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12/23/2011 9:41:33 PM

Saatyaki So Seshendra Sharma
Posts: 5
The literary world is aware that my father Gunturu SeshendraSarma, eminent poet, litterateur and scholar-critic, died on 30th may 2007.Ever since he expired, there has been no mention of his parents, family membersand other personal details in the news and in the articles about him. Not onlythis, fictional lies are being spread and using money power one shady lady isbeing propagated as his wife and so on. This has been causing me, as his son, agreat mental agony. That is why, through this article, I am revealing certainfundamental truths to the literary field of this country and the civilizedsociety. I appeal to your conscience to uphold truth, justice and values of ourcomposite culture.
Seshendra Sharma’s family members are: Parents: SubrahmanyamSharma, Ammaayamma; Wife: Janaki Daughters: Vasundhara, Revathi,Sons: Vanamali,Saatyaki. Only these two are legal heirs of Seshendra Sharma, socially andmorally too.
In 1972, away from the civilized society, without the knowledge ofparents and near and dear, in a far flung village called Halebeed in Karnatakaa circus, a street play was staged. Let me make it clear that even after thisstreet play my father did not divorce my mother Mrs. G.Janaki legally. He neverhad even a faint intention of committing such as uncivilized act. On thecontrary, in all crucial Government documents he nominated my mother as hislegal heir from time to time. During his long career as Municipal Commissionerwith the Government of Andhra Pradesh, he retired 3 times. His first retirementcame in 1975 by way of compulsory retirement for his anti estrablishmentwritings during Mrs. Gandhi’s emergency. His second retirement came in 1983when the then new chief minister N.R. Rama Rao’s government reduced the age ofservice from 58 to 55 years. The third and final retirement in the year 1985 onattaining 58 years of age. On all these occasions, in all the governmentdocuments, my father Seshendra Sharma
Nominated my mother Mrs. Janaki as his legal heir. This isprecisely why the self contradictory ‘second marriage’ is a circus enacted awayfrom the society and Laws does not recognize this type of street plays asmarriage.
N.R. Rama Rao, actor turned politicial married Ms. LakshmiParvathi in 1994 and subsequently in January 1995 he came to power for thesecond time. She used to act as an extra constitutional power and run thematters of government and the party. She developed her own coterie of cohortsand started dominating the party. After NTR was toppled by his own son-in-law,most of them parted ways with her. And the remaining touts left her for goodthe day NTR breathed his last. Ms. Indira Dhanrajgir has been playing the samerole in Telugu literature over a period of more than 3 decades. In the guise ofliterature she developed her own coterie of lumpens with extra literary andmoney mongering elements – Tangirala Subba Rao, Velichala Kondala Rao (Editor,Jayanthi) Cheekolu Sundarayya (A.G.s Office, Hyderabad et al).
There are a couple of dissimilarities between these two instances.Afther the demise of NTR, L.P’s coterie of cohorts disappeared once and forall. Whereas, in Indira Dhanrajgir’s case new lumpens are entering the fieldwith the passage of time. Squandering her late father’s wealth, she is ropingin new touts. Since NTR’s wife Basava Tarakam passed away in 1984 and since hewas old and sick NTR’s marriage with LP has ethical basis and is legalcompletely. Whereas Indira Dhanrajgir’s is neither ethical nor legal. Hence itis a street play. This is the reason why after my father’s death she has beenspending money on a larger scale and indulging in false publicity andpropaganda. Bh. Krishna Murthy, Sadasiva Sharma (The then Editor of AndhraPrabha: Telugu Daily, presently with Hindi Milap) Chandrasekhara Rao (Telugulecturer: Methodist Degree College)etc. are indulging in all sorts of heinous acts to propup Indira Dhanrajgir asmy father’s wife.
My father passed away on 30 May 2007. When our family was in griefand I was performing the 11 day ritual as per my mother’s wish, the abovementioned Sadasiva Sharma went to Municipal Office on 4th June, created ruckus,played havoc telling them that he is from the Prime Minister’s Office, madesome ‘senion officials’ make phone calls to the officials concerned and got myfather’s death certificate forcibly issued. When the entire family as mourningthe death of the family head, a stranger and a lumpen S.S. – Why did he collectmy father’s death certificate forcibly from the municipal authorities? Whom didhe collect it for?
