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Best Famous Zodiac Poems

Here is a collection of the all-time best famous Zodiac poems. This is a select list of the best famous Zodiac poetry. Reading, writing, and enjoying famous Zodiac poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of zodiac poems.

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Written by Robert Pinsky | Create an image from this poem

Ode To Meaning

 Dire one and desired one,
Savior, sentencer--

In an old allegory you would carry
A chained alphabet of tokens:

Ankh Badge Cross.
Dragon, Engraved figure guarding a hallowed intaglio, Jasper kinema of legendary Mind, Naked omphalos pierced By quills of rhyme or sense, torah-like: unborn Vein of will, xenophile Yearning out of Zero.
Untrusting I court you.
Wavering I seek your face, I read That Crusoe's knife Reeked of you, that to defile you The soldier makes the rabbi spit on the torah.
"I'll drown my book" says Shakespeare.
Drowned walker, revenant.
After my mother fell on her head, she became More than ever your sworn enemy.
She spoke Sometimes like a poet or critic of forty years later.
Or she spoke of the world as Thersites spoke of the heroes, "I think they have swallowed one another.
I Would laugh at that miracle.
" You also in the laughter, warrior angel: Your helmet the zodiac, rocket-plumed Your spear the beggar's finger pointing to the mouth Your heel planted on the serpent Formulation Your face a vapor, the wreath of cigarette smoke crowning Bogart as he winces through it.
You not in the words, not even Between the words, but a torsion, A cleavage, a stirring.
You stirring even in the arctic ice, Even at the dark ocean floor, even In the cellular flesh of a stone.
Gas.
Gossamer.
My poker friends Question your presence In a poem by me, passing the magazine One to another.
Not the stone and not the words, you Like a veil over Arthur's headstone, The passage from Proverbs he chose While he was too ill to teach And still well enough to read, I was Beside the master craftsman Delighting him day after day, ever At play in his presence--you A soothing veil of distraction playing over Dying Arthur playing in the hospital, Thumbing the Bible, fuzzy from medication, Ever courting your presence, And you the prognosis, You in the cough.
Gesturer, when is your spur, your cloud? You in the airport rituals of greeting and parting.
Indicter, who is your claimant? Bell at the gate.
Spiderweb iron bridge.
Cloak, video, aroma, rue, what is your Elected silence, where was your seed? What is Imagination But your lost child born to give birth to you? Dire one.
Desired one.
Savior, sentencer-- Absence, Or presence ever at play: Let those scorn you who never Starved in your dearth.
If I Dare to disparage Your harp of shadows I taste Wormwood and motor oil, I pour Ashes on my head.
You are the wound.
You Be the medicine.


Written by John Keats | Create an image from this poem

Lines On The Mermaid Tavern

 Souls of Poets dead and gone,
What Elysium have ye known,
Happy field or mossy cavern,
Choicer than the Mermaid Tavern?
Have ye tippled drink more fine
Than mine host's Canary wine?
Or are fruits of Paradise
Sweeter than those dainty pies
Of venison? O generous food!
Drest as though bold Robin Hood
Would, with his maid Marian,
Sup and bowse from horn and can.
I have heard that on a day Mine host's sign-board flew away, Nobody knew whither, till An astrologer's old quill To a sheepskin gave the story, Said he saw you in your glory, Underneath a new old sign Sipping beverage divine, And pledging with contented smack The Mermaid in the Zodiac.
Souls of Poets dead and gone, What Elysium have ye known, Happy field or mossy cavern, Choicer than the Mermaid Tavern?
Written by Anne Bradstreet | Create an image from this poem

