10 Best Famous Adventures Poems

Here is a collection of the top 10 all-time best famous Adventures poems. This is a select list of the best famous Adventures poetry. Reading, writing, and enjoying famous Adventures poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of adventures poems.

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Burning Drift-Wood

by John Greenleaf Whittier
Before my drift-wood fire I sit, 
And see, with every waif I burn, 
Old dreams and fancies coloring it, 
And folly's unlaid ghosts return. 

O ships of mine, whose swift keels cleft 
The enchanted sea on which they sailed, 
Are these poor fragments only left 
Of vain desires and hopes that failed? 

Did I not watch from them the light 
Of sunset on my towers in Spain, 
And see, far off, uploom in sight 
The Fortunate Isles I might not gain? 

Did sudden lift of fog reveal 
Arcadia's vales of song and spring, 
And did I pass, with grazing keel, 
The rocks whereon the sirens sing? 

Have I not drifted hard upon 
The unmapped regions lost to man, 
The cloud-pitched tents of Prester John, 
The palace domes of Kubla Khan? 

Did land winds blow from jasmine flowers, 
Where Youth the ageless Fountain fills? 
Did Love make sign from rose blown bowers, 
And gold from Eldorado's hills? 

Alas! the gallant ships, that sailed 
On blind Adventure's errand sent, 
Howe'er they laid their courses, failed 
To reach the haven of Content. 

And of my ventures, those alone 
Which Love had freighted, safely sped, 
Seeking a good beyond my own, 
By clear-eyed Duty piloted. 

O mariners, hoping still to meet 
The luck Arabian voyagers met, 
And find in Bagdad's moonlit street, 
Haroun al Raschid walking yet, 

Take with you, on your Sea of Dreams, 
The fair, fond fancies dear to youth. 
I turn from all that only seems, 
And seek the sober grounds of truth. 

What matter that it is not May, 
That birds have flown, and trees are bare, 
That darker grows the shortening day, 
And colder blows the wintry air! 

The wrecks of passion and desire, 
The castles I no more rebuild, 
May fitly feed my drift-wood fire, 
And warm the hands that age has chilled. 

Whatever perished with my ships, 
I only know the best remains; 
A song of praise is on my lips 
For losses which are now my gains. 

Heap high my hearth! No worth is lost; 
No wisdom with the folly dies. 
Burn on, poor shreds, your holocaust 
Shall be my evening sacrifice! 

Far more than all I dared to dream, 
Unsought before my door I see; 
On wings of fire and steeds of steam 
The world's great wonders come to me, 

And holier signs, unmarked before, 
Of Love to seek and Power to save,—
The righting of the wronged and poor, 
The man evolving from the slave; 

And life, no longer chance or fate, 
Safe in the gracious Fatherhood. 
I fold o'er-wearied hands and wait, 
In full assurance of the good. 

And well the waiting time must be, 
Though brief or long its granted days, 
If Faith and Hope and Charity 
Sit by my evening hearth-fire's blaze. 

And with them, friends whom Heaven has spared, 
Whose love my heart has comforted, 
And, sharing all my joys, has shared 
My tender memories of the dead,—

Dear souls who left us lonely here, 
Bound on their last, long voyage, to whom 
We, day by day, are drawing near, 
Where every bark has sailing room. 

I know the solemn monotone 
Of waters calling unto me; 
I know from whence the airs have blown 
That whisper of the Eternal Sea. 

As low my fires of drift-wood burn, 
I hear that sea's deep sounds increase, 
And, fair in sunset light, discern 
Its mirage-lifted Isles of Peace.

Adventures Of Isabel

by Ogden Nash
 Isabel met an enormous bear,
Isabel, Isabel, didn't care;
The bear was hungry, the bear was ravenous,
The bear's big mouth was cruel and cavernous.
The bear said, Isabel, glad to meet you,
How do, Isabel, now I'll eat you!
Isabel, Isabel, didn't worry.
Isabel didn't scream or scurry.
She washed her hands and she straightened her hair up,
Then Isabel quietly ate the bear up.
Once in a night as black as pitch
Isabel met a wicked old witch.
the witch's face was cross and wrinkled,
The witch's gums with teeth were sprinkled.
Ho, ho, Isabel! the old witch crowed,
I'll turn you into an ugly toad!
Isabel, Isabel, didn't worry,
Isabel didn't scream or scurry,
She showed no rage and she showed no rancor,
But she turned the witch into milk and drank her.
Isabel met a hideous giant,
Isabel continued self reliant.
The giant was hairy, the giant was horrid,
He had one eye in the middle of his forhead.
Good morning, Isabel, the giant said,
I'll grind your bones to make my bread.
Isabel, Isabel, didn't worry,
Isabel didn't scream or scurry.
She nibled the zwieback that she always fed off,
And when it was gone, she cut the giant's head off.
Isabel met a troublesome doctor,
He punched and he poked till he really shocked her.
The doctor's talk was of coughs and chills
And the doctor's satchel bulged with pills.
The doctor said unto Isabel,
Swallow this, it will make you well.
Isabel, Isabel, didn't worry,
Isabel didn't scream or scurry.
She took those pills from the pill concocter,
And Isabel calmly cured the doctor.

