Written by
William Butler Yeats |
My Soul. I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
"Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul
My Self. The consecretes blade upon my knees
Is Sato's ancient blade, still as it was,
Still razor-keen, still like a looking-glass
Unspotted by the centuries;
That flowering, silken, old embroidery, torn
From some court-lady's dress and round
The wodden scabbard bound and wound
Can, tattered, still protect, faded adorn
My Soul. Why should the imagination of a man
Long past his prime remember things that are
Emblematical of love and war?
Think of ancestral night that can,
If but imagination scorn the earth
And interllect is wandering
To this and that and t'other thing,
Deliver from the crime of death and birth.
My Self. Montashigi, third of his family, fashioned it
Five hundred years ago, about it lie
Flowers from I know not what embroidery -
Heart's purple - and all these I set
For emblems of the day against the tower
Emblematical of the night,
And claim as by a soldier's right
A charter to commit the crime once more.
My Soul. Such fullness in that quarter overflows
And falls into the basin of the mind
That man is stricken deaf and dumb and blind,
For intellect no longer knows
Is from the Ought, or knower from the Known -
That is to say, ascends to Heaven;
Only the dead can be forgiven;
But when I think of that my tongue's a stone.
II
My Self. A living man is blind and drinks his drop.
What matter if the ditches are impure?
What matter if I live it all once more?
Endure that toil of growing up;
The ignominy of boyhood; the distress
Of boyhood changing into man;
The unfinished man and his pain
Brought face to face with his own clumsiness;
The finished man among his enemies? -
How in the name of Heaven can he escape
That defiling and disfigured shape
The mirror of malicious eyes
Casts upon his eyes until at last
He thinks that shape must be his shape?
And what's the good of an escape
If honour find him in the wintry blast?
I am content to live it all again
And yet again, if it be life to pitch
Into the frog-spawn of a blind man's ditch,
A blind man battering blind men;
Or into that most fecund ditch of all,
The folly that man does
Or must suffer, if he woos
A proud woman not kindred of his soul.
I am content to follow to its source
Every event in action or in thought;
Measure the lot; forgive myself the lot!
When such as I cast out remorse
So great a sweetness flows into the breast
We must laugh and we must sing,
We are blest by everything,
Everything we look upon is blest.
|
Written by
Henry David Thoreau |
Whate'er we leave to God, God does,
And blesses us;
The work we choose should be our own,
God leaves alone.
If with light head erect I sing,
Though all the Muses lend their force,
From my poor love of anything,
The verse is weak and shallow as its source.
But if with bended neck I grope
Listening behind me for my wit,
With faith superior to hope,
More anxious to keep back than forward it;
Making my soul accomplice there
Unto the flame my heart hath lit,
Then will the verse forever wear--
Time cannot bend the line which God hath writ.
Always the general show of things
Floats in review before my mind,
And such true love and reverence brings,
That sometimes I forget that I am blind.
But now there comes unsought, unseen,
Some clear divine electuary,
And I, who had but sensual been,
Grow sensible, and as God is, am wary.
I hearing get, who had but ears,
And sight, who had but eyes before,
I moments live, who lived but years,
And truth discern, who knew but learning's lore.
I hear beyond the range of sound,
I see beyond the range of sight,
New earths and skies and seas around,
And in my day the sun doth pale his light.
A clear and ancient harmony
Pierces my soul through all its din,
As through its utmost melody--
Farther behind than they, farther within.
More swift its bolt than lightning is,
Its voice than thunder is more loud,
It doth expand my privacies
To all, and leave me single in the crowd.
It speaks with such authority,
With so serene and lofty tone,
That idle Time runs gadding by,
And leaves me with Eternity alone.
Now chiefly is my natal hour,
And only now my prime of life;
Of manhood's strength it is the flower,
'Tis peace's end and war's beginning strife.
It comes in summer's broadest noon,
By a grey wall or some chance place,
Unseasoning Time, insulting June,
And vexing day with its presuming face.
Such fragrance round my couch it makes,
More rich than are Arabian drugs,
That my soul scents its life and wakes
The body up beneath its perfumed rugs.
Such is the Muse, the heavenly maid,
The star that guides our mortal course,
Which shows where life's true kernel's laid,
Its wheat's fine flour, and its undying force.
She with one breath attunes the spheres,
And also my poor human heart,
With one impulse propels the years
Around, and gives my throbbing pulse its start.
I will not doubt for evermore,
Nor falter from a steadfast faith,
For thought the system be turned o'er,
God takes not back the word which once He saith.
