April is the cruellest month, breedingLilacs out of the dead land, mixingMemory out of desire, stirringDull roots with spring rain.Winter kept us warm, coveringEarth in a forgetful snow, feedingA little life with dried tubers.
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Morning Is Yellow Like A Desk Is Square
He always wanted to explain things. But no one cared. So he drew. Sometimes he would draw and it wasn't anything. He wanted to carve it in stone or write it in the sky. He would lie out on the grass and look up in the sky. And it would be only him and the sky and the things inside him that needed saying. And it was after that he drew the picture. It was a beautiful picture. He kept it under his pillow and would let no one see it. And he would look at it every night and think about it. And when it was dark, and his eyes were closed, he could still see it. And it was all of him. And he loved it. When he started school he brought it with him. Not to show anyone, but just to have with him like a friend. It was funny about school. He sat in a square brown desk Like all the other square brown desks And he thought it should be red And his room was a square brown room. Like all the other rooms. And it was tight and close. And stiff. He hated to hold the pencil and chalk, With his arm stiff and his feet flat on the floor. Stiff. With the teacher watching and watching. The teacher came and spoke to him. She told him to wear a tie like all the other boys. He said he didn't like them. And she said it didn't matter. After that they drew. And he drew all yellow and it was the way he felt about morning. And it was beautiful. The teacher came and smiled at him. 'What's this?' she said. 'Why don't you draw something like Ken's drawing? Isn't it beatiful?' After that his mother bought him a tie. And he always drew airplanes and rocket ships like everyone else. And he threw the old picture away. And when he lay alone looking at the sky, It was big and blue and all of everything, But he wasn't anymore. He was square inside. And brown. And his hands were stiff. And he was like everyone else. And the things inside him that needed saying didn't need it anymore. It had stopped pushing. It was crushed. Stiff. Like everything else.
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Now is the winter of our discontent Made glorious summer by this sun of York, And all the clouds that loured upon our house In the deep bosom of the ocean buried. Now are our brows bound with victorious wreaths, Our bruised arms hung up for monuments, Our stern alarums changed to merry meetings, Our dreadful marches to delightful measures. Grim-visaged war hath smoothed his wrinkled front And now, instead of mounting barbed steeds To fright the souls of fearful adversaries, He capers nimbly in a lady's chamber To the lascivious pleasing of a lute. But I, that am not shaped for sportive tricks, Nor made to court an amorous looking-glass I, that am rudely stamped, and want love's majesty To strut before a wanton ambling nymph I, that am curtailed of this fair proportion, Cheated of feature by dissembling nature, Deformed, unfinished, sent before my time Into this breathing world, scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them,-- Why, I, in this weak piping time of peace, Have no delight to pass away the time, Unless to spy my shadow in the sun.
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Take this kiss upon the brow And, in parting from you now,Thus much let me avow--You are not wrong who deemThat my days have been a dreamYet if hope has flown awayIn a night, or in a day,In a vision, or in none,Is it therefore the less goneAll that we see or seemIs but a dream within a dream.
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Her eyes beginning to water, she went on, So I would like you all to make me a promise. From now on, on your way to school, or on your way home, find something beautiful to notice. It doesn't have to be something you see it could be a scent - perhaps of freshly baked bread wafting out of someone's house, or it could be the sound of the breeze slightly rustling the leaves in the trees, or the way the morning light catches the autumn leaf as it falls gently to the ground. Please look for these things, and cherish them. For, although it may sound trite to some, these things are the stuff of life. The little things we are put here on earth to enjoy. The things we often take for granted. We must make it important to notice them, for at any time...it can all be taken away. The class was completely quiet. We all picked up our books and filed out of the room silently. That afternoon, I noticed more things on my way home from school than I had that whole semester. Every once in a while, I think of that teacher and remember what an impression she made on all of us, and I try to appreciate all of those things that sometimes we all overlook. Take notice of something special you see on your lunch hour today. Go barefoot. Or walk on the beach at sunset. Stop off on the way home tonight to get a double-dip ice cream cone. For as we get older, it is not the things we did that we often regret, but the things we didn't do. Life is not measured by the number of breaths we take, but by the moments that take our breath away.
