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Best Famous Whirlpool Poems

Here is a collection of the all-time best famous Whirlpool poems. This is a select list of the best famous Whirlpool poetry. Reading, writing, and enjoying famous Whirlpool poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of whirlpool poems.

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Written by Edwin Arlington Robinson | Create an image from this poem

London Bridge

 “Do I hear them? Yes, I hear the children singing—and what of it? 
Have you come with eyes afire to find me now and ask me that? 
If I were not their father and if you were not their mother, 
We might believe they made a noise….
What are you—driving at!” “Well, be glad that you can hear them, and be glad they are so near us,— For I have heard the stars of heaven, and they were nearer still.
All within an hour it is that I have heard them calling, And though I pray for them to cease, I know they never will; For their music on my heart, though you may freeze it, will fall always, Like summer snow that never melts upon a mountain-top.
Do you hear them? Do you hear them overhead—the children—singing? Do you hear the children singing?… God, will you make them stop!” “And what now in His holy name have you to do with mountains? We’re back to town again, my dear, and we’ve a dance tonight.
Frozen hearts and falling music? Snow and stars, and—what the devil! Say it over to me slowly, and be sure you have it right.
” “God knows if I be right or wrong in saying what I tell you, Or if I know the meaning any more of what I say.
All I know is, it will kill me if I try to keep it hidden— Well, I met him….
Yes, I met him, and I talked with him—today.
” “You met him? Did you meet the ghost of someone you had poisoned, Long ago, before I knew you for the woman that you are? Take a chair; and don’t begin your stories always in the middle.
Was he man, or was he demon? Anyhow, you’ve gone too far To go back, and I’m your servant.
I’m the lord, but you’re the master.
Now go on with what you know, for I’m excited.
” “Do you mean— Do you mean to make me try to think that you know less than I do?” “I know that you foreshadow the beginning of a scene.
Pray be careful, and as accurate as if the doors of heaven Were to swing or to stay bolted from now on for evermore.
” “Do you conceive, with all your smooth contempt of every feeling, Of hiding what you know and what you must have known before? Is it worth a woman’s torture to stand here and have you smiling, With only your poor fetish of possession on your side? No thing but one is wholly sure, and that’s not one to scare me; When I meet it I may say to God at last that I have tried.
And yet, for all I know, or all I dare believe, my trials Henceforward will be more for you to bear than are your own; And you must give me keys of yours to rooms I have not entered.
Do you see me on your threshold all my life, and there alone? Will you tell me where you see me in your fancy—when it leads you Far enough beyond the moment for a glance at the abyss?” “Will you tell me what intrinsic and amazing sort of nonsense You are crowding on the patience of the man who gives you—this? Look around you and be sorry you’re not living in an attic, With a civet and a fish-net, and with you to pay the rent.
I say words that you can spell without the use of all your letters; And I grant, if you insist, that I’ve a guess at what you meant.
” “Have I told you, then, for nothing, that I met him? Are you trying To be merry while you try to make me hate you?” “Think again, My dear, before you tell me, in a language unbecoming To a lady, what you plan to tell me next.
If I complain, If I seem an atom peevish at the preference you mention— Or imply, to be precise—you may believe, or you may not, That I’m a trifle more aware of what he wants than you are.
But I shouldn’t throw that at you.
Make believe that I forgot.
Make believe that he’s a genius, if you like,—but in the meantime Don’t go back to rocking-horses.
There, there, there, now.
” “Make believe! When you see me standing helpless on a plank above a whirlpool, Do I drown, or do I hear you when you say it? Make believe? How much more am I to say or do for you before I tell you That I met him! What’s to follow now may be for you to choose.
Do you hear me? Won’t you listen? It’s an easy thing to listen….
” “And it’s easy to be crazy when there’s everything to lose.
” “If at last you have a notion that I mean what I am saying, Do I seem to tell you nothing when I tell you I shall try? If you save me, and I lose him—I don’t know—it won’t much matter.
I dare say that I’ve lied enough, but now I do not lie.
” “Do you fancy me the one man who has waited and said nothing While a wife has dragged an old infatuation from a tomb? Give the thing a little air and it will vanish into ashes.