This is perhaps for the first time that the name of a lady appearsin 3 forms at a time. Perhaps in 1970, in my father’s collection of poems“PAKSHULU” her name appeared As Rajkumari India Devi Dhanrajgir. In 2006 shepublished a fake version of Kamaostav (Rewritten by a muffian CalledChandrasekhar Rao). In this book her name appears as Rajkumari India DeviDhanrajgir Prior to 1970 in Maqdoom Mohiuddeen’s (Renowned Urdu Poet) anthologyof poetry ‘bisath-E-Raks’, in Urdu as well as Hindi, at the end of two poemsher name appears as Kumari Indira Dhanrajgir. On 15th June 2007 A.P. Statecultural affairs department and Telugu University jointly heldmy father’s memorial meeting. India Dhanrajgir hijacked this meeting by issuingher own commercial advertisements in English and Telugu dailies. In theseadvertisements her name appeared as Smt. Indira Devi Seshendra Sharma and againin the commercial public notices made by her in the month of November 2007 hername appeared as Rajkumari devi etc. Why does her name appear in differentforms on different occasions? Will Indira Dhanrajgir explain? Will SadasivaSharma clarify, who forcibly took my father’s death certificate after four daysof his death? Or will Bh. Krishna Murthy clarify?
If Indira Dhanrajgir has even an iota of regard, respect for orfaith in love, or relation, the institution of marriage, immediately after‘Halebeed Circus’, she would have used my father’s family sir name and her namewould have appeared as Gunturu Indira. Since she was conscious of her goalduring all times and conditions she did not take such a hasty and mindless stepof change of her name.
Her life is totally illegal, anti-social and immoral.
Indira Dhanrajgir’s father performed her marriage withSrikishenSeth, Nephew of the then Prime Minister to Nizam, Maharaja Kishenpershad in 1945. On the day of marriage itself Indira Dhanrajgir beatSrikeshenSeth up and ran away from him. She did not stop at that. Shepropagated among his friends and relatives and near and dear that he was notenough of a man and unfit for conjugal/marital life. She filed a divorce caseagainst him and dragged it till 1969/70. Lion’s share of her husband’s life gotevaporated and was sapped completely by then. His parents used to approachIndira Dhanrajgir’s father and plead with him to preavail upon his daughter,put sense into her head and see that she either lives with their son ordissolves the marriage legally so that they can remarry off their son. ButIndira Dhanrajgir did not heed. Raja Dhanrajgir after getting disgusted withher nasty activities stipulated a mandatory condition in his will. He statedthat Indira Dhanrajgir would be entitled to get a share of his property only ifshe is married.
This is the reason why INDIRA DHANRAJGIR who has no respect forthe institution of marriage or regard or desire for marital life, in the guiseof love and love poetry inflicted indelible blemish on the institution ofmarriage which is unprecedented in the literary history of the world. After myfather’s death she has been indulging in more rigorous false publicity alongwith her coterie of touts.
With this novel Kamostav, father’s literary life came to an endfor good. He did not produce literary works worth mentioning in his later phaseof life. During those days he asked for my opinion on that novel. I told himclearly that it lacks the form and content of a novel; it does not have a storyline, plot, sequences, characters and eventually a message which every novelgives. Hence it is a trash. Several people went to court and got itspublication in a weekly stopped. INDIRA DHANRAJGIR got this very trashrewritten completely by Chandrasekhara Rao and printed it. This kind of heinousdevelopment has never taken place in the recorded history of Telugu literaturetill date. A writing which brought disrepute to my father in the literary fieldand isolated him in the society, why did she get it rewritten by somebody andpublish it claiming copyright to be hers? What is her motive? What is her aim?That is why Kamotsav is INDIRA DHANRAJGIR’s biography, story of her inner soul.
My father gifted away copyrights of his entire works along withtheir translations to me by way of birth day gift to me on 2.12.1989. Sincethen I have published several of his works during his lifetime itself.Kamostav, the version that is secretly made available is the dirty work ofcheapsters and lumpens under the leadership of INDIRA DHANRAJGIR. It is muchworse than violation of copyrights. That is the reason why I have been reluctantto take action so far. If she and her debased henchmen try to violatecopyrights of my father’s works bequeathed to me, I shall take exemplary legalaction against them.
INDIRA DHANRAJGIR made 2 public notices to the effect that myfather cancelled all his earlier transfer of copyrights and retransferred allhis rights to her. This is a palace intrigue in the modern era in our civilizedsociety.
An author can transfer copyrights of his works to any one as perher/his wish. But the Copyrights Act 1957 and the Supreme Court in its variousjudgments has clearly stipulated a procedure to revoke earlier assignment andtransferring of copyrights to somebody else subsequently. The author has toissue a notice to the 1st assignee, giving 6 months time for reply. Dependingon the reply the author can take his next step. Where as in my father’scopyrights matter he did not even inform me orally of any such cancellation.INDIRA DHANRAJGIR claims that she has a typed document of transfer ofcopyrights signed by my father on 5.1.2006. Between 5.1.2006 and 30.5.2007,leave alone issuing a notice, he did not even inform me orally.
