...music is the perfect type of art. Music can never reveal its ultimate secret. This, also, is the explanation of the value of limitations in art. The sculptor gladly surrenders imitative colour, and the painter the actual dimensions of form, because by such renunciations they are able to avoid too definite a presentation of the Real, which would be mere imitation, and too definite a realisation of the Ideal, which would be too purely intellectual. It is through its very incompleteness that art becomes complete in beauty, and so addresses itself, not to the faculty of recognition nor to the faculty of reason, but to the aesthetic sense alone, which, while accepting both reason and recognition as stages of apprehension, subordinates them both to a pure synthetic impression of the work of art as a whole, and, taking whatever alien emotional elements the work may possess, uses their very complexity as a means by which a richer unity may be added to the ultimate impression itself.

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Reactance theory does not address how harmful or innocuous control can be and may seem to be too circumscribed to explain the nature of general harmful behavior. However, the limitations of its scope to specific and reactive control motivation do not detract from its power to explain battles for control dynamics. It is formulated to anticipate these specific incidents and, in doing so, addresses harm in general. With this purpose and the applicability of reactance theory in mind, the terms control and specific control are used interchangeably and, because reactance is control motivation, the terms reactance and control motivation are also used interchangeably. A control model, subsuming these concepts and general control, is introduced next, in which control (unless identified by a general control descriptor) is the belief in the freedom to engage in a specific nonharmful or harmful behavior to reach a specific nonharmful or harmful goal that can be exercised for a variety of reasons, most particularly when threatened or taken away, arousing reactance in proportion to its distinctiveness and importance.

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No wind serves him who addresses his voyage to no certain port.

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Some would deny any legitimate use of the word God because it has been misused so much. Certainly it is the most burdened of all human words. Precisely for that reason it is the most imperishable and unavoidable. And how much weight has all erroneous talk about God's nature and works (although there never has been nor can be any such talk that is not erroneous) compared with the one truth that all men who have addressed God really meant him? For whoever pronounces the word God and really means Thou, addresses, no matter what his delusion, the true Thou of his life that cannot be restricted by any other and to whom he stands in a relationship that includes all others.

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The flowery style is not unsuitable to public speeches or addresses, which amount only to compliment. The lighter beauties are in their place when there is nothing more solid to say; but the flowery style ought to be banished from a pleading, a sermon, or a didactic work.

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Eloquence, at its highest pitch, leaves little room for reason or reflection, but addresses itself entirely to the desires and affections, captivating the willing hearers, and subduing their understanding.

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The beauty that addresses itself to the eyes is only the spell of the moment; the eye of the body is not always that of the soul.

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Hebrews 12:5:
And have you completely forgotten this word of encouragement that addresses you as children? It says, 'My son, do not make light of the Lord's discipline, and do not lose heart when he rebukes you,'
(NIV)
And have you [completely] forgotten the divine word of appeal and encouragement in which you are reasoned with and addressed as sons? My son, do not think lightly or scorn to submit to the correction and discipline of the Lord, nor lose courage and give up and faint when you are reproved or corrected by Him
(AMP)
And ye have forgotten the exhortation which speaketh unto you as unto children, My son, despise not thou the chastening of the Lord, nor faint when thou art rebuked of him:
(KJV)

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Addresses are given to us to conceal our whereabouts.

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Banning guns addresses a fundamental right of all Americans to feel safe.

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Error always addresses the passions and prejudices; truth scorns such mean intrigue, and only addresses the understanding and the conscience.

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[Fox] addressed his team, so that kind of tells you what kind of team we are, when the head coach addresses his team about our team, ... At the end of the day, that's all that matters.

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