A Letter to Her Husband

 Absent upon Public Employment 

My head, my heart, mine eyes, my life, nay more,
My joy, my magazine, of earthly store,
If two be one, as surely thou and I,
How stayest thou there, whilst I at Ipswich lie?
So many steps, head from the heart to sever,
If but a neck, soon should we be together.
I, like the Earth this season, mourn in black, My Sun is gone so far in's zodiac, Whom whilst I 'joyed, nor storms, nor frost I felt, His warmth such fridged colds did cause to melt.
My chilled limbs now numbed lie forlorn; Return; return, sweet Sol, from Capricorn; In this dead time, alas, what can I more Than view those fruits which through thy heart I bore? Which sweet contentment yield me for a space, True living pictures of their father's face.
O strange effect! now thou art southward gone, I weary grow the tedious day so long; But when thou northward to me shalt return, I wish my Sun may never set, but burn Within the Cancer of my glowing breast, The welcome house of him my dearest guest.
Where ever, ever stay, and go not thence, Till nature's sad decree shall call thee hence; Flesh of thy flesh, bone of thy bone, I here, thou there, yet both but one.
Written by Dame Edith Sitwell | Create an image from this poem

When Cold December

 WHEN cold December 
Froze to grisamber 
The jangling bells on the sweet rose-trees-- 
Then fading slow 
And furred is the snow 
As the almond's sweet husk-- 
And smelling like musk.
The snow amygdaline Under the eglantine Where the bristling stars shine Like a gilt porcupine-- The snow confesses The little Princesses On their small chioppines Dance under the orpines.
See the casuistries Of their slant fluttering eyes-- Gilt as the zodiac (Dancing Herodiac).
Only the snow slides Like gilded myrrh-- From the rose-branches--hides Rose-roots that stir.
Written by Robert Graves | Create an image from this poem

To Juan at the Winter Solstice

 There is one story and one story only
That will prove worth your telling,
Whether as learned bard or gifted child;
To it all lines or lesser gauds belong
That startle with their shining
Such common stories as they stray into.
Is it of trees you tell, their months and virtues, Or strange beasts that beset you, Of birds that croak at you the Triple will? Or of the Zodiac and how slow it turns Below the Boreal Crown, Prison to all true kings that ever reigned? Water to water, ark again to ark, From woman back to woman: So each new victim treads unfalteringly The never altered circuit of his fate, Bringing twelve peers as witness Both to his starry rise and starry fall.
Or is it of the Virgin's silver beauty, All fish below the thighs? She in her left hand bears a leafy quince; When, with her right hand she crooks a finger, smiling, How many the King hold back? Royally then he barters life for love.
Or of the undying snake from chaos hatched, Whose coils contain the ocean, Into whose chops with naked sword he springs, Then in black water, tangled by the reeds, Battles three days and nights, To be spewed up beside her scalloped shore? Much snow if falling, winds roar hollowly, The owl hoots from the elder, Fear in your heart cries to the loving-cup: Sorrow to sorrow as the sparks fly upward.
The log groans and confesses: There is one story and one story only.
Dwell on her graciousness, dwell on her smiling, Do not forget what flowers The great boar trampled down in ivy time.
Her brow was creamy as the crested wave, Her sea-blue eyes were wild But nothing promised that is not performed.


