


Yet what sure strokes can draw the Fair,
Who vary, like the fleeting air,
Like willows bending to the force,
Where'er the gales direct their course,
Opposed to no misfortune's power,
And changing with the changing hour.
Now gaily sporting on the plain,
They charm the grove with pleasing strain;
Anon disturb'd, they know not why,
The sad tear trembles in their eye:
Led through vain life's uncertain dance,
The dupes of whim, the slaves of chance.


From me, not famed for much goodnature,
Expect not compliment, but satire;
To draw your picture quite unable,
Instead of fact accept a Fable.


One morn, in Æsop's noisy time,
When all things talk'd, and talk'd in rhyme,
A cloud exhaled by vernal beams
Rose curling o'er the glassy streams.
The dawn her orient blushes spread,
And tinged its lucid skirts with red,
Wide waved its folds with glitt'ring dies,
And gaily streak'd the eastern skies;
Beneath, illumed with rising day,
The sea's broad mirror floating lay.
Pleased, o'er the wave it hung in air,
Survey'd its glittering glories there,
And fancied, dress'd in gorgeous show,
Itself the brightest thing below:
For clouds could raise the vaunting strain,
And not the fair alone were vain.


Yet well it knew, howe'er array'd,
That beauty, e'en in clouds, might fade,
That nothing sure its charms could boast
Above the loveliest earthly toast;
And so, like them, in early dawn
Resolved its picture should be drawn,
That when old age with length'ning day
Should brush the vivid rose away,
The world should from the portrait own
Beyond all clouds how bright it shone.


Hard by, a painter raised his stage,
Far famed, the Copley[1] of his age.
So just a form his colours drew,
Each eye the perfect semblance knew;
Yet still on every blooming face
He pour'd the pencil's flowing grace;
Each critic praised the artist rare,
Who drew so like, and yet so fair.


To him, high floating in the sky
Th' elated Cloud advanced t' apply.
The painter soon his colours brought,
The Cloud then sat, the artist wrought;
Survey'd her form, with flatt'ring strictures,
Just as when ladies sit for pictures,
Declared "whatever art can do,
My utmost skill shall try for you:
But sure those strong and golden dies
Dipp'd in the radiance of the skies,
Those folds of gay celestial dress,
No mortal colours can express.
Not spread triumphal o'er the plain,
The rainbow boasts so fair a train,
Nor e'en the morning sun so bright,
Who robes his face in heav'nly light.
To view that form of angel make,
Again Ixion would mistake,[2]
And justly deem so fair a prize,
The sovereign Mistress of the skies,"


He said, and drew a mazy line,
With crimson touch his pencils shine,
The mingling colours sweetly fade,
And justly temper light and shade.


He look'd; the swelling Cloud on high
With wider circuit spread the sky,
Stretch'd to the sun an ampler train,
And pour'd new glories on the main.
As quick, effacing every ground,
His pencil swept the canvas round,
And o'er its field, with magic art,
Call'd forth new forms in every part.


But now the sun, with rising ray,
Advanced with speed his early way;
Each colour takes a differing die,
The orange glows, the purples fly.
The artist views the alter'd sight,
And varies with the varying light;
In vain! a sudden gust arose,
New folds ascend, new shades disclose,
And sailing on with swifter pace,
The Cloud displays another face.
In vain the painter, vex'd at heart,
Tried all the wonders of his art;
In vain he begg'd, her form to grace,
One moment she would keep her place:
For, "changing thus with every gale,
Now gay with light, with gloom now pale,
Now high in air with gorgeous train,
Now settling on the darken'd main,
With looks more various than the moon;
A French coquette were drawn as soon."


He spoke; again the air was mild,
The Cloud with opening radiance smiled;
With canvas new his art he tries,
Anew he joins the glitt'ring dies;
Th' admiring Cloud with pride beheld
Her image deck the pictured field,
And colours half-complete adorn
The splendor of the painted morn.


