War In the Distance Is Better
This chair has chipped paint.
Its shadow gangly
in the light spilling through
the window. A deep
buttercup bisque steeps.
Through this stream, ember
motility of curdled
cream seeps into pores.
The seat embraces. Blood
colors sugar soft.
Fragments of dust waver
around the chair. Like
the suspended stars, or
the pixel points on
an LCD screen. Crumbs.
Feathers stick to the cheeks,
to be brushed off,
puff into the heavens.
Egg -white tinctured coat
wilts within the humid
air. Like the spectral
skin you wished to shed
when you first sundered
the sheets this morning.
This chair rocked my great
grandmother and her
children, and mother. Creaks
like an anchored boat.
Exposed grey brown wood
perishes, stabs the skin.
Like the chilled sea tinted
eyes: an ingress tears
the hushed air- a summons:
her son. Long ago
an apollyon. Starless.
The chair will be kindle
in September, sand-
peach colors imbued,
flushed like the candied
burn of Fall. Her flames.
Relive the fire
in the sky; salt waters
plum green, oily.
tauten red orange arms.
War in the distance-
better. The rose portrait,
diabolus shades stain
a cimmeran- tinted
loss, wound. Chalk inhaled.
And the blaze of two black
holes colliding. Wraiths.
The winter of her life,
within which a lurid
spirit-thin webbed cross
bleeds ash. Freezes; clots.
Copyright © Jennifer Cahill | Year Posted 2020
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