Written by
Ralph Waldo Emerson |
Trees in groves,
Kine in droves,
In ocean sport the scaly herds,
Wedge-like cleave the air the birds,
To northern lakes fly wind-borne ducks,
Browse the mountain sheep in flocks,
Men consort in camp and town,
But the poet dwells alone.
God who gave to him the lyre,
Of all mortals the desire,
For all breathing men's behoof,
Straitly charged him, "Sit aloof;"
Annexed a warning, poets say,
To the bright premium,—
Ever when twain together play,
Shall the harp be dumb.
Many may come,
But one shall sing;
Two touch the string,
The harp is dumb.
Though there come a million
Wise Saadi dwells alone.
Yet Saadi loved the race of men,—
No churl immured in cave or den,—
In bower and hall
He wants them all,
Nor can dispense
With Persia for his audience;
They must give ear,
Grow red with joy, and white with fear,
Yet he has no companion,
Come ten, or come a million,
Good Saadi dwells alone.
Be thou ware where Saadi dwells.
Gladly round that golden lamp
Sylvan deities encamp,
And simple maids and noble youth
Are welcome to the man of truth.
Most welcome they who need him most,
They feed the spring which they exhaust:
For greater need
Draws better deed:
But, critic, spare thy vanity,
Nor show thy pompous parts,
To vex with odious subtlety
The cheerer of men's hearts.
Sad-eyed Fakirs swiftly say
Endless dirges to decay;
Never in the blaze of light
Lose the shudder of midnight;
And at overflowing noon,
Hear wolves barking at the moon;
In the bower of dalliance sweet
Hear the far Avenger's feet;
And shake before those awful Powers
Who in their pride forgive not ours.
Thus the sad-eyed Fakirs preach;
"Bard, when thee would Allah teach,
And lift thee to his holy mount,
He sends thee from his bitter fount,
Wormwood; saying, Go thy ways,
Drink not the Malaga of praise,
But do the deed thy fellows hate,
And compromise thy peaceful state.
Smite the white breasts which thee fed,
Stuff sharp thorns beneath the head
Of them thou shouldst have comforted.
For out of woe and out of crime
Draws the heart a lore sublime.
"
And yet it seemeth not to me
That the high gods love tragedy;
For Saadi sat in the sun,
And thanks was his contrition;
For haircloth and for bloody whips,
Had active hands and smiling lips;
And yet his runes he rightly read,
And to his folk his message sped.
Sunshine in his heart transferred
Lighted each transparent word;
And well could honoring Persia learn
What Saadi wished to say;
For Saadi's nightly stars did burn
Brighter than Dschami's day.
Whispered the muse in Saadi's cot;
O gentle Saadi, listen not,
Tempted by thy praise of wit,
Or by thirst and appetite
For the talents not thine own,
To sons of contradiction.
Never, sun of eastern morning,
Follow falsehood, follow scorning,
Denounce who will, who will, deny,
And pile the hills to scale the sky;
Let theist, atheist, pantheist,
Define and wrangle how they list,—
Fierce conserver, fierce destroyer,
But thou joy-giver and enjoyer,
Unknowing war, unknowing crime,
Gentle Saadi, mind thy rhyme.
Heed not what the brawlers say,
Heed thou only Saadi's lay.
Let the great world bustle on
With war and trade, with camp and town.
A thousand men shall dig and eat,
At forge and furnace thousands sweat,
And thousands sail the purple sea,
And give or take the stroke of war,
Or crowd the market and bazaar.
Oft shall war end, and peace return,
And cities rise where cities burn,
Ere one man my hill shall climb,
Who can turn the golden rhyme;
Let them manage how they may,
Heed thou only Saadi's lay.
Seek the living among the dead:
Man in man is imprisoned.
Barefooted Dervish is not poor,
If fate unlock his bosom's door.
So that what his eye hath seen
His tongue can paint, as bright, as keen,
And what his tender heart hath felt,
With equal fire thy heart shall melt.