There you are—piff! presto!” “When I came into this room, It seemed as if I saw the place, and you there at your table, As you are now at this moment, for the last time in my life; And I told myself before I came to find you, ‘I shall tell him, If I can, what I have learned of him since I became his wife.
’ And if you say, as I’ve no doubt you will before I finish, That you have tried unceasingly, with all your might and main, To teach me, knowing more than I of what it was I needed, Don’t think, with all you may have thought, that you have tried in vain; For you have taught me more than hides in all the shelves of knowledge Of how little you found that’s in me and was in me all along.
I believed, if I intruded nothing on you that I cared for, I’d be half as much as horses,—and it seems that I was wrong; I believed there was enough of earth in me, with all my nonsense Over things that made you sleepy, to keep something still awake; But you taught me soon to read my book, and God knows I have read it— Ages longer than an angel would have read it for your sake.
I have said that you must open other doors than I have entered, But I wondered while I said it if I might not be obscure.
Is there anything in all your pedigrees and inventories With a value more elusive than a dollar’s? Are you sure That if I starve another year for you I shall be stronger To endure another like it—and another—till I’m dead?” “Has your tame cat sold a picture?—or more likely had a windfall? Or for God’s sake, what’s broke loose? Have you a bee-hive in your head? A little more of this from you will not be easy hearing Do you know that? Understand it, if you do; for if you won’t….
What the devil are you saying! Make believe you never said it, And I’ll say I never heard it….
Oh, you….
If you….
” “If I don’t?” “There are men who say there’s reason hidden somewhere in a woman, But I doubt if God himself remembers where the key was hung.
” “He may not; for they say that even God himself is growing.
I wonder if He makes believe that He is growing young; I wonder if He makes believe that women who are giving All they have in holy loathing to a stranger all their lives Are the wise ones who build houses in the Bible….
” “Stop—you devil!” “…Or that souls are any whiter when their bodies are called wives.
If a dollar’s worth of gold will hoop the walls of hell together, Why need heaven be such a ruin of a place that never was? And if at last I lied my starving soul away to nothing, Are you sure you might not miss it? Have you come to such a pass That you would have me longer in your arms if you discovered That I made you into someone else….
Oh!…Well, there are worse ways.
But why aim it at my feet—unless you fear you may be sorry….
There are many days ahead of you.
” “I do not see those days.
” “I can see them.
Granted even I am wrong, there are the children.
And are they to praise their father for his insight if we die? Do you hear them? Do you hear them overhead—the children—singing? Do you hear them? Do you hear the children?” “Damn the children!” “Why? What have they done?…Well, then,—do it….
Do it now, and have it over.
” “Oh, you devil!…Oh, you….
” “No, I’m not a devil, I’m a prophet— One who sees the end already of so much that one end more Would have now the small importance of one other small illusion, Which in turn would have a welcome where the rest have gone before.
But if I were you, my fancy would look on a little farther For the glimpse of a release that may be somewhere still in sight.
Furthermore, you must remember those two hundred invitations For the dancing after dinner.
We shall have to shine tonight.
We shall dance, and be as happy as a pair of merry spectres, On the grave of all the lies that we shall never have to tell; We shall dance among the ruins of the tomb of our endurance, And I have not a doubt that we shall do it very well.
There!—I’m glad you’ve put it back; for I don’t like it.
Shut the drawer now.
No—no—don’t cancel anything.
I’ll dance until I drop.
I can’t walk yet, but I’m going to….
Go away somewhere, and leave me….
Oh, you children! Oh, you children!…God, will they never stop!”


Written by Dylan Thomas | Create an image from this poem

Ballad Of The Long-Legged Bait

 The bows glided down, and the coast
Blackened with birds took a last look
At his thrashing hair and whale-blue eye;
The trodden town rang its cobbles for luck.
Then good-bye to the fishermanned Boat with its anchor free and fast As a bird hooking over the sea, High and dry by the top of the mast, Whispered the affectionate sand And the bulwarks of the dazzled quay.
For my sake sail, and never look back, Said the looking land.
Sails drank the wind, and white as milk He sped into the drinking dark; The sun shipwrecked west on a pearl And the moon swam out of its hulk.
Funnels and masts went by in a whirl.
Good-bye to the man on the sea-legged deck To the gold gut that sings on his reel To the bait that stalked out of the sack, For we saw him throw to the swift flood A girl alive with his hooks through her lips; All the fishes were rayed in blood, Said the dwindling ships.