My father who assigned copyrights to me in his own handwriting,when he was relatively young and physically fit did not require to cancel the1st assignment when he was totally dilapidated, almost bedridden and wascounting his days. Another important aspect of the matter is that I haveprinted the Xerox of my father’s document in his own works as early as 1995 andhave been doing so from time to time during his life time. Where as INDIRADHANRAJGIR claims to possess a document after my father’s death and she has notmade it public so far. Indira Dhanrajgir tried to get my father’s completeworks published in different languages by TeluguUniversity (Hyderabad:A.P.: India)by paying them Rs. 6 lakhs. I approached Telugu Universityand apprised them of facts. On the advice of legal experts, they stopped thisproject and returned Indira Dhanrajgir’s money to her. It is anincontrovertible fact that Indira Dhanrajgir’s document is a forged andfraudulent document which does not stand scrutiny before law. Court shallcertainly award her exemplary punishment. In all societies and times literaturehas been social wealth/public property from time immemorial. It should not beused as a mask to grab share of parental property illegally and unethically. Iam committed to this cause/ideal and appeal to the civilized society tostrengthen my hands in this endeavor. INDIRA DHANRAJGIR’s younger brother SriMahendra Pratapgir is the lone leage heir apparent of that family and keepinghim in dark, she is squandering her father’s wealth in Telugu literature forher nasty propaganda.
In 1997 when he suffered the 1st heart attack he was half-dead.Dr. Sudhakar Reddy, cardiologist of Medicity Hospitals (Native of Warangal,A.P.) performed angiogram and diagnosed that he had blocks in arteries and onevalve was damaged completely. He advised open heart surgery. But INDIRADHANRAJGIR averted it and got angioplasty performed. His health declinedrapidly since then and was leading the life of virtually an invalid till hebreathed his last. He suffered inexplicable mental and physical torture forabout a decade. During the last leg of his journey he was isolated from hisfamily completely. He was deserted by one and all in the literary field. Whenhis younger brother passed away, his younger sister passed away he did notvisit his ancestral home in his village and call on those families. He becametarget of jealousy and animosity in the society. He became a victim of falseimpression with the society that he was an aristocrat and rolling in luxuries.Whereas, he was deprived of even his native vegetarian food for decades together.As a silent and helpless witness to these painful happenings, I was subject tountold mental agony.
In the later half of March 2007 on one of my visits to him, I wasaghast at his condition. His entire body was swollen. His appearance was likethat of a stuffed gunny bag. I told him to get hospitalized. I told INDIRADHANRAJGIR to rush him to a hospital. But of no avail. On 30th May 2007 atabout 11 pm I got a phone call from her “Come soon/Serious” she said. As Ientered at 11.15 pm “Go inside/he is no more” she said.
“”One day when swarms of lamps vanish, in the light of a lonelylamp I ask the dumb pillars.
“Can’t you liberate me from the disgust of this existence?
I ask those stand still forest flame trees
Which blossom flowers at that very place year after year” can’tyou rescue me?
I ask those high roof tops and this Venetian furniture
Which every one feels are greater than me,
“can’t you rescue me from the disgust of this existence?”
All these answer in a melancholic voice
“We have been languishing since more than 100 years watching thesame unchanging scenes we are older prisoners than you are” (Janavamsham:Telugu: Seshendra: Page 80-81:1993: Translated by me)
My father’s first biography (in Hindi) titled “RashtrenduSeshendra: Ashesh Aayaam” by Dr. Vishranth Vasishth appeared in 1994. Touchingupon these very sensitive aspects of my father’s life he commented in that book“SONE KE PINJRE ME PANCHCHI” (A bird in a golden cage). Alarmed and agonized byhis rapidly declining health as early as June 2002, in order to bring pressureon INDIRA DHANRAJGIR, I gave a 2 cassettes long interview to Vijayaviharam ofJanaharsha group. Later on when I enquired about that interview they said thatin the raids conducted on their premises, they got destroyed.
I wanted to rescue my father and bring him back home when he wasin good health. Alas! At last, I took him to the burial ground, laid him on thefuneral pyre and consigned him to flames and returned home all alone.
G. Satyaki
S/o Late G.Seshendra Sharma
32, Janata Flats, Kanthi Sikhara Complex,
Punjagutta, Hyderabad – 500 482.
Cell: 094410 70985, 7702964402. E-mail: saatyaki@gmail.com

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