To finish the moment, to find the journey's end in every step of the road, to live the greatest number of good hours, is wisdom. It is not the...

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How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being and ideal Grace. I love thee to the level of every day's Most quiet need; by sun and candle-light. I love thee freely, as men strive for Right; I love thee purely, as they turn from Praise. I love thee with the passion put to use In my old griefs, and with my childhood's faith I love thee with a love I seemed to lose With my lost saints,--I love thee with the breath. Smiles, tears, of all my life!--and, if God choose, I shall but love thee better after death.

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That the whole free people of any nation ought to be exercised to arms, not only the example of our ancestors, as appears by the acts of parliament made in both kingdoms to that purpose, and that of the wisest governments among the ancients; but the advantage of choosing out of great numbers, seems clearly to demonstrate. For in countries where husbandry, trade, manufactures, and other mechanical arts are carried on, even in time of war, the impediments of men are so many and so various, that unless the whole people be exercised, no considerable numbers of men can be drawn out, without disturbing those employments, which are the vitals of the political body. Besides, that upon great defeats, and under extreme calamities, from which no government was ever exempted, every nation stands in need of all the people, as the ancients sometimes did of their slaves. And I cannot see why arms should be denied to any man who is not a slave, since they are the only true badges of liberty; and ought never, but in times of utmost necessity, to be put into the hands of mercenaries or slaves: neither can I understand why any man that has arms should not be taught the use of them.

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An old Cherokee is teaching his grandson about life: A fight is going on inside me, he said to the boy. It is a terrible fight and it is between two wolves. One is evil - he is anger, envy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, and ego. The other is good - he is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion, and faith. This same fight is going on inside you - and inside every other person, too. The grandson thought about it for a minute and then asked his grandfather,Which wolf will win? The old Cherokee simply replied, The one you feed.

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Retreat was out of hope,— Behind, a sealed route, Eternity's white flag before, And God at every gate.

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Morning Is Yellow Like A Desk Is Square
He always wanted to explain things. But no one cared. So he drew. Sometimes he would draw and it wasn't anything. He wanted to carve it in stone or write it in the sky. He would lie out on the grass and look up in the sky. And it would be only him and the sky and the things inside him that needed saying. And it was after that he drew the picture. It was a beautiful picture. He kept it under his pillow and would let no one see it. And he would look at it every night and think about it. And when it was dark, and his eyes were closed, he could still see it. And it was all of him. And he loved it. When he started school he brought it with him. Not to show anyone, but just to have with him like a friend. It was funny about school. He sat in a square brown desk Like all the other square brown desks And he thought it should be red And his room was a square brown room. Like all the other rooms. And it was tight and close. And stiff. He hated to hold the pencil and chalk, With his arm stiff and his feet flat on the floor. Stiff. With the teacher watching and watching. The teacher came and spoke to him. She told him to wear a tie like all the other boys. He said he didn't like them. And she said it didn't matter. After that they drew. And he drew all yellow and it was the way he felt about morning. And it was beautiful. The teacher came and smiled at him. 'What's this?' she said. 'Why don't you draw something like Ken's drawing? Isn't it beatiful?' After that his mother bought him a tie. And he always drew airplanes and rocket ships like everyone else. And he threw the old picture away. And when he lay alone looking at the sky, It was big and blue and all of everything, But he wasn't anymore. He was square inside. And brown. And his hands were stiff. And he was like everyone else. And the things inside him that needed saying didn't need it anymore. It had stopped pushing. It was crushed. Stiff. Like everything else.

