Take this kiss upon the brow And, in parting from you now,Thus much let me avow--You are not wrong who deemThat my days have been a dreamYet if hope has flown awayIn a night, or in a day,In a vision, or in none,Is it therefore the less goneAll that we see or seemIs but a dream within a dream.
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Wouldn't take nothing for my journey now.
Wouldn'
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If then a practical end must be assigned to a University course, I say it is that of training good members of society. Its art is the art of social life, and its end is fitness for the world. It neither confines its views to particular professions on the one hand, nor creates heroes or inspires genius on the other. Works indeed of genius fall under no art; heroic minds come under no rule; a University is not a birthplace of poets or of immortal authors, of founders of schools, leaders of colonies, or conquerors of nations. It does not promise a generation of Aristotles or Newtons, of Napoleons or Washingtons, of Raphaels or Shakespeares, though such miracles of nature it has before now contained within its precincts. Nor is it content on the other hand with forming the critic or the experimentalist, the economist or the engineer, though such too it includes within its scope. But a University training is the great ordinary means to an great but ordinary end; it aims at raising the intellectual tone of society, at cultivating the public mind, at purifying the national taste, at supplying true principles to popular enthusiasm and fixed aims to popular aspiration, at giving enlargement and sobriety to the ideas of the age, at facilitating the exercise of political power, and refining the intercourse of private life. It is the education which gives a man a clear conscious view of his own opinions and judgments, a truth in developing them, an eloquence in expressing them, and a force in urging them.
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Pretty women wonder where my secret lies. I'm not cute or built to suit a fashion model's size But when I start to tell them, They think I'm telling lies. I say, It's in the reach of my arms The span of my hips, The stride of my step, The curl of my lips. I'm a woman Phenomenally. Phenomenal woman, That's me.
I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees. Then they swarm around me, A hive of honey bees. I say, It's the fire in my eyes, And the flash of my teeth, The swing in my waist, And the joy in my feet. I'm a woman Phenomenally. Phenomenal woman, That's me.
Men themselves have wondered What they see in me. They try so much But they can't touch My inner mystery. When I try to show them They say they still can't see. I say, It's in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style. I'm a woman
Phenomenally. Phenomenal woman, That's me.
Now you understand Just why my head's not bowed. I don't shout or jump about Or have to talk real loud. When you see me passing It ought to make you proud. I say, It's in the click of my heels, The bend of my hair, the palm of my hand, The need of my care, 'Cause I'm a woman Phenomenally. Phenomenal woman, That's me.
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Now is the winter of our discontent Made glorious summer by this sun of York, And all the clouds that loured upon our house In the deep bosom of the ocean buried. Now are our brows bound with victorious wreaths, Our bruised arms hung up for monuments, Our stern alarums changed to merry meetings, Our dreadful marches to delightful measures. Grim-visaged war hath smoothed his wrinkled front And now, instead of mounting barbed steeds To fright the souls of fearful adversaries, He capers nimbly in a lady's chamber To the lascivious pleasing of a lute. But I, that am not shaped for sportive tricks, Nor made to court an amorous looking-glass I, that am rudely stamped, and want love's majesty To strut before a wanton ambling nymph I, that am curtailed of this fair proportion, Cheated of feature by dissembling nature, Deformed, unfinished, sent before my time Into this breathing world, scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them,-- Why, I, in this weak piping time of peace, Have no delight to pass away the time, Unless to spy my shadow in the sun.
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Her eyes beginning to water, she went on, So I would like you all to make me a promise. From now on, on your way to school, or on your way home, find something beautiful to notice. It doesn't have to be something you see it could be a scent - perhaps of freshly baked bread wafting out of someone's house, or it could be the sound of the breeze slightly rustling the leaves in the trees, or the way the morning light catches the autumn leaf as it falls gently to the ground. Please look for these things, and cherish them. For, although it may sound trite to some, these things are the stuff of life. The little things we are put here on earth to enjoy. The things we often take for granted. We must make it important to notice them, for at any time...it can all be taken away. The class was completely quiet. We all picked up our books and filed out of the room silently. That afternoon, I noticed more things on my way home from school than I had that whole semester. Every once in a while, I think of that teacher and remember what an impression she made on all of us, and I try to appreciate all of those things that sometimes we all overlook. Take notice of something special you see on your lunch hour today. Go barefoot. Or walk on the beach at sunset. Stop off on the way home tonight to get a double-dip ice cream cone. For as we get older, it is not the things we did that we often regret, but the things we didn't do. Life is not measured by the number of breaths we take, but by the moments that take our breath away.
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And whether I come to my own today or in ten thousand or ten million years, I can cheefully take it now, or with equal cheerfulness I can wait... And as to you, Life, I reckon you are the leavings of many deaths, (No doubt I have died myself ten thousand times before.)
