The election makes me think of a story of a man who was dying. He had only two minutes to live, so he sent for a clergyman and asked him, "Whe...
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And were an epitaph to be my story I'd have a short one ready for my own. I would have written of me on my stone: I had a lover's quarrel with the world.
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The story of life is quicker than the blink of an eye The story of love is hello and goodbye Until we meet again
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Let me tell you a story. The day after Columbine, I was interviewed for the Tom Brokaw news program. The reporter had been assigned a theory and was seeking sound bites to support it. Wouldn't you say, she asked, that killings like this are influenced by violent movies? No, I said, I wouldn't say that. But what about 'Basketball Diaries'? She asked. Doesn't that have a scene of a boy walking into a school with a machine gun? The obscure 1995 Leonardo Di Caprio movie did indeed have a brief fantasy scene of that nature, I said, but the movie failed at the box office, and it's unlikely the Columbine killers saw it. The reporter looked disappointed, so I offered her my theory. Events like this, I said, if they are influenced by anything, are influenced by news programs like your own. When an unbalanced kid walks into a school and starts shooting, it becomes a major media event. Cable news drops ordinary programming and goes around the clock with it. The story is assigned a logo and a theme song; These two kids were packaged as the Trench Coat Mafia. The message is clear to other disturbed kids around the country: If I shoot up my school, I can be famous. The TV will talk about nothing else but me. Experts will try to figure out what I was thinking. The kids and teachers at school will see they shouldn't have messed with me. I'll go out in a blaze of glory.
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When the great white silence comes and fills the boughs of the trees with a thickening, glistening brilliance, and all is cold and barren, where be the blossom? It is in the memory. It is in the wisdom. It is in the growth of last spring, and it is coming forth again. For when the season has turned and winter is gone, the buds come again, and behold, there is another blossom. If the ongoingeness of life is beheld in a single blossom, why do you think that you are less that its life? Do you think that you only bloom in sping, produce your fruit in summer, drop your leaves in autumn and then die in winter? But are you not greater than the greatest blossom? Is not your life more important? Indeed it is. And as the blossoms continue to bloom every spring, so will you live, life after life. What a story your blossoms could tell of all the seasons you've seen.
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Dear Signore Direttore,
Now I am a-tella you a story wot I was a-treated at your hotella.
I am a-comma from Roma as tourist to London an stay as a-younga cristan man at your hotella.
When I comma in my room I see there is no shit in my bed - how can I sleep whit no shit i my bed? So I calla down to the receptione and tella: 'I wanta shit'. They tella me: 'Go to toilet'. I say: 'No,no I wanta shit in my bed'. They say: 'You better not shit in your bed, you sonna-wa-bitch'. What is sonna-wa-bitch?
I go down for breakfast into restorante. I order bacon and egga and two pissis of toast. I getta only one piss of toast. I tella waitress, and point at toast: 'I wanta piss'. She tella me: 'Go to toilet'. I say: 'I wata piss on my plate'. She then say to me: 'You'd bloody not piss on the plate, you sonna-wa-bitch'.
That is the second person who do not even know me calla me 'sonna-wa-bitch', an why is your staff replying 'Go to toilet', is that a modern tella? I do no understand, Please tella me!
Later I go for dinner in your restorante. Spoon and knife is laid out, but no fock. I tella waitress: 'I wanta fock'. And she tella me: 'Sure, everyone wanta fock'. I say: 'No,no you dont understanda me, I wanta fock on the table'. She tella me: So you sonna-wa-bitch wanta fock on the table? Get your ass out of here!
How comma this cristian hotel tella the guest in such bad manner?
So I go to receptioneand ask for bill, I no wanta stay in this hotel no more. When I have paid the a-billa the portier say to me: 'Thank you and piss on you'. I say: 'Piss on you too, you sonna-wa-bitch, I go back to Italy'.
Direttore, I never gonna stay in your hotella no more, you sonna-wa-bitch.
