10 Best Famous Zodiac Poems

Here is a collection of the top 10 all-time best famous Zodiac poems. This is a select list of the best famous Zodiac poetry. Reading, writing, and enjoying famous Zodiac poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of zodiac poems.

• All Famous Zodiac Poems

 Dire one and desired one,
Savior, sentencer--

In an old allegory you would carry
A chained alphabet of tokens:

Ankh Badge Cross.
Dragon,
Engraved figure guarding a hallowed intaglio,
Jasper kinema of legendary Mind,
Naked omphalos pierced
By quills of rhyme or sense, torah-like: unborn
Vein of will, xenophile
Yearning out of Zero.

Untrusting I court you. Wavering
I seek your face, I read
That Crusoe's knife
Reeked of you, that to defile you
The soldier makes the rabbi spit on the torah.
"I'll drown my book" says Shakespeare.

Drowned walker, revenant.
After my mother fell on her head, she became
More than ever your sworn enemy. She spoke
Sometimes like a poet or critic of forty years later.
Or she spoke of the world as Thersites spoke of the heroes,
"I think they have swallowed one another. I
Would laugh at that miracle."

You also in the laughter, warrior angel:
Your helmet the zodiac, rocket-plumed
Your spear the beggar's finger pointing to the mouth
Your heel planted on the serpent Formulation
Your face a vapor, the wreath of cigarette smoke crowning
Bogart as he winces through it.

You not in the words, not even
Between the words, but a torsion,
A cleavage, a stirring.

You stirring even in the arctic ice,
Even at the dark ocean floor, even
In the cellular flesh of a stone.
Gas. Gossamer. My poker friends
Question your presence
In a poem by me, passing the magazine
One to another.

Not the stone and not the words, you
Like a veil over Arthur's headstone,
The passage from Proverbs he chose
While he was too ill to teach
And still well enough to read, I was
Beside the master craftsman
Delighting him day after day, ever
At play in his presence--you

A soothing veil of distraction playing over
Dying Arthur playing in the hospital,
Thumbing the Bible, fuzzy from medication,
Ever courting your presence,
And you the prognosis,
You in the cough.

Gesturer, when is your spur, your cloud?
You in the airport rituals of greeting and parting.
Indicter, who is your claimant?
Bell at the gate. Spiderweb iron bridge.
Cloak, video, aroma, rue, what is your
Elected silence, where was your seed?

What is Imagination
But your lost child born to give birth to you?

Dire one. Desired one.
Savior, sentencer--

Absence,
Or presence ever at play:
Let those scorn you who never
Starved in your dearth. If I
Dare to disparage
Your harp of shadows I taste
Wormwood and motor oil, I pour
Ashes on my head. You are the wound. You
Be the medicine.

 Souls of Poets dead and gone,
What Elysium have ye known,
Happy field or mossy cavern,
Choicer than the Mermaid Tavern?
Have ye tippled drink more fine
Than mine host's Canary wine?
Or are fruits of Paradise
Sweeter than those dainty pies
Of venison? O generous food!
Drest as though bold Robin Hood
Would, with his maid Marian,
Sup and bowse from horn and can.

 I have heard that on a day
Mine host's sign-board flew away,
Nobody knew whither, till
An astrologer's old quill
To a sheepskin gave the story,
Said he saw you in your glory,
Underneath a new old sign
Sipping beverage divine,
And pledging with contented smack
The Mermaid in the Zodiac.

 Souls of Poets dead and gone,
What Elysium have ye known,
Happy field or mossy cavern,
Choicer than the Mermaid Tavern?

 Absent upon Public Employment 

My head, my heart, mine eyes, my life, nay more,
My joy, my magazine, of earthly store,
If two be one, as surely thou and I,
How stayest thou there, whilst I at Ipswich lie?
So many steps, head from the heart to sever,
If but a neck, soon should we be together.
I, like the Earth this season, mourn in black,
My Sun is gone so far in's zodiac,
Whom whilst I 'joyed, nor storms, nor frost I felt,
His warmth such fridged colds did cause to melt.
My chilled limbs now numbed lie forlorn;
Return; return, sweet Sol, from Capricorn;
In this dead time, alas, what can I more
Than view those fruits which through thy heart I bore?
Which sweet contentment yield me for a space,
True living pictures of their father's face.
O strange effect! now thou art southward gone,
I weary grow the tedious day so long;
But when thou northward to me shalt return,
I wish my Sun may never set, but burn
Within the Cancer of my glowing breast,
The welcome house of him my dearest guest.
Where ever, ever stay, and go not thence,
Till nature's sad decree shall call thee hence;
Flesh of thy flesh, bone of thy bone,
I here, thou there, yet both but one.

