Sonnets Lxxi-Lxxx

Sonnets LXXI-LXXX

Because You Came to Me
by Michael R. Burch

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt, I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.



Break Time
by Michael R. Burch

for those who lost loved ones on 9-11

Intrude upon my grief; sit; take a spot
of milk to cloud the blackness that you feel;
add artificial sweeteners to conceal
the bitter aftertaste of loss. You’ll heal
if I do not. The coffee’s hot. You speak:
of bundt cakes, polls, the price of eggs. You glance
twice at your watch, cough, look at me askance.
The TV drones oeuvres of high romance
in syncopated lip-synch. Should I feel
the underbelly of Love’s warm Ideal,
its fuzzy-wuzzy tummy, and not reel
toward some dark conclusion? Disappear
to pale, dissolving atoms. Were you here?
I brush you off: like saccharine, like a tear.



911 Carousel
by Michael R. Burch

“And what rough beast... slouches towards Bethlehem to be born?”?W. B. Yeats

They laugh and do not comprehend, nor ask
which way the wind is blowing, no, nor why
the reeling azure fixture of the sky
grows pale with ash, and whispers “Holocaust.”

They think to seize the ring, life’s tinfoil prize,
and, breathless with endeavor, shriek aloud.
The voice of terror thunders from a cloud
that darkens over children adult-wise,

far less inclined to error, when a step
in any wrong direction is to fall
a JDAM short of heaven. Decoys call,
their voices plangent, honking to be shot...

Here, childish dreams and nightmares whirl, collide,
as East and West, on slouching beasts, they ride.



At Cædmon’s Grave
by Michael R. Burch

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and time blew all around,
I paced those dusk-enamored grounds
and thought I heard the steps resound

of Carroll, Stoker and good Bede
who walked there, too, their spirits freed
?perhaps by God, perhaps by need?

to write, and with each line, remember
the glorious light of Cædmon’s ember,
scorched tongues of flame words still engender.

Here, as darkness falls, at last we meet.
I lay this pale garland of words at his feet.

Originally published by The Lyric



Radiance
by Michael R. Burch

for Dylan Thomas

The poet delves earth’s detritus?hard toil?
for raw-edged nouns, barbed verbs, vowels’ lush bouquet;
each syllable his pen excretes?dense soil,
dark images impacted, rooted clay.

The poet sees the sea but feels its meaning?
the teeming brine, the mirrored oval flame
that leashes and excites its turgid surface...
then squanders years imagining love’s the same.

Belatedly he turns to what lies broken?
the scarred and furrowed plot he fiercely sifts,
among death’s sicksweet dungs and composts seeking
one element that scorches and uplifts.



Huntress
by Michael R. Burch

after Baudelaire

Lynx-eyed, cat-like and cruel, you creep
across a crevice dropping deep
into a dark and doomed domain.
Your claws are sheathed. You smile, insane.
Rain falls upon your path, and pain
pours down. Your paws are pierced. You pause
and heed the oft-lamented laws
which bid you not begin again
till night returns. You wail like wind,
the sighing of a soul for sin,
and give up hunting for a heart.
Till sunset falls again, depart,
though hate and hunger urge you?"On!"
Heed, hearts, your hope?the break of dawn.

Published by The HyperTexts and Sonnetto Poesia (Canada)



Happily Never After (the Second Curse of the Horny Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s...
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats...
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.





Because She Craved the Very Best
by Michael R. Burch

Because she craved the very best,
he took her East, he took her West;
he took her where there were no wars
and brought her bright bouquets of stars,
the blush and fragrances of roses,
the hush an evening sky imposes,
moonbeams pale and garlands rare,
and golden combs to match her hair,
a nightingale to sing all night,
white wings, to let her soul take flight...

She stabbed him with a poisoned sting
and as he lay there dying,
she screamed, "I wanted everything!"
and started crying.



Caveat
by Michael R. Burch

If only we were not so eloquent,
we might sing, and only sing, not to impress,
but only to enjoy, to be enjoyed.

We might inundate the earth with thankfulness
for light, although it dies, and make a song
of night descending on the earth like bliss,

with other lights beyond?not to be known?
but only to be welcomed and enjoyed,
before all worlds and stars are overthrown...

as a lover’s hands embrace a sleeping face
and find it beautiful for emptiness
of all but joy. There is no thought to love

but love itself. How senseless to redress,
in darkness, such becoming nakedness...

Originally published by Clementine Unbound

Keywords/Tags: sonnet, sonnets, meter, rhyme, form, love, desire, compassion, despair, torment, sun, rain, grief, loss, romance

Copyright © | Year Posted 2020



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