I will not doubt the love untold
Which not my worth nor want has bought,
Which wooed me young, and woos me old,
And to this evening hath me brought.
My memory I'll educate
To know the one historic truth,
Remembering to the latest date
The only true and sole immortal youth.
Be but thy inspiration given,
No matter through what danger sought,
I'll fathom hell or climb to heaven,
And yet esteem that cheap which love has bought.
___________________
Fame cannot tempt the bard
Who's famous with his God,
Nor laurel him reward
Who has his Maker's nod.
|
Written by
Amy Lowell |
I
The inkstand is full of ink, and the paper lies
white and unspotted,
in the round of light thrown by a candle. Puffs of darkness
sweep into
the corners, and keep rolling through the room behind his chair. The
air
is silver and pearl, for the night is liquid with moonlight.
See how the roof glitters, like ice!
Over there, a slice of yellow cuts into the silver-blue,
and beside it stand
two geraniums, purple because the light is silver-blue, to-night.
See! She is coming, the young woman with the bright hair.
She swings a basket as she walks, which she places on the sill,
between the geranium stalks. He laughs, and crumples
his paper
as he leans forward to look. "The Basket Filled with
Moonlight",
what a title for a book!
The bellying clouds swing over the housetops.
He has forgotten the woman in the room with the geraniums. He
is beating
his brain, and in his eardrums hammers his heavy pulse. She
sits
on the window-sill, with the basket in her lap. And tap! She
cracks a nut.
And tap! Another. Tap! Tap! Tap! The
shells ricochet upon the roof,
and get into the gutters, and bounce over the edge and disappear.
"It is very *****," thinks Peter, "the basket was
empty, I'm sure.
How could nuts appear from the atmosphere?"
The silver-blue moonlight makes the geraniums purple,
and the roof glitters
like ice.
II
Five o'clock. The geraniums are very
gay in their crimson array.
The bellying clouds swing over the housetops, and over the roofs
goes Peter
to pay his morning's work with a holiday.
"Annette, it is I. Have you finished? Can
I come?"
Peter jumps through the window.
"Dear, are you alone?"
"Look, Peter, the dome of the tabernacle is done. This
gold thread
is so very high, I am glad it is morning, a starry sky would have
seen me bankrupt. Sit down, now tell me, is your story
going well?"
The golden dome glittered in the orange of the
setting sun. On the walls,
at intervals, hung altar-cloths and chasubles, and copes, and stoles,
and coffin palls. All stiff with rich embroidery, and
stitched with
so much artistry, they seemed like spun and woven gems, or flower-buds
new-opened on their stems.
Annette looked at the geraniums, very red against the blue sky.
"No matter how I try, I cannot find any thread
of such a red.
My bleeding hearts drip stuff muddy in comparison. Heigh-ho! See
my little
pecking dove? I'm in love with my own temple. Only
that halo's wrong.
The colour's too strong, or not strong enough. I don't
know. My eyes
are tired. Oh, Peter, don't be so rough; it is valuable. I
won't do
any more. I promise. You tyrannise, Dear,
that's enough. Now sit down
and amuse me while I rest."
The shadows of the geraniums creep over the floor,
and begin to climb
the opposite wall.
Peter watches her, fluid with fatigue, floating, and drifting,
and undulant in the orange glow. His senses flow towards
her,
where she lies supine and dreaming. Seeming drowned in
a golden halo.
The pungent smell of the geraniums is hard to bear.
He pushes against her knees, and brushes his lips across her languid
hands.
His lips are hot and speechless. He woos her, quivering,
and the room
is filled with shadows, for the sun has set. But she
only understands
the ways of a needle through delicate stuffs, and the shock of one
colour
on another. She does not see that this is the same, and
querulously murmurs
his name.
"Peter, I don't want it. I am tired."
And he, the undesired, burns and is consumed.
There is a crescent moon on the rim of the sky.
III
"Go home, now, Peter. To-night is full
moon. I must be alone."
"How soon the moon is full again! Annette,
let me stay. Indeed, Dear Love,
I shall not go away. My God, but you keep me starved! You
write
`No Entrance Here', over all the doors. Is it not strange,
my Dear,
that loving, yet you deny me entrance everywhere. Would
marriage
strike you blind, or, hating bonds as you do, why should I be denied
the rights of loving if I leave you free? You want the
whole of me,
you pick my brains to rest you, but you give me not one heart-beat.