 There is one story and one story only
That will prove worth your telling,
Whether as learned bard or gifted child;
To it all lines or lesser gauds belong
That startle with their shining
Such common stories as they stray into.

Is it of trees you tell, their months and virtues,
Or strange beasts that beset you,
Of birds that croak at you the Triple will?
Or of the Zodiac and how slow it turns
Below the Boreal Crown,
Prison to all true kings that ever reigned?

Water to water, ark again to ark,
From woman back to woman:
So each new victim treads unfalteringly
The never altered circuit of his fate,
Bringing twelve peers as witness
Both to his starry rise and starry fall.

Or is it of the Virgin's silver beauty,
All fish below the thighs?
She in her left hand bears a leafy quince;
When, with her right hand she crooks a finger, smiling,
How many the King hold back?
Royally then he barters life for love.

Or of the undying snake from chaos hatched,
Whose coils contain the ocean,
Into whose chops with naked sword he springs,
Then in black water, tangled by the reeds,
Battles three days and nights,
To be spewed up beside her scalloped shore?

Much snow if falling, winds roar hollowly,
The owl hoots from the elder,
Fear in your heart cries to the loving-cup:
Sorrow to sorrow as the sparks fly upward.
The log groans and confesses:
There is one story and one story only.

Dwell on her graciousness, dwell on her smiling,
Do not forget what flowers
The great boar trampled down in ivy time.
Her brow was creamy as the crested wave,
Her sea-blue eyes were wild
But nothing promised that is not performed.

 WHEN cold December 
Froze to grisamber 
The jangling bells on the sweet rose-trees-- 
Then fading slow 
And furred is the snow 
As the almond's sweet husk-- 
And smelling like musk. 
The snow amygdaline 
Under the eglantine 
Where the bristling stars shine 
Like a gilt porcupine-- 
The snow confesses 
The little Princesses 
On their small chioppines 
Dance under the orpines. 
See the casuistries 
Of their slant fluttering eyes-- 
Gilt as the zodiac 
(Dancing Herodiac). 
Only the snow slides 
Like gilded myrrh-- 
From the rose-branches--hides 
Rose-roots that stir.

 I admit the briar
Entangled in my hair
Did not injure me;
My blenching and trembling,
Nothing but dissembling,
Nothing but coquetry.

I long for truth, and yet
I cannot stay from that
My better self disowns,
For a man's attention
Brings such satisfaction
To the craving in my bones.

Brightness that I pull back
From the Zodiac,
Why those questioning eyes
That are fixed upon me?
What can they do but shun me
If empty night replies?