Sincerely
Dicci Elgre
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You make your own dream. That's the Beatles' story, isn't it? That's Yoko's story. That's what I'm saying now. Produce your own dream. If you want to save Peru, go save Peru. It's quite possible to do anything, but not to put it on the leaders and the parking meters. Don't expect Jimmy Carter or Ronald Reagan or John Lennon or Yoko Ono or Bob Dylan or Jesus Christ to come and do it for you. You have to do it yourself. That's what the great masters and mistresses have been saying ever since time began. They can point the way, leave signposts and little instructions in various books that are now called holy and worshipped for the cover of the book and not for what it says, but the instructions are all there for all to see, have always been and always will be. There's nothing new under the sun. All the roads lead to Rome. And people cannot provide it for you. I can't wake you up. You can wake you up. I can't cure you. You can cure you.
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His house was perfect, whether you liked food, or sleep, or work, or story-telling, or singing, or just sitting and thinking, best, or a pleasant mixture of them all.
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If I was telling that story in a '50s style, it would have been a melodrama, ... a story of 'An innocent girl falls into the seedy, sordid world of bondage and then sees the light and is born again.' If I were telling it now in an urban, sophisticated way, you would have a story about a girl who is a free spirit, who does these lighthearted bondage photos, then she crashes and she turns to religion which would be the tragedy in the modern view, because it's so polarized now that people see any religion as representing the horrible forces of puritanism. I was trying to comment on the sad confusion surrounding sex at that time, present it in a complex way, and give her religion a fair hearing too.
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Its a Story they tell in the border country, where Massachusetts joins Vermont and New Hampshire. Yes, Danl Websters deador, at least, they buried him. But every time theres a thunderstorm around Marshfield, they say you can hear his rolling voice in the hollows of the sky. And they say that if you go to his grave and speak loud and clear, Danl WebsterDanl Webster! the groundll begin to shiver and the trees begin to shake. And after a while youll hear a deep voice saying, Neighbor, how stands the Union? Then you better answer the Union stands as she stood, rock-bottomed and copper-sheathed, one and indivisible, or hes liable to rear right out of the ground. At least, thats what I was told when I was a youngster.
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Religion has actually convinced people that there's an invisible man living in the sky who watches everything you do, every minute of every day. And the invisible man has a special list of ten things he does not want you to do. And if you do any of these ten things, he has a special place, full of fire and smoke and burning and torture and anguish, where he will send you to live and suffer and burn and choke and scream and cry forever and ever 'til the end of time! But He loves you. He loves you, and He needs money! He always needs money! He's all-powerful, all-perfect, all-knowing, and all-wise, somehow just can't handle money! Religion takes in billions of dollars, they pay no taxes, and they always need a little more. Now, you talk about a good bullshit story. Holy Shit!
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'A likely story indeed!' said the Pigeon, in a tone of the deepest contempt. 'I've seen a good many little girls in my time, but never one wit...
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When I Grow Up When I grow up, I wonder if people will be more afraid to cry than they are to die. Will I be able to see a rainbow in a small-filled sky. Will there be any trees left, if not how will the planet survive. Will there be a website at www.lifeairsupply.com. When I grow up, if I got bored and had nothing to do and me and my son built a canoe and water that was once blue would be so poluted it would give us the flu. Will a thousand dollars be enough for a shoe. Will I have to be like you, letting money make the decision for everything that I do. When I grow up, will the existance of dolphins and whales just be a story I tell, starting with Once upon a time and ending with where did we fail. Will adults be the hammer and nail. Will schools be next door to jails. Will the truth be illegal for sale. When I grow up, will people be on the news for anything besides killing. Will those drug dealers still be outside of my building. Will they ever learn how to love or are they still afraid of the feeling. Will tv and music videos still raise America's children. Will students go home from school in a bullet proof bus. What if children had no one to trust, that would hurt me so much and i just want to be happy, when i grow up.
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One time my cousin Walter got this cat stuck in his ass. True story. He bought it at our local mall, so the whole fiasco wound up on the news. It was embarrassing for my relatives and all, but the next week, he did it again. Different cat, same results, complete with another trip to the emergency room. So, I run into him a week later in the mall and he's buying another cat. And I says to him, 'Jesus, Walt! You know you're just gonna get this cat stuck in your ass too. Why don't you knock it off ?' And he said to me, 'Brodie, how the hell else am I supposed to get the gerbil out ?' My cousin was a weird guy.