Heroic Poem in Praise of Wine

by Hilaire Belloc
 To exalt, enthrone, establish and defend,
To welcome home mankind's mysterious friend
Wine, true begetter of all arts that be;
Wine, privilege of the completely free;
Wine the recorder; wine the sagely strong;
Wine, bright avenger of sly-dealing wrong,
Awake, Ausonian Muse, and sing the vineyard song!

Sing how the Charioteer from Asia came,
And on his front the little dancing flame
Which marked the God-head. Sing the Panther-team,
The gilded Thrysus twirling, and the gleam
Of cymbals through the darkness. Sing the drums.
He comes; the young renewer of Hellas comes!
The Seas await him. Those Aegean Seas
Roll from the dawning, ponderous, ill at ease,
In lifts of lead, whose cresting hardly breaks
To ghostly foam, when suddenly there awakes
A mountain glory inland. All the skies
Are luminous; and amid the sea bird cries
The mariner hears a morning breeze arise.
Then goes the Pageant forward. The sea-way
Silvers the feet of that august array
Trailing above the waters, through the airs;
And as they pass a wind before them bears
The quickening word, the influence magical.
The Islands have received it, marble-tall;
The long shores of the mainland. Something fills
The warm Euboean combes, the sacred hills
Of Aulis and of Argos. Still they move
Touching the City walls, the Temple grove,
Till, far upon the horizon-glint, a gleam
Of light, of trembling light, revealed they seem
Turned to a cloud, but to a cloud that shines,
And everywhere as they pass, the Vines! The Vines!
The Vines, the conquering Vines! And the Vine
breaths
Her savour through the upland, empty heaths
Of treeless wastes; the Vines have come to where
The dark Pelasgian steep defends the lair
Of the wolf's hiding; to the empty fields
By Aufidus, the dry campaign that yields
No harvest for the husbandman, but now
Shall bear a nobler foison than the plough;
To where, festooned along the tall elm trees,
Tendrils are mirrored in Tyrrhenian seas;
To where the South awaits them; even to where
Stark, African informed of burning air,
Upturned to Heaven the broad Hipponian plain
Extends luxurious and invites the main.
Guelma's a mother: barren Thaspsa breeds;
And northward in the valleys, next the meads
That sleep by misty river banks, the Vines
Have struck to spread below the solemn pines.
The Vines are on the roof-trees. All the Shrines
And Homes of men are consecrate with Vines.

And now the task of that triumphant day
Has reached to victory. In the reddening ray
With all his train, from hard Iberian lands
Fulfilled, apparent, that Creator stands
Halted on Atlas. Far Beneath him, far,
The strength of Ocean darkening and the star
Beyond all shores. There is a silence made.
It glorifies: and the gigantic shade
Of Hercules adores him from the West.
Dead Lucre: burnt Ambition: Wine is best.

But what are these that from the outer murk
Of dense mephitic vapours creeping lurk
To breathe foul airs from that corrupted well
Which oozes slime along the floor of Hell?
These are the stricken palsied brood of sin
In whose vile veins, poor, poisonous and thin,
Decoctions of embittered hatreds crawl:
These are the Water-Drinkers, cursed all!
On what gin-sodden Hags, what flaccid sires
Bred these White Slugs from what exhaust desires?
In what close prison's horror were their wiles
Watched by what tyrant power with evil smiles;
Or in what caverns, blocked from grace and air
Received they, then, the mandates of despair?
What! Must our race, our tragic race, that roam
All exiled from our first, and final, home:
That in one moment of temptation lost
Our heritage, and now wander, hunger-tost
Beyond the Gates (still speaking with our eyes
For ever of remembered Paradise),
Must we with every gift accepted, still,
With every joy, receive attendant ill?
Must some lewd evil follow all our good
And muttering dog our brief beatitude?