 King Eochaid came at sundown to a wood
Westward of Tara. Hurrying to his queen
He had outridden his war-wasted men
That with empounded cattle trod the mire,
And where beech-trees had mixed a pale green light
With the ground-ivy's blue, he saw a stag
Whiter than curds, its eyes the tint of the sea.
Because it stood upon his path and seemed
More hands in height than any stag in the world
He sat with tightened rein and loosened mouth
Upon his trembling horse, then drove the spur;
But the stag stooped and ran at him, and passed,
Rending the horse's flank. King Eochaid reeled,
Then drew his sword to hold its levelled point
Against the stag. When horn and steel were met
The horn resounded as though it had been silver,
A sweet, miraculous, terrifying sound.
Horn locked in sword, they tugged and struggled there
As though a stag and unicorn were met
Among the African Mountains of the Moon,
Until at last the double horns, drawn backward,
Butted below the single and so pierced
The entrails of the horse. Dropping his sword
King Eochaid seized the horns in his strong hands
And stared into the sea-green eye, and so
Hither and thither to and fro they trod
Till all the place was beaten into mire.
The strong thigh and the agile thigh were met,
The hands that gathered up the might of the world,
And hoof and horn that had sucked in their speed
Amid the elaborate wilderness of the air.
Through bush they plunged and over ivied root,
And where the stone struck fire, while in the leaves
A squirrel whinnied and a bird screamed out;
But when at last he forced those sinewy flanks
Against a beech-bole, he threw down the beast
And knelt above it with drawn knife. On the instant
It vanished like a shadow, and a cry
So mournful that it seemed the cry of one
Who had lost some unimaginable treasure
Wandered between the blue and the green leaf
And climbed into the air, crumbling away,
Till all had seemed a shadow or a vision
But for the trodden mire, the pool of blood,
The disembowelled horse.
 King Eochaid ran
Toward peopled Tara, nor stood to draw his breath
Until he came before the painted wall,
The posts of polished yew, circled with bronze,
Of the great door; but though the hanging lamps
Showed their faint light through the unshuttered windows,
Nor door, nor mouth, nor slipper made a noise,
Nor on the ancient beaten paths, that wound
From well-side or from plough-land, was there noisc;
Nor had there been the noise of living thing
Before him or behind, but that far off
On the horizon edge bellowed the herds.
Knowing that silence brings no good to kings,
And mocks returning victory, he passed
Between the pillars with a beating heart
And saw where in the midst of the great hall
pale-faced, alone upon a bench, Edain
Sat upright with a sword before her feet.
Her hands on either side had gripped the bench.
Her eyes were cold and steady, her lips tight.
Some passion had made her stone. Hearing a foot
She started and then knew whose foot it was;
But when he thought to take her in his arms
She motioned him afar, and rose and spoke:
'I have sent among the fields or to the woods
The fighting-men and servants of this house,
For I would have your judgment upon one
Who is self-accused. If she be innocent
She would not look in any known man's face
Till judgment has been given, and if guilty,
Would never look again on known man's face.'
And at these words hc paled, as she had paled,
Knowing that he should find upon her lips
The meaning of that monstrous day.
 Then she:
'You brought me where your brother Ardan sat
Always in his one seat, and bid me care him
Through that strange illness that had fixed him there.
And should he die to heap his burial-mound
And catve his name in Ogham.' Eochaid said,
'He lives?' 'He lives and is a healthy man.'
'While I have him and you it matters little
What man you have lost, what evil you have found.'
'I bid them make his bed under this roof
And carried him his food with my own hands,
And so the weeks passed by. But when I said,
"What is this trouble?" he would answer nothing,
Though always at my words his trouble grew;
And I but asked the more, till he cried out,
Weary of many questions: "There are things
That make the heart akin to the dumb stone."
Then I replied, "Although you hide a secret,
Hopeless and dear, or terrible to think on,
Speak it, that I may send through the wide world
For Medicine." Thereon he cried aloud
"Day after day you question me, and I,
Because there is such a storm amid my thoughts
I shall be carried in the gust, command,
Forbid, beseech and waste my breath." Then I:
"Although the thing that you have hid were evil,
The speaking of it could be no great wrong,
And evil must it be, if done 'twere worse
Than mound and stone that keep all virtue in,
And loosen on us dreams that waste our life,
Shadows and shows that can but turn the brain."