Good-bye to chimneys and funnels, Old wives that spin in the smoke, He was blind to the eyes of candles In the praying windows of waves But heard his bait buck in the wake And tussle in a shoal of loves.
Now cast down your rod, for the whole Of the sea is hilly with whales, She longs among horses and angels, The rainbow-fish bend in her joys, Floated the lost cathedral Chimes of the rocked buoys.
Where the anchor rode like a gull Miles over the moonstruck boat A squall of birds bellowed and fell, A cloud blew the rain from its throat; He saw the storm smoke out to kill With fuming bows and ram of ice, Fire on starlight, rake Jesu's stream; And nothing shone on the water's face But the oil and bubble of the moon, Plunging and piercing in his course The lured fish under the foam Witnessed with a kiss.
Whales in the wake like capes and Alps Quaked the sick sea and snouted deep, Deep the great bushed bait with raining lips Slipped the fins of those humpbacked tons And fled their love in a weaving dip.
Oh, Jericho was falling in their lungs! She nipped and dived in the nick of love, Spun on a spout like a long-legged ball Till every beast blared down in a swerve Till every turtle crushed from his shell Till every bone in the rushing grave Rose and crowed and fell! Good luck to the hand on the rod, There is thunder under its thumbs; Gold gut is a lightning thread, His fiery reel sings off its flames, The whirled boat in the burn of his blood Is crying from nets to knives, Oh the shearwater birds and their boatsized brood Oh the bulls of Biscay and their calves Are making under the green, laid veil The long-legged beautiful bait their wives.
Break the black news and paint on a sail Huge weddings in the waves, Over the wakeward-flashing spray Over the gardens of the floor Clash out the mounting dolphin's day, My mast is a bell-spire, Strike and smoothe, for my decks are drums, Sing through the water-spoken prow The octopus walking into her limbs The polar eagle with his tread of snow.
From salt-lipped beak to the kick of the stern Sing how the seal has kissed her dead! The long, laid minute's bride drifts on Old in her cruel bed.
Over the graveyard in the water Mountains and galleries beneath Nightingale and hyena Rejoicing for that drifting death Sing and howl through sand and anemone Valley and sahara in a shell, Oh all the wanting flesh his enemy Thrown to the sea in the shell of a girl Is old as water and plain as an eel; Always good-bye to the long-legged bread Scattered in the paths of his heels For the salty birds fluttered and fed And the tall grains foamed in their bills; Always good-bye to the fires of the face, For the crab-backed dead on the sea-bed rose And scuttled over her eyes, The blind, clawed stare is cold as sleet.
The tempter under the eyelid Who shows to the selves asleep Mast-high moon-white women naked Walking in wishes and lovely for shame Is dumb and gone with his flame of brides.
Susannah's drowned in the bearded stream And no-one stirs at Sheba's side But the hungry kings of the tides; Sin who had a woman's shape Sleeps till Silence blows on a cloud And all the lifted waters walk and leap.
Lucifer that bird's dropping Out of the sides of the north Has melted away and is lost Is always lost in her vaulted breath, Venus lies star-struck in her wound And the sensual ruins make Seasons over the liquid world, White springs in the dark.
Always good-bye, cried the voices through the shell, Good-bye always, for the flesh is cast And the fisherman winds his reel With no more desire than a ghost.
Always good luck, praised the finned in the feather Bird after dark and the laughing fish As the sails drank up the hail of thunder And the long-tailed lightning lit his catch.
The boat swims into the six-year weather, A wind throws a shadow and it freezes fast.
See what the gold gut drags from under Mountains and galleries to the crest! See what clings to hair and skull As the boat skims on with drinking wings! The statues of great rain stand still, And the flakes fall like hills.
Sing and strike his heavy haul Toppling up the boatside in a snow of light! His decks are drenched with miracles.
Oh miracle of fishes! The long dead bite! Out of the urn a size of a man Out of the room the weight of his trouble Out of the house that holds a town In the continent of a fossil One by one in dust and shawl, Dry as echoes and insect-faced, His fathers cling to the hand of the girl And the dead hand leads the past, Leads them as children and as air On to the blindly tossing tops; The centuries throw back their hair And the old men sing from newborn lips: Time is bearing another son.