A primal doom, inexorable, wise,
Permitted, ordered, even these to rise.
Even in the shadow of so bright a Lord
Must swarm and propagate the filthy horde
Debased, accursed I say, abhorrent and abhorred.
Accursed and curse-bestowing. For whosoe'er
Shall suffer their contagion, everywhere
Falls from the estate of man and finds his end
To the mere beverage of the beast condemned.
For such as these in vain the Rhine has rolled
Imperial centuries by hills of gold;
For such as these the flashing Rhone shall rage
In vain its lightning through the Hermitage
Or level-browed divine Touraine receive
The tribute of her vintages at eve.
For such as these Burgundian heats in vain
Swell the rich slope or load the empurpled plain.
Bootless for such as these the mighty task
Of bottling God the Father in a flask
And leading all Creation down distilled
To one small ardent sphere immensely filled.
With memories empty, with experience null,
With vapid eye-balls meaningless and dull
They pass unblest through the unfruitful light;
And when we open the bronze doors of Night,
When we in high carousal, we reclined,
Spur up to Heaven the still ascending mind,
Pass with the all inspiring, to and fro,
The torch of genius and the Muse's glow,
They, lifeless, stare at vacancy alone
Or plan mean traffic, or repeat their moan.
We, when repose demands us, welcomed are
In young white arms, like our great Exemplar
Who, wearied with creation, takes his rest
And sinks to sleep on Ariadne's breast.
They through the darkness into darkness press
Despised, abandoned and companionless.
And when the course of either's sleep has run
We leap to life like heralds of the sun;
We from the couch in roseate mornings gay
Salute as equals the exultant day
While they, the unworthy, unrewarded, they
The dank despisers of the Vine, arise
To watch grey dawns and mourn indifferent skies.

Forget them! Form the Dionysian ring
And pulse the ground, and Io, Io, sing.

Father Lenaean, to whom our strength belongs,
Our loves, our wars, our laughter and our songs,
Remember our inheritance, who praise
Your glory in these last unhappy days
When beauty sickens and a muddied robe
Of baseness fouls the universal globe.
Though all the Gods indignant and their train
Abandon ruined man, do thou remain!
By thee the vesture of our life was made,
The Embattled Gate, the lordly Colonnade,
The woven fabric's gracious hues, the sound
Of trumpets, and the quivering fountain-round,
And, indestructible, the Arch, and, high,
The Shaft of Stone that stands against the sky,
And, last, the guardian-genius of them, Rhyme,
Come from beyond the world to conquer time:
All these are thine, Lenaean.

By thee do seers the inward light discern;
By thee the statue lives, the Gods return;
By thee the thunder and the falling foam
Of loud Acquoria's torrent call to Rome;
Alba rejoices in a thousand springs,
Gensano laughs, and Orvieto sings...
But, Ah! With Orvieto, with that name
Of dark, Eturian, subterranean flame
The years dissolve. I am standing in that hour
Of majesty Septembral, and the power
Which swells the clusters when the nights are still
With autumn stars on Orvieto hill.

Had these been mine, Ausonian Muse, to know
The large contented oxen heaving slow;
To count my sheaves at harvest; so to spend
Perfected days in peace until the end;
With every evening's dust of gold to hear
The bells upon the pasture height, the clear
Full horn of herdsmen gathering in the kine
To ancient byres in hamlets Appenine,
And crown abundant age with generous ease:
Had these, Ausonian Muse, had these, had these.....

But since I would not, since I could not stay,
Let me remember even in this my day
How, when the ephemeral vision's lure is past
All, all, must face their Passion at the last

Was there not one that did to Heaven complain
How, driving through the midnight and the rain,
He struck, the Atlantic seethe and surge before,
Wrecked in the North along a lonely shore
To make the lights of home and hear his name no
more.
Was there not one that from a desperate field
Rode with no guerdon but a rifted shield;
A name disherited; a broken sword;
Wounds unrenowned; battle beneath no Lord;
Strong blows, but on the void, and toil without
reward.

When from the waste of such long labour done
I too must leave the grape-ennobling sun
And like the vineyard worker take my way
Down the long shadows of declining day,
Bend on the sombre plain my clouded sight
And leave the mountain to the advancing night,
Come to the term of all that was mine own
With nothingness before me, and alone;
Then to what hope of answer shall I turn?
Comrade-Commander whom I dared not earn,
What said You then to trembling friends and
few?
"A moment, and I drink it with you new:
But in my Father's Kingdom." So, my Friend,
Let not Your cup desert me in the end.
But when the hour of mine adventure's near
Just and benignant, let my youth appear
Bearing a Chalice, open, golden, wide,
With benediction graven on its side.
So touch my dying lip: so bridge that deep:
So pledge my waking from the gift of sleep,
And, sacramental, raise me the Divine:
Strong brother in God and last companion, Wine.