When lo, the stormy winds arise,
Deep gloom invests the changing skies;
The sounding tempest shakes the plain,
And lifts in billowy surge the main.
The Cloud's gay dies in darkness fade,
Its folds condense in thicker shade,
And borne by rushing blasts, its form
With lowering vapour joins the storm.
Written by Rudyard Kipling | Create an image from this poem

Recessional

1897


God of our fathers, known of old,
   Lord of our far-flung battle-line,
Beneath whose awful Hand we hold
   Dominion over palm and pine—
Lord God of Hosts, be with us yet,
Lest we forget—lest we forget!

The tumult and the shouting dies;
   The Captains and the Kings depart:
Still stands Thine ancient sacrifice,
   An humble and a contrite heart.
Lord God of Hosts, be with us yet,
Lest we forget—lest we forget!

Far-called, our navies melt away;
   On dune and headland sinks the fire:
Lo, all our pomp of yesterday
   Is one with Nineveh and Tyre!
Judge of the Nations, spare us yet,
Lest we forget—lest we forget!

If, drunk with sight of power, we loose
   Wild tongues that have not Thee in awe,
Such boastings as the Gentiles use,
   Or lesser breeds without the Law—
Lord God of Hosts, be with us yet,
Lest we forget—lest we forget!

For heathen heart that puts her trust
   In reeking tube and iron shard,
All valiant dust that builds on dust,
   And guarding, calls not Thee to guard,
For frantic boast and foolish word—
Thy mercy on Thy People, Lord!
Written by Countee Cullen | Create an image from this poem

Fruit of the Flower

 My father is a quiet man
With sober, steady ways;
For simile, a folded fan;
His nights are like his days. 
My mother's life is puritan,
No hint of cavalier,
A pool so calm you're sure it can
Have little depth to fear.

And yet my father's eyes can boast
How full his life has been;
There haunts them yet the languid ghost
Of some still sacred sin.

And though my mother chants of God,
And of the mystic river,
I've seen a bit of checkered sod
Set all her flesh aquiver.

Why should he deem it pure mischance
A son of his is fain
To do a naked tribal dance
Each time he hears the rain?

Why should she think it devil's art
That all my songs should be
Of love and lovers, broken heart,
And wild sweet agony?

Who plants a seed begets a bud,
Extract of that same root;
Why marvel at the hectic blood
That flushes this wild fruit?


Written by Henry Wadsworth Longfellow | Create an image from this poem

The Poets Calendar

 January

Janus am I; oldest of potentates; 
Forward I look, and backward, and below 
I count, as god of avenues and gates, 
The years that through my portals come and go. 
I block the roads, and drift the fields with snow; 
I chase the wild-fowl from the frozen fen; 
My frosts congeal the rivers in their flow, 
My fires light up the hearths and hearts of men. 

February

I am lustration, and the sea is mine! 
I wash the sands and headlands with my tide; 
My brow is crowned with branches of the pine; 
Before my chariot-wheels the fishes glide. 
By me all things unclean are purified, 
By me the souls of men washed white again; 
E'en the unlovely tombs of those who died 
Without a dirge, I cleanse from every stain. 

March

I Martius am! Once first, and now the third! 
To lead the Year was my appointed place; 
A mortal dispossessed me by a word, 
And set there Janus with the double face. 
Hence I make war on all the human race; 
I shake the cities with my hurricanes; 
I flood the rivers and their banks efface, 
And drown the farms and hamlets with my rains. 

April 

I open wide the portals of the Spring 
To welcome the procession of the flowers, 
With their gay banners, and the birds that sing 
Their song of songs from their aerial towers. 
I soften with my sunshine and my showers 
The heart of earth; with thoughts of love I glide 
Into the hearts of men; and with the Hours 
Upon the Bull with wreathed horns I ride. 

May 

Hark! The sea-faring wild-fowl loud proclaim 
My coming, and the swarming of the bees. 
These are my heralds, and behold! my name 
Is written in blossoms on the hawthorn-trees. 
I tell the mariner when to sail the seas; 
I waft o'er all the land from far away 
The breath and bloom of the Hesperides, 
My birthplace. I am Maia. I am May. 