Written by William Butler Yeats | Create an image from this poem

The Two Kings

 King Eochaid came at sundown to a wood
Westward of Tara.
Hurrying to his queen He had outridden his war-wasted men That with empounded cattle trod the mire, And where beech-trees had mixed a pale green light With the ground-ivy's blue, he saw a stag Whiter than curds, its eyes the tint of the sea.
Because it stood upon his path and seemed More hands in height than any stag in the world He sat with tightened rein and loosened mouth Upon his trembling horse, then drove the spur; But the stag stooped and ran at him, and passed, Rending the horse's flank.
King Eochaid reeled, Then drew his sword to hold its levelled point Against the stag.
When horn and steel were met The horn resounded as though it had been silver, A sweet, miraculous, terrifying sound.
Horn locked in sword, they tugged and struggled there As though a stag and unicorn were met Among the African Mountains of the Moon, Until at last the double horns, drawn backward, Butted below the single and so pierced The entrails of the horse.
Dropping his sword King Eochaid seized the horns in his strong hands And stared into the sea-green eye, and so Hither and thither to and fro they trod Till all the place was beaten into mire.
The strong thigh and the agile thigh were met, The hands that gathered up the might of the world, And hoof and horn that had sucked in their speed Amid the elaborate wilderness of the air.
Through bush they plunged and over ivied root, And where the stone struck fire, while in the leaves A squirrel whinnied and a bird screamed out; But when at last he forced those sinewy flanks Against a beech-bole, he threw down the beast And knelt above it with drawn knife.
On the instant It vanished like a shadow, and a cry So mournful that it seemed the cry of one Who had lost some unimaginable treasure Wandered between the blue and the green leaf And climbed into the air, crumbling away, Till all had seemed a shadow or a vision But for the trodden mire, the pool of blood, The disembowelled horse.
King Eochaid ran Toward peopled Tara, nor stood to draw his breath Until he came before the painted wall, The posts of polished yew, circled with bronze, Of the great door; but though the hanging lamps Showed their faint light through the unshuttered windows, Nor door, nor mouth, nor slipper made a noise, Nor on the ancient beaten paths, that wound From well-side or from plough-land, was there noisc; Nor had there been the noise of living thing Before him or behind, but that far off On the horizon edge bellowed the herds.
Knowing that silence brings no good to kings, And mocks returning victory, he passed Between the pillars with a beating heart And saw where in the midst of the great hall pale-faced, alone upon a bench, Edain Sat upright with a sword before her feet.
Her hands on either side had gripped the bench.
Her eyes were cold and steady, her lips tight.
Some passion had made her stone.
Hearing a foot She started and then knew whose foot it was; But when he thought to take her in his arms She motioned him afar, and rose and spoke: 'I have sent among the fields or to the woods The fighting-men and servants of this house, For I would have your judgment upon one Who is self-accused.
If she be innocent She would not look in any known man's face Till judgment has been given, and if guilty, Would never look again on known man's face.
' And at these words hc paled, as she had paled, Knowing that he should find upon her lips The meaning of that monstrous day.
Then she: 'You brought me where your brother Ardan sat Always in his one seat, and bid me care him Through that strange illness that had fixed him there.
And should he die to heap his burial-mound And catve his name in Ogham.
' Eochaid said, 'He lives?' 'He lives and is a healthy man.
' 'While I have him and you it matters little What man you have lost, what evil you have found.
' 'I bid them make his bed under this roof And carried him his food with my own hands, And so the weeks passed by.
But when I said, "What is this trouble?" he would answer nothing, Though always at my words his trouble grew; And I but asked the more, till he cried out, Weary of many questions: "There are things That make the heart akin to the dumb stone.
" Then I replied, "Although you hide a secret, Hopeless and dear, or terrible to think on, Speak it, that I may send through the wide world For Medicine.
" Thereon he cried aloud "Day after day you question me, and I, Because there is such a storm amid my thoughts I shall be carried in the gust, command, Forbid, beseech and waste my breath.
" Then I: "Although the thing that you have hid were evil, The speaking of it could be no great wrong, And evil must it be, if done 'twere worse Than mound and stone that keep all virtue in, And loosen on us dreams that waste our life, Shadows and shows that can but turn the brain.