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Her eyes beginning to water, she went on, So I would like you all to make me a promise. From now on, on your way to school, or on your way home, find something beautiful to notice. It doesn't have to be something you see it could be a scent - perhaps of freshly baked bread wafting out of someone's house, or it could be the sound of the breeze slightly rustling the leaves in the trees, or the way the morning light catches the autumn leaf as it falls gently to the ground. Please look for these things, and cherish them. For, although it may sound trite to some, these things are the stuff of life. The little things we are put here on earth to enjoy. The things we often take for granted. We must make it important to notice them, for at any time...it can all be taken away. The class was completely quiet. We all picked up our books and filed out of the room silently. That afternoon, I noticed more things on my way home from school than I had that whole semester. Every once in a while, I think of that teacher and remember what an impression she made on all of us, and I try to appreciate all of those things that sometimes we all overlook. Take notice of something special you see on your lunch hour today. Go barefoot. Or walk on the beach at sunset. Stop off on the way home tonight to get a double-dip ice cream cone. For as we get older, it is not the things we did that we often regret, but the things we didn't do. Life is not measured by the number of breaths we take, but by the moments that take our breath away.

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Every small, positive change we make in ourselves repays us in confidence in the future.

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A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines. With consistency a great soul has simply nothing to do. He may as well concern himself with his shadow on the wall. Speak what you think now in hard words, and to-morrow speak what to-morrow thinks in hard words again, though it contradict every thing you said to-day. -- ` Ah, so you shall be sure to be misunderstood .' -- Is it so bad, then, to be misunderstood? Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood.

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I muse with the greatest affection on every flower I have known from my infancy - their shapes and colours are as new to me as if I had just created them with a superhuman fancy - It is because they are connected with the most thoughtless and happiest moments of our lives.

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Every house where love abides And friendship is a guest, Is surely home, and home, sweet home For there the heart can rest.

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Don't be discouraged by a failure. It can be a positive experience. Failure is, in a sense, the highway to success, inasmuch as every discovery of what is false leads us to seek earnestly after what is true, and every fresh experience points out some form of error which we shall afterwards carefully avoid.

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We turn not older with years, but newer every day.

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Look to this day For it is life, the very life of life. For yesterday is but a dream And tomorrow is only a vision But today well lived makes every yesterday a dream of happiness And tomorrow a vision of hope. Look well, therefore, to this day Such is the salutation of the dawn.

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Another kind of love and compassion is not based on something appearing beautiful or nice, but based on the fact that the other person, just like oneself, wants happiness and does not want suffering and indeed has every right to be happy and to overcome suffering. On such a basis, we feel a sense of responsibility, a sense of closeness toward that being. That is true compassion. This is because the compassion is based on reason, notjust on emotional feeling. As a consequence, it does not matter what the other's attitude is, whether negative, or positive. What matters is that it is a human being, a sentient being that has the experience of pain and pleasure. There is no reason not to feel compassion so long as it is a sentient being.

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Every moment of light and dark is a miracle.

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Most of the luxuries, and many of the so-called comforts of life, are not only indispensable, but positive hindrances to the elevation of mankind. Cultivate poverty like a garden herb, like sage. Do not trouble yourself much to get new things, whether clothes or friends. Turn the old; return to them. Things do not change; we change. The very simplicity and nakedness of man's life in the primitive ages imply this advantage, at least, that they left him still but a sojourner in nature. To be awake is to be alive. Time is but the stream I go a-fishing in. Every man is a builder of a temple, called his body, to the god he worships, after a style purely his own, nor can he get off by hammering marble instead. We are all sculptors and painters, and our material is our own flesh and blood and bones. Any nobleness begins at once to refine a man's features, any meanness or sensuality to imbrute them. Rather than love, than money, than fame, give me truth.

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The child with his sweet pranks, the fool of his senses, commanded by every sight and sound, without any power to compare and rank his sensations, abandoned to a whistle or a painted chip, to a lead dragoon, or a gingerbread dog, individualizing everything, generalizing nothing, delighted with every new thing, lies down at night overpowered by the fatigue, which this day of continual pretty madness has incurred. But Nature has answered her purpose with the curly, dimpled lunatic. She has tasked every faculty, and has secured the symmetrical growth of the bodily frame, by all these attitudes and exertions --an end of the first importance, which could not be trusted to any care less perfect than her own.