Kill Time! She turns in her pain! The oak is felled in the acorn And the hawk in the egg kills the wren.
He who blew the great fire in And died on a hiss of flames Or walked the earth in the evening Counting the denials of the grains Clings to her drifting hair, and climbs; And he who taught their lips to sing Weeps like the risen sun among The liquid choirs of his tribes.
The rod bends low, divining land, And through the sundered water crawls A garden holding to her hand With birds and animals With men and women and waterfalls Trees cool and dry in the whirlpool of ships And stunned and still on the green, laid veil Sand with legends in its virgin laps And prophets loud on the burned dunes; Insects and valleys hold her thighs hard, Times and places grip her breast bone, She is breaking with seasons and clouds; Round her trailed wrist fresh water weaves, with moving fish and rounded stones Up and down the greater waves A separate river breathes and runs; Strike and sing his catch of fields For the surge is sown with barley, The cattle graze on the covered foam, The hills have footed the waves away, With wild sea fillies and soaking bridles With salty colts and gales in their limbs All the horses of his haul of miracles Gallop through the arched, green farms, Trot and gallop with gulls upon them And thunderbolts in their manes.
O Rome and Sodom To-morrow and London The country tide is cobbled with towns And steeples pierce the cloud on her shoulder And the streets that the fisherman combed When his long-legged flesh was a wind on fire And his loin was a hunting flame Coil from the thoroughfares of her hair And terribly lead him home alive Lead her prodigal home to his terror, The furious ox-killing house of love.
Down, down, down, under the ground, Under the floating villages, Turns the moon-chained and water-wound Metropolis of fishes, There is nothing left of the sea but its sound, Under the earth the loud sea walks, In deathbeds of orchards the boat dies down And the bait is drowned among hayricks, Land, land, land, nothing remains Of the pacing, famous sea but its speech, And into its talkative seven tombs The anchor dives through the floors of a church.
Good-bye, good luck, struck the sun and the moon, To the fisherman lost on the land.
He stands alone in the door of his home, With his long-legged heart in his hand.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Hiawathas Fishing

 Forth upon the Gitche Gumee, 
On the shining Big-Sea-Water, 
With his fishing-line of cedar, 
Of the twisted bark of cedar, 
Forth to catch the sturgeon Nahma, 
Mishe-Nahma, King of Fishes, 
In his birch canoe exulting 
All alone went Hiawatha.
Through the clear, transparent water He could see the fishes swimming Far down in the depths below him; See the yellow perch, the Sahwa, Like a sunbeam in the water, See the Shawgashee, the craw-fish, Like a spider on the bottom, On the white and sandy bottom.
At the stern sat Hiawatha, With his fishing-line of cedar; In his plumes the breeze of morning Played as in the hemlock branches; On the bows, with tail erected, Sat the squirrel, Adjidaumo; In his fur the breeze of morning Played as in the prairie grasses.
On the white sand of the bottom Lay the monster Mishe-Nahma, Lay the sturgeon, King of Fishes; Through his gills he breathed the water, With his fins he fanned and winnowed, With his tail he swept the sand-floor.
There he lay in all his armor; On each side a shield to guard him, Plates of bone upon his forehead, Down his sides and back and shoulders Plates of bone with spines projecting Painted was he with his war-paints, Stripes of yellow, red, and azure, Spots of brown and spots of sable; And he lay there on the bottom, Fanning with his fins of purple, As above him Hiawatha In his birch canoe came sailing, With his fishing-line of cedar.
"Take my bait," cried Hiawatha, Dawn into the depths beneath him, "Take my bait, O Sturgeon, Nahma! Come up from below the water, Let us see which is the stronger!" And he dropped his line of cedar Through the clear, transparent water, Waited vainly for an answer, Long sat waiting for an answer, And repeating loud and louder, "Take my bait, O King of Fishes!" Quiet lay the sturgeon, Nahma, Fanning slowly in the water, Looking up at Hiawatha, Listening to his call and clamor, His unnecessary tumult, Till he wearied of the shouting; And he said to the Kenozha, To the pike, the Maskenozha, "Take the bait of this rude fellow, Break the line of Hiawatha!" In his fingers Hiawatha Felt the loose line jerk and tighten, As he drew it in, it tugged so That the birch canoe stood endwise, Like a birch log in the water, With the squirrel, Adjidaumo, Perched and frisking on the summit.
