I've also always been fascinated by weddings... those surreal performances where the audience plays an integral part -- the joy, the sadness, the passion... all unfolding firstly in a house where God is served and ultimately in a house where beer is served... the knife inserted ritually into the virginal white cake to reveal the dark fruity interior... that ugly pagan concept of the father handing over his daughter to her new master... the mothers crying because they're losing a daughter, the page boys crying because they have to wear such stupid clothes... those embarrassing speeches and drunken uncles on the dance floor...

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The chief mate of the Pequod was Starbuck, a native of Nantucket, and a Quaker by descent. He was a long, earnest man, and though born on an icy coast, seemed well adapted to endure hot latitudes, his flesh being hard as twice-baked biscuit. Transported to the Indies, his live blood would not spoil like bottled ale. He must have been born in some time of general drought and famine, or upon one of those fast days for which his state is famous. Only some thirty arid summers had he seen; those summers had dried up all his physical superfluousness. But this, his thinness, so to speak, seemed no more the token of wasting anxieties and cares, than it seemed the indication of any bodily blight. It was merely the condensation of the man. He was by no means ill-looking; quite the contrary. His pure tight skin was an excellent fit; and closely wrapped up in it, and embalmed with inner health and strength, like a revivified Egyptian, this Starbuck seemed prepared to endure for long ages to come, and to endure always, as now; for be it Polar snow or torrid sun, like a patent chronometer, his interior vitality was warranted to do well in all climates. Looking into his eyes, you seemed to see there the yet lingering images of those thousand-fold perils he had calmly confronted through life. A staid, steadfast man, whose life for the most part was a telling pantomime of action, and not a tame chapter of sounds. Yet, for all his hardy sobriety and fortitude, there were certain qualities in him which at times affected, and in some cases seemed well nigh to overbalance all the rest. Uncommonly conscientious for a seaman, and endued with a deep natural reverence, the wild watery loneliness of his life did therefore strongly incline him to superstition; but to that sort of superstition, which in some organizations seems rather to spring, somehow, from intelligence than from ignorance. Outward portents and inward presentiments were his.

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Prose is architecture, not interior decoration, and the Baroque is over.

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One of the most important-and most neglected-elements in the beginning of the interior life is the ability to respond to reality, to see the value and the beauty in ordinary things, to come alive to the splendour that is all around us.

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In our own beginnings, we are formed out of the body's interior landscape. For a short while, our mothers' bodies are the boundaries and personal geography which are all that we know of the world. ... Once we no longer live beneath our mother's heart, it is the earth with which we form the same dependent relationship, relying ... on its cycles and elements, helpless without its protective embrace.

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From without, no wonderful effect is wrought within ourselves, unless some interior, responding wonder meets it.

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I believe that organic sex, body against body, skin area against skin area, is becoming no longer possible, simply because if anything is to have any meaning for us it must take place in terms of the values and experiences of the media landscape. What we're getting is a whole new order of sexual fantasies, involving a different order of experiences, like car crashes, like travelling in jet aircraft, the whole overlay of new technologies, architecture, interior design, communications, transport, merchandising. These things are beginning to reach into our lives and change the interior design of our sexual fantasies. We've got to recognize that what one sees through the window of the TV screen is as important as what one sees through a window on the street.

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The work of art, just like any fragment of human life considered in its deepest meaning, seems to me devoid of value if it does not offer the hardness, the rigidity, the regularity, the luster on every interior and exterior facet, of the crystal.

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Deep hearts, wise minds, take life as God has made it. It is a long trial; An unintelligable preparation for an unknown destiny. This destiny, the true one, begins for man at the first step in the interior of the tomb. There he begins to discern the definite. The definite, think of this word! The living see the infinite; the definite reveals itself only to the dead. Meantime, love and suffer, hope and contemplate. Woe, alas! to him who shall have loved forms, bodies, appearances only. Death will take all from him. Try to love souls, you shall find them again.

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The power of a text is different when it is read from when it is copied out. Only the copied text thus commands the soul of him who is occupied with it, whereas the mere reader never discovers the new aspects of his inner self that are opened by the text, that road cut through the interior jungle forever closing behind it: because the reader follows the movement of his mind in the free flight of day-dreaming, whereas the copier submits it to command.

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An absolute can only be given in an intuition, while all the rest has to do with analysis. We call intuition here the sympathy by which one is transported into the interior of an object in order to coincide with what there is unique andconsequently inexpressible in it. Analysis, on the contrary, is the operation which reduces the object to elements already known.

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You can t, in sound morals, condemn a man for taking care of his own integrity. It is his clear duty. And least of all can you condemn an artist pursuing, however humbly and imperfectly, a creative aim. In that interior world where his thought and his emotions go seeking for the experience of imagined adventures, there are no policemen, no law, no pressure of circumstance or dread of opinion to keep him within bounds. Who then is going to say Nay to his temptations if not his conscience?

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To attract men, I wear a perfume called New Car Interior.

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Interior design is a travesty of the architectural process and a frightening condemnation of the credulity, helplessness and gullibility of the most formidable consumers

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Progressive art can assist people to learn not only about the objective forces at work in the society in which they live, but also about the intensely social character of their interior lives. Ultimately, it can propel people toward social emancipation.

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Art can only be truly Art by presenting an adequate outward symbol of some fact in the interior life.

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Journal writing is a voyage to the interior.

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There is one spectacle grander than the sea, that is the sky; there is one spectacle grander than the sky, that is the interior of the soul.

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The deeper interior you have the more you have in your llibrary.

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Acts 19:1:
While Apollos was at Corinth, Paul took the road through the interior and arrived at Ephesus. There he found some disciples
(NIV)
WHILE APOLLOS was in Corinth, Paul went through the upper inland districts and came down to Ephesus. There he found some disciples.
(AMP)
And it came to pass, that, while Apollos was at Corinth, Paul having passed through the upper coasts came to Ephesus: and finding certain disciples,
(KJV)

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What is the imagination? Only an arm or weapon of the interior energy; only the precursor of the reason.

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