Long Reader Poems

Long Reader Poems. Below are the most popular long Reader by PoetrySoup Members. You can search for long Reader poems by poem length and keyword.


Premium Member Translational

TRANSLATIONAL
assertion
overly indebted
&
touched
 with humour
 &nuanced
in existentialism
 expression
chance

enthusiasm
stoked
in
controverseet
& hilarious
 parodies
of
the
upside-down
&
topsy-turvy

  a cliched
 wildness
 disembodied
fragility
vulnerable
narrow& closed
 so suddenly so
learned

  naive
immaturity
in
perspective
 romantic
&sublime
yet
a
profoundly
  ambivalent
reality

NOTE:THIS IS AN OPEN(organic) FORM VERSE   using spaces&breaks without grammatical symbols ,the ' open' relies upon 'the one breath limitation' & so inherently requires the 'reader' (reciter) to input and responds thus making this enigmatic form a two way interplay & interpretatIon unique to the moment& changing according to mood is inherently variable.
Copyright © Brian Strand
Form: Other


Premium Member Starting With the End

As a young avid reader
I always read the Introduction or Prologue,
when offered,
to see if this treatise overture
would take me some place I cared to wade through.

As an old avid reader
I always begin with the last chapter
because I may not otherwise have time to get there

Here I listen to learn if it might transport me
to some place I care about and believe in
and might even faithfully hope for

A place I have not yet been
promising a pause
wondering where I might be now
had I only visited earlier.

Biographies are especially telling
as the end where history has brought each writer
to remember what these reassembled lives and thoughts 
have felt together

Now replete 
unfolded
for all to see and rediscover
how extremes of final stages,
like commencement of embryonic birth,
then infant interests,
seem to land as we began

Withdrawn from adolescent fuss
and middle-aging blunder,
both respectability and revolutionary thunder

So good in our coming to,
 and escape from, ripe time
now echoing warnings to intend
to start and end 
each new narrative's last chapter first.

I might not have sufficient time 
to invest in earlier stages of this story's redevelopment,
especially if the last chapter doesn't resound
at least as health wealthy as my own
last day and night so far

Which I probably should plan
to finish writing soon.

Premium Member Life a La Hogarth

LIFE an absurdity(HOGARTH)

a passion
  of the ridiculous
the manner
of time
 in
rapid moments
    bustling streets
a metropolitan buzz
collision&
  melodrama
 of crammed alleys
excess
 a teeming hell
perpetual fluctuation
yellowed mouldy
flamboyant
   evoked higgledy piggledy
teeming&
  tangled


THIS IS AN OPEN(organic) FORM VERSE without grammatical symbols the ' open' relies upon 'the one breath limitation' & so inherently requires the 'reader' (reciter) to input and respond thus making the form a two way interplay and often a unique interpretation by the enigma so derived
Form: Other

Premium Member DEAR POETRY


   Dear  Poetry, you touch me in ecstatic beauty.
    Me to undertake this responsibility.
    Might be specified as a poet’s duty.
                                          
    When I try to compose any poem,
    It must sparkle in mind of reader as gem.
  I should hold that spirit and carry that aim.
  
  Whatever be theme it sinks in abyss of heart
   in pleasant soothing style for impact to exert,
   putting me  absorbed not allowing apart.
                                       
    Poem to resonate with rhythm of heart and soul
     Unspoken syllable to voice or to roll.
     Unknown zone of perception to explore and scroll.
                                                   
  ‘Solace in grief, inspiration in despondence,
    Sensing love and peace, bringing bliss on elegance,’
    My performance as poet  may reach excellence.
Form: Rhyme

Acta Non Verba Speaks Volumes

Acta Non Verba... Speaks Volumes

The above ad hoc Latin catchphrase,
(concatenated with two English words),
I regale chance reader
immediately sets ablaze
title of poem with timeless adage,
aptly suits this solitary

older male, whose daze
spent on planet Earth
aimless curriculum vitae
configures a zigzag maze
significant blocks of time
poorly aye now appraise

and rue so little forethought
wrought starry eyed glaze
amiss to any Amish, 
colonial, horse drawn observer
passing by in their chaise
puzzled, asper my

doggone catatonic gaze
indicative as if me mind
lost in a foggy haze
yours truly attests,
concurs, he now flays
chastises, fulminates, lays

hard and heavy lament,
albeit cloistered frivolous,
lackadaisical, unproductive... ways
apathetic, estranged, indifferent...
ambivalent state comatose phase
toward life, when at young age

lacked joie de vivre evincing braise
zen lee oblivious zombie behavior
upon quick observation displayed craze
zee demeanor synonymous
with institutionalized craze
zee wardens of the state,

and at present realize futility to raise
hullabaloo, when 20/20 hindsight
shines figurative light on
how appeared to laze
about lost in space,
within outer limits
of my own twilight zone ways!