June 

Mine is the Month of Roses; yes, and mine 
The Month of Marriages! All pleasant sights 
And scents, the fragrance of the blossoming vine, 
The foliage of the valleys and the heights. 
Mine are the longest days, the loveliest nights; 
The mower's scythe makes music to my ear; 
I am the mother of all dear delights; 
I am the fairest daughter of the year. 

July

My emblem is the Lion, and I breathe 
The breath of Libyan deserts o'er the land; 
My sickle as a sabre I unsheathe, 
And bent before me the pale harvests stand. 
The lakes and rivers shrink at my command, 
And there is thirst and fever in the air; 
The sky is changed to brass, the earth to sand; 
I am the Emperor whose name I bear. 

August

The Emperor Octavian, called the August, 
I being his favorite, bestowed his name 
Upon me, and I hold it still in trust, 
In memory of him and of his fame. 
I am the Virgin, and my vestal flame 
Burns less intensely than the Lion's rage; 
Sheaves are my only garlands, and I claim 
The golden Harvests as my heritage. 

September 

I bear the Scales, where hang in equipoise 
The night and day; and whenunto my lips 
I put my trumpet, with its stress and noise 
Fly the white clouds like tattered sails of ships; 
The tree-tops lash the air with sounding whips; 
Southward the clamorous sea-fowl wing their flight; 
The hedges are all red with haws and hips, 
The Hunter's Moon reigns empress of the night. 

October 

My ornaments are fruits; my garments leaves, 
Woven like cloth of gold, and crimson dyed; 
I do no boast the harvesting of sheaves, 
O'er orchards and o'er vineyards I preside. 
Though on the frigid Scorpion I ride, 
The dreamy air is full, and overflows 
With tender memories of the summer-tide, 
And mingled voices of the doves and crows. 

November

The Centaur, Sagittarius, am I, 
Born of Ixion's and the cloud's embrace; 
With sounding hoofs across the earth I fly, 
A steed Thessalian with a human face. 
Sharp winds the arrows are with which I chase 
The leaves, half dead already with affright; 
I shroud myself in gloom; and to the race 
Of mortals bring nor comfort nor delight. 

December

Riding upon the Goat, with snow-white hair, 
I come, the last of all. This crown of mine 
Is of the holly; in my hand I bear 
The thyrsus, tipped with fragrant cones of pine. 
I celebrate the birth of the Divine, 
And the return of the Saturnian reign;-- 
My songs are carols sung at every shrine, 
Proclaiming "Peace on earth, good will to men."
Written by Jonathan Swift | Create an image from this poem

The Beasts Confession

 To the Priest, on Observing how most Men mistake their own Talents
When beasts could speak (the learned say, 
They still can do so ev'ry day),
It seems, they had religion then,
As much as now we find in men.
It happen'd, when a plague broke out
(Which therefore made them more devout),
The king of brutes (to make it plain,
Of quadrupeds I only mean)
By proclamation gave command,
That ev'ry subject in the land
Should to the priest confess their sins;
And thus the pious wolf begins:

"Good father, I must own with shame,
That often I have been to blame:
I must confess, on Friday last,
Wretch that I was! I broke my fast:
But I defy the basest tongue
To prove I did my neighbour wrong;
Or ever went to seek my food
By rapine, theft, or thirst of blood."

The ass, approaching next, confess'd
That in his heart he lov'd a jest:
A wag he was, he needs must own,
And could not let a dunce alone:
Sometimes his friend he would not spare,
And might perhaps be too severe:
But yet, the worst that could be said,
He was a wit both born and bred;
And, if it be a sin or shame,
Nature alone must bear the blame:
One fault he hath, is sorry for't,
His ears are half a foot too short;
Which could he to the standard bring,
He'd show his face before the King:
Then for his voice, there's none disputes
That he's the nightingale of brutes.