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There was no exaggeration in Marian's definition of Flintcomb-Ash farm as a starve-acre place. The single fat thing on the soil was Marian herself; and she was an importation. Of the three classes of village, the village cared for by its lord, the village cared for by itself, and the village uncared for either by itself or by its lord (in other words, the village of a resident squires's tenantry, the village of free or copy-holders, and the absentee-owner's village, farmed with the land) this place, Flintcomb-Ash, was the third. But Tess set to work. Patience, that blending of moral courage with physical timidity, was now no longer a minor feature in Mrs Angel Clare; and it sustained her.
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A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines. With consistency a great soul has simply nothing to do. He may as well concern himself with his shadow on the wall. Speak what you think now in hard words, and to-morrow speak what to-morrow thinks in hard words again, though it contradict every thing you said to-day. -- ` Ah, so you shall be sure to be misunderstood .' -- Is it so bad, then, to be misunderstood? Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood.
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Oft have I mused, but now at length I find, Why those that die, men say they do depart.
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Behind him lay the gray Azores, Behind the gates of Hercules; Before him not the ghost of shores, Before him only shorless seas. The good Mate said, Now we must pray, For lo! the very stars are gone. Brave Admiral, speak, what shall I say? Why say, 'Sail on! sail on! and on! My men grow mutinous day by day; My men grow ghastly wan and weak! The stout Mate thought of home; a spray Of salt wavewashed his swarthy cheek. What shall I say, brave Admiral, say, If we sight naught but seas at dawn? Why, you shall say at break of day, 'Sail on! sail on! sail on! and on!' They sailed. They sailed. Then spake the Mate; This mad sea shows its teeth tonight. He curls his lip, he lies in wait, With lifted teeth, as if to bite! Brave Admiral, say but one good word; What shall we do when hope is gone? The words leapt like a leaping sword; Sail on! sail on! sail on! and on! Then, pale and worn, he kept his deck And peered through darkness. Ah! that night Of all dark nights! And then a speck -- A light! A light! A light! A light! It grew, a starlit flag unfurled! It grew to be Time's burst of dawn. He gained a world; he gave that world Its greatest lesson: On! sail on!
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I wasted time, and now doth time waste me.
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Here is my gift, not roses on your grave, not sticks of burning incense. You lived aloof, maintaining to the end your magnificent disdain. You drank wine, and told the wittiest jokes, and suffocated inside stifling walls. Alone you let the terrible stranger in, and stayed with her alone.
Now you're gone, and nobody says a word about your troubled and exalted life. Only my voice, like a flute, will mourn at your dumb funeral feast. Oh, who would have dared believe that half-crazed I, I, sick with grief for the buried past, I, smoldering on a slow fire, having lost everything and forgotten all, would be fated to commemorate a man so full of strength and will and bright inventions, who only yesterday it seems, chatted with me, hiding the tremor of his mortal pain.
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I live in the Managerial Age, in a world of "Admin." The greatest evil is not now done in those sordid "dens of crime" that Dickens loved to paint. It is not done even in concentration camps and labour camps. In those we see its final result. But it is conceived and ordered (moved, seconded, carried, and minuted) in clean, carpeted, warmed and well-lighted offices, by quiet men with white collars and cut fingernails and smooth-shaven cheeks who do not need to raise their voices. Hence, naturally enough, my symbol for Hell is something like the bureaucracy of a police state or the office of a thoroughly nasty business concern.
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I spent millons of years in the world of inorganic things as a star, as a rock... Then I died and became a plant-- Forgetting my former existence because of its otherness Then I died and became an animal-- Forgetting my life as a plant except for inclinations in the season of spring and sweet herbs-- like the inclination of babes toward their mother's breast Then I died and became a human My intelligence ripened, awakening from greed and self-seeking to become wise and knowing I behold a hundred thousand intelligences most marvelous and remember my former states and inclinations And when I die again I will soar past the angels to places I cannot imagine Now, what have I ever lost by dying?
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Each dead child coiled, a white serpent, One at each little Pitcher of milk, now empty.
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So daddy, I'm finally through. The black telephone's off at the root, The voices just can't worm through. If I've killed one man, I've killed two -- The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There's a stake in your fat black heart And the villagers never liked you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you bastard, I'm through.
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My husband is exceedingly busy. For some time the talk of his going had been slack, but just now again there seems to be a move to get him sent to the front!
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....Then he felt quite ashamed, and hid his head under his wing; for he did not know what to do, he was so happy, and yet not at all proud. He had been persecuted and despised for his ugliness, and now he heard them say he was the most beautiful of all the birds. Even the elder-tree bent down its bows into the water before him, and the sun shone warm and bright. He would never became vain or conceited, and would always remembered how it felt to be despised and teased, and he was very sorry for all the creatures who are so treated merely because they are different from those around them. Then he rustled his feathers, curved his slender neck, and cried joyfully, from the depths of his heart,
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How the old mountains drip with sunset, And the brake of dun! How the hemlocks are tipped in tinsel By the wizard sun! How the old steeples hand the scarlet, Till the ball is full, -- Have I the lip of the flamingo That I dare to tell? Then, how the fire ebbs like billows, Touching all the grass With a departing, sapphire feature, As if a duchess pass! How a small dusk crawls on the village Till the houses blot; And the odd flambeaux no men carry Glimmer on the spot! Now it is night in nest and kennel, And where was the wood, Just a dome of abyss is nodding Into solitude! -- These are the visions baffled Guido; Titian never told; Domenichino dropped the pencil, Powerless to unfold.
