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Best Famous Wither Poems

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Written by Charlotte Bronte | Create an image from this poem

Mementos

 ARRANGING long-locked drawers and shelves 
Of cabinets, shut up for years, 
What a strange task we've set ourselves ! 
How still the lonely room appears ! 
How strange this mass of ancient treasures, 
Mementos of past pains and pleasures; 
These volumes, clasped with costly stone, 
With print all faded, gilding gone; 

These fans of leaves, from Indian trees­ 
These crimson shells, from Indian seas­ 
These tiny portraits, set in rings­ 
Once, doubtless, deemed such precious things; 
Keepsakes bestowed by Love on Faith, 
And worn till the receiver's death, 
Now stored with cameos, china, shells, 
In this old closet's dusty cells.
I scarcely think, for ten long years, A hand has touched these relics old; And, coating each, slow-formed, appears, The growth of green and antique mould.
All in this house is mossing over; All is unused, and dim, and damp; Nor light, nor warmth, the rooms discover­ Bereft for years of fire and lamp.
The sun, sometimes in summer, enters The casements, with reviving ray; But the long rains of many winters Moulder the very walls away.
And outside all is ivy, clinging To chimney, lattice, gable grey; Scarcely one little red rose springing Through the green moss can force its way.
Unscared, the daw, and starling nestle, Where the tall turret rises high, And winds alone come near to rustle The thick leaves where their cradles lie.
I sometimes think, when late at even I climb the stair reluctantly, Some shape that should be well in heaven, Or ill elsewhere, will pass by me.
I fear to see the very faces, Familiar thirty years ago, Even in the old accustomed places Which look so cold and gloomy now.
I've come, to close the window, hither, At twilight, when the sun was down, And Fear, my very soul would wither, Lest something should be dimly shown.
Too much the buried form resembling, Of her who once was mistress here; Lest doubtful shade, or moonbeam trembling, Might take her aspect, once so dear.
Hers was this chamber; in her time It seemed to me a pleasant room, For then no cloud of grief or crime Had cursed it with a settled gloom; I had not seen death's image laid In shroud and sheet, on yonder bed.
Before she married, she was blest­ Blest in her youth, blest in her worth; Her mind was calm, its sunny rest Shone in her eyes more clear than mirth.
And when attired in rich array, Light, lustrous hair about her brow, She yonder sat­a kind of day Lit up­what seems so gloomy now.
These grim oak walls, even then were grim; That old carved chair, was then antique; But what around looked dusk and dim Served as a foil to her fresh cheek; Her neck, and arms, of hue so fair, Eyes of unclouded, smiling, light; Her soft, and curled, and floating hair, Gems and attire, as rainbow bright.
Reclined in yonder deep recess, Ofttimes she would, at evening, lie Watching the sun; she seemed to bless With happy glance the glorious sky.
She loved such scenes, and as she gazed, Her face evinced her spirit's mood; Beauty or grandeur ever raised In her, a deep-felt gratitude.
But of all lovely things, she loved A cloudless moon, on summer night; Full oft have I impatience proved To see how long, her still delight Would find a theme in reverie.
Out on the lawn, or where the trees Let in the lustre fitfully, As their boughs parted momently, To the soft, languid, summer breeze.
Alas ! that she should e'er have flung Those pure, though lonely joys away­ Deceived by false and guileful tongue, She gave her hand, then suffered wrong; Oppressed, ill-used, she faded young, And died of grief by slow decay.
Open that casket­look how bright Those jewels flash upon the sight; The brilliants have not lost a ray Of lustre, since her wedding day.
But see­upon that pearly chain­ How dim lies time's discolouring stain ! I've seen that by her daughter worn: For, e'er she died, a child was born; A child that ne'er its mother knew, That lone, and almost friendless grew; For, ever, when its step drew nigh, Averted was the father's eye; And then, a life impure and wild Made him a stranger to his child; Absorbed in vice, he little cared On what she did, or how she fared.
The love withheld, she never sought, She grew uncherished­learnt untaught; To her the inward life of thought Full soon was open laid.
I know not if her friendlessness Did sometimes on her spirit press, But plaint she never made.
The book-shelves were her darling treasure, She rarely seemed the time to measure While she could read alone.