A Rolling Stone

by Robert William Service
 There's sunshine in the heart of me,
My blood sings in the breeze;
The mountains are a part of me,
I'm fellow to the trees.
My golden youth I'm squandering,
Sun-libertine am I;
A-wandering, a-wandering,
Until the day I die.

I was once, I declare, a Stone-Age man,
 And I roomed in the cool of a cave;
I have known, I will swear, in a new life-span,
 The fret and the sweat of a slave:
For far over all that folks hold worth,
 There lives and there leaps in me
A love of the lowly things of earth,
 And a passion to be free.

To pitch my tent with no prosy plan,
 To range and to change at will;
To mock at the mastership of man,
 To seek Adventure's thrill.
Carefree to be, as a bird that sings;
 To go my own sweet way;
To reck not at all what may befall,
 But to live and to love each day.

To make my body a temple pure
 Wherein I dwell serene;
To care for the things that shall endure,
 The simple, sweet and clean.
To oust out envy and hate and rage,
 To breathe with no alarm;
For Nature shall be my anchorage,
 And none shall do me harm.

To shun all lures that debauch the soul,
 The orgied rites of the rich;
To eat my crust as a rover must
 With the rough-neck down in the ditch.
To trudge by his side whate'er betide;
 To share his fire at night;
To call him friend to the long trail-end,
 And to read his heart aright.

To scorn all strife, and to view all life
 With the curious eyes of a child;
From the plangent sea to the prairie,
 From the slum to the heart of the Wild.
From the red-rimmed star to the speck of sand,
 From the vast to the greatly small;
For I know that the whole for good is planned,
 And I want to see it all.

To see it all, the wide world-way,
 From the fig-leaf belt to the Pole;
With never a one to say me nay,
 And none to cramp my soul.
In belly-pinch I will pay the price,
 But God! let me be free;
For once I know in the long ago,
 They made a slave of me.

In a flannel shirt from earth's clean dirt,
 Here, pal, is my calloused hand!
Oh, I love each day as a rover may,
 Nor seek to understand.
To enjoy is good enough for me;
 The gipsy of God am I;
Then here's a hail to each flaring dawn!
And here's a cheer to the night that's gone!
And may I go a-roaming on
 Until the day I die!

Then every star shall sing to me
Its song of liberty;
And every morn shall bring to me
Its mandate to be free.
In every throbbing vein of me
I'll feel the vast Earth-call;
O body, heart and brain of me
Praise Him who made it all!

Sestina

by David Lehman
 for Jim Cummins 

In Iowa, Jim dreamed that Della Street was Anne Sexton's
twin. Dave drew a comic strip called the "Adventures of Whitman," 
about a bearded beer-guzzler in Superman uniform. Donna dressed 
 like Wallace Stevens 
in a seersucker summer suit. To town came Ted Berrigan, 
saying, "My idea of a bad poet is Marvin Bell."
But no one has won as many prizes as Philip Levine. 

At the restaurant, people were talking about Philip Levine's
latest: the Pulitzer. A toast was proposed by Anne Sexton. 
No one saw the stranger, who said his name was Marvin Bell, 
pour something into Donna's drink. "In the Walt Whitman 
Shopping Center, there you feel free," said Ted Berrigan, 
pulling on a Chesterfield. Everyone laughed, except T. S. Eliot. 

I asked for directions. "You turn right on Gertrude Stein,
then bear left. Three streetlights down you hang a Phil Levine 
and you're there," Jim said. When I arrived I saw Ted Berrigan 
with cigarette ash in his beard. Graffiti about Anne Sexton
decorated the men's room walls. Beth had bought a quart of Walt 
 Whitman. 
Donna looked blank. "Walt who?" The name didn't ring a Marvin Bell. 

You laugh, yet there is nothing inherently funny about Marvin Bell. 
You cry, yet there is nothing inherently scary about Robert Lowell. 
You drink a bottle of Samuel Smith's Nut Brown Ale, as thirsty as 
 Walt Whitman. 
You bring in your car for an oil change, thinking, this place has the aura 
 of Philip Levine. 
Then you go home and write: "He kissed her Anne Sexton, and she 
 returned the favor, caressing his Ted Berrigan." 