Full of scorn was Hiawatha When he saw the fish rise upward, Saw the pike, the Maskenozha, Coming nearer, nearer to him, And he shouted through the water, "Esa! esa! shame upon you! You are but the pike, Kenozha, You are not the fish I wanted, You are not the King of Fishes!" Reeling downward to the bottom Sank the pike in great confusion, And the mighty sturgeon, Nahma, Said to Ugudwash, the sun-fish, To the bream, with scales of crimson, "Take the bait of this great boaster, Break the line of Hiawatha!" Slowly upward, wavering, gleaming, Rose the Ugudwash, the sun-fish, Seized the line of Hiawatha, Swung with all his weight upon it, Made a whirlpool in the water, Whirled the birch canoe in circles, Round and round in gurgling eddies, Till the circles in the water Reached the far-off sandy beaches, Till the water-flags and rushes Nodded on the distant margins.
But when Hiawatha saw him Slowly rising through the water, Lifting up his disk refulgent, Loud he shouted in derision, "Esa! esa! shame upon you! You are Ugudwash, the sun-fish, You are not the fish I wanted, You are not the King of Fishes!" Slowly downward, wavering, gleaming, Sank the Ugudwash, the sun-fish, And again the sturgeon, Nahma, Heard the shout of Hiawatha, Heard his challenge of defiance, The unnecessary tumult, Ringing far across the water.
From the white sand of the bottom Up he rose with angry gesture, Quivering in each nerve and fibre, Clashing all his plates of armor, Gleaming bright with all his war-paint; In his wrath he darted upward, Flashing leaped into the sunshine, Opened his great jaws, and swallowed Both canoe and Hiawatha.
Down into that darksome cavern Plunged the headlong Hiawatha, As a log on some black river Shoots and plunges down the rapids, Found himself in utter darkness, Groped about in helpless wonder, Till he felt a great heart beating, Throbbing in that utter darkness.
And he smote it in his anger, With his fist, the heart of Nahma, Felt the mighty King of Fishes Shudder through each nerve and fibre, Heard the water gurgle round him As he leaped and staggered through it, Sick at heart, and faint and weary.
Crosswise then did Hiawatha Drag his birch-canoe for safety, Lest from out the jaws of Nahma, In the turmoil and confusion, Forth he might be hurled and perish.
And the squirrel, Adjidaumo, Frisked and chatted very gayly, Toiled and tugged with Hiawatha Till the labor was completed.
Then said Hiawatha to him, "O my little friend, the squirrel, Bravely have you toiled to help me; Take the thanks of Hiawatha, And the name which now he gives you; For hereafter and forever Boys shall call you Adjidaumo, Tail-in-air the boys shall call you!" And again the sturgeon, Nahma, Gasped and quivered in the water, Then was still, and drifted landward Till he grated on the pebbles, Till the listening Hiawatha Heard him grate upon the margin, Felt him strand upon the pebbles, Knew that Nahma, King of Fishes, Lay there dead upon the margin.
Then he heard a clang and flapping, As of many wings assembling, Heard a screaming and confusion, As of birds of prey contending, Saw a gleam of light above him, Shining through the ribs of Nahma, Saw the glittering eyes of sea-gulls, Of Kayoshk, the sea-gulls, peering, Gazing at him through the opening, Heard them saying to each other, "'T is our brother, Hiawatha!" And he shouted from below them, Cried exulting from the caverns: "O ye sea-gulls! O my brothers! I have slain the sturgeon, Nahma; Make the rifts a little larger, With your claws the openings widen, Set me free from this dark prison, And henceforward and forever Men shall speak of your achievements, Calling you Kayoshk, the sea-gulls, Yes, Kayoshk, the Noble Scratchers!" And the wild and clamorous sea-gulls Toiled with beak and claws together, Made the rifts and openings wider In the mighty ribs of Nahma, And from peril and from prison, From the body of the sturgeon, From the peril of the water, They released my Hiawatha.
He was standing near his wigwam, On the margin of the water, And he called to old Nokomis, Called and beckoned to Nokomis, Pointed to the sturgeon, Nahma, Lying lifeless on the pebbles, With the sea-gulls feeding on him.