And she too loved the twilight wood, And often, in her mother's mood, Away to yonder hill would hie, Like her, to watch the setting sun, Or see the stars born, one by one, Out of the darkening sky.
Nor would she leave that hill till night Trembled from pole to pole with light; Even then, upon her homeward way, Long­long her wandering steps delayed To quit the sombre forest shade, Through which her eerie pathway lay.
You ask if she had beauty's grace ? I know not­but a nobler face My eyes have seldom seen; A keen and fine intelligence, And, better still, the truest sense Were in her speaking mien.
But bloom or lustre was there none, Only at moments, fitful shone An ardour in her eye, That kindled on her cheek a flush, Warm as a red sky's passing blush And quick with energy.
Her speech, too, was not common speech, No wish to shine, or aim to teach, Was in her words displayed: She still began with quiet sense, But oft the force of eloquence Came to her lips in aid; Language and voice unconscious changed, And thoughts, in other words arranged, Her fervid soul transfused Into the hearts of those who heard, And transient strength and ardour stirred, In minds to strength unused.
Yet in gay crowd or festal glare, Grave and retiring was her air; 'Twas seldom, save with me alone, That fire of feeling freely shone; She loved not awe's nor wonder's gaze, Nor even exaggerated praise, Nor even notice, if too keen The curious gazer searched her mien.
Nature's own green expanse revealed The world, the pleasures, she could prize; On free hill-side, in sunny field, In quiet spots by woods concealed, Grew wild and fresh her chosen joys, Yet Nature's feelings deeply lay In that endowed and youthful frame; Shrined in her heart and hid from day, They burned unseen with silent flame; In youth's first search for mental light, She lived but to reflect and learn, But soon her mind's maturer might For stronger task did pant and yearn; And stronger task did fate assign, Task that a giant's strength might strain; To suffer long and ne'er repine, Be calm in frenzy, smile at pain.
Pale with the secret war of feeling, Sustained with courage, mute, yet high; The wounds at which she bled, revealing Only by altered cheek and eye; She bore in silence­but when passion Surged in her soul with ceaseless foam, The storm at last brought desolation, And drove her exiled from her home.
And silent still, she straight assembled The wrecks of strength her soul retained; For though the wasted body trembled, The unconquered mind, to quail, disdained.
She crossed the sea­now lone she wanders By Seine's, or Rhine's, or Arno's flow; Fain would I know if distance renders Relief or comfort to her woe.
Fain would I know if, henceforth, ever, These eyes shall read in hers again, That light of love which faded never, Though dimmed so long with secret pain.
She will return, but cold and altered, Like all whose hopes too soon depart; Like all on whom have beat, unsheltered, The bitter blasts that blight the heart.
No more shall I behold her lying Calm on a pillow, smoothed by me; No more that spirit, worn with sighing, Will know the rest of infancy.
If still the paths of lore she follow, 'Twill be with tired and goaded will; She'll only toil, the aching hollow, The joyless blank of life to fill.
And oh ! full oft, quite spent and weary, Her hand will pause, her head decline; That labour seems so hard and dreary, On which no ray of hope may shine.
Thus the pale blight of time and sorrow Will shade with grey her soft, dark hair Then comes the day that knows no morrow, And death succeeds to long despair.
So speaks experience, sage and hoary; I see it plainly, know it well, Like one who, having read a story, Each incident therein can tell.
Touch not that ring, 'twas his, the sire Of that forsaken child; And nought his relics can inspire Save memories, sin-defiled.
I, who sat by his wife's death-bed, I, who his daughter loved, Could almost curse the guilty dead, For woes, the guiltless proved.
And heaven did curse­they found him laid, When crime for wrath was rife, Cold­with the suicidal blade Clutched in his desperate gripe.
'Twas near that long deserted hut, Which in the wood decays, Death's axe, self-wielded, struck his root, And lopped his desperate days.
You know the spot, where three black trees, Lift up their branches fell, And moaning, ceaseless as the seas, Still seem, in every passing breeze, The deed of blood to tell.
They named him mad, and laid his bones Where holier ashes lie; Yet doubt not that his spirit groans, In hell's eternity.
But, lo ! night, closing o'er the earth, Infects our thoughts with gloom; Come, let us strive to rally mirth, Where glows a clear and tranquil hearth In some more cheerful room.