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If life's journey be endless where is its goal? The answer is, it is everywhere. We are in a palace which has no end, but which we have reached. By exploring it and extending our relationship with it we are ever making it more and more our own. The i
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It is by no means an irrational fancy that, in a future existence, we shall look upon what we think our present existence, as a dream.
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English is a crazy language. There is no egg in eggplant nor ham in hamburger; neither apple nor pine in pineapple. English muffins weren't invented in England or French fries in France. Sweetmeats are candies while sweetbreads, which aren't sweet, are meat.
We take English for granted. But if we explore its paradoxes, we find that quicksand can work slowly, boxing rings are square and a guinea pig is neither from Guinea nor is it a pig. And why is it that writers write but fingers don't fing, grocers don't groce and hammers don't ham? If the plural of tooth is teeth, why isn't the plural of booth beeth? One goose, 2 geese. So one moose, 2 meese? If you have a bunch of odds and ends and get rid of all but one of them, what do you call it?
If teachers taught, why didn't preachers praught? If a vegetarian eats vegetables, what does a humanitarian eat? Sometimes I think all the English speakers should be committed to an asylum for the verbally insane. In what language do people recite at a play and play at a recital? Ship by truck and send cargo by ship? Have noses that run and feet that smell? How can a slim chance and a fat chance be the same, while a wise man and a wise guy are opposites?
Have you noticed that we talk about certain things only when they are absent? Have you ever seen a horsefull carriage or a strapfull gown? Met a sung hero or experienced requited love? Have you ever run into someone who was combobulated, gruntled, ruly or peccable? And where are all those people who ARE spring chickens or who would actually hurt a fly?
You have to marvel at the unique lunacy of a language in which your house can burn up as it burns down, in which you fill in a form by filling it out and in which an alarm goes off by going on.
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A writer needs loneliness, and he gets his share of it. He needs love, and he gets shared and also unshared love. He needs friendship. In fact, he needs the universe. To be a writer is, in a sense, to be a day-dreamer - to be living a kind of double life.
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To be nobody but yourself, in a world which is doing its best, night and day, to make you everybody else, means to fight the hardest battle which any human being can fight; and never stop fighting.
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Don't be discouraged by a failure. It can be a positive experience. Failure is, in a sense, the highway to success, inasmuch as every discovery of what is false leads us to seek earnestly after what is true, and every fresh experience points out some form of error which we shall afterwards carefully avoid.
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Fortunately art is a community effort—a small but select community living in a spiritualized world endeavoring to interpret the wars and the...
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There was never yet fair woman but she made mouths in a glass.
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To be nobody but yourself, in a world which is doing its best, night and day, to make you everybody else, means to fight the hardest battle which any human being can fight; and never stop fighting.
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I live in the Managerial Age, in a world of "Admin." The greatest evil is not now done in those sordid "dens of crime" that Dickens loved to paint. It is not done even in concentration camps and labour camps. In those we see its final result. But it is conceived and ordered (moved, seconded, carried, and minuted) in clean, carpeted, warmed and well-lighted offices, by quiet men with white collars and cut fingernails and smooth-shaven cheeks who do not need to raise their voices. Hence, naturally enough, my symbol for Hell is something like the bureaucracy of a police state or the office of a thoroughly nasty business concern.
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I think it frets the saints in heaven to see How many desolate creatures on the earth Have learnt the simple dues of fellowship And social comfort, in a hospital.