but finding him still silent I stooped down
And whispering that none but he should hear,
Said, "If a woman has put this on you,
My men, whether it please her or displease,
And though they have to cross the Loughlan waters
And take her in the middle of armed men,
Shall make her look upon her handiwork,
That she may quench the rick she has fired; and though
She may have worn silk clothes, or worn a crown,
She'II not be proud, knowing within her heart
That our sufficient portion of the world
Is that we give, although it be brief giving,
Happiness to children and to men."
Then he, driven by his thought beyond his thought,
And speaking what he would not though he would,
Sighed, "You, even you yourself, could work the cure!"
And at those words I rose and I went out
And for nine days he had food from other hands,
And for nine days my mind went whirling round
The one disastrous zodiac, muttering
That the immedicable mound's beyond
Our questioning, beyond our pity even.
But when nine days had gone I stood again
Before his chair and bending down my head
I bade him go when all his household slept
To an old empty woodman's house that's hidden
Westward of Tara, among the hazel-trees --
For hope would give his limbs the power -- and await
A friend that could, he had told her, work his cure
And would be no harsh friend.
 When night had deepened,
I groped my way from beech to hazel wood,
Found that old house, a sputtering torch within,
And stretched out sleeping on a pile of skins
Ardan, and though I called to him and tried
To Shake him out of sleep, I could not rouse him.
I waited till the night was on the turn,
Then fearing that some labourer, on his way
To plough or pasture-land, might see me there,
Went out.
 Among the ivy-covered rocks,
As on the blue light of a sword, a man
Who had unnatural majesty, and eyes
Like the eyes of some great kite scouring the woods,
Stood on my path. Trembling from head to foot
I gazed at him like grouse upon a kite;
But with a voice that had unnatural music,
"A weary wooing and a long," he said,
"Speaking of love through other lips and looking
Under the eyelids of another, for it was my craft
That put a passion in the sleeper there,
And when I had got my will and drawn you here,
Where I may speak to you alone, my craft
Sucked up the passion out of him again
And left mere sleep. He'll wake when the sun wakes,
push out his vigorous limbs and rub his eyes,
And wonder what has ailed him these twelve months."
I cowered back upon the wall in terror,
But that sweet-sounding voice ran on: "Woman,
I was your husband when you rode the air,
Danced in the whirling foam and in the dust,
In days you have not kept in memory,
Being betrayed into a cradle, and I come
That I may claim you as my wife again."
I was no longer terrified -- his voice
Had half awakened some old memory --
Yet answered him, "I am King Eochaid's wife
And with him have found every happiness
Women can find." With a most masterful voice,
That made the body seem as it were a string
Under a bow, he cried, "What happiness
Can lovers have that know their happiness
Must end at the dumb stone? But where we build
Our sudden palaces in the still air
pleasure itself can bring no weariness.
Nor can time waste the cheek, nor is there foot
That has grown weary of the wandering dance,
Nor an unlaughing mouth, but mine that mourns,
Among those mouths that sing their sweethearts' praise,
Your empty bed." "How should I love," I answered,
"Were it not that when the dawn has lit my bed
And shown my husband sleeping there, I have sighcd,
'Your strength and nobleness will pass away'?
Or how should love be worth its pains were it not
That when he has fallen asleep within my atms,
Being wearied out, I love in man the child?
What can they know of love that do not know
She builds her nest upon a narrow ledge
Above a windy precipice?" Then he:
"Seeing that when you come to the deathbed
You must return, whether you would or no,
This human life blotted from memory,
Why must I live some thirty, forty years,
Alone with all this useless happiness?"
Thereon he seized me in his arms, but I
Thrust him away with both my hands and cried,
"Never will I believe there is any change
Can blot out of my memory this life
Sweetened by death, but if I could believe,
That were a double hunger in my lips
For what is doubly brief."
 And now the shape
My hands were pressed to vanished suddenly.
I staggered, but a beech-tree stayed my fall,
And clinging to it I could hear the cocks
Crow upon Tara.'
 King Eochaid bowed his head
And thanked her for her kindness to his brother,
For that she promised, and for that refused.
Thereon the bellowing of the empounded herds
Rose round the walls, and through the bronze-ringed door
Jostled and shouted those war-wasted men,
And in the midst King Eochaid's brother stood,
And bade all welcome, being ignorant.