Written by Alexander Pushkin | Create an image from this poem

The Flower

 A flower - shrivelled, bare of fragrance,
Forgotten on a page - I see,
And instantly my soul awakens,
Filled with an aimless reverie:

When did it bloom? the last spring? earlier?
How long? Where was it plucked? By whom?
By foreign hands? or by familiar?
And why put here, as in a tomb?

To mark a tender meeting by it?
A parting with a precious one?
Or just a walk, alone and quiet,
In forests' shade? in meadows' sun?

Is she alive? Is he still with her?
Where is their haven at this hour?
Or did they both already wither,
Like this unfathomable flower?

Translated by: Genia Gurarie, summer of 1995
Copyright retained by Genia Gurarie.
email: egurarie@princeton.
edu http://www.
princeton.
edu/~egurarie/ For permission to reproduce, write personally to the translator.
Written by W. E. B. Du Bois | Create an image from this poem

The Prayers of God

Name of God's Name!
Red murder reigns;
All hell is loose;
On gold autumnal air
Walk grinning devils, barbed and hoofed;
While high on hills of hate,
Black-blossomed, crimson-sky'd,
Thou sittest, dumb.
Father Almighty!
This earth is mad!
Palsied, our cunning hands;
Rotten, our gold;
Our argosies reel and stagger
Over empty seas;
All the long aisles
Of Thy Great Temples, God,
Stink with the entrails
Of our souls.
And Thou art dumb.
Above the thunder of Thy Thunders, Lord,
Lightening Thy Lightnings,
Rings and roars
The dark damnation
Of this hell of war.
Red piles the pulp of hearts and heads
And little children's hands.
Allah!
Elohim!
Very God of God!
Death is here!
Dead are the living; deep—dead the dead.
Dying are earth's unborn—
The babes' wide eyes of genius and of joy,
Poems and prayers, sun-glows and earth-songs,
Great-pictured dreams,
Enmarbled phantasies,
High hymning heavens—all
In this dread night
Writhe and shriek and choke and die
This long ghost-night—
While Thou art dumb.
Have mercy!
Have mercy upon us, miserable sinners!
Stand forth, unveil Thy Face,
Pour down the light
That seethes above Thy Throne,
And blaze this devil's dance to darkness!
Hear!
Speak!
In Christ's Great Name—
I hear!
Forgive me, God!
Above the thunder I hearkened;
Beneath the silence, now,—
I hear!
(Wait, God, a little space.
It is so strange to talk with Thee—
Alone!)
This gold?
I took it.
Is it Thine?
Forgive; I did not know.
Blood? Is it wet with blood?
'Tis from my brother's hands.
(I know; his hands are mine.)
It flowed for Thee, O Lord.
War? Not so; not war—
Dominion, Lord, and over black, not white;
Black, brown, and fawn,
And not Thy Chosen Brood, O God,
We murdered.
To build Thy Kingdom,
To drape our wives and little ones,
And set their souls a-glitter—
For this we killed these lesser breeds
And civilized their dead,
Raping red rubber, diamonds, cocoa, gold!
For this, too, once, and in Thy Name,
I lynched a ******—
(He raved and writhed,
I heard him cry,
I felt the life-light leap and lie,
I saw him crackle there, on high,
I watched him wither!)
Thou?
Thee?
I lynched Thee?
Awake me, God! I sleep!
What was that awful word Thou saidst?
That black and riven thing—was it Thee?
That gasp—was it Thine?
This pain—is it Thine?
Are, then, these bullets piercing Thee?
Have all the wars of all the world,
Down all dim time, drawn blood from Thee?
Have all the lies and thefts and hates—
Is this Thy Crucifixion, God,
And not that funny, little cross,
With vinegar and thorns?
Is this Thy kingdom here, not there,
This stone and stucco drift of dreams?
Help!
I sense that low and awful cry—
Who cries?
Who weeps?
With silent sob that rends and tears—
Can God sob?
Who prays?
I hear strong prayers throng by,
Like mighty winds on dusky moors—
Can God pray?
Prayest Thou, Lord, and to me?
Thou needest me?
Thou needest me?
Thou needest me?
Poor, wounded soul!
Of this I never dreamed. I thought—
Courage, God,
I come!
Written by Friedrich von Schiller | Create an image from this poem