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I went to a party, Mom, I remembered what you said, You told me not you drink and drive, Mom, So i drank sprit instead I felt really proud inside, Mom, The way you said I would. I didn?t drink and drive, Mom, Even though the others said i should I know i did the right thing, Mom I know you are always right. Now the party is finally ending, Mom, As everyone drives out of sight. As i got into my car, Mom, I knew i would get home in one piece Because of the way you raised me, Mom, So responsible and sweet. I started to drive away, Mom, But as I pulled onto the road The other car didn?t see me, Mom, And it hit me like a load. As I lie here on the pavement, Mom, I hear the police say, The other guy was drunk, Mom, And now I?m the one who will pay. I?m laying here dying, Mom, I wish you would get here soon. How come this happened to me, Mom? My life bursted like a ballon. There is blood all around me, Mom, Most of it is mine. I here the paramedics say, Mom, I?ll be dead in a short time. I just wanted to tell you, Mom, I swear i didn?t drink It was the others, Mom, The others didn?t think He didn?t know where he was going, Mom, He was parably at the same party as I, the only difference is, Mom He drank and I will die. Why do people drink, Mom? It can ruin my whole life. I?m feeling sharp pains now, Mom, Pains just like a knife. The guy who hit me is walking, Mom, I don?t think it?s fair. I?m lying here dying, Mom, While all he can do is stare. Tell my brother not to cry, Mom, Tell daddy to be brave. And when I get to heaven, Mom, Write ?Daddy?s Little Girl? on my grave. Someone should have told him, Mom, Not to drink and drive. If only they have taken the time, Mom I would still be alive. My breath is getting shorter, Mom I?m becoming very scared. Please don?t cry for me, Mom Because when i needed you, you were always there. I have one last question, Mom, before i say good-bye. I didnt ever drink, Mom So why am I do die? This is the end, Mom, I wish I could look you in the eyes, To say these final words, Mom, I love you, and Good-bye.
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The sight of a Black nun strikes their sentimentality; and, as I am unalterably rooted in native ground, they consider me a work of primitive art, housed in a magical color; the incarnation of civilized, anti-heathenism, and the fruit of a triumphing idea.
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Toward education marriage nervous breakdown, operation, teaching school, and learning to be mad, in a dream—what is this life?
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I think it ticks God off if you walk by the color purple in a field somewhere and don’t notice it.
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While walking in a toy store The day before today, I overheard a Crayon Box With many things to say. I don't like red! said Yellow. And Green said, Nor do I! And no one here likes Orange, But no one knows quite why. We are a box of crayons that really doesn't get along, Said Blue to all the others. Something here is wrong! Well, i bought that box of crayons And took it home with me And laid out all the crayons So the crayons could all see They watched me as I colored With Red and Blue and Green And Black and White and Orange And every color in between They watched as Green became the grass And Blue became the sky. The Yellow sun was shining bright On White clouds drifting by. Colors changing as they touched, Becoming something new. They watched me as I colored. They watched till I was through. And when I'd finally finished, I began to walk away. And as I did the Crayon box Had something more to say... I do like Red! said the Yellow And Green said, So do I! And Blue you are terrific! So high up in the sky. We are a Box of Crayons Each of us unique, But when we get together The picture is complete.
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Empty your mind, be formless, shapeless--like water. Now you put water into a cup, it becomes the cup, You put water into a bottle, it becomes the bottle, You put it in a teapot, it becomes the teapot. Now water can flow or it can crash Be water my friend.
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There sighs, lamentations and loud wailings resounded through the starless air, so that at first it made me weep; strange tongues, horrible language, words of pain, tones of anger, voices loud and hoarse, and with these the sound of hands, made a tumult which is whirling through that air forever dark, and sand eddies in a whirlwind.
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I would not that death should take me asleep. I would not have him merely seize me, and only declare me to be dead, but win me, and overcome me. When I must shipwreck, I would do it in a sea, where mine impotency might have some excuse; not in a sullen weedy lake, where I could not have so much as exercise for my swimming.
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My friends and my road-fellows, pity the nation that is full of beliefs and empty of religion. Pity the nation that wears a cloth it does not weave, eats a bread it does not harvest, and drinks a wine that flows not from its own winepress. Pity the nation that acclaims the bully as hero, and that deems the glittering conqueror bountiful. Pity the nation that raises not its voice save when it walks in a funeral, boasts not except among its ruins, and will rebel not save when its neck is laid between the sword and the block. Pity the nation whose statesman is a fox, whose philosopher is a juggler, and whose art is the art of patching and mimicking. Pity the nation that welcomes its new ruler with trumpetings, and farewells him with hootings, only to welcome another with trumpetings again. Pity the nation divided into fragments, each fragment deeming itself a nation.