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The pure, the bright, The beautiful that stirred our hearts in youth, The impulses to wordless prayer, The streams of love and truth, The longing after something lost, The spirit's yearning cry, The striving after better hopes; These things can never die. The timid hand stretched forth to aid a brother in his need, A kindly word in grief's dark hour that proves a friend indeed; The plea for mercy softly breathed, When justice threatens high, The sorrow of a contrite heart; These things shall never die, shall never die. Let nothing pass, For every hand must find some work to do, Lose not a chance to waken love. Be firm and just and true, So shall a light that cannot fade beam on thee from on high, And angel voices say to thee; These things can never die.

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Every time we walk along a beach some ancient urge disturbs us so that we find ourselves shedding shoes and garments or scavenging among seaweed and whitened timbers like the homesick refugees of a long war.

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It is worth remembering that every writer begins with a naively physical notion of what art is. A book for him or her is not an expression or a series of expressions, but literally a volume, a prism with six rectangular sides made of thin sheets of papers which should include a cover, an inside cover, an epigraph in italics, a preface, nine or ten parts with some verses at the beginning, a table of contents, an ex libris with an hourglass and a Latin phrase, a brief list of errata, some blank pages, a colophon and a publication notice: objects that are known to constitute the art of writing.

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Every woman knows all about everything

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There is a terrible war coming, and these young men who have never seen war cannot wait for it to happen, but I tell you, I wish that I owned every slave in the South, for I would free them all to avoid this war.

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If we were to bring creativity down to earth, it would not have to be reserved for exceptional individuals or identified with brilliance. In ordinary life creativity means making something for the soul out of every experience.

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The ordinary acts we practice every day at home are of more importance to the soul than their simplicity might suggest.

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When all the world is young, lad, And all the trees are green; And every goose a swan, lad, And every lass a queen; Then hey for boot and horse, lad, And round the world away; Young blood must have its course, lad, And every dog his day. When all the world is old, lad, And all the trees are brown; And all the sport is stale, lad, And all the wheels run down; Creep home, and take your place there, The spent and maimed amoung: God grant you find one face there, You loved when all was young.

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In bestowing charity, the main consideration: should be to help those who will help themselves; to provide part of the means by which those who desire to improve may do so; to give those who desire to rise the aids by which they may rise; to assist, but rarely or never to do all. Neither the individual nor the race is improved by almsgiving. Those worthy of assistance, except in rare cases, seldom require assistance. The really valuable men of the race never do, except in case of accident or sudden change. Every one has, of course, cases of individuals brought to his own knowledge where temporary assistance can do genuine good, and these he will not overlook. But the amount which can be wisely given by the individual for individuals is necessarily limited by his lack of knowledge of the circumstances connected with each. He is the only true reformer who is as care ful and as anxious not to aid the unworthy as he is to aid the worthy, and, perhaps, even more so, for in almsgiving more injury is probably done by rewarding vice than by relieving virtue. The rich man is thus almost restricted to following the examples of...others, who know that the best means of benefiting the community is to place within its reach the ladders upon which the aspiring can rise: free libraries, parks, and means of recreation, by which men are helped in body and mind; works of art, certain to give pleasure and improve the public taste; and public institutions of various kinds, which will improve the general condition of the people; in this manner returning their surplus wealth to the mass of their fellows in the forms best calculated to do them lasting good.

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Many are our joysIn youth, but oh! what happiness to liveWhen every hour brings palpable accessOf knowledge, when all knowledge is delight,And sorrow is not there!

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Reading it aloud – poetry is, after all, just written down speech – allow the poem to have a moment to exist. The reader has to put as much care into the reading of the poem as the poet has into writing it. In the relationship between poet, poem and reader, every element has to pull its weight.

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I’ve seen too much hate to want to hate, myself, and every time I see it, I say to myself, hate is too great a burden to bear. Somehow we must be able to stand up against our most bitter opponents and say:”We shall match your capacity to inflict suffering by our capacity to endure suffering. We will meet your physical force with soul force. Do to us what you will and we will still love you.... But be assured that we’ll wear you down by our capacity to suffer, and one day we will win our freedom. We will not only win freedom for ourselves; we will appeal to your heart and conscience that we will win you in the process, and our victory will be a double victory.

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