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Pursuing Poetic Polyphony
Applauding an Acrostic Aria
Bopping to a Ballade Ballet and Blank verse Berceuse
Clapping to a Cinquain Cantata and Couplet Chorale
Dancing to a Dizain Duet
Exalting in Etheree Etudes and Elegy Ensembles
Frolicking to Free verse Folk songs and Footle Foxtrots
Galavanting to Ghazal Gavottes
Humming harmonies to a Haiku Hip Hop
Inhaling Italian sonnet Instrumentals
Jiving to a Jueje Jig
Keeping time to a Kyrielle Khaliji*
Lolling to a Limerick Lullaby
Marching to a Monorhyme Minuet
Napping to a Narrative Nocturne
Ovations for an Ottava Rima Overture and Ode Opera
Praising a Pantoum Polonaise
Quieting my quarters with a Quatrain Quadrille
Rollicking to Rondeau Rondos and Rhyme Royal Rhapsodies
Singing to Sonnet Sonatas and Sapphic Stanza Symphonies
Tapping toes to a Triolet Trio and a Tanka Tango
Unwinding to an Urban Sonnet Unison
Vocalizing a Villanelle Villanella
Whistling with a Waltz Wave Waltz
eXulting in Yaltos and Zikets
// Lines consist of a verb, a poetry form, and a musical form //
*Khaliji = modern contemporary music of Central and Eastern Arabia
Copyright ©
John Watt
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