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Best Famous Wrangling Poems

Here is a collection of the all-time best famous Wrangling poems. This is a select list of the best famous Wrangling poetry. Reading, writing, and enjoying famous Wrangling poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of wrangling poems.

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Written by Edgar Allan Poe | Create an image from this poem

The Bells

 I

Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.

II

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten-golden notes,
And an in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells,bells,
Bells, bells, bells-
To the rhyming and the chiming of the bells!

III

Hear the loud alarum bells-
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor,
Now- now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows:
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells-
Of the bells-
Of the bells, bells, bells,bells,
Bells, bells, bells-
In the clamor and the clangor of the bells!

IV

Hear the tolling of the bells-
Iron Bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people- ah, the people-
They that dwell up in the steeple,
All Alone
And who, tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone-
They are neither man nor woman-
They are neither brute nor human-
They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
Rolls
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells-
Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
To the throbbing of the bells-
Of the bells, bells, bells-
To the sobbing of the bells;
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells-
Of the bells, bells, bells:
To the tolling of the bells,
Of the bells, bells, bells, bells-
Bells, bells, bells-
To the moaning and the groaning of the bells.


Written by John Donne | Create an image from this poem

A Fever

 Oh do not die, for I shall hate
 All women so, when thou art gone,
That thee I shall not celebrate,
 When I remember, thou wast one.
But yet thou canst not die, I know,
 To leave this world behind, is death,
But when thou from this world wilt go,
 The whole world vapors with thy breath.

Or if, when thou, the world's soul, goest,
 It stay, 'tis but thy carcass then,
The fairest woman, but thy ghost,
 But corrupt worms, the worthiest men.

O wrangling schools, that search what fire
 Shall burn this world, had none the wit
Unto this knowledge to aspire,
 That this her fever might be it?

And yet she cannot waste by this,
 Nor long bear this torturing wrong,
For much corruption needful is
 To fuel such a fever long.

These burning fits but meteors be,
 Whose matter in thee is soon spent.
Thy beauty, and all parts, which are thee,
 Are unchangeable firmament.

Yet 'twas of my mind, seizing thee,
 Though it in thee cannot persever.
For I had rather owner be,
Of thee one hour, than all else ever.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Carillon

 In the ancient town of Bruges,
In the quaint old Flemish city,
As the evening shades descended,
Low and loud and sweetly blended,
Low at times and loud at times,
And changing like a poet's rhymes,
Rang the beautiful wild chimes
From the Belfry in the market
Of the ancient town of Bruges.

Then, with deep sonorous clangor
Calmly answering their sweet anger,
When the wrangling bells had ended,
Slowly struck the clock eleven,
And, from out the silent heaven,
Silence on the town descended.
Silence, silence everywhere,
On the earth and in the air,
Save that footsteps here and there
Of some burgher home returning,
By the street lamps faintly burning,
For a moment woke the echoes
Of the ancient town of Bruges.

But amid my broken slumbers
Still I heard those magic numbers,
As they loud proclaimed the flight
And stolen marches of the night;
Till their chimes in sweet collision
Mingled with each wandering vision,
Mingled with the fortune-telling
Gypsy-bands of dreams and fancies,
Which amid the waste expanses
Of the silent land of trances
Have their solitary dwelling;
All else seemed asleep in Bruges,
In the quaint old Flemish city.

And I thought how like these chimes
Are the poet's airy rhymes,
All his rhymes and roundelays,
His conceits, and songs, and ditties,
From the belfry of his brain,
Scattered downward, though in vain,
On the roofs and stones of cities!
For by night the drowsy ear
Under its curtains cannot hear,
And by day men go their ways,
Hearing the music as they pass,
But deeming it no more, alas!
Than the hollow sound of brass.

Yet perchance a sleepless wight,
Lodging at some humble inn
In the narrow lanes of life,
When the dusk and hush of night
Shut out the incessant din
Of daylight and its toil and strife,
May listen with a calm delight
To the poet's melodies,
Till he hears, or dreams he hears,
Intermingled with the song,
Thoughts that he has cherished long;
Hears amid the chime and singing
The bells of his own village ringing,
And wakes, and finds his slumberous eyes
Wet with most delicious tears.