For, whom the muses shine upon,
And touch with soft persuasion,
His words like a storm-wind can bring
Terror and beauty on their wing;
In his every syllable
Lurketh nature veritable;
And though he speak in midnight dark,
In heaven, no star; on earth, no spark;
Yet before the listener's eye
Swims the world in ecstasy,
The forest waves, the morning breaks,
The pastures sleep, ripple the lakes,
Leaves twinkle, flowers like persons be,
And life pulsates in rock or tree.
Saadi! so far thy words shall reach;
Suns rise and set in Saadi's speech.
And thus to Saadi said the muse;
Eat thou the bread which men refuse;
Flee from the goods which from thee flee;
Seek nothing; Fortune seeketh thee.
Nor mount, nor dive; all good things keep
The midway of the eternal deep;
Wish not to fill the isles with eyes
To fetch thee birds of paradise;
On thine orchard's edge belong
All the brass of plume and song;
Wise Ali's sunbright sayings pass
For proverbs in the market-place;
Through mountains bored by regal art
Toil whistles as he drives his cart.
Nor scour the seas, nor sift mankind,
A poet or a friend to find;
Behold, he watches at the door,
Behold his shadow on the floor.
Open innumerable doors,
The heaven where unveiled Allah pours
The flood of truth, the flood of good,
The seraph's and the cherub's food;
Those doors are men; the pariah kind
Admits thee to the perfect Mind.
Seek not beyond thy cottage wall
Redeemer that can yield thee all.
While thou sittest at thy door,
On the desert's yellow floor,
Listening to the gray-haired crones,
Foolish gossips, ancient drones,—
Saadi, see, they rise in stature
To the height of mighty nature,
And the secret stands revealed
Fraudulent Time in vain concealed,
That blessed gods in servile masks
Plied for thee thy household tasks.
|
Written by
Friedrich von Schiller |
Mournful groans, as when a tempest lowers,
Echo from the dreary house of woe;
Death-notes rise from yonder minster's towers!
Bearing out a youth, they slowly go;
Yes! a youth--unripe yet for the bier,
Gathered in the spring-time of his days,
Thrilling yet with pulses strong and clear,
With the flame that in his bright eye plays--
Yes, a son--the idol of his mother,
(Oh, her mournful sigh shows that too well!)
Yes! my bosom-friend,--alas my brother!--
Up! each man the sad procession swell!
Do ye boast, ye pines, so gray and old,
Storms to brave, with thunderbolts to sport?
And, ye hills, that ye the heavens uphold?
And, ye heavens, that ye the suns support!
Boasts the graybeard, who on haughty deeds
As on billows, seeks perfection's height?
Boasts the hero, whom his prowess leads
Up to future glory's temple bright!
If the gnawing worms the floweret blast,
Who can madly think he'll ne'er decay?
Who above, below, can hope to last,
If the young man's life thus fleets away?
Joyously his days of youth so glad
Danced along, in rosy garb beclad,
And the world, the world was then so sweet!
And how kindly, how enchantingly
Smiled the future,--with what golden eye
Did life's paradise his moments greet!
While the tear his mother's eye escaped,
Under him the realm of shadows gaped
And the fates his thread began to sever,--
Earth and Heaven then vanished from his sight.
From the grave-thought shrank he in affright--
Sweet the world is to the dying ever!
Dumb and deaf 'tis in that narrow place,
Deep the slumbers of the buried one!
Brother! Ah, in ever-slackening race
All thy hopes their circuit cease to run!
Sunbeams oft thy native hill still lave,
But their glow thou never more canst feel;
O'er its flowers the zephyr's pinions wave,
O'er thine ear its murmur ne'er can steal;
Love will never tinge thine eye with gold,
Never wilt thou embrace thy blooming bride,
Not e'en though our tears in torrents rolled--
Death must now thine eye forever hide!
Yet 'tis well!--for precious is the rest,
In that narrow house the sleep is calm;
There, with rapture sorrow leaves the breast,--
Man's afflictions there no longer harm.
Slander now may wildly rave o'er thee,
And temptation vomit poison fell,
O'er the wrangle on the Pharisee,
Murderous bigots banish thee to hell!