Premium Member Iconoclast

ICONOCLAST
timeless
  twictching
as solidity
endures
  tomorrow

a conundrum
resolved
  appears
as
a shadow running
asunder

a reassurance
so uncanny
resembles
tonality
  in its
surtounding
perspective

glaring
  patches
a cornucopia
of
pictorial
  pleasure
in
erudite
convention
lingers
  afresh
erudite
  sensitive

fiitingly
  frequenting
&repostioned
thematically
  otherworldly
ravishing
 & compelling


NOTE:THIS IS AN OPEN(organic) FORM VERSE   using spaces&breaks without grammatical symbols ,the ' open' relies upon 'the one breath limitation' & so inherently requires the 'reader' (reciter) to input and responds thus making this enigmatic form a two way interplay & interpretatIon unique to the moment& changing according to mood is inherently variable.
Copyright © Brian Strand
Form: Other

Premium Member Don't Muffle the Messenger

Poetry is the freedom of expression. 
Poetry is expressed through feelings, emotions and or experiences and can also be expressed from sound, vision or thoughts. There should not be a limitation on poetry. Being able to express yourself to the fullest does not have to be about money. The poet should be able to use however many necessary wordings needed to get the message across. A poet should not have to feel the need to "say less," nor should they have to shorten or limit their gift of writing.

Poetry is stepping into the mind of the poet. However, it may not reach every reader the same, meaning, the same poem is read by two people, but both have different perspectives of what they believe the poet is saying. Poetry is not debatable, to the readers it may be, but to the poet it is not, because at the end of the day, the poet said what they said.
Form: Narrative

Premium Member A Need To Share

Since a child I have had a need to share, to
write conversations to an invisible audience; and
I can get quite wordy and chatty and rambling, I
have no problem sharing private thoughts. At times
my writing is flowery, pretty and picturesque, Oh
I can turn out a whimsical and joyful poem; and
sometimes my style is clear and ever so confident,
even informative, or just plain silly and foolish fun.

But, to be honest with you dear reader my strength,
is in mournful, lamenting and woeful sad writes;
writing of my fears, grief and heartbreak is healing, 
it helps me, I hope others see they are not alone.
Oh, I can also turn out a sultry passionate poem,
full of lust and love, or just of gentle sweet feelings;
and I like to write of the past and my family lost, no
telling what I will write-  my pen has all the power.

_________________________
April 6, 2016


Poetry/Verse/A Need To Share
Copyright Protected, ID 16-1111-552-0
All Rights Reserved.  Written under Pseudonym.


Submitted to  Early Feb 2019 Standard Contest
sponsor, Brian Strand

First Place
Form: Verse

Pain To Gain

Another little poem just to pass away the time,
to make it easier to read I’ll write it all in rhyme.
It matters not just what I say the words just roll along,
and if you sing as reading this it then becomes a song.

So sing or read or whisper, whatever is your choice,
it matters not if mumbled, or in a nice clear voice.
For no one’s going to listen to a senseless load of tripe,
just wrote for sake of writing and to see the words in type.

For writing helps my fingers to flex and bend at will,
and helps my eyes to move about instead of standing still.
It lets my mind find stupid things to put down on the page
and leaves the reader looking for some sense in my message.

But as I said it’s rubbish and that’s all I’m going to write,
just a silly little poem where the rhyme is far too tight.
I feel I’ve earned the right to this, to waste some of my time,
let others tell profound events while I enjoy my rhyme.

For rhyming is my party piece, and boring poetry too,
so I have written this one so your boredom can be true.
In reading to the end of this there’s nothing more you’ll gain
except to waste more of your time and gain a bit more pain.

Ivor G Davies
Form: Rhyme

Premium Member Organics

ORGANICS
a vision
connects
 elements
of
 universal
  encounters
renewing
 expectations

a dialogue
of
the underlying
timeline
into
a
 rhythm
of
breathing

 revealing
contemporary
fractures
placing
 eloquence
at the heart
 &
core of
universal
  language

releasing
 falsity
&tension
voicing
 underlying
revelation
&
 galvanising
 expression
 of the variations
&subtleties
of being

NOTE:THIS IS AN OPEN(organic) FORM VERSE   using spaces&breaks without grammatical symbols ,the ' open' relies upon 'the one breath limitation' & so inherently requires the 'reader' (reciter) to input and responds thus making this enigmatic form a two way interplay & interpretatIon unique to the moment& changing according to mood is inherently variable.
Copyright © Brian Strand
Form: Other

Get a Premium Membership
Turn off ads, get more exposure for your poetry, and get more features with a Premium Membership.
Book: Diverse Voices: The Poetry of Human Rights and the Pursuit of Peace