Donna was candid. "When the spirit of Ted Berrigan 
comes over me, I can't resist," she told Marvin Bell, 
while he stood dejected at the xerox machine. Anne Sexton
came by to circulate the rumor that Robert Duncan 
had flung his drink on a student who had called him Philip Levine. 
The cop read him the riot act. "I don't care," he said, "if you're Walt 
 Whitman." 

Donna told Beth about her affair with Walt Whitman. 
"He was indefatigable, but he wasn't Ted Berrigan."
The Dow Jones industrials finished higher, led by Philip Levine, 
up a point and a half on strong earnings. Marvin Bell 
ended the day unchanged. Analyst Richard Howard
recommended buying May Swenson and selling Anne Sexton.

In the old days, you liked either Walt Whitman or Anne Sexton, 
not both. Ted Berrigan changed that just by going to a ballgame with 
 Marianne Moore.
And one day Philip Levine looked in the mirror and saw Marvin Bell.

A Toccata Of Galuppis

by Robert Browning
 I

Oh Galuppi, Baldassaro, this is very sad to find!
I can hardly misconceive you; it would prove me deaf and blind;
But although I give you credit, 'tis with such a heavy mind!

II

Here you come with your old music, and here's all the good it brings.
What, they lived once thus at Venice, where the merchants were the kings,
Where Saint Mark's is, where the Doges used to wed the sea with rings?

III

Ay, because the sea's the street there; and 'tis arched by... what you call
... Shylock's bridge with houses on it, where they kept the carnival;
I was never out of England—it's as if I saw it all!

IV

Did young people take their pleasure when the sea was warm in May?
Balls and masks begun at midnight, burning ever to mid-day,
When they made up fresh adventures for the morrow, do you say?

V

Was a lady such a lady, cheeks so round and lips so red,— 
On her neck the small face buoyant, like a bell-flower on its bed,
O'er the breast's superb abundance where a man might base his head?

VI

Well (and it was graceful of them) they'd break talk off and afford
—She, to bite her mask's black velvet, he to finger on his sword,
While you sat and played Toccatas, stately at the clavichord?

VII

What? Those lesser thirds so plaintive, sixths diminished sigh on sigh,
Told them something? Those suspensions, those solutions—"Must we die?"
Those commiserating sevenths—"Life might last! we can but try!"

VIII

"Were you happy?"—"Yes."—"And are you still as happy?"—"Yes—and you?"
—"Then, more kisses!"—"Did I stop them, when a million seemed so few?"
Hark—the dominant's persistence till it must be answered to!

IX

So an octave struck the answer. Oh, they praised you, I dare say!
"Brave Galuppi! that was music! good alike at grave and gay!
I can always leave off talking when I hear a master play!"

X

Then they left you for their pleasure: till in due time, one by one,
Some with lives that came to nothing, some with deeds as well undone,
Death stepped tacitly and took them where they never see the sun.

XI

But when I sit down to reason,—think to take my stand nor swerve
While I triumph o'er a secret wrung from nature's close reserve,
In you come with your cold music, till I creep thro' every nerve.

XII

Yes, you, like a ghostly cricket, creaking where a house was burned— 
"Dust and ashes, dead and done with, Venice spent what Venice earned!
The soul, doubtless, is immortal—where a soul can be discerned.

XIII

"Yours for instance: you know physics, something of geology,
Mathematics are your pastime; souls shall rise in their degree;
Butterflies may dread extinction,—you'll not die, it cannot be!

XIV

"As for Venice and its people, merely born to bloom and drop,
Here on earth they bore their fruitage, mirth and folly were the crop:
What of soul was left, I wonder, when the kissing had to stop?

XV

"Dust and ashes!" So you creak it, and I want the heart to scold.
Dear dead women, with such hair, too—what's become of all the gold
Used to hang and brush their bosoms? I feel chilly and grown old.

