The Octopi Jars
by Michael R. Burch
Long-vacant eyes
now lodged in clear glass,
a-swim with pale arms
as delicate as angels'...
you are beyond all hope
of salvage now...
and yet I would pause,
no fear!,
to once touch
your arcane beaks...
I, more alien than you
to this imprismed world,
notice, most of all,
the scratches on the inside surfaces
of your hermetic cells...
and I remember documentaries
of albino Houdinis
slipping like wraiths
over the walls of shipboard aquariums,
slipping down decks'
brine-lubricated planks,
spilling jubilantly into the dark sea,
parachuting through clouds of pallid ammonia...
and I know now in life you were unlike me:
your imprisonment was never voluntary.
Originally published by Triplopia and The Poetic Musings of Sam Hudson. Keywords/Tags: Octopus, Octopi, Medusa, Sea Angel, Angel, Angels, Nature, Sea, Ocean, Aquarium, Aliens, Imprisonment, Prison, Boat, Ship, Ships, Shipwreck, Animal
Categories:
triplopia, angel, animal, boat, nature,
Form: Free verse
Distances (II)
by Michael R. Burch
There is a small cleanness about her,
as though she has always just been washed,
and there is a dull obedience to convention
in her accommodating slenderness
as she feints at her salad.
She has never heard of Faust, or Frost,
and she is unlikely to have been seen
rummaging through bookstores
for mementos of others
more difficult to name.
She might imagine “poetry”
to be something in common between us,
as we write, bridging the expanse
between convention and something...
something the world calls “art”
for want of a better word.
At night I scream
at the conventions of both our worlds,
at the distances between words
and their objects: distances
come lately between us,
like a clean break.
Published by Verse Libre, Triplopia and Lone Stars. Keywords/Tags: love, relationship, relationships, communication, distance, distances, convention, books, bookstores, art, literature, poetry, writing, chasm, abyss, divide, Faust, Frost, clean break
Categories:
triplopia, art, books, literature, love,
Form: Free verse
The Peripheries of Love
by Michael R. Burch
Through waning afternoons we glide
the watery peripheries of love.
A silence, a quietude falls.
Above us—the sagging pavilions of clouds.
Below us—rough pebbles slowly worn smooth
grate in the gentle turbulence
of yesterday’s forgotten rains.
Later, the moon like a virgin
lifts her stricken white face
and the waters rise
toward some unfathomable shore.
We sway gently in the wake
of what stirs beneath us,
yet leaves us unmoved ...
curiously motionless,
as though twilight might blur
the effects of proximity and distance,
as though love might be near—
as near
as a single cupped tear of resilient dew
or a long-awaited face.
Published by Romantics Quarterly, Poetry Magazine, Boston Poetry Magazine, Triplopia, Shadows Ink, E Mobius Pi, Underground Poets, Emotions Literary Magazine, Grassroots Poetry, Poetry Webring, Poetically Speaking, The Poetic Muse, Poet’s Haven, Poetic Voices, Nutty Stories (South Africa) and Gostinaya (in a Russian translation by Yelena Dubrovin)
Categories:
triplopia, allegory, allusion, analogy, boat,
Form: Free verse
The Composition of Shadows
by Michael R. Burch
“I made it out of a mouthful of air.”—W. B. Yeats
We breathe and so we write; the night
hums softly its accompaniment.
Pale phosphors burn; the page we turn
leads onward, and we smile, content.
And what we mean we write to learn:
the vowels of love, the consonants’
strange golden weight, each plosive’s shape—
curved like the heart. Here, resonant,
sounds’ shadows mass beneath bright glass
like singing voles curled in a maze
of blank white space. We touch a face—
long-frozen words trapped in a glaze
that insulates our hearts. Nowhere
can love be found. Just shrieking air.
Published by The Lyric, Candelabrum, Iambs & Trochees, Triplopia, Romantics Quarterly, Hidden Treasures, ImageNation (United Kingdom), Yellow Bat Review, Poetry Life & Times, Vallance Review, Poetica Victorian
Categories:
triplopia, writing,
Form: Sonnet
Loose Knit
by Michael R. Burch
She blesses the needle,
fetches fine red stitches,
criss-crossing, embroidering dreams
in the delicate fabric.
And if her hand jerks and twitches in puppet-like fits,
she tells herself
reality is not as threadbare as it seems ...
that a little more darning may gather loose seams.
She weaves an unraveling tapestry
of fatigue and remorse and pain; ...
only the nervously pecking needle
pricks her to motion, again and again.
Published by The Chariton Review, Penumbra, Black Bear Review, Triplopia
Categories:
triplopia, addiction,
Form: Free verse
A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember
now that I cannot forget.
And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...
our soft cries, like regret,
... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...
now that I have forgotten her face.
Published by Poetry Magazine, La luce che non muore (Italy), Carnelian, Triplopia, Net Poetry and Art Competition, Poetry Life & Times, The Eclectic Muse, Strange Road, Inspirational Stories, Kritya (India) and Centrifugal Eye.
Categories:
triplopia, memory,
Form: Free verse