Oh, forgive me, Sweet! I suffer in my loving, and you
know it. I cannot
feed my life on being a poet. Let me stay."
"As you please, poor Peter, but it will hurt me
if you do. It will
crush your heart and squeeze the love out."
He answered gruffly, "I know what I'm about."
"Only remember one thing from to-night. My
work is taxing and I must
have sight! I MUST!"
The clear moon looks in between the geraniums. On
the wall,
the shadow of the man is divided from the shadow of the woman
by a silver thread.
They are eyes, hundreds of eyes, round like marbles! Unwinking,
for there
are no lids. Blue, black, gray, and hazel, and the irises
are cased
in the whites, and they glitter and spark under the moon. The
basket
is heaped with human eyes. She cracks off the whites
and throws them away.
They ricochet upon the roof, and get into the gutters, and bounce
over the edge and disappear. But she is here, quietly
sitting
on the window-sill, eating human eyes.
The silver-blue moonlight makes the geraniums purple,
and the roof shines
like ice.
IV
How hot the sheets are! His skin is
tormented with pricks,
and over him sticks, and never moves, an eye. It lights
the sky with blood,
and drips blood. And the drops sizzle on his bare skin,
and he smells them
burning in, and branding his body with the name "Annette".
The blood-red sky is outside his window now. Is
it blood or fire?
Merciful God! Fire! And his heart wrenches
and pounds "Annette!"
The lead of the roof is scorching, he ricochets,
gets to the edge,
bounces over and disappears.
The bellying clouds are red as they swing over
the housetops.
V
The air is of silver and pearl, for the night is
liquid with moonlight.
How the ruin glistens, like a palace of ice! Only two
black holes swallow
the brilliance of the moon. Deflowered windows, sockets
without sight.
A man stands before the house. He sees
the silver-blue moonlight,
and set in it, over his head, staring and flickering, eyes of geranium
red.
Annette!
|
Written by
Friedrich von Schiller |
See you the towers, that, gray and old,
Frown through the sunlight's liquid gold,
Steep sternly fronting steep?
The Hellespont beneath them swells,
And roaring cleaves the Dardanelles,
The rock-gates of the deep!
Hear you the sea, whose stormy wave,
From Asia, Europe clove in thunder?
That sea which rent a world, cannot
Rend love from love asunder!
In Hero's, in Leander's heart,
Thrills the sweet anguish of the dart
Whose feather flies from love.
All Hebe's bloom in Hero's cheek--
And his the hunter's steps that seek
Delight, the hills above!
Between their sires the rival feud
Forbids their plighted hearts to meet;
Love's fruits hang over danger's gulf,
By danger made more sweet.
Alone on Sestos' rocky tower,
Where upward sent in stormy shower,
The whirling waters foam,--
Alone the maiden sits, and eyes
The cliffs of fair Abydos rise
Afar--her lover's home.
Oh, safely thrown from strand to strand,
No bridge can love to love convey;
No boatman shoots from yonder shore,
Yet Love has found the way.--
That love, which could the labyrinth pierce--
Which nerves the weak, and curbs the fierce,
And wings with wit the dull;--
That love which o'er the furrowed land
Bowed--tame beneath young Jason's hand--
The fiery-snorting bull!
Yes, Styx itself, that ninefold flows,
Has love, the fearless, ventured o'er,
And back to daylight borne the bride,
From Pluto's dreary shore!
What marvel then that wind and wave,
Leander doth but burn to brave,
When love, that goads him, guides!
Still when the day, with fainter glimmer,
Wanes pale--he leaps, the daring swimmer,
Amid the darkening tides;
With lusty arms he cleaves the waves,
And strikes for that dear strand afar;
Where high from Hero's lonely tower
Lone streams the beacon-star.
In vain his blood the wave may chill,
These tender arms can warm it still--
And, weary if the way,
By many a sweet embrace, above
All earthly boons--can liberal love
The lover's toil repay,
Until Aurora breaks the dream,
And warns the loiterer to depart--
Back to the ocean's icy bed,
Scared from that loving heart.
So thirty suns have sped their flight--
Still in that theft of sweet delight
Exult the happy pair;
Caress will never pall caress,
And joys that gods might envy, bless
The single bride-night there.
Ah! never he has rapture known,
Who has not, where the waves are driven
Upon the fearful shores of hell,
Plucked fruits that taste of heaven!