The Ideal And The Actual Life

 Forever fair, forever calm and bright,
Life flies on plumage, zephyr-light,
For those who on the Olympian hill rejoice--
Moons wane, and races wither to the tomb,
And 'mid the universal ruin, bloom
The rosy days of Gods--With man, the choice,
Timid and anxious, hesitates between
The sense's pleasure and the soul's content;
While on celestial brows, aloft and sheen,
The beams of both are blent.
Seekest thou on earth the life of gods to share, Safe in the realm of death?--beware To pluck the fruits that glitter to thine eye; Content thyself with gazing on their glow-- Short are the joys possession can bestow, And in possession sweet desire will die.
'Twas not the ninefold chain of waves that bound Thy daughter, Ceres, to the Stygian river-- She plucked the fruit of the unholy ground, And so--was hell's forever! The weavers of the web--the fates--but sway The matter and the things of clay; Safe from change that time to matter gives, Nature's blest playmate, free at will to stray With gods a god, amidst the fields of day, The form, the archetype [39], serenely lives.
Would'st thou soar heavenward on its joyous wing? Cast from thee, earth, the bitter and the real, High from this cramped and dungeon being, spring Into the realm of the ideal! Here, bathed, perfection, in thy purest ray, Free from the clogs and taints of clay, Hovers divine the archetypal man! Dim as those phantom ghosts of life that gleam And wander voiceless by the Stygian stream,-- Fair as it stands in fields Elysian, Ere down to flesh the immortal doth descend:-- If doubtful ever in the actual life Each contest--here a victory crowns the end Of every nobler strife.
Not from the strife itself to set thee free, But more to nerve--doth victory Wave her rich garland from the ideal clime.
Whate'er thy wish, the earth has no repose-- Life still must drag thee onward as it flows, Whirling thee down the dancing surge of time.
But when the courage sinks beneath the dull Sense of its narrow limits--on the soul, Bright from the hill-tops of the beautiful, Bursts the attained goal! If worth thy while the glory and the strife Which fire the lists of actual life-- The ardent rush to fortune or to fame, In the hot field where strength and valor are, And rolls the whirling thunder of the car, And the world, breathless, eyes the glorious game-- Then dare and strive--the prize can but belong To him whose valor o'er his tribe prevails; In life the victory only crowns the strong-- He who is feeble fails.
But life, whose source, by crags around it piled, Chafed while confined, foams fierce and wild, Glides soft and smooth when once its streams expand, When its waves, glassing in their silver play, Aurora blent with Hesper's milder ray, Gain the still beautiful--that shadow-land! Here, contest grows but interchange of love, All curb is but the bondage of the grace; Gone is each foe,--peace folds her wings above Her native dwelling-place.
When, through dead stone to breathe a soul of light, With the dull matter to unite The kindling genius, some great sculptor glows; Behold him straining, every nerve intent-- Behold how, o'er the subject element, The stately thought its march laborious goes! For never, save to toil untiring, spoke The unwilling truth from her mysterious well-- The statue only to the chisel's stroke Wakes from its marble cell.
But onward to the sphere of beauty--go Onward, O child of art! and, lo! Out of the matter which thy pains control The statue springs!--not as with labor wrung From the hard block, but as from nothing sprung-- Airy and light--the offspring of the soul! The pangs, the cares, the weary toils it cost Leave not a trace when once the work is done-- The Artist's human frailty merged and lost In art's great victory won! [40] If human sin confronts the rigid law Of perfect truth and virtue [41], awe Seizes and saddens thee to see how far Beyond thy reach, perfection;--if we test By the ideal of the good, the best, How mean our efforts and our actions are! This space between the ideal of man's soul And man's achievement, who hath ever past? An ocean spreads between us and that goal, Where anchor ne'er was cast! But fly the boundary of the senses--live The ideal life free thought can give; And, lo, the gulf shall vanish, and the chill Of the soul's impotent despair be gone! And with divinity thou sharest the throne, Let but divinity become thy will! Scorn not the law--permit its iron band The sense (it cannot chain the soul) to thrall.
Let man no more the will of Jove withstand [42], And Jove the bolt lets fall! If, in the woes of actual human life-- If thou could'st see the serpent strife Which the Greek art has made divine in stone-- Could'st see the writhing limbs, the livid cheek, Note every pang, and hearken every shriek, Of some despairing lost Laocoon, The human nature would thyself subdue To share the human woe before thine eye-- Thy cheek would pale, and all thy soul be true To man's great sympathy.
But in the ideal realm, aloof and far, Where the calm art's pure dwellers are, Lo, the Laocoon writhes, but does not groan.
Here, no sharp grief the high emotion knows-- Here, suffering's self is made divine, and shows The brave resolve of the firm soul alone: Here, lovely as the rainbow on the dew Of the spent thunder-cloud, to art is given, Gleaming through grief's dark veil, the peaceful blue Of the sweet moral heaven.
So, in the glorious parable, behold How, bowed to mortal bonds, of old Life's dreary path divine Alcides trod: The hydra and the lion were his prey, And to restore the friend he loved to-day, He went undaunted to the black-browed god; And all the torments and the labors sore Wroth Juno sent--the meek majestic one, With patient spirit and unquailing, bore, Until the course was run-- Until the god cast down his garb of clay, And rent in hallowing flame away The mortal part from the divine--to soar To the empyreal air! Behold him spring Blithe in the pride of the unwonted wing, And the dull matter that confined before Sinks downward, downward, downward as a dream! Olympian hymns receive the escaping soul, And smiling Hebe, from the ambrosial stream, Fills for a god the bowl!
Written by J R R Tolkien | Create an image from this poem