Hiawathas Wedding-Feast

by Henry Wadsworth Longfellow
 You shall hear how Pau-Puk-Keewis, 
How the handsome Yenadizze 
Danced at Hiawatha's wedding; 
How the gentle Chibiabos, 
He the sweetest of musicians, 
Sang his songs of love and longing; 
How Iagoo, the great boaster, 
He the marvellous story-teller, 
Told his tales of strange adventure, 
That the feast might be more joyous, 
That the time might pass more gayly, 
And the guests be more contented.
Sumptuous was the feast Nokomis 
Made at Hiawatha's wedding; 
All the bowls were made of bass-wood, 
White and polished very smoothly, 
All the spoons of horn of bison, 
Black and polished very smoothly.
She had sent through all the village 
Messengers with wands of willow, 
As a sign of invitation,
As a token of the feasting;
And the wedding guests assembled, 
Clad in all their richest raiment, 
Robes of fur and belts of wampum, 
Splendid with their paint and plumage, 
Beautiful with beads and tassels.
First they ate the sturgeon, Nahma, 
And the pike, the Maskenozha, 
Caught and cooked by old Nokomis; 
Then on pemican they feasted, 
Pemican and buffalo marrow, 
Haunch of deer and hump of bison, 
Yellow cakes of the Mondamin, 
And the wild rice of the river.
But the gracious Hiawatha, 
And the lovely Laughing Water, 
And the careful old Nokomis, 
Tasted not the food before them, 
Only waited on the others
Only served their guests in silence.
And when all the guests had finished, 
Old Nokomis, brisk and busy, 
From an ample pouch of otter, 
Filled the red-stone pipes for smoking 
With tobacco from the South-land, 
Mixed with bark of the red willow, 
And with herbs and leaves of fragrance.
Then she said, "O Pau-Puk-Keewis, 
Dance for us your merry dances, 
Dance the Beggar's Dance to please us, 
That the feast may be more joyous, 
That the time may pass more gayly, 
And our guests be more contented!"
Then the handsome Pau-Puk-Keewis, 
He the idle Yenadizze, 
He the merry mischief-maker, 
Whom the people called the Storm-Fool, 
Rose among the guests assembled.
Skilled was he in sports and pastimes, 
In the merry dance of snow-shoes, 
In the play of quoits and ball-play; 
Skilled was he in games of hazard, 
In all games of skill and hazard, 
Pugasaing, the Bowl and Counters, 
Kuntassoo, the Game of Plum-stones. 
Though the warriors called him Faint-Heart, 
Called him coward, Shaugodaya, 
Idler, gambler, Yenadizze,
Little heeded he their jesting, 
Little cared he for their insults, 
For the women and the maidens 
Loved the handsome Pau-Puk-Keewis.
He was dressed in shirt of doeskin, 
White and soft, and fringed with ermine, 
All inwrought with beads of wampum; 
He was dressed in deer-skin leggings,
Fringed with hedgehog quills and ermine, 
And in moccasins of buck-skin, 
Thick with quills and beads embroidered. 
On his head were plumes of swan's down, 
On his heels were tails of foxes, 
In one hand a fan of feathers, 
And a pipe was in the other.
Barred with streaks of red and yellow, 
Streaks of blue and bright vermilion, 
Shone the face of Pau-Puk-Keewis. 
From his forehead fell his tresses, 
Smooth, and parted like a woman's, 
Shining bright with oil, and plaited, 
Hung with braids of scented grasses,
As among the guests assembled, 
To the sound of flutes and singing, 
To the sound of drums and voices, 
Rose the handsome Pau-Puk-Keewis, 
And began his mystic dances.
First he danced a solemn measure, 
Very slow in step and gesture, 
In and out among the pine-trees, 
Through the shadows and the sunshine, 
Treading softly like a panther. 
Then more swiftly and still swifter, 
Whirling, spinning round in circles, 
Leaping o'er the guests assembled, 
Eddying round and round the wigwam, 
Till the leaves went whirling with him, 
Till the dust and wind together 
Swept in eddies round about him.
Then along the sandy margin 
Of the lake, the Big-Sea-Water, 
On he sped with frenzied gestures,
Stamped upon the sand, and tossed it 
Wildly in the air around him; 
Till the wind became a whirlwind, 
Till the sand was blown and sifted 
Like great snowdrifts o'er the landscape, 
Heaping all the shores with Sand Dunes, 
Sand Hills of the Nagow Wudjoo!
Thus the merry Pau-Puk-Keewis 
Danced his Beggar's Dance to please them, 
And, returning, sat down laughing 
There among the guests assembled, 
Sat and fanned himself serenely 
With his fan of turkey-feathers.
Then they said to Chibiabos, 
To the friend of Hiawatha, 
To the sweetest of all singers, 
To the best of all musicians, 
"Sing to us, O Chibiabos! 
Songs of love and songs of longing, 
That the feast may be more joyous, 
That the time may pass more gayly, 
And our guests be more contented!"
And the gentle Chibiabos 
Sang in accents sweet and tender, 
Sang in tones of deep emotion, 
Songs of love and songs of longing; 
Looking still at Hiawatha, 
Looking at fair Laughing Water, 
Sang he softly, sang in this wise:
"Onaway! Awake, beloved! 
Thou the wild-flower of the forest! 
Thou the wild-bird of the prairie! 
Thou with eyes so soft and fawn-like!
"If thou only lookest at me, 
I am happy, I am happy, 
As the lilies of the prairie, 
When they feel the dew upon them!
"Sweet thy breath is as the fragrance 
Of the wild-flowers in the morning, 
As their fragrance is at evening, 
In the Moon when leaves are falling.
"Does not all the blood within me 
Leap to meet thee, leap to meet thee, 
As the springs to meet the sunshine, 
In the Moon when nights are brightest?
"Onaway! my heart sings to thee, 
Sings with joy when thou art near me, 
As the sighing, singing branches 
In the pleasant Moon of Strawberries!
"When thou art not pleased, beloved, 
Then my heart is sad and darkened, 
As the shining river darkens 
When the clouds drop shadows on it!
"When thou smilest, my beloved, 
Then my troubled heart is brightened, 
As in sunshine gleam the ripples 
That the cold wind makes in rivers.
"Smiles the earth, and smile the waters, 
Smile the cloudless skies above us, 
But I lose the way of smiling 
When thou art no longer near me!
"I myself, myself! behold me! 
Blood of my beating heart, behold me! 
Oh awake, awake, beloved! 
Onaway! awake, beloved!"
Thus the gentle Chibiabos 
Sang his song of love and longing; 
And Iagoo, the great boaster, 
He the marvellous story-teller, 
He the friend of old Nokomis, 
Jealous of the sweet musician, 
Jealous of the applause they gave him, 
Saw in all the eyes around him, 
Saw in all their looks and gestures, 
That the wedding guests assembled
Longed to hear his pleasant stories, 
His immeasurable falsehoods.
Very boastful was Iagoo; 
Never heard he an adventure 
But himself had met a greater; 
Never any deed of daring 
But himself had done a bolder; 
Never any marvellous story 
But himself could tell a stranger.
Would you listen to his boasting, 
Would you only give him credence, 
No one ever shot an arrow 
Half so far and high as he had; 
Ever caught so many fishes, 
Ever killed so many reindeer, 
Ever trapped so many beaver!
None could run so fast as he could, 
None could dive so deep as he could, 
None could swim so far as he could; 
None had made so many journeys, 
None had seen so many wonders, 
As this wonderful Iagoo,
As this marvellous story-teller! 
Thus his name became a by-word
And a jest among the people; 
And whene'er a boastful hunter 
Praised his own address too highly, 
Or a warrior, home returning, 
Talked too much of his achievements, 
All his hearers cried, "Iagoo! 
Here's Iagoo come among us!"
He it was who carved the cradle 
Of the little Hiawatha, 
Carved its framework out of linden, 
Bound it strong with reindeer sinews; 
He it was who taught him later 
How to make his bows and arrows, 
How to make the bows of ash-tree,
And the arrows of the oak-tree. 
So among the guests assembled 
At my Hiawatha's wedding 
Sat Iagoo, old and ugly, 
Sat the marvellous story-teller.
And they said, "O good Iagoo, 
Tell us now a tale of wonder, 
Tell us of some strange adventure, 
That the feast may be more joyous, 
That the time may pass more gayly, 
And our guests be more contented!"
And Iagoo answered straightway, 
"You shall hear a tale of wonder, 
You shall hear the strange adventures
Of Osseo, the Magician,
From the Evening Star descending."