Now changing in their season are,
The morning and the Hesper star;--
Nor see those happy eyes
The leaves that withering droop and fall,
Nor hear, when, from its northern hall,
The neighboring winter sighs;
Or, if they see, the shortening days
But seem to them to close in kindness;
For longer joys, in lengthening nights,
They thank the heaven in blindness.
It is the time, when night and day,
In equal scales contend for sway--
Lone, on her rocky steep,
Lingers the girl with wistful eyes
That watch the sun-steeds down the skies,
Careering towards the deep.
Lulled lay the smooth and silent sea,
A mirror in translucent calm,
The breeze, along that crystal realm,
Unmurmuring, died in balm.
In wanton swarms and blithe array,
The merry dolphins glide and play
Amid the silver waves.
In gray and dusky troops are seen,
The hosts that serve the ocean-queen,
Upborne from coral caves:
They--only they--have witnessed love
To rapture steal its secret way:
And Hecate [36] seals the only lips
That could the tale betray!
She marks in joy the lulled water,
And Sestos, thus thy tender daughter,
Soft-flattering, woos the sea!
"Fair god--and canst thou then betray?
No! falsehood dwells with them that say
That falsehood dwells with thee!
Ah! faithless is the race of man,
And harsh a father's heart can prove;
But thee, the gentle and the mild,
The grief of love can move!"
"Within these hated walls of stone,
Should I, repining, mourn alone,
And fade in ceaseless care,
But thou, though o'er thy giant tide,
Nor bridge may span, nor boat may glide,
Dost safe my lover bear.
And darksome is thy solemn deep,
And fearful is thy roaring wave;
But wave and deep are won by love--
Thou smilest on the brave!"
"Nor vainly, sovereign of the sea,
Did Eros send his shafts to thee
What time the rain of gold,
Bright Helle, with her brother bore,
How stirred the waves she wandered o'er,
How stirred thy deeps of old!
Swift, by the maiden's charms subdued,
Thou cam'st from out the gloomy waves,
And in thy mighty arms, she sank
Into thy bridal caves."
"A goddess with a god, to keep
In endless youth, beneath the deep,
Her solemn ocean-court!
And still she smooths thine angry tides,
Tames thy wild heart, and favoring guides
The sailor to the port!
Beautiful Helle, bright one, hear
Thy lone adoring suppliant pray!
And guide, O goddess--guide my love
Along the wonted way!"
Now twilight dims the waters' flow,
And from the tower, the beacon's glow
Waves flickering o'er the main.
Ah, where athwart the dismal stream,
Shall shine the beacon's faithful beam
The lover's eyes shall strain!
Hark! sounds moan threatening from afar--
From heaven the blessed stars are gone--
More darkly swells the rising sea
The tempest labors on!
Along the ocean's boundless plains
Lies night--in torrents rush the rains
From the dark-bosomed cloud--
Red lightning skirs the panting air,
And, loosed from out their rocky lair,
Sweep all the storms abroad.
Huge wave on huge wave tumbling o'er,
The yawning gulf is rent asunder,
And shows, as through an opening pall,
Grim earth--the ocean under!
Poor maiden! bootless wail or vow--
"Have mercy, Jove--be gracious, thou!
Dread prayer was mine before!"
What if the gods have heard--and he,
Lone victim of the stormy sea,
Now struggles to the shore!
There's not a sea-bird on the wave--
Their hurrying wings the shelter seek;
The stoutest ship the storms have proved,
Takes refuge in the creek.
"Ah, still that heart, which oft has braved
The danger where the daring saved,
Love lureth o'er the sea;--
For many a vow at parting morn,
That naught but death should bar return,
Breathed those dear lips to me;
And whirled around, the while I weep,
Amid the storm that rides the wave,
The giant gulf is grasping down
The rash one to the grave!
"False Pontus! and the calm I hailed,
The awaiting murder darkly veiled--
The lulled pellucid flow,
The smiles in which thou wert arrayed,
Were but the snares that love betrayed
To thy false realm below!
Now in the midway of the main,
Return relentlessly forbidden,
Thou loosenest on the path beyond
The horrors thou hadst hidden."
Loud and more loud the tempest raves
In thunder break the mountain waves,
White-foaming on the rock--
No ship that ever swept the deep
Its ribs of gnarled oak could keep
Unshattered by the shock.
Dies in the blast the guiding torch
To light the struggler to the strand;
'Tis death to battle with the wave,
And death no less to land!
On Venus, daughter of the seas,
She calls the tempest to appease--
To each wild-shrieking wind
Along the ocean-desert borne,
She vows a steer with golden horn--
Vain vow--relentless wind!