 HOW vainly men themselves amaze 
To win the palm, the oak, or bays, 
And their uncessant labours see 
Crown'd from some single herb or tree, 
Whose short and narrow-verged shade 
Does prudently their toils upbraid; 
While all the flowers and trees do close 
To weave the garlands of repose! 

Fair Quiet, have I found thee here, 
And Innocence thy sister dear? 
Mistaken long, I sought you then 
In busy companies of men: 
Your sacred plants, if here below, 
Only among the plants will grow: 
Society is all but rude 
To this delicious solitude. 

No white nor red was ever seen 
So amorous as this lovely green. 
Fond lovers, cruel as their flame, 
Cut in these trees their mistress' name: 
Little, alas! they know or heed 
How far these beauties hers exceed! 
Fair trees! wheres'e'er your barks I wound, 
No name shall but your own be found. 

When we have run our passions' heat, 
Love hither makes his best retreat: 
The gods, that mortal beauty chase, 
Still in a tree did end their race; 
Apollo hunted Daphne so 
Only that she might laurel grow; 
And Pan did after Syrinx speed 
Not as a nymph, but for a reed. 

What wondrous life in this I lead! 
Ripe apples drop about my head; 
The luscious clusters of the vine 
Upon my mouth do crush their wine; 
The nectarine and curious peach 
Into my hands themselves do reach; 
Stumbling on melons, as I pass, 
Ensnared with flowers, I fall on grass. 

Meanwhile the mind from pleasure less 
Withdraws into its happiness; 
The mind, that ocean where each kind 
Does straight its own resemblance find; 
Yet it creates, transcending these, 
Far other worlds, and other seas; 
Annihilating all that 's made 
To a green thought in a green shade. 

Here at the fountain's sliding foot, 
Or at some fruit-tree's mossy root, 
Casting the body's vest aside, 
My soul into the boughs does glide; 
There, like a bird, it sits and sings, 
Then whets and combs its silver wings, 
And, till prepared for longer flight, 
Waves in its plumes the various light. 

Such was that happy Garden-state 
While man there walk'd without a mate: 
After a place so pure and sweet, 
What other help could yet be meet! 
But 'twas beyond a mortal's share 
To wander solitary there: 
Two paradises 'twere in one, 
To live in Paradise alone. 

How well the skilful gard'ner drew 
Of flowers and herbs this dial new! 
Where, from above, the milder sun 
Does through a fragrant zodiac run: 
And, as it works, th' industrious bee 
Computes its time as well as we. 
How could such sweet and wholesome hours 
Be reckon'd, but with herbs and flowers!

 I like the old house tolerably well, 
Where I must dwell 
Like a familiar gnome; 
And yet I never shall feel quite at home. 
I love to roam. 
Day after day I loiter and explore 
From door to door; 
So many treasures lure 
The curious mind. What histories obscure 
They must immure! 

I hardly know which room I care for best; 
This fronting west, 
With the strange hills in view, 
Where the great sun goes,—where I may go too, 
When my lease is through,— 

Or this one for the morning and the east, 
Where a man may feast 
His eyes on looming sails, 
And be the first to catch their foreign hails 
Or spy their bales 

Then the pale summer twilights towards the pole! 
It thrills my soul 
With wonder and delight, 
When gold-green shadows walk the world at night, 
So still, so bright. 

There at the window many a time of year, 
Strange faces peer, 
Solemn though not unkind, 
Their wits in search of something left behind 
Time out of mind; 

As if they once had lived here, and stole back 
To the window crack 
For a peep which seems to say, 
"Good fortune, brother, in your house of clay!" 
And then, "Good day!" 

I hear their footsteps on the gravel walk, 
Their scraps of talk, 
And hurrying after, reach 
Only the crazy sea-drone of the beach 
In endless speech. 

And often when the autumn noons are still, 
By swale and hill 
I see their gipsy signs, 
Trespassing somewhere on my border lines; 
With what designs? 

I forth afoot; but when I reach the place, 
Hardly a trace, 
Save the soft purple haze 
Of smouldering camp-fires, any hint betrays 
Who went these ways. 

Or tatters of pale aster blue, descried 
By the roadside, 
Reveal whither they fled; 
Or the swamp maples, here and there a shred 
Of Indian red. 

But most of all, the marvellous tapestry 
Engrosses me, 
Where such strange things are rife, 
Fancies of beasts and flowers, and love and strife, 
Woven to the life; 

Degraded shapes and splendid seraph forms, 
And teeming swarms 
Of creatures gauzy dim 
That cloud the dusk, and painted fish that swim, 
At the weaver's whim; 

And wonderful birds that wheel and hang in the air; 
And beings with hair, 
And moving eyes in the face, 
And white bone teeth and hideous grins, who race 
From place to place; 

They build great temples to their John-a-nod, 
And fume and plod 
To deck themselves with gold, 
And paint themselves like chattels to be sold, 
Then turn to mould. 