All That is Gold Does Not Glitter

 All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.
From the ashes a fire shall be woken, A light from the shadows shall spring; Renewed shall be blade that was broken, The crownless again shall be king.


Written by Sylvia Plath | Create an image from this poem

Face Lift

 You bring me good news from the clinic,
Whipping off your silk scarf, exhibiting the tight white
Mummy-cloths, smiling: I'm all right.
When I was nine, a lime-green anesthetist Fed me banana-gas through a frog mask.
The nauseous vault Boomed with bad dreams and the Jovian voices of surgeons.
Then mother swam up, holding a tin basin.
O I was sick.
They've changed all that.
Traveling Nude as Cleopatra in my well-boiled hospital shift, Fizzy with sedatives and unusually humorous, I roll to an anteroom where a kind man Fists my fingers for me.
He makes me feel something precious Is leaking from the finger-vents.
At the count of two, Darkness wipes me out like chalk on a blackboard.
.
.
I don't know a thing.
For five days I lie in secret, Tapped like a cask, the years draining into my pillow.
Even my best friend thinks I'm in the country.
Skin doesn't have roots, it peels away easy as paper.
When I grin, the stitches tauten.
I grow backward.
I'm twenty, Broody and in long skirts on my first husband's sofa, my fingers Buried in the lambswool of the dead poodle; I hadn't a cat yet.
Now she's done for, the dewlapped lady I watched settle, line by line, in my mirror— Old sock-face, sagged on a darning egg.
They've trapped her in some laboratory jar.
Let her die there, or wither incessantly for the next fifty years, Nodding and rocking and fingering her thin hair.
Mother to myself, I wake swaddled in gauze, Pink and smooth as a baby.
Written by Sylvia Plath | Create an image from this poem

By Candlelight

 This is winter, this is night, small love --
A sort of black horsehair,
A rough, dumb country stuff
Steeled with the sheen
Of what green stars can make it to our gate.
I hold you on my arm.
It is very late.
The dull bells tongue the hour.
The mirror floats us at one candle power.
This is the fluid in which we meet each other, This haloey radiance that seems to breathe And lets our shadows wither Only to blow Them huge again, violent giants on the wall.
One match scratch makes you real.
At first the candle will not bloom at all -- It snuffs its bud To almost nothing, to a dull blue dud.
I hold my breath until you creak to life, Balled hedgehog, Small and cross.
The yellow knife Grows tall.
You clutch your bars.
My singing makes you roar.
I rock you like a boat Across the Indian carpet, the cold floor, While the brass man Kneels, back bent, as best he can Hefting his white pillar with the light That keeps the sky at bay, The sack of black! It is everywhere, tight, tight! He is yours, the little brassy Atlas -- Poor heirloom, all you have, At his heels a pile of five brass cannonballs, No child, no wife.
Five balls! Five bright brass balls! To juggle with, my love, when the sky falls.
Written by John Keats | Create an image from this poem

Hither Hither Love

 Hither hither, love---
 'Tis a shady mead---
Hither, hither, love!
 Let us feed and feed!