" but finding him still silent I stooped down And whispering that none but he should hear, Said, "If a woman has put this on you, My men, whether it please her or displease, And though they have to cross the Loughlan waters And take her in the middle of armed men, Shall make her look upon her handiwork, That she may quench the rick she has fired; and though She may have worn silk clothes, or worn a crown, She'II not be proud, knowing within her heart That our sufficient portion of the world Is that we give, although it be brief giving, Happiness to children and to men.
" Then he, driven by his thought beyond his thought, And speaking what he would not though he would, Sighed, "You, even you yourself, could work the cure!" And at those words I rose and I went out And for nine days he had food from other hands, And for nine days my mind went whirling round The one disastrous zodiac, muttering That the immedicable mound's beyond Our questioning, beyond our pity even.
But when nine days had gone I stood again Before his chair and bending down my head I bade him go when all his household slept To an old empty woodman's house that's hidden Westward of Tara, among the hazel-trees -- For hope would give his limbs the power -- and await A friend that could, he had told her, work his cure And would be no harsh friend.
When night had deepened, I groped my way from beech to hazel wood, Found that old house, a sputtering torch within, And stretched out sleeping on a pile of skins Ardan, and though I called to him and tried To Shake him out of sleep, I could not rouse him.
I waited till the night was on the turn, Then fearing that some labourer, on his way To plough or pasture-land, might see me there, Went out.
Among the ivy-covered rocks, As on the blue light of a sword, a man Who had unnatural majesty, and eyes Like the eyes of some great kite scouring the woods, Stood on my path.
Trembling from head to foot I gazed at him like grouse upon a kite; But with a voice that had unnatural music, "A weary wooing and a long," he said, "Speaking of love through other lips and looking Under the eyelids of another, for it was my craft That put a passion in the sleeper there, And when I had got my will and drawn you here, Where I may speak to you alone, my craft Sucked up the passion out of him again And left mere sleep.
He'll wake when the sun wakes, push out his vigorous limbs and rub his eyes, And wonder what has ailed him these twelve months.
" I cowered back upon the wall in terror, But that sweet-sounding voice ran on: "Woman, I was your husband when you rode the air, Danced in the whirling foam and in the dust, In days you have not kept in memory, Being betrayed into a cradle, and I come That I may claim you as my wife again.
" I was no longer terrified -- his voice Had half awakened some old memory -- Yet answered him, "I am King Eochaid's wife And with him have found every happiness Women can find.
" With a most masterful voice, That made the body seem as it were a string Under a bow, he cried, "What happiness Can lovers have that know their happiness Must end at the dumb stone? But where we build Our sudden palaces in the still air pleasure itself can bring no weariness.
Nor can time waste the cheek, nor is there foot That has grown weary of the wandering dance, Nor an unlaughing mouth, but mine that mourns, Among those mouths that sing their sweethearts' praise, Your empty bed.
" "How should I love," I answered, "Were it not that when the dawn has lit my bed And shown my husband sleeping there, I have sighcd, 'Your strength and nobleness will pass away'? Or how should love be worth its pains were it not That when he has fallen asleep within my atms, Being wearied out, I love in man the child? What can they know of love that do not know She builds her nest upon a narrow ledge Above a windy precipice?" Then he: "Seeing that when you come to the deathbed You must return, whether you would or no, This human life blotted from memory, Why must I live some thirty, forty years, Alone with all this useless happiness?" Thereon he seized me in his arms, but I Thrust him away with both my hands and cried, "Never will I believe there is any change Can blot out of my memory this life Sweetened by death, but if I could believe, That were a double hunger in my lips For what is doubly brief.
" And now the shape My hands were pressed to vanished suddenly.
I staggered, but a beech-tree stayed my fall, And clinging to it I could hear the cocks Crow upon Tara.
' King Eochaid bowed his head And thanked her for her kindness to his brother, For that she promised, and for that refused.
Thereon the bellowing of the empounded herds Rose round the walls, and through the bronze-ringed door Jostled and shouted those war-wasted men, And in the midst King Eochaid's brother stood, And bade all welcome, being ignorant.
Written by William Butler Yeats | Create an image from this poem