Thus dreamed I, as by night I lay
In Bruges, at the Fleur-de-Ble,
Listening with a wild delight
To the chimes that, through the night
Bang their changes from the Belfry
Of that quaint old Flemish city.
Written by Marilyn Hacker | Create an image from this poem

Desesperanto

 After Joseph Roth

Parce que c'était lui; parce que c'était moi.
Montaigne, De L'amitië

The dream's forfeit was a night in jail
and now the slant light is crepuscular.
Papers or not, you are a foreigner
whose name is always difficult to spell.
You pack your one valise. You ring the bell.
Might it not be prudent to disappear
beneath that mauve-blue sky above the square
fronting your cosmopolitan hotel?
You know two short-cuts to the train station
which could get you there, on foot, in time.
The person who's apprised of your intention
and seems to be your traveling companion
is merely the detritus of a dream.
You cross the lobby and go out alone.

You crossed the lobby and went out alone
through the square, where two red-headed girls played
hopscotch on a chalk grid, now in the shade,
of a broad-leafed plane tree, now in the sun.
The lively, lovely, widowed afternoon
disarmed, uncoupled, shuffled and disarrayed
itself; despite itself, dismayed
you with your certainties, your visa, gone
from your breast-pocket, or perhaps expired.
At the reception desk, no one inquired
if you'd be returning. Now you wonder why.
When the stout conductor comes down the aisle
mustached, red-faced, at first jovial,
and asks for your passport, what will you say?

When they ask for your passport, will you say
that town's name they'd find unpronounceable
which resonates, when uttered, like a bell
in your mind's tower, as it did the day
you carried your green schoolbag down the gray
fog-cobbled street, past church, bakery, shul
past farm women setting up market stalls
it was so early. "I am on my way
to school in ." You were part of the town
now, not the furnished rooms you shared
with Mutti, since the others disappeared.
Your knees were red with cold; your itchy wool
socks had inched down, so you stooped to pull
them up, a student and a citizen.

You are a student and a citizen
of whatever state is transient.
You are no more or less the resident
of a hotel than you were of that town
whose borders were disputed and redrawn.
A prince conceded to a president.
Another language became relevant
to merchants on that street a child walked down
whom you remember, in the corridors
of cities you inhabit, polyglot
as the distinguished scholar you were not
to be. A slight accent sets you apart,
but it would mark you on that peddlers'-cart
street now. Which language, after all, is yours?

Which language, after all these streets, is yours,
and why are you here, waiting for a train?
You could have run a hot bath, read Montaigne.
But would footsteps beyond the bathroom door's
bolt have disturbed the nondescript interior's
familiarity, shadowed the plain
blue draperies? You reflect, you know no one
who would, of you, echo your author's
"Because it was he; because it was I,"
as a unique friendship's non sequitur.
No footsteps and no friend: that makes you free.
The train approaches, wreathed in smoke like fur
around the shoulders of a dowager
with no time for sentimentality.

With no time for sentimentality,
mulling a twice-postponed book-review,
you take an empty seat. Opposite you
a voluble immigrant family
is already unwrapping garlicky
sausages—an unshaven man and his two
red-eared sons.
You once wrote: it is true,
awful, and unimportant, finally
that if the opportunity occurs
some of the exiles become storm-troopers;
and you try, culpably, to project these three
into some torch-lit future, filtering out
their wrangling (one of your languages) about
the next canto in their short odyssey.