On every goddess of the deep,
On all the gods in heaven that be,
She calls--to soothe in calm, awhile
The tempest-laden sea!
"Hearken the anguish of my cries!
From thy green halls, arise--arise,
Leucothoe the divine!
Who, in the barren main afar,
Oft on the storm-beat mariner
Dost gently-saving shine.
Oh,--reach to him thy mystic veil,
To which the drowning clasp may cling,
And safely from that roaring grave,
To shore my lover bring!"
And now the savage winds are hushing.
And o'er the arched horizon, blushing,
Day's chariot gleams on high!
Back to their wonted channels rolled,
In crystal calm the waves behold
One smile on sea and sky!
All softly breaks the rippling tide,
Low-murmuring on the rocky land,
And playful wavelets gently float
A corpse upon the strand!
'Tis he!--who even in death would still
Not fail the sweet vow to fulfil;
She looks--sees--knows him there!
From her pale lips no sorrow speaks,
No tears glide down her hueless cheeks;
Cold-numbed in her despair--
She looked along the silent deep,
She looked upon the brightening heaven,
Till to the marble face the soul
Its light sublime had given!
"Ye solemn powers men shrink to name,
Your might is here, your rights ye claim--
Yet think not I repine
Soon closed my course; yet I can bless
The life that brought me happiness--
The fairest lot was mine!
Living have I thy temple served,
Thy consecrated priestess been--
My last glad offering now receive
Venus, thou mightiest queen!"
Flashed the white robe along the air,
And from the tower that beetled there
She sprang into the wave;
Roused from his throne beneath the waste,
Those holy forms the god embraced--
A god himself their grave!
Pleased with his prey, he glides along--
More blithe the murmured music seems,
A gush from unexhausted urns
His everlasting streams!
|
Written by
D. H. Lawrence |
What large, dark hands are those at the window
Lifted, grasping in the yellow light
Which makes its way through the curtain web
At my heart to-night?
Ah, only the leaves! So leave me at rest,
In the west I see a redness come
Over the evening's burning breast --
For now the pain is numb.
The woodbine creeps abroad
Calling low to her lover:
The sunlit flirt who all the day
Has poised above her lips in play
And stolen kisses, shallow and gay
Of dalliance, now has gone away
-- She woos the moth with her sweet, low word,
And when above her his broad wings hover
Then her bright breast she will uncover
And yeild her honey-drop to her lover.
Into the yellow, evening glow
Saunters a man from the farm below,
Leans, and looks in at the low-built shed
Where hangs the swallow's marriage bed.
The bird lies warm against the wall.
She glances quick her startled eyes
Towards him, then she turns away
Her small head, making warm display
Of red upon the throat. Her terrors sway
Her out of the nest's warm, busy ball,
Whose plaintive cries start up as she flies
In one blue stoop from out the sties
Into the evening's empty hall.
Oh, water-hen, beside the rushes
Hide your quaint, unfading blushes,
Still your quick tail, and lie as dead,
Till the distance covers his dangerous tread.
The rabbit presses back her ears,
Turns back her liquid, anguished eyes
And crouches low: then with wild spring
Spurts from the terror of the oncoming
To be choked back, the wire ring
Her frantic effort throttling:
Piteous brown ball of quivering fears!
Ah soon in his large, hard hands she dies,
And swings all loose to the swing of his walk.
Yet calm and kindly are his eyes
And ready to open in brown surprise
Should I not answer to his talk
Or should he my tears surmise.
I hear his hand on the latch, and rise from my chair
Watching the door open: he flashes bare
His strong teeth in a smile, and flashes his eyes
In a smile like triumph upon me; then careless-wise
He flihgs the rabbit soft on the table board
And comes towards me: ah, the uplifted sword
Of his hand against my bosom, and oh, the broad
Blade of his hand that raises my face to applaud
His coming: he raises up my face to him
And caresses my mouth with his fingers, smelling grim
Of the rabbit's fur! God, I am caught in a snare!
I know not what fine wire is round my throat,
I only know I let him finger there
My pulse of life, letting him nose like a stoat
Who sniffs with joy before he drinks the blood:
And down his mouth comes to my mouth, and down
His dark bright eyes descend like a fiery hood
Upon my mind: his mouth meets mine, and a flood
Of sweet fire sweeps across me, so I drown
Within him, die, and find death good.
|
Written by
Anne Bradstreet |
As loving hind that (hartless) wants her deer,
Scuds through the woods and fern with hark'ning ear,
Perplext, in every bush and nook doth pry,
Her dearest deer, might answer ear or eye;
So doth my anxious soul, which now doth miss
A dearer dear (far dearer heart) than this.