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Wherever a story comes from, whether it is a familiar myth or a private memory, the retelling exemplifies the making of a connection from one pattern to another: a potential translation in which narrative becomes parable and the once upon a time comes to stand for some renascent truth. This approach applies to all the incidents of everyday life: the phrase in the newspaper, the endearing or infuriating game of a toddler, the misunderstanding at the office. Our species thinks in metaphors and learns through stories.
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Was all this bloodshed and deceit - from Columbus to Cortes, Pizarro the Puritans - a necessity for the human race to progress from savagery to civilization? Was Morison right in burying the story of genocide inside a more important story of human progress? Perhaps a persuasive argument can be made - as it was made by Stalin when he killed pesants for industrial progress in the Soviet Union, as it was made by Churchill explaining the bombings of Dresden and Hamburg, and Truman explaining Hiroshima. But how can the judgement be made if the benefits and losses cannot be balanced because the losses are either unmentioned or mentioned quickly?
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Anti-Valentines Day Poem Hearts and roses and kisses galore, What the hell is all that shit for? People get mushy and start acting queer, It is definitely the most annoying day of the year. This day needs to get the hell over with and pass, Before I shove something up Cupid's ass. I'll spend the day so drunk I can't speak And wear black for the rest of the week. Guys act all sweet, but soon it will fade, For all they are doing is trying to get laid. The arrow Cupid shot at me must not have hit, Cause I think this love thing is a crock of shit. So, here's my story... what else can I say? Love bites my ass... Fuck Valentines Day!
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The original story, whatever it was, was told to those who forgot some details and substituted others. The original is long lost in the restorations. They have had the composer accompanied by a gifted sister, who, the inflexible record shows, died years before the song was written. They have seated him at the prim old spindle-legged mahogany desk in the hall at Federal Hill and had him dash it off in the frenzy of inspiration. Or they have followed him to the rocks of the old spring house, whither they have sent him, pencil in hand, and counted the frowns of agony with which he laboriously set down now a strain of melody and again a phrase of words. They have heard him trying it out with the deep booming bass voice of him who had never more than a weak but sweet light baritone. Every writer of it has himself for the hero and has described it as he would himself have acted it before the grand audience of posterity. These various stories cling about Federal Hill, the outgrowth of the human desire for contact with the vague figures of the past.
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I would like to suggest that the history of science is the history of an enlarging understanding of the universe, its evolution, its history, and its structure. We have engaged the universe at the very limits of our capacity. We have explored the world of the microcosm and the world of the macrocosm. We have found at both extremes incredible complexity. The universe, beginning from an unimaginably hot and dense singularity, evolved through a series of stages, each producing the condition necessary for the succeeding stage. Our sun, our solar system, our planet, our own beings are all late stages of this evolving universe. The insights of cosmology and theoretical astronomy have served to tie us ever more tightly into the emerging story of the universe itself. The history of the universe is our history. We emerged from the same vast processes that created galaxies and suns and stars and planets. We are all of us recycled stardust.
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One time my cousin Walter got this cat stuck in his ass. True story. He bought it at the local mall, so the whole fiasco wound up on the news. It was embarrassing for my relatives and all. But the next week, he did it again. Different cat, same results, complete with a trip to the emergency room. Then, last week, I saw him in the pet store. He was buying another cat! I said, 'Walt, what the hell are you doing? You know you're just gonna get this cat stuck up your ass too, why don't you knock it off?' And he says to me, 'Brodie, how the hell else am I supposed to get the gerbil out?' My cousin was a weird guy.
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I don't know why people are so surprised by my live performances. My approach is so simple; every song I sing, every story I tell, every move I make, must move the audience to laughter, tears or inspiration. Otherwise, why should I do it?
