The low yellow
moon above the
Quiet lamplit house
I must launch out my boat.
The languid hours pass by on the
shore---Alas for me!
The spring has done its flowering and taken leave.
And now with the burden of faded futile flowers I wait and linger.
The waves have become clamorous, and upon the bank in the shady lane
the yellow leaves flutter and fall.
What emptiness do you gaze upon!
Do you not feel a thrill passing through the air
with the notes of the far-away song
floating from the other shore?
I want to die
in your yellow hair
I spot the hills
With yellow balls in autumn.
I light the prairie cornfields
Orange and tawny gold clusters
And I am called pumpkins.
On the last of October
When dusk is fallen
Children join hands
And circle round me
Singing ghost songs
And love to the harvest moon;
I am a jack-o'-lantern
With terrible teeth
And the children know
I am fooling.
An omnibus across the bridge
Crawls like a yellow butterfly
And, here and there, a passer-by
Shows like a little restless midge.
Big barges full of yellow hay
Are moored against the shadowy wharf,
And, like a yellow silken scarf,
The thick fog hangs along the quay.
The yellow leaves begin to fade
And flutter from the Temple elms,
And at my feet the pale green Thames
Lies like a rod of rippled jade.
A wild Blue sky abreast of Winds
That threatened it -- did run
And crouched behind his Yellow Door
Was the defiant sun --
Some conflict with those upper friends
So genial in the main
That we deplore peculiarly
Their arrogant campaign --
God give the yellow man
an easy breeze at blossom time.
Grant his eager, slanting eyes to cover
every land and dream
Give blue-eyed men their swivel chairs
to whirl in tall buildings.
Allow them many ships at sea,
and on land, soldiers
For black man, God,
no need to bother more
but only fill afresh his meed
his cup of tears.
God suffer little men
the taste of soul's desire.
Robert Louis Stevenson
Thank you, pretty cow, that made
Pleasant milk to soak my bread,
Every day and every night,
Warm, and fresh, and sweet, and white.
Do not chew the hemlock rank,
Growing on the weedy bank;
But the yellow cowslips eat;
They perhaps will make it sweet.
Where the purple violet grows,
Where the bubbling water flows,
Where the grass is fresh and fine,
Pretty cow, go there to dine.
COME unto these yellow sands,
And then take hands:
Court'sied when you have, and kiss'd,--
The wild waves whist,--
Foot it featly here and there;
And, sweet sprites, the burthen bear.
The watch-dogs bark:
Hark, hark! I hear
The strain of strutting chanticleer
The houses are haunted
By white night-gowns.
None are green,
Or purple with green rings,
Or green with yellow rings,
Or yellow with blue rings.
None of them are strange,
With socks of lace
And beaded ceintures.
People are not going
To dream of baboons and periwinkles.
Only, here and there, an old sailor,
Drunk and asleep in his boots,
In red weather.
The wind, one brilliant day, called
to my soul with an odor of jasmine.
"In return for the odor of my jasmine,
I'd like all the odor of your roses.
"I have no roses; all the flowers
in my garden are dead.
"Well then, I'll take the withered petals
and the yellow leaves and the waters of the fountain.
the wind left.
And I wept.
And I said to myself:
"What have you done with the garden that was entrusted to you?"
Translated by Robert Bly
A white mist drifts across the shrouds,
A wild moon in this wintry sky
Gleams like an angry lion's eye
Out of a mane of tawny clouds.
The muffled steersman at the wheel
Is but a shadow in the gloom; -
And in the throbbing engine-room
Leap the long rods of polished steel.
The shattered storm has left its trace
Upon this huge and heaving dome,
For the thin threads of yellow foam
Float on the waves like ravelled lace.
A lane of Yellow led the eye
Unto a Purple Wood
Whose soft inhabitants to be
If Bird the silence contradict
Or flower presume to show
In that low summer of the West
Impossible to know --
The sky is laced with fitful red,
The circling mists and shadows flee,
The dawn is rising from the sea,
Like a white lady from her bed.
