The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.
|
Moonlight falls on the gravestone like death the gravestone is mine... a crow caws so close to my ear, i taste a bitter taste and it smells like death i see nothing but utter stillness i can see my fear run through the yard i see the ghost of curt cobain run through the yard and i chase after him there is a taste of sweet dew on my tongue in my bedroom there are posters on the wall i read a note over and over again and the words 'sup loser' haunt me... the giants peer over the midgets intimidating he loves everything about me, why does he had me so? the dull pencil of life tried to write on the soul and failed. i am as happy as a dull face in the dark my eyes go from ice blue to pitch black in the blink of an eye Lydia is dead in her mind. in the next months i'll walk through in a daze the hazy fog echoes as she lives for death she dies everyday and lives for tomorow elle amour mort mais elles deteste vie her pen writes on the pages of her heart a sweet song she will end the wait of life with the death of spirits.
|
Every thought, action, decision or feeling creates an eddy in the interlocking, interbalancing, ever-moving energy fields of life, leaving a permanent record for all of time. This realization can be intimidating when it first dawns on us, but it becomes a springboard for rapid evolution.
|
Some of us just go along . . . until that marvelous day people stop intimidating us -- or should I say we refuse to let them intimidate us
|