How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being and ideal Grace. I love thee to the level of every day's Most quiet need; by sun and candle-light. I love thee freely, as men strive for Right; I love thee purely, as they turn from Praise. I love thee with the passion put to use In my old griefs, and with my childhood's faith I love thee with a love I seemed to lose With my lost saints,--I love thee with the breath. Smiles, tears, of all my life!--and, if God choose, I shall but love thee better after death.
|
Happiness makes up in height for what it lacks in length.
|
In the mountain, stillness surges up to explore its own height In the lake, movement stands still to contemplate its own depth.
|
Another piece of advice: when you proofread cross out as many adjectives and adverbs as you can. You have so many modifiers that the reader has trouble understanding and gets worn out. It is comprehensible when I write: The man sat on the grass, because it is clear and does not detain one's attention. On the other hand, it is difficult to figure out and hard on the brain if I write: The tall, narrow-chested man of medium height and with a red beard sat down on the green grass that had already been trampled down by the pedestrians, sat down silently, looking around timidly and fearfully. The brain can't grasp all that at once, and art must be grasped at once, instantaneously. And then one other thing; you are lyrical by nature. The timber of your soul is soft. If you were a composer you would avoid writing marches. It is unnatural for your talent to curse, shout, taunt, denounce with rage. Therefore, you'll understand if I advise you, in proofreading, to eliminate the sons of bitches, curs, and flea-bitten mutts that appear here and there on the pages of Life.
|
And when the Salmon seeks a fresher stream to find; (Which hither from the sea comes, yearly, by his kind,) As he towards season grows; and stems the watry tract Where Tivy, falling down, makes an high cataract, Forc'd by the rising rocks that there her course oppose, As tho' within her bounds they meant her to inclose; Here when the labouring fish does at the foot arrive, And finds that by his strength he does but vainly strive; His tail takes in his mouth, and, bending like a bow That's to full compass drawn, aloft himself doth throw, Then springing at his height, as doth a little wand That bended end to end, and started from man's hand, Far off itself doth cast, so does that Salmon vault; And if, at first, he fail, his second summersault He instantly essays, and, from his nimble ring Still yerking, never leaves until himself he fling Above the opposing stream.
|
It is possible to regulate watercourses over any given distance without embankment works; to transport timber and other materials, even when heavier than water, for example ore, stones, etc., down the centre of such water-courses; to raise the height of the water table in the surrounding countryside and to endow the water with all those elements necessary for the prevailing vegetation. Furthermore it is possible in this way to render timber and other such materials non-inflammable and rot resistant; to produce drinking and spa-water for man, beast and soil of any desired composition and performance artificially, but in the way that it occurs in Nature; to raise water in a vertical pipe without pumping devices; to produce any amount of electricity and radiant energy almost without cost; to raise soil quality and to heal cancer, tuberculosis and a variety of nervous disorders... the practical implementation of this ... would without doubt signify a complete reorientation in all areas of science and technology.
|
The height of cultivation runs to simplicity. Halfway cultivation runs to ornamentation.
|
We have our little theory on all human and divine things. Poetry, the workings of genius itself, which, in all times, with one or another meaning, has been called Inspiration, and held to be mysterious and inscrutable, is no longer without its scientific exposition. The building of the lofty rhyme is like any other masonry or bricklaying: we have theories of its rise, height, decline and fall -- which latter, it would seem, is now near, among all people.
|
The tree that thou sawest, which grew, and was strong, whose height reached unto the heaven, and the sight thereof to all the earth; / Whose leaves were fair, and the fruit thereof much, and in it was meat for all; under which the beasts of the field dwelt, and upon whose branches the fowls of the heaven had their habitation: / It is thou, O king, that art grown and become strong: for thy greatness is grown, and reacheth unto heaven, and thy dominion to the end of the earth.
|
As she came up to the arch Elizabeth saw with a start that it was written on. She went closer. She peered at the stone. There were names on it. Every grain of the surface had been carved with British names; their chiselled capitals rose from the level of her ankles to the height of the great arch itself; on every surface of every column as far as her eyes eyes could see there were names teeming, reeling, over surfaces of yards, of hundreds of yards, over furlongs of stone. She moved through the space beneath the arch where the man was sweeping. She found the other pillas identically marked, their faces obliterated on all sides by the names that were carved on them. 'Who are these, these ...?; She gestured with her hand.' 'These?' The man with the brush sounded surprised. 'The lost.' 'Men who died in battle?' 'No. The lost, the ones they did not find. The others are in cemetries.' 'These are just the ... unfound?' She looked at the vault above her head and then around in panic at the endless writing, as though the surface of the sky had been papered in footnotes. When she could speak again, she said, 'from the whole war?' The man shook his head. 'Just these fields.' He gestured with his arm. Elizabeth went and sat on the steps on the other side of the monument. Beneath her was a formal garden with some rows of white headstones, each with a tended plant or flower at its base, each cleaned and beautiful in the weak winter sunlight. 'Nobody told me.' She ran her fingers with their red-painted nails back through her thick dark hair. 'My God, nobody told me.
|
People travel to wonder at the height of mountains, at the huge waves of the sea, at the long courses of rivers, at the vast compass of the ocean, at the circular motion of the stars.…and they pass by themselves without wondering.