A First Confession

 I admit the briar
Entangled in my hair
Did not injure me;
My blenching and trembling,
Nothing but dissembling,
Nothing but coquetry.
I long for truth, and yet I cannot stay from that My better self disowns, For a man's attention Brings such satisfaction To the craving in my bones.
Brightness that I pull back From the Zodiac, Why those questioning eyes That are fixed upon me? What can they do but shun me If empty night replies?
Written by Bliss Carman | Create an image from this poem

Behind the Arras

 I like the old house tolerably well, 
Where I must dwell 
Like a familiar gnome; 
And yet I never shall feel quite at home.
I love to roam.
Day after day I loiter and explore From door to door; So many treasures lure The curious mind.
What histories obscure They must immure! I hardly know which room I care for best; This fronting west, With the strange hills in view, Where the great sun goes,—where I may go too, When my lease is through,— Or this one for the morning and the east, Where a man may feast His eyes on looming sails, And be the first to catch their foreign hails Or spy their bales Then the pale summer twilights towards the pole! It thrills my soul With wonder and delight, When gold-green shadows walk the world at night, So still, so bright.
There at the window many a time of year, Strange faces peer, Solemn though not unkind, Their wits in search of something left behind Time out of mind; As if they once had lived here, and stole back To the window crack For a peep which seems to say, "Good fortune, brother, in your house of clay!" And then, "Good day!" I hear their footsteps on the gravel walk, Their scraps of talk, And hurrying after, reach Only the crazy sea-drone of the beach In endless speech.
And often when the autumn noons are still, By swale and hill I see their gipsy signs, Trespassing somewhere on my border lines; With what designs? I forth afoot; but when I reach the place, Hardly a trace, Save the soft purple haze Of smouldering camp-fires, any hint betrays Who went these ways.
Or tatters of pale aster blue, descried By the roadside, Reveal whither they fled; Or the swamp maples, here and there a shred Of Indian red.
But most of all, the marvellous tapestry Engrosses me, Where such strange things are rife, Fancies of beasts and flowers, and love and strife, Woven to the life; Degraded shapes and splendid seraph forms, And teeming swarms Of creatures gauzy dim That cloud the dusk, and painted fish that swim, At the weaver's whim; And wonderful birds that wheel and hang in the air; And beings with hair, And moving eyes in the face, And white bone teeth and hideous grins, who race From place to place; They build great temples to their John-a-nod, And fume and plod To deck themselves with gold, And paint themselves like chattels to be sold, Then turn to mould.
Sometimes they seem almost as real as I; I hear them sigh; I see them bow with grief, Or dance for joy like any aspen leaf; But that is brief.
They have mad wars and phantom marriages; Nor seem to guess There are dimensions still, Beyond thought's reach, though not beyond love's will, For soul to fill.
And some I call my friends, and make believe Their spirits grieve, Brood, and rejoice with mine; I talk to them in phrases quaint and fine Over the wine; I tell them all my secrets; touch their hands; One understands Perhaps.
How hard he tries To speak! And yet those glorious mild eyes, His best replies! I even have my cronies, one or two, My cherished few.
But ah, they do not stay! For the sun fades them and they pass away, As I grow gray.
Yet while they last how actual they seem! Their faces beam; I give them all their names, Bertram and Gilbert, Louis, Frank and James, Each with his aims; One thinks he is a poet, and writes verse His friends rehearse; Another is full of law; A third sees pictures which his hand can draw Without a flaw.
Strangest of all, they never rest.
Day long They shift and throng, Moved by invisible will, Like a great breath which puffs across my sill, And then is still; It shakes my lovely manikins on the wall; Squall after squall, Gust upon crowding gust, It sweeps them willy nilly like blown dust With glory or lust.
It is the world-ghost, the time-spirit, come None knows wherefrom, The viewless draughty tide And wash of being.
I hear it yaw and glide, And then subside, Along these ghostly corridors and halls Like faint footfalls; The hangings stir in the air; And when I start and challenge, "Who goes there?" It answers, "Where?" The wail and sob and moan of the sea's dirge, Its plangor and surge; The awful biting sough Of drifted snows along some arctic bluff, That veer and luff, And have the vacant boding human cry, As they go by;— Is it a banished soul Dredging the dark like a distracted mole Under a knoll? Like some invisible henchman old and gray, Day after day I hear it come and go, With stealthy swift unmeaning to and fro, Muttering low, Ceaseless and daft and terrible and blind, Like a lost mind.