"I have slain the Mishe-Nahma, Slain the King of Fishes!" said he' "Look! the sea-gulls feed upon him, Yes, my friends Kayoshk, the sea-gulls; Drive them not away, Nokomis, They have saved me from great peril In the body of the sturgeon, Wait until their meal is ended, Till their craws are full with feasting, Till they homeward fly, at sunset, To their nests among the marshes; Then bring all your pots and kettles, And make oil for us in Winter.
" And she waited till the sun set, Till the pallid moon, the Night-sun, Rose above the tranquil water, Till Kayoshk, the sated sea-gulls, From their banquet rose with clamor, And across the fiery sunset Winged their way to far-off islands, To their nests among the rushes.
To his sleep went Hiawatha, And Nokomis to her labor, Toiling patient in the moonlight, Till the sun and moon changed places, Till the sky was red with sunrise, And Kayoshk, the hungry sea-gulls, Came back from the reedy islands, Clamorous for their morning banquet.
Three whole days and nights alternate Old Nokomis and the sea-gulls Stripped the oily flesh of Nahma, Till the waves washed through the rib-bones, Till the sea-gulls came no longer, And upon the sands lay nothing But the skeleton of Nahma.
Written by Vachel Lindsay | Create an image from this poem

Queen Mab in the Village

 Once I loved a fairy, 
Queen Mab it was.
Her voice Was like a little Fountain That bids the birds rejoice.
Her face was wise and solemn, Her hair was brown and fine.
Her dress was pansy velvet, A butterfly design.
To see her hover round me Or walk the hills of air, Awakened love's deep pulses And boyhood's first despair; A passion like a sword-blade That pierced me thro' and thro': Her fingers healed the sorrow Her whisper would renew.
We sighed and reigned and feasted Within a hollow tree, We vowed our love was boundless, Eternal as the sea.
She banished from her kingdom The mortal boy I grew — So tall and crude and noisy, I killed grasshoppers too.
I threw big rocks at pigeons, I plucked and tore apart The weeping, wailing daisies, And broke my lady's heart.
At length I grew to manhood, I scarcely could believe I ever loved the lady, Or caused her court to grieve, Until a dream came to me, One bleak first night of Spring, Ere tides of apple blossoms Rolled in o'er everything, While rain and sleet and snowbanks Were still a-vexing men, Ere robin and his comrades Were nesting once again.
I saw Mab's Book of Judgment — Its clasps were iron and stone, Its leaves were mammoth ivory, Its boards were mammoth bone, — Hid in her seaside mountains, Forgotten or unkept, Beneath its mighty covers Her wrath against me slept.
And deeply I repented Of brash and boyish crime, Of murder of things lovely Now and in olden time.
I cursed my vain ambition, My would-be worldly days, And craved the paths of wonder, Of dewy dawns and fays.
I cried, "Our love was boundless, Eternal as the sea, O Queen, reverse the sentence, Come back and master me!" The book was by the cliff-side Upon its edge upright.
I laid me by it softly, And wept throughout the night.
And there at dawn I saw it, No book now, but a door, Upon its panels written, "Judgment is no more.
" The bolt flew back with thunder, I saw within that place A mermaid wrapped in seaweed With Mab's immortal face, Yet grown now to a woman, A woman to the knee.
She cried, she clasped me fondly, We soon were in the sea.
Ah, she was wise and subtle, And gay and strong and sleek, We chained the wicked sword-fish, We played at hide and seek.
We floated on the water, We heard the dawn-wind sing, I made from ocean-wonders, Her bridal wreath and ring.
All mortal girls were shadows, All earth-life but a mist, When deep beneath the maelstrom, The mermaid's heart I kissed.
I woke beside the church-door Of our small inland town, Bowing to a maiden In a pansy-velvet gown, Who had not heard of fairies, Yet seemed of love to dream.
We planned an earthly cottage Beside an earthly stream.
Our wedding long is over, With toil the years fill up, Yet in the evening silence, We drink a deep-sea cup.
Nothing the fay remembers, Yet when she turns to me, We meet beneath the whirlpool, We swim the golden sea.
Written by Friedrich von Schiller | Create an image from this poem

The Driver

 "What knight or what vassal will be so bold
As to plunge in the gulf below?
See! I hurl in its depths a goblet of gold,
Already the waters over it flow.