The next canto in your short odyssey
will open, you know this, in yet another
hotel room. They have become your mother
country: benevolent anonymity
of rough starched sheets, dim lamp, rickety
escritoire, one window. Your neighbors gather
up their crusts and rinds. Out of a leather
satchel, the man takes their frayed identity
cards, examines them. The sons watch, pale
and less talkative. A border, passport control,
draw near: rubber stamp or interrogation?
You hope the customs officer lunched well;
reflect on the recurrent implication
of the dream's forfeit. One night in jail?
Written by Rg Gregory | Create an image from this poem

absinthe and stained glass

 (i)
absinthe makes the hurt grow fonder
the green fairy burbles what's this 'ere
when vincent (sozzled) knifes his lug off
all spirits then succumb to fear
depression takes the gloss off wonder
and people (lost) tell god to bug off
the twentieth century drowns in sheer
excuse that life is comic blunder
temporality dons its gear
forbidden thought soon rips its gag off

stained glass (you think) must be bystander
its leaded eyes seek far not near
the day's bleak dirt it learns to shrug off

(ii)
the history of the race confuses
heady spirit with bloody need
nothing can stop the sky from tingling
intrinsic hope rewords its screed
assumes it must outlive its bruises

stained glass deigns to face the mingling
of atavistic search for creed
with each desire gets what it chooses
it tries to suck out truth from greed
and calmly pacifies the wrangling

lasting spirit allows no ruses
what's bottled dreads to pay much heed
between the two meek life is dangling

(from le trianon - stained glass window by berge)


Written by Anne Kingsmill Finch | Create an image from this poem

Reformation

 A Gentleman, most wretched in his Lot, 
A wrangling and reproving Wife had got, 
Who, tho' she curb'd his Pleasures, and his Food, 
Call'd him My Dear, and did it for his Good, 
Ills to prevent; She of all Ills the worst, 
So wisely Froward, and so kindly Curst. 
The Servants too experiment her Lungs, 
And find they've Breath to serve a thousand Tongues. 
Nothing went on; for her eternal Clack 
Still rectifying, set all Matters back; 
Nor Town, nor Neighbours, nor the Court cou'd please, 
But furnish'd Matter for her sharp Disease. 
To distant Plains at length he gets her down, 
With no Affairs to manage of her own; 
Hoping from that unactive State to find 
A calmer Habit, grown upon her Mind: 
But soon return'd he hears her at his Door, 
As noisy and tempestuous as before; 
Yet mildly ask'd, How she her Days had spent 
Amidst the Quiet of a sweet Content, 
Where Shepherds 'tend their Flocks, and Maids their Pails, 
And no harsh Mistress domineers, or rails? 
Not rail! she cries–Why, I that had no share 
In their Concerns, cou'd not the Trollops spare; 
But told 'em, they were Sluts–And for the Swains, 
My Name a Terror to them still remains; 
So often I reprov'd their slothful Faults, 
And with such Freedom told 'em all my Thoughts, 
That I no more amongst them cou'd reside. 
Has then, alas! the Gentleman reply'd, 
One single Month so much their patience try'd? 
Where you by Day, and but at Seasons due, 
Cou'd with your Clamours their Defects pursue; 
How had they shrunk, and justly been afraid, 
Had they with me one Curtain Lecture heard! 
Yet enter Madam, and resume your Sway; 
Who can't Command, must silently Obey. 
In secret here let endless Faults be found, 
Till, like Reformers who in States abound, 
You all to Ruin bring, and ev'ry Part confound.
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Peace-Pipe