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Places are produced in that wonderful interaction of people, place, narrative, and time. When the people desert these places, narratives are forgotten, ties break, and the place is unmade. What is un-remembered in abandonment cannot be re-remembered in transient automobile suburbs with too few places for shared experience and story making. The extreme is amnesia, and it means that those afflicted do not know who they are anymore. They are disoriented, isolated, and robbed of the ability to recognize emotional attachments to others. The sufferers do not have a coherent story anymore. Un-remembering is the enemy of good places and of public history.
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Instead of the 1997 film directed, written, by James Cameron with Leonardo DiCaprio, Kate Winslet, Billy Zane creating a love story and a large diamond with a beautiful song ââ?¬Å?My Heart Will Go Onââ?¬Â sung by Celine Dion. What about the real love story that took place that night between the passengers themselves, and many crew members knowing they would also give their lives. Adding another meaning for ââ?¬Å?SOSââ?¬Â Service, Obedience, and Sacrifice. ~Tom Baker
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The fact that the lower animals are excited by the same emotions as ourselves is so well established, that it will not be necessary to weary the reader by many details. Terror acts in the same manner on them as on us, causing the muscles to tremble, the heart to palpitate, the sphincters to be relaxed, and the hair to stand on end. Suspicion, the offspring of fear, is eminently characteristic of most wild animals. It is, I think, impossible to read the account given by Sir E. Tennent, of the behaviour of the female elephants, used as decoys, without admitting that they intentionally practise deceit, and well know what they are about. Courage and timidity are extremely variable qualities in the individuals of the same species, as is plainly seen in our dogs. Some dogs and horses are ill-tempered, and easily turn sulky; others are good-tempered; and these qualities are certainly inherited. Every one knows how liable animals are to furious rage, and how plainly they shew it. Many, and probably true, anecdotes have been published on the long-delayed and artful revenge of various animals. The accurate Rengger, and Brehm state that the American and African monkeys which they kept tame, certainly revenged themselves. Sir Andrew Smith, a zoologist whose scrupulous accuracy was known to many persons, told me the following story of which he was himself an eye-witness; at the Cape of Good Hope an officer had often plagued a certain baboon, and the animal, seeing him approaching one Sunday for parade, poured water into a hole and hastily made some thick mud, which he skilfully dashed over the officer as he passed by, to the amusement of many bystanders. For long afterwards the baboon rejoiced and triumphed whenever he saw his victim.
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One fine day in the middle of the night Two dead boys got up to fight Back to back they faced each other Drew their swords and shot each other One was blind and the other couldn't see So they chose a dummy for a referee. A blind man went to see fair play A dumb man went to shout hooray! A paralysed donkey passing by Kicked the blind man in the eye Knocked him through a nine inch wall Into a dry ditch and drowned them all A deaf policeman heard the noise And came to arrest the two dead boys If you don't believe this story
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Civilization is a stream with banks. The stream is sometimes filled with blood from people killing, stealing, shouting and doing things historians usually record, while on the banks, unnoticed, people build homes, make love, raise children, sing songs, write poetry. The story of civilization is the story of what happened on the banks. Historians are pessimists because they ignore the banks for the river.
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I've watched a lot of mid-career people, and Yogi Berra says you can observe a lot just by watching. I've concluded that most people enjoy learning and growing. And many are dearly troubled by the self-assessments of mid-career. Such self-assessments are no great problem at your age. You're young and moving up. The drama of your own rise is enough. But when you reach middle age, when your energies aren't what they used to be, then you'll begin to wonder what it all added up to; you'll begin to look for the figure in the carpet of your life. I have some simple advice for you when you begin that process. Don't be too hard on yourself. Look ahead. Someone said that Life is the art of drawing without an eraser. And above all don't imagine that the story is over. Life has a lot of chapters.
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My sister and brother-in-law started the ministry in memory of my nephew, ... Because it's my nephew, I have a very emotional tie to the ministry. You just can't get a better story for feeding hungry children.
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Original Poems for Infant Minds My MotherWho ran to help me when I fell,And would some pretty story tell,Or kiss the place to make it wellMy Mother.
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We must grieve his passing, thank God for his life, and celebrate it. ... This is the end of a chapter, but not the end of the story, because we believe in the Resurrection,
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