Sometimes they seem almost as real as I; 
I hear them sigh; 
I see them bow with grief, 
Or dance for joy like any aspen leaf; 
But that is brief. 

They have mad wars and phantom marriages; 
Nor seem to guess 
There are dimensions still, 
Beyond thought's reach, though not beyond love's will, 
For soul to fill. 

And some I call my friends, and make believe 
Their spirits grieve, 
Brood, and rejoice with mine; 
I talk to them in phrases quaint and fine 
Over the wine; 

I tell them all my secrets; touch their hands; 
One understands 
Perhaps. How hard he tries 
To speak! And yet those glorious mild eyes, 
His best replies! 

I even have my cronies, one or two, 
My cherished few. 
But ah, they do not stay! 
For the sun fades them and they pass away, 
As I grow gray. 


Yet while they last how actual they seem! 
Their faces beam; 
I give them all their names, 
Bertram and Gilbert, Louis, Frank and James, 
Each with his aims; 


One thinks he is a poet, and writes verse 
His friends rehearse; 
Another is full of law; 
A third sees pictures which his hand can draw 
Without a flaw. 


Strangest of all, they never rest. Day long 
They shift and throng, 
Moved by invisible will, 
Like a great breath which puffs across my sill, 
And then is still; 


It shakes my lovely manikins on the wall; 
Squall after squall, 
Gust upon crowding gust, 
It sweeps them willy nilly like blown dust 
With glory or lust. 


It is the world-ghost, the time-spirit, come 
None knows wherefrom, 
The viewless draughty tide 
And wash of being. I hear it yaw and glide, 
And then subside, 


Along these ghostly corridors and halls 
Like faint footfalls; 
The hangings stir in the air; 
And when I start and challenge, "Who goes there?" 
It answers, "Where?" 


The wail and sob and moan of the sea's dirge, 
Its plangor and surge; 
The awful biting sough 
Of drifted snows along some arctic bluff, 
That veer and luff, 


And have the vacant boding human cry, 
As they go by;— 
Is it a banished soul 
Dredging the dark like a distracted mole 
Under a knoll? 


Like some invisible henchman old and gray, 
Day after day 
I hear it come and go, 
With stealthy swift unmeaning to and fro, 
Muttering low, 


Ceaseless and daft and terrible and blind, 
Like a lost mind. 
I often chill with fear 
When I bethink me, What if it should peer 
At my shoulder here! 


Perchance he drives the merry-go-round whose track 
Is the zodiac; 
His name is No-man's-friend; 
And his gabbling parrot-talk has neither trend, 
Beginning, nor end. 


A prince of madness too, I'd cry, "A rat!" 
And lunge thereat,— 
Let out at one swift thrust 
The cunning arch-delusion of the dust 
I so mistrust, 


But that I fear I should disclose a face 
Wearing the trace 
Of my own human guise, 
Piteous, unharmful, loving, sad, and wise 
With the speaking eyes. 


I would the house were rid of his grim pranks, 
Moaning from banks 
Of pine trees in the moon, 
Startling the silence like a demoniac loon 
At dead of noon. 


Or whispering his fool-talk to the leaves 
About my eaves. 
And yet how can I know 
'T is not a happy Ariel masking so 
In mocking woe? 


Then with a little broken laugh I say, 
Snatching away 
The curtain where he grinned 
(My feverish sight thought) like a sin unsinned, 
"Only the wind!" 


Yet often too he steals so softly by. 
With half a sigh, 
I deem he must be mild, 
Fair as a woman, gentle as a child, 
And forest wild. 


Passing the door where an old wind-harp swings, 
With its five strings, 
Contrived long years ago 
By my first predecessor bent to show 
His handcraft so, 


He lay his fingers on the aeolian wire, 
As a core of fire 
Is laid upon the blast 
To kindle and glow and fill the purple vast 
Of dark at last. 


Weird wise, and low, piercing and keen and glad, 
Or dim and sad 
As a forgotten strain 
Born when the broken legions of the rain 
Swept through the plain— 


He plays, like some dread veiled mysteriarch, 
Lighting the dark, 
Bidding the spring grow warm, 
The gendering merge and loosing of spirit in form, 
Peace out of storm. 