The swine with contrite heart allow'd,
His shape and beauty made him proud:
In diet was perhaps too nice,
But gluttony was ne'er his vice:
In ev'ry turn of life content,
And meekly took what fortune sent:
Inquire through all the parish round,
A better neighbour ne'er was found:
His vigilance might some displease;
'Tis true he hated sloth like peas.

The mimic ape began his chatter,
How evil tongues his life bespatter:
Much of the cens'ring world complain'd,
Who said, his gravity was feign'd:
Indeed, the strictness of his morals
Engag'd him in a hundred quarrels:
He saw, and he was griev'd to see't,
His zeal was sometimes indiscreet:
He found his virtues too severe
For our corrupted times to bear:
Yet, such a lewd licentious age
Might well excuse a Stoic's rage.

The goat advanc'd with decent pace;
And first excus'd his youthful face;
Forgiveness begg'd that he appear'd
('Twas nature's fault) without a beard.
'Tis true, he was not much inclin'd
To fondness for the female kind;
Not, as his enemies object,
From chance, or natural defect;
Not by his frigid constitution,
But through a pious resolution;
For he had made a holy vow
Of chastity as monks do now;
Which he resolv'd to keep for ever hence,
As strictly too, as doth his Reverence.

Apply the tale, and you shall find,
How just it suits with human kind.
Some faults we own: but, can you guess?
Why?--virtues carried to excess,
Wherewith our vanity endows us,
Though neither foe nor friend allows us.

The lawyer swears, you may rely on't,
He never squeez'd a needy client;
And this he makes his constant rule,
For which his brethren call him fool:
His conscience always was so nice,
He freely gave the poor advice;
By which he lost, he may affirm,
A hundred fees last Easter term.
While others of the learned robe
Would break the patience of a Job;
No pleader at the bar could match
His diligence and quick dispatch;
Ne'er kept a cause, he well may boast,
Above a term or two at most.

The cringing knave, who seeks a place
Without success, thus tells his case:
Why should he longer mince the matter?
He fail'd because he could not flatter;
He had not learn'd to turn his coat,
Nor for a party give his vote:
His crime he quickly understood;
Too zealous for the nation's good:
He found the ministers resent it,
Yet could not for his heart repent it.

The chaplain vows he cannot fawn,
Though it would raise him to the lawn:
He pass'd his hours among his books;
You find it in his meagre looks:
He might, if he were worldly wise,
Preferment get and spare his eyes:
But own'd he had a stubborn spirit,
That made him trust alone in merit:
Would rise by merit to promotion;
Alas! a mere chimeric notion.

The doctor, if you will believe him,
Confess'd a sin; and God forgive him!
Call'd up at midnight, ran to save
A blind old beggar from the grave:
But see how Satan spreads his snares;
He quite forgot to say his prayers.
He cannot help it for his heart
Sometimes to act the parson's part:
Quotes from the Bible many a sentence,
That moves his patients to repentance:
And, when his med'cines do no good,
Supports their minds with heav'nly food,
At which, however well intended,
He hears the clergy are offended;
And grown so bold behind his back,
To call him hypocrite and quack.
In his own church he keeps a seat;
Says grace before and after meat;
And calls, without affecting airs,
His household twice a day to prayers.
He shuns apothecaries' shops;
And hates to cram the sick with slops:
He scorns to make his art a trade;
Nor bribes my lady's fav'rite maid.
Old nurse-keepers would never hire
To recommend him to the squire;
Which others, whom he will not name,
Have often practis'd to their shame.