Rogues beneath apostle-masks may leer,
And the bastard child of justice play,
As it were with dice, with mankind here,
And so on, until the judgment day!
O'er thee fortune still may juggle on,
For her minions blindly look around,--
Man now totter on his staggering throne,
And in dreary puddles now be found!
Blest art thou, within thy narrow cell!
To this stir of tragi-comedy,
To these fortune-waves that madly swell,
To this vain and childish lottery,
To this busy crowd effecting naught,
To this rest with labor teeming o'er,
Brother!--to this heaven with devils--fraught,
Now thine eyes have closed forevermore.
Fare thee well, oh, thou to memory dear,
By our blessings lulled to slumbers sweet!
Sleep on calmly in thy prison drear,--
Sleep on calmly till again we meet!
Till the loud Almighty trumpet sounds,
Echoing through these corpse-encumbered hills,
Till God's storm-wind, bursting through the bounds
Placed by death, with life those corpses fills--
Till, impregnate with Jehovah's blast,
Graves bring forth, and at His menace dread,
In the smoke of planets melting fast,
Once again the tombs give up their dead!
Not in worlds, as dreamed of by the wise,
Not in heavens, as sung in poet's song,
Not in e'en the people's paradise--
Yet we shall o'ertake thee, and ere long.
Is that true which cheered the pilgrim's gloom?
Is it true that thoughts can yonder be
True, that virtue guides us o'er the tomb?
That 'tis more than empty phantasy?
All these riddles are to thee unveiled!
Truth thy soul ecstatic now drinks up,
Truth in radiance thousandfold exhaled
From the mighty Father's blissful cup.
Dark and silent bearers draw, then, nigh!
To the slayer serve the feast the while!
Cease, ye mourners, cease your wailing cry!
Dust on dust upon the body pile!
Where's the man who God to tempt presumes?
Where the eye that through the gulf can see?
Holy, holy, holy art thou, God of tombs!
We, with awful trembling, worship Thee!
Dust may back to native dust be ground,
From its crumbling house the spirit fly,
And the storm its ashes strew around,--
But its love, its love shall never die!
|
Written by
Oscar Wilde |
These are the letters which Endymion wrote
To one he loved in secret, and apart.
And now the brawlers of the auction mart
Bargain and bid for each poor blotted note,
Ay! for each separate pulse of passion quote
The merchant's price.
I think they love not art
Who break the crystal of a poet's heart
That small and sickly eyes may glare and gloat.
Is it not said that many years ago,
In a far Eastern town, some soldiers ran
With torches through the midnight, and began
To wrangle for mean raiment, and to throw
Dice for the garments of a wretched man,
Not knowing the God's wonder, or His woe?
|
Written by
Siegfried Sassoon |
Voices moving about in the quiet house:
Thud of feet and a muffled shutting of doors:
Everyone yawning.
Only the clocks are alert.
Out in the night there’s autumn-smelling gloom
Crowded with whispering trees; across the park
A hollow cry of hounds like lonely bells:
And I know that the clouds are moving across the moon;
The low, red, rising moon.
Now herons call
And wrangle by their pool; and hooting owls
Sail from the wood above pale stooks of oats.
Waiting for sleep, I drift from thoughts like these;
And where to-day was dream-like, build my dreams.
Music .
.
.
there was a bright white room below,
And someone singing a song about a soldier,
One hour, two hours ago: and soon the song
Will be ‘last night’: but now the beauty swings
Across my brain, ghost of remembered chords
Which still can make such radiance in my dream
That I can watch the marching of my soldiers,
And count their faces; faces; sunlit faces.
Falling asleep .
.
.
the herons, and the hounds.
.
.
.
September in the darkness; and the world
I’ve known; all fading past me into peace.
|
Written by
Andrew Barton Paterson |
You never heard tell of the story?
Well, now, I can hardly believe!
Never heard of the honour and glory
Of Pardon, the son of Reprieve?
But maybe you're only a Johnnie
And don't know a horse from a hoe?
Well, well, don't get angry, my sonny,
But, really, a young un should know.
They bred him out back on the "Never",
His mother was Mameluke breed.