Still wait with doubts, and hopes, and failing eye,
His voice to hear or person to descry.
Or as the pensive dove doth all alone
(On withered bough) most uncouthly bemoan
The absence of her love and loving mate,
Whose loss hath made her so unfortunate,
Ev'n thus do I, with many a deep sad groan,
Bewail my turtle true, who now is gone,
His presence and his safe return still woos,
With thousand doleful sighs and mournful coos.
Or as the loving mullet, that true fish,
Her fellow lost, nor joy nor life do wish,
But launches on that shore, there for to die,
Where she her captive husband doth espy.
Mine being gone, I lead a joyless life,
I have a loving peer, yet seem no wife;
But worst of all, to him can't steer my course,
I here, he there, alas, both kept by force.
Return my dear, my joy, my only love,
Unto thy hind, thy mullet, and thy dove,
Who neither joys in pasture, house, nor streams,
The substance gone, O me, these are but dreams.
Together at one tree, oh let us browse,
And like two turtles roost within one house,
And like the mullets in one river glide,
Let's still remain but one, till death divide.
Thy loving love and dearest dear,
At home, abroad, and everywhere
|
Written by
Emily Dickinson |
God is a distant -- stately Lover --
Woos, as He states us -- by His Son --
Verily, a Vicarious Courtship --
"Miles", and "Priscilla", were such an One --
But, lest the Soul -- like fair "Priscilla"
Choose the Envoy -- and spurn the Groom --
Vouches, with hyperbolic archness --
"Miles", and "John Alden" were Synonym --
|
Written by
Robert Louis Stevenson |
COME, here is adieu to the city
And hurrah for the country again.
The broad road lies before me
Watered with last night's rain.
The timbered country woos me
With many a high and bough;
And again in the shining fallows
The ploughman follows the plough.
The whole year's sweat and study,
And the whole year's sowing time,
Comes now to the perfect harvest,
And ripens now into rhyme.
For we that sow in the Autumn,
We reap our grain in the Spring,
And we that go sowing and weeping
Return to reap and sing.
|
Written by
Gerard Manley Hopkins |
To seem the stranger lies my lot, my life
Among strangers. Father and mother dear,
Brothers and sisters are in Christ not near
And he my peace my parting, sword and strife.
England, whose honour O all my heart woos, wife
To my creating thought, would neither hear
Me, were I pleading, plead nor do I: I wear-
y of idle a being but by where wars are rife.
I am in Ireland now; now I am at a thírd
Remove. Not but in all removes I can
Kind love both give and get. Only what word
Wisest my heart breeds dark heaven's baffling ban
Bars or hell's spell thwarts. This to hoard unheard,
Heard unheeded, leaves me a lonely began.
|
Written by
Amy Lowell |
A Minstrel stands on a marble stair,
Blown by the bright wind, debonair;
Below lies the sea, a sapphire floor,
Above on the terrace a turret door
Frames a lady, listless and wan,
But fair for the eye to rest upon.
The minstrel plucks at his silver strings,
And looking up to the lady, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
The octagon tower casts a shade
Cool and gray like a cutlass blade;
In sun-baked vines the cicalas spin,
The little green lizards run out and in.
A sail dips over the ocean's rim,
And bubbles rise to the fountain's brim.
The minstrel touches his silver strings,
And gazing up to the lady, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
Slowly she walks to the balustrade,
Idly notes how the blossoms fade
In the sun's caress; then crosses where
The shadow shelters a carven chair.
Within its curve, supine she lies,
And wearily closes her tired eyes.
The minstrel beseeches his silver strings,
And holding the lady spellbound, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
Clouds sail over the distant trees,
Petals are shaken down by the breeze,
They fall on the terrace tiles like snow;
The sighing of waves sounds, far below.
A humming-bird kisses the lips of a rose
Then laden with honey and love he goes.
The minstrel woos with his silver strings,
And climbing up to the lady, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
Step by step, and he comes to her,
Fearful lest she suddenly stir.
Sunshine and silence, and each to each,
The lute and his singing their only speech;
He leans above her, her eyes unclose,
The humming-bird enters another rose.
The minstrel hushes his silver strings.
Hark! The beating of humming-birds' wings!
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
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