The statesman tells you with a sneer,
His fault is to be too sincere;
And, having no sinister ends,
Is apt to disoblige his friends.
The nation's good, his master's glory,
Without regard to Whig or Tory,
Were all the schemes he had in view;
Yet he was seconded by few:
Though some had spread a hundred lies,
'Twas he defeated the Excise.
'Twas known, though he had borne aspersion,
That standing troops were his aversion:
His practice was, in ev'ry station,
To serve the King, and please the nation.
Though hard to find in ev'ry case
The fittest man to fill a place:
His promises he ne'er forgot,
But took memorials on the spot:
His enemies, for want of charity,
Said he affected popularity:
'Tis true, the people understood,
That all he did was for their good;
Their kind affections he has tried;
No love is lost on either side.
He came to Court with fortune clear,
Which now he runs out ev'ry year:
Must, at the rate that he goes on,
Inevitably be undone:
Oh! if his Majesty would please
To give him but a writ of ease,
Would grant him licence to retire,
As it hath long been his desire,
By fair accounts it would be found,
He's poorer by ten thousand pound.
He owns, and hopes it is no sin,
He ne'er was partial to his kin;
He thought it base for men in stations
To crowd the Court with their relations;
His country was his dearest mother,
And ev'ry virtuous man his brother;
Through modesty or awkward shame
(For which he owns himself to blame),
He found the wisest man he could,
Without respect to friends or blood;
Nor ever acts on private views,
When he hath liberty to choose.

The sharper swore he hated play,
Except to pass an hour away:
And well he might; for, to his cost,
By want of skill he always lost;
He heard there was a club of cheats,
Who had contriv'd a thousand feats;
Could change the stock, or cog a die,
And thus deceive the sharpest eye:
Nor wonder how his fortune sunk,
His brothers fleece him when he's drunk.

I own the moral not exact;
Besides, the tale is false in fact;
And so absurd, that could I raise up
From fields Elysian fabling Aesop;
I would accuse him to his face
For libelling the four-foot race.
Creatures of ev'ry kind but ours
Well comprehend their natural pow'rs;
While we, whom reason ought to sway,
Mistake our talents ev'ry day.
The ass was never known so stupid
To act the part of Tray or Cupid;
Nor leaps upon his master's lap,
There to be strok'd, and fed with pap,
As Aesop would the world persuade;
He better understands his trade:
Nor comes, whene'er his lady whistles;
But carries loads, and feeds on thistles.
Our author's meaning, I presume, is
A creature bipes et implumis;
Wherein the moralist design'd
A compliment on human kind:
For here he owns, that now and then
Beasts may degenerate into men.
Written by Judith Sargent Murray | Create an image from this poem

from On the Equality of the Sexes Part I

That minds are not alike, full well I know,
This truth each day's experience will show.
To heights surprising some great spirits soar,
With inborn strength mysterious depths explore;
Their eager gaze surveys the path of light,
Confessed it stood to Newton's piercing sight,
     Deep science, like a bashful maid retires,
And but the ardent breast her worth inspires;
By perseverance the coy fair is won,
And Genius, led by Study, wears the crown.
     But some there are who wish not to improve,
Who never can the path of knowledge love,
Whose souls almost with the dull body one,
With anxious care each mental pleasure shun.
Weak is the leveled, enervated mind,
And but while here to vegetate designed.
The torpid spirit mingling with its clod
Can scarcely boast its origin from God.
Stupidly dull—they move progressing on—
They eat, and drink, and all their work is done,
While others, emulous of sweet applause,
Industrious seek for each event a cause,
Tracing the hidden springs whence knowledge flows,
Which nature all in beauteous order shows.
     Yet cannot I their sentiments imbibe
Who this distinction to the sex ascribe,
As if a woman's form must needs enroll
A weak, a servile, an inferior soul;
And that the guise of man must still proclaim
Greatness of mind, and him, to be the same.
Yet as the hours revolve fair proofs arise
Which the bright wreath of growing fame supplies,
And in past times some men have sunk so low,
That female records nothing less can show.
But imbecility is still confined,
And by the lordly sex to us consigned.
They rob us of the power t'improve,
And then declare we only trifles love.
Yet haste the era when the world shall know
That such distinctions only dwell below.
The soul unfettered to no sex confined,
Was for the abodes of cloudless day designed.
     Meantime we emulate their manly fires,
Though erudition all their thoughts inspires,
Yet nature with equality imparts,
And noble passions, swell e'en female hearts.
Written by Countee Cullen | Create an image from this poem

Heritage

 What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?