To the front -- and then stay there - was ever
The root of the Mameluke creed.
He seemed to inherit their wiry
Strong frames -- and their pluck to receive --
As hard as a flint and as fiery
Was Pardon, the son of Reprieve.
We ran him at many a meeting
At crossing and gully and town,
And nothing could give him a beating --
At least when our money was down.
For weight wouldn't stop him, nor distance,
Nor odds, though the others were fast;
He'd race with a dogged persistence,
And wear them all down at the last.
At the Turon the Yattendon filly
Led by lengths at the mile-and-a-half,
And we all began to look silly,
While her crowd were starting to laugh;
But the old horse came faster and faster,
His pluck told its tale, and his strength,
He gained on her, caught her, and passed her,
And won it, hands down, by a length.
And then we swooped down on Menindie
To run for the President's Cup;
Oh! that's a sweet township -- a shindy
To them is board, lodging, and sup.
Eye-openers they are, and their system
Is never to suffer defeat;
It's "win, tie, or wrangle" -- to best 'em
You must lose 'em, or else it's "dead heat".
We strolled down the township and found 'em
At drinking and gaming and play;
If sorrows they had, why they drowned 'em,
And betting was soon under way.
Their horses were good uns and fit uns,
There was plenty of cash in the town;
They backed their own horses like Britons,
And, Lord! how we rattled it down!
With gladness we thought of the morrow,
We counted our wages with glee,
A simile homely to borrow --
"There was plenty of milk in our tea.
"
You see we were green; and we never
Had even a thought of foul play,
Though we well might have known that the clever
Division would "put us away".
Experience docet, they tell us,
At least so I've frequently heard;
But, "dosing" or "stuffing", those fellows
Were up to each move on the board:
They got to his stall -- it is sinful
To think what such villains will do --
And they gave him a regular skinful
Of barley -- green barley -- to chew.
He munched it all night, and we found him
Next morning as full as a hog --
The girths wouldn't nearly meet round him;
He looked like an overfed frog.
We saw we were done like a dinner --
The odds were a thousand to one
Against Pardon turning up winner,
'Twas cruel to ask him to run.
We got to the course with our troubles,
A crestfallen couple were we;
And we heard the " books" calling the doubles --
A roar like the surf of the sea.
And over the tumult and louder
Rang "Any price Pardon, I lay!"
Says Jimmy, "The children of Judah
Are out on the warpath today.
"
Three miles in three heats: -- Ah, my sonny,
The horses in those days were stout,
They had to run well to win money;
I don't see such horses about.
Your six-furlong vermin that scamper
Half-a-mile with their feather-weight up,
They wouldn't earn much of their damper
In a race like the President's Cup.
The first heat was soon set a-going;
The Dancer went off to the front;
The Don on his quarters was showing,
With Pardon right out of the hunt.
He rolled and he weltered and wallowed --
You'd kick your hat faster, I'll bet;
They finished all bunched, and he followed
All lathered and dripping with sweat.
But troubles came thicker upon us,
For while we were rubbing him dry
The stewards came over to warn us:
"We hear you are running a bye!
If Pardon don't spiel like tarnation
And win the next heat -- if he can --
He'll earn a disqualification;
Just think over that now, my man!"
Our money all gone and our credit,
Our horse couldn't gallop a yard;
And then people thought that we did it
It really was terribly hard.
We were objects of mirth and derision
To folks in the lawn and the stand,
Anf the yells of the clever division
Of "Any price Pardon!" were grand.
We still had a chance for the money,
Two heats remained to be run:
If both fell to us -- why, my sonny,
The clever division were done.
And Pardon was better, we reckoned,
His sickness was passing away,
So we went to the post for the second
And principal heat of the day.
They're off and away with a rattle,
Like dogs from the leashes let slip,
And right at the back of the battle
He followed them under the whip.
They gained ten good lengths on him quickly
He dropped right away from the pack;
I tell you it made me feel sickly
To see the blue jacket fall back.
Our very last hope had departed --
We thought the old fellow was done,
When all of a sudden he started
To go like a shot from a gun.