 On the Mountains of the Prairie,
On the great Red Pipe-stone Quarry,
Gitche Manito, the mighty,
He the Master of Life, descending,
On the red crags of the quarry
Stood erect, and called the nations,
Called the tribes of men together.
From his footprints flowed a river,
Leaped into the light of morning,
O'er the precipice plunging downward
Gleamed like Ishkoodah, the comet.
And the Spirit, stooping earthward,
With his finger on the meadow
Traced a winding pathway for it,
Saying to it, "Run in this way!"
From the red stone of the quarry
With his hand he broke a fragment,
Moulded it into a pipe-head,
Shaped and fashioned it with figures;
From the margin of the river
Took a long reed for a pipe-stem,
With its dark green leaves upon it;
Filled the pipe with bark of willow,
With the bark of the red willow;
Breathed upon the neighboring forest,
Made its great boughs chafe together,
Till in flame they burst and kindled;
And erect upon the mountains,
Gitche Manito, the mighty,
Smoked the calumet, the Peace-Pipe,
As a signal to the nations.
And the smoke rose slowly, slowly,
Through the tranquil air of morning,
First a single line of darkness,
Then a denser, bluer vapor,
Then a snow-white cloud unfolding,
Like the tree-tops of the forest,
Ever rising, rising, rising,
Till it touched the top of heaven,
Till it broke against the heaven,
And rolled outward all around it.
From the Vale of Tawasentha,
From the Valley of Wyoming,
From the groves of Tuscaloosa,
From the far-off Rocky Mountains,
From the Northern lakes and rivers
All the tribes beheld the signal, 
Saw the distant smoke ascending, 
The Pukwana of the Peace-Pipe.
And the Prophets of the nations 
Said: "Behold it, the Pukwana! 
By the signal of the Peace-Pipe, 
Bending like a wand of willow, 
Waving like a hand that beckons, 
Gitche Manito, the mighty, 
Calls the tribes of men together, 
Calls the warriors to his council!"
Down the rivers, o'er the prairies, 
Came the warriors of the nations, 
Came the Delawares and Mohawks, 
Came the Choctaws and Camanches, 
Came the Shoshonies and Blackfeet, 
Came the Pawnees and Omahas, 
Came the Mandans and Dacotahs, 
Came the Hurons and Ojibways, 
All the warriors drawn together 
By the signal of the Peace-Pipe, 
To the Mountains of the Prairie, 
To the great Red Pipe-stone Quarry,
And they stood there on the meadow, 
With their weapons and their war-gear, 
Painted like the leaves of Autumn, 
Painted like the sky of morning, 
Wildly glaring at each other;
In their faces stem defiance, 
In their hearts the feuds of ages, 
The hereditary hatred,
The ancestral thirst of vengeance. 
Gitche Manito, the mighty,
The creator of the nations, 
Looked upon them with compassion, 
With paternal love and pity; 
Looked upon their wrath and wrangling
But as quarrels among children, 
But as feuds and fights of children!
Over them he stretched his right hand, 
To subdue their stubborn natures, 
To allay their thirst and fever, 
By the shadow of his right hand; 
Spake to them with voice majestic 
As the sound of far-off waters, 
Falling into deep abysses, 
Warning, chiding, spake in this wise :
"O my children! my poor children! 
Listen to the words of wisdom, 
Listen to the words of warning, 
From the lips of the Great Spirit, 
From the Master of Life, who made you!
"I have given you lands to hunt in, 
I have given you streams to fish in, 
I have given you bear and bison, 
I have given you roe and reindeer, 
I have given you brant and beaver, 
Filled the marshes full of wild-fowl, 
Filled the rivers full of fishes: 
Why then are you not contented? 
Why then will you hunt each other?
"I am weary of your quarrels, 
Weary of your wars and bloodshed, 
Weary of your prayers for vengeance, 
Of your wranglings and dissensions; 
All your strength is in your union, 
All your danger is in discord; 
Therefore be at peace henceforward, 
And as brothers live together.
"I will send a Prophet to you, 
A Deliverer of the nations, 
Who shall guide you and shall teach you, 
Who shall toil and suffer with you. 
If you listen to his counsels, 
You will multiply and prosper;
If his warnings pass unheeded, 
You will fade away and perish!
"Bathe now in the stream before you, 
Wash the war-paint from your faces, 
Wash the blood-stains from your fingers, 
Bury your war-clubs and your weapons, 
Break the red stone from this quarry, 
Mould and make it into Peace-Pipes, 
Take the reeds that grow beside you, 
Deck them with your brightest feathers, 
Smoke the calumet together,
And as brothers live henceforward!"
Then upon the ground the warriors 
Threw their cloaks and shirts of deer-skin, 
Threw their weapons and their war-gear, 
Leaped into the rushing river, 
Washed the war-paint from their faces. 
Clear above them flowed the water, 
Clear and limpid from the footprints 
Of the Master of Life descending; 
Dark below them flowed the water, 
Soiled and stained with streaks of crimson, 
As if blood were mingled with it!
From the river came the warriors, 
Clean and washed from all their war-paint; 
On the banks their clubs they buried, 
Buried all their warlike weapons. 
Gitche Manito, the mighty, 
The Great Spirit, the creator, 
Smiled upon his helpless children!
And in silence all the warriors 
Broke the red stone of the quarry, 
Smoothed and formed it into Peace-Pipes, 
Broke the long reeds by the river, 
Decked them with their brightest feathers, 
And departed each one homeward, 
While the Master of Life, ascending, 
Through the opening of cloud-curtains,
Through the doorways of the heaven, 
Vanished from before their faces, 
In the smoke that rolled around him, 
The Pukwana of the Peace-Pipe!
Written by Edwin Arlington Robinson | Create an image from this poem