So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass
Where young forest lovers lie,
Plighting troth beneath the sky.
So I lie, who always hear,
Though I cram against my ear
Both my thumbs, and keep them there,
Great drums throbbing through the air.
So I lie, whose fount of pride,
Dear distress, and joy allied,
Is my somber flesh and skin,
With the dark blood dammed within
Like great pulsing tides of wine
That, I fear, must burst the fine
Channels of the chafing net
Where they surge and foam and fret.

Africa?A book one thumbs
Listlessly, till slumber comes.
Unremembered are her bats
Circling through the night, her cats
Crouching in the river reeds,
Stalking gentle flesh that feeds
By the river brink; no more
Does the bugle-throated roar
Cry that monarch claws have leapt
From the scabbards where they slept.
Silver snakes that once a year
Doff the lovely coats you wear,
Seek no covert in your fear
Lest a mortal eye should see;
What's your nakedness to me?
Here no leprous flowers rear
Fierce corollas in the air;
Here no bodies sleek and wet,
Dripping mingled rain and sweat,
Tread the savage measures of 
Jungle boys and girls in love.
What is last year's snow to me,
Last year's anything?The tree
Budding yearly must forget
How its past arose or set­­
Bough and blossom, flower, fruit,
Even what shy bird with mute
Wonder at her travail there,
Meekly labored in its hair.
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?

So I lie, who find no peace
Night or day, no slight release
From the unremittent beat
Made by cruel padded feet
Walking through my body's street.
Up and down they go, and back,
Treading out a jungle track.
So I lie, who never quite
Safely sleep from rain at night--
I can never rest at all
When the rain begins to fall;
Like a soul gone mad with pain
I must match its weird refrain;
Ever must I twist and squirm,
Writhing like a baited worm,
While its primal measures drip
Through my body, crying, "Strip!
Doff this new exuberance.
Come and dance the Lover's Dance!"
In an old remembered way
Rain works on me night and day.

Quaint, outlandish heathen gods
Black men fashion out of rods,
Clay, and brittle bits of stone,
In a likeness like their own,
My conversion came high-priced;
I belong to Jesus Christ,
Preacher of humility;
Heathen gods are naught to me.

Father, Son, and Holy Ghost,
So I make an idle boast;
Jesus of the twice-turned cheek,
Lamb of God, although I speak
With my mouth thus, in my heart
Do I play a double part.
Ever at Thy glowing altar
Must my heart grow sick and falter,
Wishing He I served were black,
Thinking then it would not lack
Precedent of pain to guide it,
Let who would or might deride it;
Surely then this flesh would know
Yours had borne a kindred woe.
Lord, I fashion dark gods, too,
Daring even to give You
Dark despairing features where,
Crowned with dark rebellious hair,
Patience wavers just so much as
Mortal grief compels, while touches
Quick and hot, of anger, rise
To smitten cheek and weary eyes.
Lord, forgive me if my need
Sometimes shapes a human creed.

All day long and all night through,
One thing only must I do:
Quench my pride and cool my blood,
Lest I perish in the flood.
Lest a hidden ember set
Timber that I thought was wet
Burning like the dryest flax,
Melting like the merest wax,
Lest the grave restore its dead.
Not yet has my heart or head
In the least way realized
They and I are civilized.
Written by Allen Ginsberg | Create an image from this poem

September On Jessore Road

 Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to **** but sand channel ruts

Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go

One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad

Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls vomit & groan
Millions of families hopeless alone

Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan

Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts

Wet processions Families walk
Stunted boys big heads don't talk
Look bony skulls & silent round eyes
Starving black angels in human disguise

Mother squats weeping & points to her sons
Standing thin legged like elderly nuns
small bodied hands to their mouths in prayer
Five months small food since they settled there

on one floor mat with small empty pot
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry

Two children together in palmroof shade
Stare at me no word is said
Rice ration, lentils one time a week
Milk powder for warweary infants meek

No vegetable money or work for the man
Rice lasts four days eat while they can
Then children starve three days in a row
and vomit their next food unless they eat slow.