For music is the sacrament of love; 
He broods above 
The virgin silence, till 
She yields for rapture shuddering, yearning still 
To his sweet will. 


I hear him sing, "Your harp is like a mesh, 
Woven of flesh 
And spread within the shoal 
Of life, where runs the tide-race of the soul 
In my control. 


"Though my wild way may ruin what it bends, 
It makes amends 
To the frail downy clocks, 
Telling their seed a secret that unlocks 
The granite rocks. 


"The womb of silence to the crave of sound 
Is heaven unfound, 
Till I, to soothe and slake 
Being's most utter and imperious ache, 
Bid rhythm awake. 


"If with such agonies of bliss, my kin, 
I enter in 
Your prison house of sense, 
With what a joyous freed intelligence 
I shall go hence." 


I need no more to guess the weaver's name, 
Nor ask his aim, 
Who hung each hall and room 
With swarthy-tinged vermilion upon gloom; 
I know that loom. 


Give me a little space and time enough, 
From ravelings rough 
I could revive, reweave, 
A fabric of beauty art might well believe 
Were past retrieve. 


O men and women in that rich design, 
Sleep-soft, sun-fine, 
Dew-tenuous and free, 
A tone of the infinite wind-themes of the sea, 
Borne in to me, 


Reveals how you were woven to the might 
Of shadow and light. 
You are the dream of One 
Who loves to haunt and yet appears to shun 
My door in the sun; 


As the white roving sea tern fleck and skim 
The morning's rim; 
Or the dark thrushes clear 
Their flutes of music leisurely and sheer, 
Then hush to hear. 


I know him when the last red brands of day 
Smoulder away, 
And when the vernal showers 
Bring back the heart to all my valley flowers 
In the soft hours. 


O hand of mine and brain of mine, be yours, 
While time endures, 
To acquiesce and learn! 
For what we best may dare and drudge and yearn, 
Let soul discern. 


So, fellows, we shall reach the gusty gate, 
Early or late, 
And part without remorse, 
A cadence dying down unto its source 
In music's course; 


You to the perfect rhythms of flowers and birds, 
Colors and words, 
The heart-beats of the earth, 
To be remoulded always of one worth 
From birth to birth; 


I to the broken rhythm of thought and man, 
The sweep and span 
Of memory and hope 
About the orbit where they still must grope 
For wider scope, 


To be through thousand springs restored, renewed, 
With love imbrued, 
With increments of will 
Made strong, perceiving unattainment still 
From each new skill. 


Always the flawless beauty, always the chord 
Of the Overword, 
Dominant, pleading, sure, 
No truth too small to save and make endure. 
No good too poor! 


And since no mortal can at last disdain 
That sweet refrain, 
But lets go strife and care, 
Borne like a strain of bird notes on the air, 
The wind knows where; 


Some quiet April evening soft and strange, 
When comes the change 
No spirit can deplore, 
I shall be one with all I was before, 
In death once more.

 On almost the incendiary eve
 Of several near deaths,
When one at the great least of your best loved
 And always known must leave
Lions and fires of his flying breath,
 Of your immortal friends
Who'd raise the organs of the counted dust
 To shoot and sing your praise,
One who called deepest down shall hold his peace
 That cannot sink or cease
 Endlessly to his wound
In many married London's estranging grief.

On almost the incendiary eve
 When at your lips and keys,
Locking, unlocking, the murdered strangers weave,
 One who is most unknown,
Your polestar neighbour, sun of another street,
 Will dive up to his tears.
He'll bathe his raining blood in the male sea
 Who strode for your own dead
And wind his globe out of your water thread
 And load the throats of shells
 with every cry since light
Flashed first across his thunderclapping eyes.

On almost the incendiary eve
 Of deaths and entrances,
When near and strange wounded on London's waves
 Have sought your single grave,
One enemy, of many, who knows well
 Your heart is luminous
In the watched dark, quivering through locks and caves,
 Will pull the thunderbolts
To shut the sun, plunge, mount your darkened keys
 And sear just riders back,
 Until that one loved least
Looms the last Samson of your zodiac.