An autobiography is an obituary in serial form with the last installment missing.
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If you want to tell the untold stories, if you want to give voice to the voiceless, you've got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you're dumb and blind.
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That is what the highest criticism really is, the record of one's own soul. It is more fascinating than history, as it is concerned simply with oneself. It is more delightful than philosophy, as its subject is concrete and not abstract, real and not vague. It is the only civilized form of autobiography.
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A poet's autobiography is his poetry. Anything else is just a footnote.
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Just as there is nothing between the admirable omelet and the intolerable, so with autobiography.
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It isn't that you subordinate your ideas to the force of the facts in autobiography but that you construct a sequence of stories to bind up the facts with a persuasive hypothesis that unravels your history's meaning.
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One's life story cannot be told with complete veracity. A true autobiography would have to be written in states of mind, emotions, heartbeats, smiles and tears not in months and years, or physical events. Life is marked off on the soul by feelings, not by dates.
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The course of life in unpredictable, no one can write his autobiography in advance.
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On the trail of another man, the biographer must put up with finding himself at every turn; any biography uneasily shelters an autobiography within it.
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I don't think anyone should write their autobiography until after they're dead.
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Thus, in a real sense, I am constantly writing autobiography, but I have to turn it into fiction in order to give it credibility.
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A poet's autobiography is his poetry. Anything else can be only a footnote.
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Autobiography is only to be trusted when it reveals something disgraceful. A man who gives a good account of himself is probably lying, since any life when viewed from the inside is simply a series of defeats.
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No man could bring himself to reveal his true character, and, above all, his true limitations as a citizen and a Christian, his true meannesses, his true imbecilities, to his friends, or even to his wife. Honest autobiography is therefore a contradiction in terms: the moment a man considers himself, even in petto , he tries to gild and fresco himself. Thus a man's wife, however realistic her view of him, always flatters him in the end, for the worst she sees in him is appreciably better, by the time she sees it, than what is actually there.
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Autobiography is an unrivaled vehicle for telling the truth about other people.
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Autobiography is an unrivalled vehicle for telling the truth about other people.
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Every autobiography is concerned with two characters, a Don Quixote, the Ego, and a Sancho Panza, the Self.
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I write fiction and I'm told it's autobiography, I write autobiography and I'm told it's fiction, so since I'm so dim and they're so smart, let them decide what it is or it isn't.
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If I could live my life again, I would dare to make more mistake.
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An autobiography is only to be trusted when it reveals something disgraceful. A man who gives a good account of himself is probably lying, since any life when viewed from the inside is simply a series of defeats.
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Gardens are a form of autobiography.
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A man's face is his autobiography. A woman's face is her work of fiction.
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There is no psychology; there is only biography and autobiography.
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I'm writing an unauthorized autobiography.
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