His chances seemed slight to embolden
Our hearts; but, with teeth firmly set,
We thought, "Now or never! The old un
May reckon with some of 'em yet.
"
Then loud rose the war-cry for Pardon;
He swept like the wind down the dip,
And over the rise by the garden
The jockey was done with the whip.
The field was at sixes and sevens --
The pace at the first had been fast --
And hope seemed to drop from the heavens,
For Pardon was coming at last.
And how he did come! It was splendid;
He gained on them yards every bound,
Stretching out like a greyhound extended,
His girth laid right down on the ground.
A shimmer of silk in the cedars
As into the running they wheeled,
And out flashed the whips on the leaders,
For Pardon had collared the field.
Then right through the ruck he was sailing --
I knew that the battle was won --
The son of Haphazard was failing,
The Yattendon filly was done;
He cut down The Don and The Dancer,
He raced clean away from the mare --
He's in front! Catch him now if you can, sir!
And up went my hat in the air!
Then loud fron the lawn and the garden
Rose offers of "Ten to one on!"
"Who'll bet on the field? I back Pardon!"
No use; all the money was gone.
He came for the third heat light-hearted,
A-jumping and dancing about;
The others were done ere they started
Crestfallen, and tired, and worn out.
He won it, and ran it much faster
Than even the first, I believe;
Oh, he was the daddy, the master,
Was Pardon, the son of Reprieve.
He showed 'em the method of travel --
The boy sat still as a stone --
They never could see him for gravel;
He came in hard-held, and alone.
* * * * * * *
But he's old -- and his eyes are grown hollow
Like me, with my thatch of the snow;
When he dies, then I hope I may follow,
And go where the racehorses go.
I don't want no harping nor singing --
Such things with my style don't agree;
Where the hoofs of the horses are ringing
There's music sufficient for me.
And surely the thoroughbred horses
Will rise up again and begin
Fresh faces on far-away courses,
And p'raps they might let me slip in.
It would look rather well the race-card on
'Mongst Cherubs and Seraphs and things,
"Angel Harrison's black gelding Pardon,
Blue halo, white body and wings.
"
And if they have racing hereafter,
(And who is to say they will not?)
When the cheers and the shouting and laughter
Proclaim that the battle grows hot;
As they come down the racecourse a-steering,
He'll rush to the front, I believe;
And you'll hear the great multitude cheering
For Pardon, the son of Reprieve
|
Written by
Robert Browning |
An imaginary composer.
]
I.
Hist, but a word, fair and soft!
Forth and be judged, Master Hugues!
Answer the question I've put you so oft:
What do you mean by your mountainous fugues?
See, we're alone in the loft,---
II.
I, the poor organist here,
Hugues, the composer of note,
Dead though, and done with, this many a year:
Let's have a colloquy, something to quote,
Make the world prick up its ear!
III.
See, the church empties apace:
Fast they extinguish the lights.
Hallo there, sacristan! Five minutes' grace!
Here's a crank pedal wants setting to rights,
Baulks one of holding the base.
IV.
See, our huge house of the sounds,
Hushing its hundreds at once,
Bids the last loiterer back to his bounds!
O you may challenge them, not a response
Get the church-saints on their rounds!
V.
(Saints go their rounds, who shall doubt?
---March, with the moon to admire,
Up nave, down chancel, turn transept about,
Supervise all betwixt pavement and spire,
Put rats and mice to the rout---
VI.
Aloys and Jurien and Just---
Order things back to their place,
Have a sharp eye lest the candlesticks rust,
Rub the church-plate, darn the sacrament-lace,
Clear the desk-velvet of dust.
)
VII.
Here's your book, younger folks shelve!
Played I not off-hand and runningly,
Just now, your masterpiece, hard number twelve?
Here's what should strike, could one handle it cunningly:
HeIp the axe, give it a helve!
VIII.
Page after page as I played,
Every bar's rest, where one wipes
Sweat from one's brow, I looked up and surveyed,
O'er my three claviers yon forest of pipes
Whence you still peeped in the shade.
IX.
Sure you were wishful to speak?