I often chill with fear When I bethink me, What if it should peer At my shoulder here! Perchance he drives the merry-go-round whose track Is the zodiac; His name is No-man's-friend; And his gabbling parrot-talk has neither trend, Beginning, nor end.
A prince of madness too, I'd cry, "A rat!" And lunge thereat,— Let out at one swift thrust The cunning arch-delusion of the dust I so mistrust, But that I fear I should disclose a face Wearing the trace Of my own human guise, Piteous, unharmful, loving, sad, and wise With the speaking eyes.
I would the house were rid of his grim pranks, Moaning from banks Of pine trees in the moon, Startling the silence like a demoniac loon At dead of noon.
Or whispering his fool-talk to the leaves About my eaves.
And yet how can I know 'T is not a happy Ariel masking so In mocking woe? Then with a little broken laugh I say, Snatching away The curtain where he grinned (My feverish sight thought) like a sin unsinned, "Only the wind!" Yet often too he steals so softly by.
With half a sigh, I deem he must be mild, Fair as a woman, gentle as a child, And forest wild.
Passing the door where an old wind-harp swings, With its five strings, Contrived long years ago By my first predecessor bent to show His handcraft so, He lay his fingers on the aeolian wire, As a core of fire Is laid upon the blast To kindle and glow and fill the purple vast Of dark at last.
Weird wise, and low, piercing and keen and glad, Or dim and sad As a forgotten strain Born when the broken legions of the rain Swept through the plain— He plays, like some dread veiled mysteriarch, Lighting the dark, Bidding the spring grow warm, The gendering merge and loosing of spirit in form, Peace out of storm.
For music is the sacrament of love; He broods above The virgin silence, till She yields for rapture shuddering, yearning still To his sweet will.
I hear him sing, "Your harp is like a mesh, Woven of flesh And spread within the shoal Of life, where runs the tide-race of the soul In my control.
"Though my wild way may ruin what it bends, It makes amends To the frail downy clocks, Telling their seed a secret that unlocks The granite rocks.
"The womb of silence to the crave of sound Is heaven unfound, Till I, to soothe and slake Being's most utter and imperious ache, Bid rhythm awake.
"If with such agonies of bliss, my kin, I enter in Your prison house of sense, With what a joyous freed intelligence I shall go hence.
" I need no more to guess the weaver's name, Nor ask his aim, Who hung each hall and room With swarthy-tinged vermilion upon gloom; I know that loom.
Give me a little space and time enough, From ravelings rough I could revive, reweave, A fabric of beauty art might well believe Were past retrieve.
O men and women in that rich design, Sleep-soft, sun-fine, Dew-tenuous and free, A tone of the infinite wind-themes of the sea, Borne in to me, Reveals how you were woven to the might Of shadow and light.
You are the dream of One Who loves to haunt and yet appears to shun My door in the sun; As the white roving sea tern fleck and skim The morning's rim; Or the dark thrushes clear Their flutes of music leisurely and sheer, Then hush to hear.
I know him when the last red brands of day Smoulder away, And when the vernal showers Bring back the heart to all my valley flowers In the soft hours.
O hand of mine and brain of mine, be yours, While time endures, To acquiesce and learn! For what we best may dare and drudge and yearn, Let soul discern.
So, fellows, we shall reach the gusty gate, Early or late, And part without remorse, A cadence dying down unto its source In music's course; You to the perfect rhythms of flowers and birds, Colors and words, The heart-beats of the earth, To be remoulded always of one worth From birth to birth; I to the broken rhythm of thought and man, The sweep and span Of memory and hope About the orbit where they still must grope For wider scope, To be through thousand springs restored, renewed, With love imbrued, With increments of will Made strong, perceiving unattainment still From each new skill.
Always the flawless beauty, always the chord Of the Overword, Dominant, pleading, sure, No truth too small to save and make endure.
No good too poor! And since no mortal can at last disdain That sweet refrain, But lets go strife and care, Borne like a strain of bird notes on the air, The wind knows where; Some quiet April evening soft and strange, When comes the change No spirit can deplore, I shall be one with all I was before, In death once more.
Written by Andrew Marvell | Create an image from this poem