Demos

 I

All you that are enamored of my name 
And least intent on what most I require, 
Beware; for my design and your desire, 
Deplorably, are not as yet the same. 

Beware, I say, the failure and the shame
Of losing that for which you now aspire 
So blindly, and of hazarding entire 
The gift that I was bringing when I came. 

Give as I will, I cannot give you sight 
Whereby to see that with you there are some
To lead you, and be led. But they are dumb 
Before the wrangling and the shrill delight 
Of your deliverance that has not come, 
And shall not, if I fail you—as I might. 


II

So little have you seen of what awaits
Your fevered glimpse of a democracy 
Confused and foiled with an equality 
Not equal to the envy it creates, 
That you see not how near you are the gates 
Of an old king who listens fearfully
To you that are outside and are to be 
The noisy lords of imminent estates. 

Rather be then your prayer that you shall have 
Your kingdom undishonored. Having all, 
See not the great among you for the small,
But hear their silence; for the few shall save 
The many, or the many are to fall— 
Still to be wrangling in a noisy grave.
Written by Rabindranath Tagore | Create an image from this poem

The Child-Angel

 They clamour and fight, they doubt and despair, they know no end
to their wrangling.
Let your life come amongst them like a flame of light, my
child, unflickering and pure, and delight them into silence.
They are cruel in their greed and their envy, their words are like
hidden knives thirsting for blood.
Go and stand amidst their scowling hearts, my child, and let
your gentle eyes fall upon them like the forgiving peace of the
evening over the strife of the day.
Let them see your face, my child, and thus know the meaning
of all things; let them love you and thus love each other.
Come and take your seat in the bosom of the limitless, my
child. At sunrise open and raise your heart like a blossoming
flower, and at sunset bend your head and in silence complete the
worship of the day.
Written by Edgar Lee Masters | Create an image from this poem

Elijah Browning

 I was among multitudes of children
Dancing at the foot of a mountain.
A breeze blew out of the east and swept them as leaves,
Driving some up the slopes.... All was changed.
Here were flying lights, and mystic moons, and dream-music.
A cloud fell upon us. When it lifted all was changed.
I was now amid multitudes who were wrangling.
Then a figure in shimmering gold, and one with a trumpet,
And one with a sceptre stood before me.
They mocked me and danced a rigadoon and vanished....
All was changed again. Out of a bower of poppies
A woman bared her breasts and lifted her open mouth to mine.
I kissed her. The taste of her lips was like salt.
She left blood on my lips. I fell exhausted.
I arose and ascended higher, but a mist as from an iceberg
Clouded my steps. I was cold and in pain.
Then the sun streamed on me again,
And I saw the mists below me hiding all below them.
And I, bent over my staff, knew myself
Silhouetted against the snow. And above me
Was the soundless air, pierced by a cone of ice,
Over which hung a solitary star!
A shudder of ecstasy, a shudder of fear
Ran through me. But I could not return to the slopes --
Nay, I wished not to return.
For the spent waves of the symphony of freedom
Lapped the ethereal cliffs about me.
Therefore I climbed to the pinnacle.
I flung away my staff.
I touched that star
With my outstretched hand.
I vanished utterly.
For the mountain delivers to Infinite Truth
Whosoever touches the star!

Book: Radiant Verses: A Journey Through Inspiring Poetry