You, with brow ruled like a score,
Yes, and eyes buried in pits on each cheek,
Like two great breves, as they wrote them of yore,
Each side that bar, your straight beak!
X.
Sure you said---``Good, the mere notes!
``Still, couldst thou take my intent,
``Know what procured me our Company's votes---
``A master were lauded and sciolists shent,
``Parted the sheep from the goats!''
XI.
Well then, speak up, never flinch!
Quick, ere my candle's a snuff
---Burnt, do you see? to its uttermost inch---
_I_ believe in you, but that's not enough:
Give my conviction a clinch!
XII.
First you deliver your phrase
---Nothing propound, that I see,
Fit in itself for much blame or much praise---
Answered no less, where no answer needs be:
Off start the Two on their ways.
XIII.
Straight must a Third interpose,
Volunteer needlessly help;
In strikes a Fourth, a Fifth thrusts in his nose,
So the cry's open, the kennel's a-yelp,
Argument's hot to the close.
XIV.
One dissertates, he is candid;
Two must discept,--has distinguished;
Three helps the couple, if ever yet man did;
Four protests; Five makes a dart at the thing wished:
Back to One, goes the case bandied.
XV.
One says his say with a difference
More of expounding, explaining!
All now is wrangle, abuse, and vociferance;
Now there's a truce, all's subdued, self-restraining:
Five, though, stands out all the stiffer hence.
XVI.
One is incisive, corrosive:
Two retorts, nettled, curt, crepitant;
Three makes rejoinder, expansive, explosive;
Four overbears them all, strident and strepitant,
Five .
.
.
O Danaides, O Sieve!
XVII.
Now, they ply axes and crowbars;
Now, they prick pins at a tissue
Fine as a skein of the casuist Escobar's
Worked on the bone of a lie.
To what issue?
Where is our gain at the Two-bars?
XVIII.
_Est fuga, volvitur rota.
_
On we drift: where looms the dim port?
One, Two, Three, Four, Five, contribute their quota;
Something is gained, if one caught but the import---
Show it us, Hugues of Saxe-Gotha!
XIX.
What with affirming, denying,
Holding, risposting, subjoining,
All's like .
.
.
it's like .
.
.
for an instance I'm trying .
.
.
There! See our roof, its gilt moulding and groining
Under those spider-webs lying!
XX.
So your fugue broadens and thickens,
Greatens and deepens and lengthens,
Till we exclaim---``But where's music, the dickens?
``Blot ye the gold, while your spider-web strengthens
``---Blacked to the stoutest of tickens?''
XXI.
I for man's effort am zealous:
Prove me such censure unfounded!
Seems it surprising a lover grows jealous---
Hopes 'twas for something, his organ-pipes sounded,
Tiring three boys at the bellows?
XXII.
Is it your moral of Life?
Such a web, simple and subtle,
Weave we on earth here in impotent strife,
Backward and forward each throwing his shuttle,
Death ending all with a knife?
XXIII.
Over our heads truth and nature---
Still our life's zigzags and dodges,
Ins and outs, weaving a new legislature---
God's gold just shining its last where that lodges,
Palled beneath man's usurpature.
XXIV.
So we o'ershroud stars and roses,
Cherub and trophy and garland;
Nothings grow something which quietly closes
Heaven's earnest eye: not a glimpse of the far land
Gets through our comments and glozes.
XXV.
Ah but traditions, inventions,
(Say we and make up a visage)
So many men with such various intentions,
Down the past ages, must know more than this age!
Leave we the web its dimensions!
XXVI.
Who thinks Hugues wrote for the deaf,
Proved a mere mountain in labour?
Better submit; try again; what's the clef?
'Faith, 'tis no trifle for pipe and for tabor---
Four flats, the minor in F.
XXVII.
Friend, your fugue taxes the finger
Learning it once, who would lose it?
Yet all the while a misgiving will linger,
Truth's golden o'er us although we refuse it---
Nature, thro' cobwebs we string her.
XXVIII.
Hugues! I advise _Me Pn_
(Counterpoint glares like a Gorgon)
Bid One, Two, Three, Four, Five, clear the arena!