Thoughts in a Garden

 HOW vainly men themselves amaze 
To win the palm, the oak, or bays, 
And their uncessant labours see 
Crown'd from some single herb or tree, 
Whose short and narrow-verged shade 
Does prudently their toils upbraid; 
While all the flowers and trees do close 
To weave the garlands of repose! 

Fair Quiet, have I found thee here, 
And Innocence thy sister dear? 
Mistaken long, I sought you then 
In busy companies of men: 
Your sacred plants, if here below, 
Only among the plants will grow: 
Society is all but rude 
To this delicious solitude.
No white nor red was ever seen So amorous as this lovely green.
Fond lovers, cruel as their flame, Cut in these trees their mistress' name: Little, alas! they know or heed How far these beauties hers exceed! Fair trees! wheres'e'er your barks I wound, No name shall but your own be found.
When we have run our passions' heat, Love hither makes his best retreat: The gods, that mortal beauty chase, Still in a tree did end their race; Apollo hunted Daphne so Only that she might laurel grow; And Pan did after Syrinx speed Not as a nymph, but for a reed.
What wondrous life in this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumbling on melons, as I pass, Ensnared with flowers, I fall on grass.
Meanwhile the mind from pleasure less Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find; Yet it creates, transcending these, Far other worlds, and other seas; Annihilating all that 's made To a green thought in a green shade.
Here at the fountain's sliding foot, Or at some fruit-tree's mossy root, Casting the body's vest aside, My soul into the boughs does glide; There, like a bird, it sits and sings, Then whets and combs its silver wings, And, till prepared for longer flight, Waves in its plumes the various light.
Such was that happy Garden-state While man there walk'd without a mate: After a place so pure and sweet, What other help could yet be meet! But 'twas beyond a mortal's share To wander solitary there: Two paradises 'twere in one, To live in Paradise alone.
How well the skilful gard'ner drew Of flowers and herbs this dial new! Where, from above, the milder sun Does through a fragrant zodiac run: And, as it works, th' industrious bee Computes its time as well as we.
How could such sweet and wholesome hours Be reckon'd, but with herbs and flowers!
Written by Dylan Thomas | Create an image from this poem

Deaths And Entrances

 On almost the incendiary eve
 Of several near deaths,
When one at the great least of your best loved
 And always known must leave
Lions and fires of his flying breath,
 Of your immortal friends
Who'd raise the organs of the counted dust
 To shoot and sing your praise,
One who called deepest down shall hold his peace
 That cannot sink or cease
 Endlessly to his wound
In many married London's estranging grief.
On almost the incendiary eve When at your lips and keys, Locking, unlocking, the murdered strangers weave, One who is most unknown, Your polestar neighbour, sun of another street, Will dive up to his tears.
He'll bathe his raining blood in the male sea Who strode for your own dead And wind his globe out of your water thread And load the throats of shells with every cry since light Flashed first across his thunderclapping eyes.
On almost the incendiary eve Of deaths and entrances, When near and strange wounded on London's waves Have sought your single grave, One enemy, of many, who knows well Your heart is luminous In the watched dark, quivering through locks and caves, Will pull the thunderbolts To shut the sun, plunge, mount your darkened keys And sear just riders back, Until that one loved least Looms the last Samson of your zodiac.

Book: Shattered Sighs