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You just want to be playing your best basketball of the season right now. We still have to take care of business at McFarland and go from there. As tough as the Badger South is, I hope that will help us come tournament time.
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I live in the Managerial Age, in a world of 'Admin.' The greatest evil is not now done in those sordid 'dens of crime' that Dickens loved to paint. It is not done even in concentration camps and labour camps. In those we see its final result. But it is conceived and ordered (moved, seconded, carried, and minuted) in clean, carpeted, warmed and well-lighted offices, by quiet men with white collars and cut fingernails and smooth-shaven cheeks who do not need to raise their voices. Hence, naturally enough, my symbol for Hell is something like the bureaucracy of a police state or the office of a thoroughly nasty business concern.
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Four years and thirty, told this very week,Have I been now a sojourner on earth,And yet the morning gladness is not goneWhich then was in my mind.
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A slumber did my spirit seal;/ I had no human fears:/ She seemed a thing that could not feel/ The touch of earthly years. No motion has she now, no force;/ She neither hears nor sees;/ Rolled round in earth's diurnal course. . .
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Society is now one polished horde, formed by two mighty tribes - Bores and Bored.
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People say I'm crazy doing what I'm doing Well they give me all kinds of warnings to save me from ruin When I say that I'm o.k. well they look at me kind of strange Surely you're not happy now you no longer play the game People say I'm lazy dreaming my life away Well they give me all kinds of advice designed to enlighten me When I tell them that I'm doing fine watching shadows on the wall Don't you miss the big time boy you're no longer on the ball I'm just sitting here watching the wheels go round and round I really love to watch them roll No longer riding on the merry-go-round I just had to let it go Ah, people asking questions lost in confusion Well I tell them there's no problem, only solutions Well they shake their heads and they look at me as if I've lost my mind I tell them there's no hurry I'm just sitting here doing time
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I went to a party, Mom, I remembered what you said, You told me not you drink and drive, Mom, So i drank sprit instead I felt really proud inside, Mom, The way you said I would. I didn?t drink and drive, Mom, Even though the others said i should I know i did the right thing, Mom I know you are always right. Now the party is finally ending, Mom, As everyone drives out of sight. As i got into my car, Mom, I knew i would get home in one piece Because of the way you raised me, Mom, So responsible and sweet. I started to drive away, Mom, But as I pulled onto the road The other car didn?t see me, Mom, And it hit me like a load. As I lie here on the pavement, Mom, I hear the police say, The other guy was drunk, Mom, And now I?m the one who will pay. I?m laying here dying, Mom, I wish you would get here soon. How come this happened to me, Mom? My life bursted like a ballon. There is blood all around me, Mom, Most of it is mine. I here the paramedics say, Mom, I?ll be dead in a short time. I just wanted to tell you, Mom, I swear i didn?t drink It was the others, Mom, The others didn?t think He didn?t know where he was going, Mom, He was parably at the same party as I, the only difference is, Mom He drank and I will die. Why do people drink, Mom? It can ruin my whole life. I?m feeling sharp pains now, Mom, Pains just like a knife. The guy who hit me is walking, Mom, I don?t think it?s fair. I?m lying here dying, Mom, While all he can do is stare. Tell my brother not to cry, Mom, Tell daddy to be brave. And when I get to heaven, Mom, Write ?Daddy?s Little Girl? on my grave. Someone should have told him, Mom, Not to drink and drive. If only they have taken the time, Mom I would still be alive. My breath is getting shorter, Mom I?m becoming very scared. Please don?t cry for me, Mom Because when i needed you, you were always there. I have one last question, Mom, before i say good-bye. I didnt ever drink, Mom So why am I do die? This is the end, Mom, I wish I could look you in the eyes, To say these final words, Mom, I love you, and Good-bye.
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'Guess now who holds thee?'—'Death,' I said. But, there, The silver answer rang, . . . 'Not Death, but Love.'
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I loved you in the morning, our kisses deep and warm, your hair upon the pillow like a sleepy, golden storm, yes many loved before us, I know we are not new, in city and in forest they smiled like me and you, but now it's come to distances and both of us must try, your eyes are soft with sorrow, Hey, that's no way to say goodbye.
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Critics who treat adult as a term of approval, instead of as a merely descriptive term, cannot be adults themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence.... When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty, I read them openly. When I became a man, I put away childish things, including the fear of childishness and the desire to be very grown up.
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