On Jessore road Mother wept at my knees
Bengali tongue cried mister Please
Identity card torn up on the floor
Husband still waits at the camp office door

Baby at play I was washing the flood
Now they won't give us any more food
The pieces are here in my celluloid purse
Innocent baby play our death curse 

Two policemen surrounded by thousands of boys
Crowded waiting their daily bread joys
Carry big whistles & long bamboo sticks
to whack them in line They play hungry tricks

Breaking the line and jumping in front 
Into the circle sneaks one skinny runt
Two brothers dance forward on the mud stage
Teh gaurds blow their whistles & chase them in rage

Why are these infants massed in this place
Laughing in play & pushing for space
Why do they wait here so cheerful & dread
Why this is the House where they give children bread

The man in the bread door Cries & comes out
Thousands of boys and girls Take up his shout
Is it joy? is it prayer? "No more bread today"
Thousands of Children at once scream "Hooray!"

Run home to tents where elders await
Messenger children with bread from the state
No bread more today! & and no place to squat
Painful baby, sick **** he has got.

Malnutrition skulls thousands for months
Dysentery drains bowels all at once
Nurse shows disease card Enterostrep
Suspension is wanting or else chlorostrep

Refugee camps in hospital shacks
Newborn lay naked on mother's thin laps
Monkeysized week old Rheumatic babe eye
Gastoenteritis Blood Poison thousands must die

September Jessore Road rickshaw
50,000 souls in one camp I saw
Rows of bamboo huts in the flood 
Open drains, & wet families waiting for food

Border trucks flooded, food cant get past,
American Angel machine please come fast!
Where is Ambassador Bunker today?
Are his Helios machinegunning children at play?

Where are the helicopters of U.S. AID?
Smuggling dope in Bangkok's green shade.
Where is America's Air Force of Light?
Bombing North Laos all day and all night?

Where are the President's Armies of Gold?
Billionaire Navies merciful Bold?
Bringing us medicine food and relief?
Napalming North Viet Nam and causing more grief?

Where are our tears? Who weeps for the pain?
Where can these families go in the rain?
Jessore Road's children close their big eyes
Where will we sleep when Our Father dies?

Whom shall we pray to for rice and for care?
Who can bring bread to this **** flood foul'd lair?
Millions of children alone in the rain!
Millions of children weeping in pain!

Ring O ye tongues of the world for their woe
Ring out ye voices for Love we don't know
Ring out ye bells of electrical pain
Ring in the conscious of America brain

How many children are we who are lost
Whose are these daughters we see turn to ghost?
What are our souls that we have lost care?
Ring out ye musics and weep if you dare--

Cries in the mud by the thatch'd house sand drain
Sleeps in huge pipes in the wet ****-field rain
waits by the pump well, Woe to the world!
whose children still starve in their mother's arms curled.

Is this what I did to myself in the past?
What shall I do Sunil Poet I asked?
Move on and leave them without any coins?
What should I care for the love of my loins?

What should we care for our cities and cars?
What shall we buy with our Food Stamps on Mars?
How many millions sit down in New York
& sup this night's table on bone & roast pork?

How many millions of beer cans are tossed
in Oceans of Mother? How much does She cost?
Cigar gasolines and asphalt car dreams
Stinking the world and dimming star beams--

Finish the war in your breast with a sigh
Come tast the tears in your own Human eye
Pity us millions of phantoms you see
Starved in Samsara on planet TV

How many millions of children die more
before our Good Mothers perceive the Great Lord?
How many good fathers pay tax to rebuild 
Armed forces that boast the children they've killed?

How many souls walk through Maya in pain
How many babes in illusory pain?
How many families hollow eyed lost?
How many grandmothers turning to ghost?

How many loves who never get bread?
How many Aunts with holes in their head?
How many sisters skulls on the ground?
How many grandfathers make no more sound?

How many fathers in woe
How many sons nowhere to go?
How many daughters nothing to eat?
How many uncles with swollen sick feet?

Millions of babies in pain
Millions of mothers in rain
Millions of brothers in woe
Millions of children nowhere to go

 New York, November 14-16, 1971

Book: Reflection on the Important Things