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Cold hearted orb that rules the night, Removes the colours from our sight Red is grey, and yellow white But we decide which is right. And which is an illusion.
Pinprick holes in a colourless sky, Let incipient figures of light pass by, The mighty light of ten thousand suns, Challanges infinity and is soon gone.
Night time, to some, a brief interlude, To others, the fear of solititude. Brave Helios, wake up your steeds, Bring us the warmth the countryside needs.
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In the fall, when you see geese heading south for the winter fly along in v formation, one might consider what science has discovered as to why geese fly this way. Each bird flaps its wings creating uplift for the bird immediately following. A flock has a greater flying range in formation than a single bird would have on its own. When a goose falls out of formation, it feels the drag and resistance of trying to fly alone and quickly rejoins the formation. The goose takes advantage of the lifting power of the bird in front. The geese in formation honk from behind to encourage those flying up front to keep their speed. When a goose gets sick or wounded and falls out of formation, two other geese will fall out of formation with that goose to follow it down to lend help and protection. They stay with that fallen goose until it is able to fly or it dies. Only then do they launch out on their own or with another formation to catch up with their flock. People, who share a common direction and sense of community, can reach a goal more quickly and easily because they are traveling on the thrust of one another. It is harder to do something alone than together. It is beneficial to take turns doing demanding work. By sharing leadership and depending upon others in a group, there is a chance to lead and an opportunity to rest.
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I live in the Managerial Age, in a world of 'Admin.' The greatest evil is not now done in those sordid 'dens of crime' that Dickens loved to paint. It is not done even in concentration camps and labour camps. In those we see its final result. But it is conceived and ordered (moved, seconded, carried, and minuted) in clean, carpeted, warmed and well-lighted offices, by quiet men with white collars and cut fingernails and smooth-shaven cheeks who do not need to raise their voices. Hence, naturally enough, my symbol for Hell is something like the bureaucracy of a police state or the office of a thoroughly nasty business concern.
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The story of life is quicker than the blink of an eye The story of love is hello and goodbye Until we meet again
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So if I asked you about art you could give me the skinny on every art book ever written...Michelangelo? You know a lot about him I bet. Life's work, criticisms, political aspirations. But you couldn't tell me what it smells like in the Sistine Chapel. You've never stood there and looked up at that beautiful ceiling. And if I asked you about women I'm sure you could give me a syllabus of your personal favorites, and maybe you've been laid a few times too. But you couldn't tell me how it feels to wake up next to a woman and be truly happy. If I asked you about war you could refer me to a bevy of fictional and non-fictional material, but you've never been in one. You've never held your best friend's head in your lap and watched him draw his last breath, looking to you for help. And if I asked you about love I'd get a sonnet, but you've never looked at a woman and been truly vulnerable. Known that someone could kill you with a look. That someone could rescue you from grief. That God had put an angel on Earth just for you. And you wouldn't know how it felt to be her angel. To have the love be there for her forever. Through anything, through cancer. You wouldn't know about sleeping sitting up in a hospital room for two months holding her hand and not leaving because the doctors could see in your eyes that the term 'visiting hours' didn't apply to you. And you wouldn't know about real loss, because that only occurs when you lose something you love more than yourself, and you've never dared to love anything that much. I look at you and I don't see an intelligent confident man, I don't see a peer, and I don't see my equal. I see a boy. Nobody could possibly understand you, right Will? Yet you presume to know so much about me because of a painting you saw. You must know everything about me. You're an orphan, right? Do you think I would presume to know the first thing about who you are because I read 'Oliver Twist?' And I don't buy the argument that you don't want to be here, because I think you like all the attention you're getting. Personally, I don't care. There's nothing you can tell me that I can't read somewhere else. Unless we talk about your life. But you won't do that. Maybe you're afraid of what you might say.
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