|
He was a friend to man, and lived in a house by the side of the road. HOMERThere are hermit souls that live withdrawnIn the peace of their self-content;There are souls, like stars, that dwell apart,In a fellowless firmament;There are pioneer souls that blaze their pathsWhere highways never ran;But let me live by the side of the roadAnd be a friend to man. Let me live in a house by the side of the road,Where the race of men go byThe men who are good and the men who are bad,As good and as bad as I. I would not sit in the scorners seat,Or hurl the cynics ban;Let me live in a house by the side of the roadAnd be a friend to man. I see from my house by the side of the road,By the side of the highway of life,The men who press with the ardor of hope,The men who are faint with the strife. But I turn not away from their smiles nor their tearsBoth parts of an infinite plan;Let me live in my house by the side of the roadAnd be a friend to man. I know there are brook-gladdened meadows aheadAnd mountains of wearisome height;That the road passes on through the long afternoonAnd stretches away to the night. But still I rejoice when the travellers rejoice,And weep with the strangers that moan. Nor live in my house by the side of the roadLike a man who dwells alone. Let me live in my house by the side of the roadWhere the race of men go byThey are good, they are bad, they are weak, they are strong,Wise, foolishso am I. Then why should I sit in the scorners seatOr hurl the cynics ban?Let me live in my house by the side of the roadAnd be a friend to man.
|
People travel to wonder at the height of the mountains, at the huge waves of the seas, at the long course of the rivers, at the vast compass of the ocean, at the circular motion of the stars, and yet they pass by themselves without wondering.
|
Learning is pleasurable but doing is the height of enjoyment.
|
If a hermit lives in a state of ecstasy, his lack of comfort becomes the height of comfort. He must relinquish it.
|
The greatest height of heroism to which an individual, like a people, can attain is to know how to face ridicule.
|
All your life you are told the things you cannot do. All your life they will say you're not good enough or strong enough or talented enough; they will say you're the wrong height or the wrong weight or the wrong type to play this or be this or achieve this. THEY WILL TELL YOU NO, a thousand times no, until all the no's become meaningless. All your life they will tell you no, quite firmly and very quickly. AND YOU WILL TELL THEM YES.
|
A wise man ought always to follow the paths beaten by great men, and to imitate those who have been supreme, so that if his ability does not equal theirs, at least it will savor of it. Let him act like the clever archers who, designing to hit the mark which yet appears too far distant, and knowing the limits to which the strength of their bow attains, take aim much higher than the mark, not to reach by their strength or arrow to so great a height, but to be able with the aid of so high an aim to hit the mark they wish to reach.
|
Narrative is linear, but action has breadth and depth as well as height and is solid.
|
... the hydrostatic paradox of controversy. Don't you know what that means? Well, I will tell you. You know that, if you had a bent tube, one arm of which was of the size of a pipe-stem, and the other big enough to hold the ocean, water would stand at the same height in one as in the other. Controversy equalizes fools and wise men in the same way. And the fools know it.
|
Come down, O maid, from yonder mountain height:/ What pleasure lives in height (the shepherd sang)?
|
How frightening it is to have reached the height of human accomplishment in art that must forever borrow from life's abundance.
|
WHEN a man feels proud of himself, he stands erect, draws himself to his full height, throws back his head and shoulders and says with every part of his body, I am bigger and more important than you. But when he is humble he feels his littleness, and lowers his head and shrinks into himself. He abases himself. And the greater the presence in which he stands the more deeply he abases himself; the smaller he becomes in his own eyes. But when does our littleness so come home to us as when we stand in God's presence? He is the great God, who is today and yesterday, whose years are hundreds and thousands, who fills the place where we are, the city, the wide world, the measureless space of the starry sky, in whose eyes the universe is less than a particle of dust, all-holy, all-pure, all-righteous, infinitely high. He is so great, I so small, so small that beside him I seem hardly to exist, so wanting am I in worth and substance. One has no need to be told that God's presence is not the place in which to stand on one's dignity. To appear less presumptuous, to be as little and low as we feel, we sink to our knees and thus sacrifice half our height; and to satisfy our hearts still further we bow down our heads, and our diminished stature speaks to God and says, Thou art the great God; I am nothing . Therefore let not the bending of our knees be a hurried gesture, an empty form. Put meaning into it. To kneel, in the soul's intention, is to bow down before God in deepest reverence. On entering a church, or in passing before the altar, kneel down all the way without haste or hurry, putting your heart into what you do, and let your whole attitude say, Thou art the great God. It is an act of humility, an act of truth, and everytime you kneel it will do your soul good.
|
Only connect! That was the whole of her sermon. Only connect the prose and the passion and both will be exalted, and human love will be seen at its height. Live in fragments no longer.
|
'Tis not to see the world As from a height, with rapt prophetic eyes, And heart profoundly stirred; And weep, and feel the fullness of the past, The years that are not more.
|
Do not consider his appearance or his height, for I have rejected him. The Lord does not look at the things man looks at. Man looks at the outward appearance, but the Lord looks at the heart.
|
Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect, and the beast and the monk, robbed of the isolation that is life to either, will die.
|
Thou little Child, yet glorious in the might Of heaven-born freedom on thy being's height,...
|
Therefore, be ye lamps unto yourselves, be a refuge to yourselves. Hold fast to Truth as a lamp; hold fast to the truth as a refuge. Look not for a refuge in anyone beside yourselves. And those, who shall be a lamp unto themselves, shall betake themselves to no external refuge, but holding fast to the Truth as their lamp, and holding fast to the Truth as their refuge, they shall reach the topmost height.
|
Tis sometimes the height of wisdom to feign stupidity.
|