Portrait of a Baby

by Stephen Vincent Benet
 He lay within a warm, soft world 
Of motion. Colors bloomed and fled, 
Maroon and turquoise, saffron, red, 
Wave upon wave that broke and whirled 
To vanish in the grey-green gloom, 
Perspectiveless and shadowy. 
A bulging world that had no walls, 
A flowing world, most like the sea, 
Compassing all infinity 
Within a shapeless, ebbing room, 
An endless tide that swells and falls . . . 
He slept and woke and slept again. 
As a veil drops Time dropped away; 
Space grew a toy for children's play, 
Sleep bolted fast the gates of Sense -- 
He lay in naked impotence; 
Like a drenched moth that creeps and crawls 
Heavily up brown, light-baked walls, 
To fall in wreck, her task undone, 
Yet somehow striving toward the sun. 
So, as he slept, his hands clenched tighter, 
Shut in the old way of the fighter, 
His feet curled up to grip the ground, 
His muscles tautened for a bound; 
And though he felt, and felt alone, 
Strange brightness stirred him to the bone, 
Cravings to rise -- till deeper sleep 
Buried the hope, the call, the leap; 
A wind puffed out his mind's faint spark. 
He was absorbed into the dark. 
He woke again and felt a surge 
Within him, a mysterious urge 
That grew one hungry flame of passion; 
The whole world altered shape and fashion. 
Deceived, befooled, bereft and torn, 
He scourged the heavens with his scorn, 
Lifting a bitter voice to cry 
Against the eternal treachery -- 
Till, suddenly, he found the breast, 
And ceased, and all things were at rest, 
The earth grew one warm languid sea 
And he a wave. Joy, tingling, crept 
Throughout him. He was quenched and slept. 