Say the word, straight I unstop the full-organ,
Blare out the _mode Palestrina.
_
XXIX.
While in the roof, if I'm right there,
.
.
.
Lo you, the wick in the socket!
Hallo, you sacristan, show us a light there!
Down it dips, gone like a rocket.
What, you want, do you, to come unawares,
Sweeping the church up for first morning-prayers,
And find a poor devil has ended his cares
At the foot of your rotten-runged rat-riddled stairs?
Do I carry the moon in my pocket?
* 1 A fugue is a short melody.
* 2 Keyboard of organ.
* 3 A note in music.
* 4 The daughters of Danaus, condemned to pour water
* into a sieve.
* 5 The Spanish casuist, so severely mauled by Pascal.
* 6 A quick return in fencing.
* 7 A closely woven fabric.
* 8 _Giovanni P.
da Palestrina_, celebrated musician (1524-1594).
|
Written by
Mihai Eminescu |
Two candles, tall sentry, beside an earth mound,
A dream with wings broken that trail to the ground,
Loud flung from the belfry calamitous chime.
.
.
'Tis thus that you passed o'er the bound'ries of time.
Gone by are the hours when the heavens entire
Flowed rivers of milk and grew flowers of fire,
When the thunderous clouds were but castles erect
Which the moon like a queen each in turn did inspect.
I see you a shadow bright silver transcending,
With wings high uplifted to heaven ascending,
I see you slow climbing through the sky's scaffold bars
Midst a tempest of light and a snowstorm of stars;
While the witches the sound of their spinning prolong,
Exalted in sunshine, swept up by a song,
O'er your breast like a saint you white arms crossed in prayer,
And gold on the water, and silver in the air.
I see your soul's parting, its flight I behold;
Then glaze at the clay that remains .
.
.
mute and cold,
At the winding-sheet clung to the coffin's rude sill,
At your smile sweet and candid, that seems alive still.
And i ask times unending my soul torn with doubt,
O why, pallid angel, your light has gone out,
For were you not blameless and wonderfully fair ?
Have you gone to rekindle a star in despair ?
I fancy on high there are wings without name,
Broad rivers of fire spanned by bridges of flame,
Strange castles that spires till the zenith up fling,
With stairways of incense and flowers that sing.
And you wonder among them, a worshipful queen,
With hair of bright starlight and eyes vespertine,
In a tunic of turquoise bespattered with gold,
While a wreath of green laurels does your forehead enfold.
O, death is a chaos, an ocean of stars gleaming,
While life is a quagmire of doubts and of dreaming,
Oh, death is an aeon of sun-blazoned spheres,
While life but a legend of wailing and tears.
Trough my head beats a whirlwind, a clamorous wrangle
Of thoughts and of dreams that despair does entangle;
For when suns are extinguished and meteors fail
The whole universe seems to mean nothing at all.
Maybe that one day the arched heavens will sunder,
And down through their break all the emptiness thunder,
Void's night o'er the earth its vast nothing extending,
The loot of an instant of death without ending.
If so, then forever your flame did succumb,
And forever your voice from today will be dumb.
If so, then hereafter can bring no rebirth.
If so, then this angel was nothing but earth.
And thus, lovely soil that breath has departed,
I stand by your coffin alone broken-hearted;
And yet i don't weep, rather praise for its fleeing
Your ray softly crept from this chaos of being.
For who shell declare which is ill and which well,
The is, or the isn't ? Can anyone tell ?
For he who is not, even grief can't destroy,
And oft is the grieving, and seldom the joy.
To exist! O, what nonsense, what foolish conceit;
Our eyes but deceive us, our ears but cheat,
What this age discovers, the next will deny,
For better just nothing than naught a lie.
I see dreams in men's clothing that after dreams chase,
But that tumble in tombs ere the end of the race,
And i search in may soul how this horror to fly,
To laugh like a madman ? To curse ? Or to cry ?
O, what is the meaning ? What sense does agree ?
The end of such beauty, had that what to be ?
Sweet seraph of clay where still lingers life's smile,
Just in order to die did you live for a while ?
