World Music in Dulcet Tones and Duduk Vibrations
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My abecedarian poem written last winter is a heartfelt expression of my admiration for the universal language of music, which knows no boundaries and unites us all.
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Across the globe, music ascends—a universal zephyr,
Bridging cultures in harmonious yearning;
Chords converge from Andes to the Zangezur, xenharmonic,
Dulcet tones of a duduk—in the air, they whisper.
Every note—an echo of humanity's vibration,
From flamenco's fire to the finesse of a cello's undulation;
Gamelan's gongs—a gamut of sounds' timbre,
Harmonium's hum—hearts and spirits, it serenades.
In India where the sitar intricately resonates
Juxtaposed with jazz as New Orleans quavers;
Kora's strings kiss the breeze as Africa pulses.
Lyrics leap across lands—in mosaic form, it oscillates.
Marimba's mallets are on wooden keys lightly narrate
Ney's notes always navigate in a trance-like murmur;
Oud's ornate voice offers a limericking lyric
Perhaps to partake in profound kinetic kinesis.
Qanun quietly queries—a quivering jumping jubilation
Rhythms resonate—a restorative impressive intonation;
Samba's syncopation—a spirited harking harmony
Tabla's tempo—a testament of gripping grandiloquence.
Uilleann pipes uplift with urgent a fever for fervor
Violins voice the vibrancy of the endless echo;
Whistles and winds—the world's diverse diapason
Xylophone's xylography—a cross-cultural cadence.
Yodeling yonder in the Alps' billowing bellow
Zither's zephyrs—a zenith we accentuate and attune.
Copyright © Daniel Henry Rodgers | Year Posted 2023
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