And jagged brazen arrows fall
Athwart the feathers of the night,
And a long wave of yellow light
Breaks silently on tower and hall,
And spreading wide across the wold
Wakes into flight some fluttering bird,
And all the chestnut tops are stirred,
And all the branches streaked with gold.
My thoughts are crabbed and sallow,
My tears like vinegar,
Or the bitter blinking yellow
Of an acetic star.
Tonight the caustic wind, love,
Gossips late and soon,
And I wear the wry-faced pucker of
The sour lemon moon.
While like an early summer plum,
Puny, green, and tart,
Droops upon its wizened stem
My lean, unripened heart.
The Day grew small, surrounded tight
By early, stooping Night --
The Afternoon in Evening deep
Its Yellow shortness dropt --
The Winds went out their martial ways
The Leaves obtained excuse --
November hung his Granite Hat
Upon a nail of Plush --
And David’s Lips are lockt; but in divine
High-piping Péhlevi, with “Wine! Wine! Wine!
Red Wine!”—the Nightingale cries to the Rose
That yellow Cheek of hers to incarnadine.
To outer senses there is peace,
A dreamy peace on either hand
Deep silence in the shadowy land,
Deep silence where the shadows cease.
Save for a cry that echoes shrill
From some lone bird disconsolate;
A corncrake calling to its mate;
The answer from the misty hill.
And suddenly the moon withdraws
Her sickle from the lightening skies,
And to her sombre cavern flies,
Wrapped in a veil of yellow gauze.
Mary Elizabeth Coleridge
When wintry winds are no more heard,
And joy's in every bosom,
When summer sings in every bird,
And shines in every blossom,
When happy twilight hours are long,
Come home, my love, and think no wrong!
When berries gleam above the stream
And half the fields are yellow,
Come back to me, my joyous dream,
The world hath not thy fellow!
And I will make thee Queen among
The Queens of summer and of song.
Broad sun-stoned beaches.
A green river.
scorched yellow palms
from the summer-sleeping house
drowsing through August.
Days I have held,
days I have lost,
days that outgrow, like daughters,
my harbouring arms.
Luini in porcelain!
The grand piano
Utters a profane
Protest with her clear soprano.
The sleek head emerges
From the gold-yellow frock
As Anadyomene in the opening
Pages of Reinach.
Honey-red, closing the face-oval,
A basket-work of braids which seem as if they were
Spun in King Minos' hall
From metal, or intractable amber;
The face-oval beneath the glaze,
Bright in its suave bounding-line, as,
Beneath half-watt rays,
The eyes turn topaz.
THE owl-car clatters along, dogged by the echo
From building and battered paving-stone.
The headlight scoffs at the mist,
And fixes its yellow rays in the cold slow rain;
Against a pane I press my forehead
And drowsily look on the walls and sidewalks.
The headlight finds the way
And life is gone from the wet and the welter--
Only an old woman, bloated, disheveled and bleared.
Far-wandered waif of other days,
Huddles for sleep in a doorway,
I CRIED over beautiful things knowing no beautiful thing lasts.
The field of cornflower yellow is a scarf at the neck of the copper sunburned woman, the mother of the year, the taker of seeds.
The northwest wind comes and the yellow is torn full of holes, new beautiful things come in the first spit of snow on the northwest wind, and the old things go, not one lasts.
There is something about a Martini,
A tingle remarkably pleasant;
A yellow, a mellow Martini;
I wish I had one at present.
There is something about a Martini,
Ere the dining and dancing begin,
And to tell you the truth,
It is not the vermouth--
I think that perhaps it's the gin.
There can be no forced inspiration,
But there can be mergers with the world
There can be a flowing of feelings
Quiet, yet overwhelming
Flying outside to unite
Flying inside to find
The melody of the moment
When the yellow corona appears on the horizon
And blue light appears over the mountain
And the world becomes mellow
Hospitable and generous,
And you fly into the heart of the mountain
To find an egg of an unborn bird
Able to break out and fly as a newborn eagle