So, while the moon made broad her ring, 
He slept and cried and was a king. 
So, worthily, he acted o'er 
The endless miracle once more. 
Facing immense adventures daily, 
He strove still onward, weeping, gaily, 
Conquered or fled from them, but grew 
As soil-starved, rough pine-saplings do. 
Till, one day, crawling seemed suspect. 
He gripped the air and stood erect 
And splendid. With immortal rage 
He entered on man's heritage!

Bacchus

by Ralph Waldo Emerson
BRING me wine but wine which never grew 
In the belly of the grape  
Or grew on vine whose tap-roots reaching through 
Under the Andes to the Cape  
Suffer'd no savour of the earth to 'scape. 5 

Let its grapes the morn salute 
From a nocturnal root  
Which feels the acrid juice 
Of Styx and Erebus; 
And turns the woe of Night 10 
By its own craft to a more rich delight. 

We buy ashes for bread; 
We buy diluted wine; 
Give me of the true  
Whose ample leaves and tendrils curl'd 15 
Among the silver hills of heaven 
Draw everlasting dew; 
Wine of wine  
Blood of the world  
Form of forms and mould of statures 20 
That I intoxicated  
And by the draught assimilated  
May float at pleasure through all natures; 
The bird-language rightly spell  
And that which roses say so well: 25 

Wine that is shed 
Like the torrents of the sun 
Up the horizon walls  
Or like the Atlantic streams which run 
When the South Sea calls. 30 

Water and bread  
Food which needs no transmuting  
Rainbow-flowering wisdom-fruiting  
Wine which is already man  
Food which teach and reason can. 35 

Wine which Music is ¡ª 
Music and wine are one ¡ª 
That I drinking this  
Shall hear far Chaos talk with me; 
Kings unborn shall walk with me; 40 
And the poor grass shall plot and plan 
What it will do when it is man. 
Quicken'd so will I unlock 
Every crypt of every rock. 

I thank the joyful juice 45 
For all I know; 
Winds of remembering 
Of the ancient being blow  
And seeming-solid walls of use 
Open and flow. 50 

Pour Bacchus! the remembering wine; 
Retrieve the loss of me and mine! 
Vine for vine be antidote  
And the grape requite the lote! 
Haste to cure the old despair; 55 
Reason in Nature's lotus drench'd¡ª 
The memory of ages quench'd¡ª 
Give them again to shine; 
Let wine repair what this undid; 
And where the infection slid 60 
A dazzling memory revive; 
Refresh the faded tints  
Recut the ag¨¨d prints  
And write my old adventures with the pen 
Which on the first day drew 65 
Upon the tablets blue  
The dancing Pleiads and eternal men. 

The Painted Ceiling

by Amy Lowell
 My Grandpapa lives in a wonderful house
With a great many windows and doors,
There are stairs that go up, and stairs that go down,
And such beautiful, slippery floors.
But of all of the rooms, even mother's and mine,
And the bookroom, and parlour and all,
I like the green dining-room so much the best
Because of its ceiling and wall.
Right over your head is a funny round hole
With apples and pears falling through;
There's a big bunch of grapes all purply and sweet,
And melons and pineapples too.
They tumble and tumble, but never come down
Though I've stood underneath a long while
With my mouth open wide, for I always have hoped
Just a cherry would drop from the pile.
No matter how early I run there to look
It has always begun to fall through;
And one night when at bedtime I crept in to see,
It was falling by candle-light too.
I am sure they are magical fruits, and each one
Makes you hear things, or see things, or go
Forever invisible; but it's no use,
And of course I shall just never know.
For the ladder's too heavy to lift, and the chairs
Are not nearly so tall as I need.
I've given up hope, and I feel I shall die
Without having accomplished the deed.
It's a little bit sad, when you seem very near
To adventures and things of that sort,
Which nearly begin, and then don't; and you know
It is only because you are short.
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Book: Diverse Voices: The Poetry of Human Rights and the Pursuit of Peace