O, tell me the meaning.
This angel or clod ?
I find on her forehead no witness of God.
English version by Corneliu M.
Popescu
Transcribed by Ana- Maria Ene
School No.
10, Focsani, Romania
|
Written by
Edwin Arlington Robinson |
“Be calm? And was I frantic?
You’ll have me laughing soon.
I’m calm as this Atlantic,
And quiet as the moon;
I may have spoken faster
Than once, in other days;
For I’ve no more a master,
And now—‘Be calm,’ he says.
“Fear not, fear no commotion,—
I’ll be as rocks and sand;
The moon and stars and ocean
Will envy my command;
No creature could be stiller
In any kind of place
Than I … No, I’ll not kill her;
Her death is in her face.
“Be happy while she has it,
For she’ll not have it long;
A year, and then you’ll pass it,
Preparing a new song.
And I’m a fool for prating
Of what a year may bring,
When more like her are waiting
For more like you to sing.
“You mock me with denial,
You mean to call me hard?
You see no room for trial
When all my doors are barred?
You say, and you’d say dying,
That I dream what I know;
And sighing, and denying,
You’d hold my hand and go.
“You scowl—and I don’t wonder;
I spoke too fast again;
But you’ll forgive one blunder,
For you are like most men:
You are,—or so you’ve told me,
So many mortal times,
That heaven ought not to hold me
Accountable for crimes.
“Be calm? Was I unpleasant?
Then I’ll be more discreet,
And grant you, for the present,
The balm of my defeat:
What she, with all her striving,
Could not have brought about,
You’ve done.
Your own contriving
Has put the last light out.
“If she were the whole story,
If worse were not behind,
I’d creep with you to glory,
Believing I was blind;
I’d creep, and go on seeming
To be what I despise.
You laugh, and say I’m dreaming,
And all your laughs are lies.
“Are women mad? A few are,
And if it’s true you say—
If most men are as you are—
We’ll all be mad some day.
Be calm—and let me finish;
There’s more for you to know.
I’ll talk while you diminish,
And listen while you grow.
“There was a man who married
Because he couldn’t see;
And all his days he carried
The mark of his degree.
But you—you came clear-sighted,
And found truth in my eyes;
And all my wrongs you’ve righted
With lies, and lies, and lies.
“You’ve killed the last assurance
That once would have me strive
To rouse an old endurance
That is no more alive.
It makes two people chilly
To say what we have said,
But you—you’ll not be silly
And wrangle for the dead.
“You don’t? You never wrangle?
Why scold then,—or complain?
More words will only mangle
What you’ve already slain.
Your pride you can’t surrender?
My name—for that you fear?
Since when were men so tender,
And honor so severe?
“No more—I’ll never bear it.
I’m going.
I’m like ice.
My burden? You would share it?
Forbid the sacrifice!
Forget so quaint a notion,
And let no more be told;
For moon and stars and ocean
And you and I are cold.
”
|
Written by
Philip Larkin |
Sexual intercourse began
In nineteen sixty-three
(which was rather late for me) -
Between the end of the Chatterley ban
And the Beatles' first LP.
Up to then there'd only been
A sort of bargaining,
A wrangle for the ring,
A shame that started at sixteen
And spread to everything.
Then all at once the quarrel sank:
Everyone felt the same,
And every life became
A brilliant breaking of the bank,
A quite unlosable game.
So life was never better than
In nineteen sixty-three
(Though just too late for me) -
Between the end of the Chatterley ban
And the Beatles' first LP.
|
Written by
Oscar Wilde |
These are the letters which Endymion wrote
To one he loved in secret, and apart.
And now the brawlers of the auction mart
Bargain and bid for each poor blotted note,
Ay! for each separate pulse of passion quote
The merchant's price.
I think they love not art
Who break the crystal of a poet's heart
That small and sickly eyes may glare and gloat.
Is it not said that many years ago,
In a far Eastern town, some soldiers ran
With torches through the midnight, and began
To wrangle for mean raiment, and to throw
Dice for the garments of a wretched man,
Not knowing the God's wonder, or His woe?
|