Hither, hither, sweet---
 'Tis a cowslip bed---
Hither, hither, sweet!
 'Tis with dew bespread!

Hither, hither, dear
 By the breath of life,
Hither, hither, dear!---
 Be the summer's wife!

Though one moment's pleasure
 In one moment flies---
Though the passion's treasure
 In one moment dies;---

Yet it has not passed---
 Think how near, how near!---
And while it doth last,
 Think how dear, how dear!

Hither, hither, hither
 Love its boon has sent---
If I die and wither
 I shall die content!
Written by Henry Vaughan | Create an image from this poem

The True Christians

 So stick up ivy and the bays,
And then restore the heathen ways.
Green will remind you of the spring, Though this great day denies the thing.
And mortifies the earth and all But your wild revels, and loose hall.
Could you wear flowers, and roses strow Blushing upon your breasts' warm snow, That very dress your lightness will Rebuke, and wither at the ill.
The brightness of this day we owe Not unto music, masque, nor show: Nor gallant furniture, nor plate; But to the manger's mean estate.
His life while here, as well as birth, Was but a check to pomp and mirth; And all man's greatness you may see Condemned by His humility.
Then leave your open house and noise, To welcome Him with holy joys, And the poor shepherd's watchfulness: Whom light and hymns from heaven did bless.
What you abound with, cast abroad To those that want, and ease your load.
Who empties thus, will bring more in; But riot is both loss and sin.
Dress finely what comes not in sight, And then you keep your Christmas right.
Written by Olu Oguibe | Create an image from this poem

I am bound to this Land by blood

I am bound to this land by blood
That's why my vision is blurred
I am rooted in its soil
And its streams flood my veins
I smell the sweat of its men
And the million feet that plod
The dust of its streets
Leave their prints on my soul
I have walked the footpaths of this land
Climbed the snake-routes of its hills
I have known the heat of its noon
And that in the fields where men toil till dusk
I have known the faces their creases
I have seen pain engraved on the foreheads of many
I have heard their agony

I have cried so often with broken men
And peered into a million faces blank
Faces without bodies bodies without faces
The owners of nothing breakers of stone
The owners who are owned I have known them all

I have heard the wailing of a million
I have stood in the crowd where men
Mixed their sweat and wiped blood
From their brows cursing silently
I have stood in the middle of silent whirlwinds
And their heat has left its mark
I bear the mark of the masses on my brow
And if I curse
If I raise this single voice
In the midst of dust and curse
If I lend a tiny voice to
The rustle of this crowd
It's because I am bound to this land

I am bound to the dying mother the widow
The man with a weight on his loins
I am tethered to their moan they are my own
I belong with they who have no voice
They who trudge outside the gate
Those who sigh in their hearts
Who only shake their heads

And if I sing not of roses and rivers
It's because I see rivers of blood
I look through the holler of the crowd
And I see blood on the ground
I see blood on the rockslabs
I look over the mangrove swamp
And I walk through fields of groundnut
And I see nothing but blood
I see blood in the face of the farmer
On the palm of the school child
I see blood on the statue
Of the Immaculate Mother

I walk through the streets and I see puddles of blood
I see blood on your shoes on your underwear
I see blood on the hands of men
And if I raise my voice to holler
It is because the grasses wither in this deluge of blood
Fishes float on their bellies with their eyes covered
By the sanguine flood

My verse spreads ungathered
In this spill of purple
Mine is the cry of a ram tethered
To the slaughterslab

There are no petals soft
No yellow centres
No polished pebble melodies
Piled into song
My words are rough-hewn from
These rocks where men toil
The plaintive voices of children
The plod of prisoners feet
The curses of the peasant woman
Are the wattle of my song

My pictures are the colour of dust
And I sing only of rust
I have swum in the flood
And I know better
For I am bound to this land
By blood.

Book: Shattered Sighs