The man who can bring back the goblet to me, May keep it henceforward,--his own it shall be.
" Thus speaks the king, and he hurls from the height Of the cliffs that, rugged and steep, Hang over the boundless sea, with strong might, The goblet afar, in the bellowing deep.
"And who'll be so daring,--I ask it once more,-- As to plunge in these billows that wildly roar?" And the vassals and knights of high degree Hear his words, but silent remain.
They cast their eyes on the raging sea, And none will attempt the goblet to gain.
And a third time the question is asked by the king: "Is there none that will dare in the gulf now to spring?" Yet all as before in silence stand, When a page, with a modest pride, Steps out of the timorous squirely band, And his girdle and mantle soon throws aside, And all the knights, and the ladies too, The noble stripling with wonderment view.
And when he draws nigh to the rocky brow, And looks in the gulf so black, The waters that she had swallowed but now, The howling Charybdis is giving back; And, with the distant thunder's dull sound.
From her gloomy womb they all-foaming rebound.
And it boils and it roars, and it hisses and seethes, As when water and fire first blend; To the sky spurts the foam in steam-laden wreaths, And wave presses hard upon wave without end.
And the ocean will never exhausted be, As if striving to bring forth another sea.
But at length the wild tumult seems pacified, And blackly amid the white swell A gaping chasm its jaws opens wide, As if leading down to the depths of hell: And the howling billows are seen by each eye Down the whirling funnel all madly to fly.
Then quickly, before the breakers rebound, The stripling commends him to Heaven, And--a scream of horror is heard around,-- And now by the whirlpool away he is driven, And secretly over the swimmer brave Close the jaws, and he vanishes 'neath the dark wave.
O'er the watery gulf dread silence now lies, But the deep sends up a dull yell, And from mouth to mouth thus trembling it flies: "Courageous stripling, oh, fare thee well!" And duller and duller the howls recommence, While they pause in anxious and fearful suspense.
"If even thy crown in the gulf thou shouldst fling, And shouldst say, 'He who brings it to me Shall wear it henceforward, and be the king,' Thou couldst tempt me not e'en with that precious foe; What under the howling deep is concealed To no happy living soul is revealed!" Full many a ship, by the whirlpool held fast, Shoots straightway beneath the mad wave, And, dashed to pieces, the hull and the mast Emerge from the all-devouring grave,-- And the roaring approaches still nearer and nearer, Like the howl of the tempest, still clearer and clearer.
And it boils and it roars, and it hisses and seethes, As when water and fire first blend; To the sky spurts the foam in steam-laden wreaths, And wave passes hard upon wave without end.
And, with the distant thunder's dull sound, From the ocean-womb they all-bellowing bound.
And lo! from the darkly flowing tide Comes a vision white as a swan, And an arm and a glistening neck are descried, With might and with active zeal steering on; And 'tis he, and behold! his left hand on high Waves the goblet, while beaming with joy is his eye.
Then breathes he deeply, then breathes he long, And blesses the light of the day; While gladly exclaim to each other the throng: "He lives! he is here! he is not the sea's prey! From the tomb, from the eddying waters' control, The brave one has rescued his living soul!" And he comes, and they joyously round him stand; At the feet of the monarch he falls,-- The goblet he, kneeling, puts in his hand, And the king to his beauteous daughter calls, Who fills it with sparkling wine to the brim; The youth turns to the monarch, and speaks thus to him: "Long life to the king! Let all those be glad Who breathe in the light of the sky! For below all is fearful, of moment sad; Let not man to tempt the immortals e'er try, Let him never desire the thing to see That with terror and night they veil graciously.
" "I was torn below with the speed of light, When out of a cavern of rock Rushed towards me a spring with furious might; I was seized by the twofold torrent's wild shock, And like a top, with a whirl and a bound, Despite all resistance, was whirled around.
" "Then God pointed out,--for to Him I cried In that terrible moment of need,-- A craggy reef in the gulf's dark side; I seized it in haste, and from death was then freed.
And there, on sharp corals, was hanging the cup,-- The fathomless pit had else swallowed it up.
" "For under me lay it, still mountain-deep, In a darkness of purple-tinged dye, And though to the ear all might seem then asleep With shuddering awe 'twas seen by the eye How the salamanders' and dragons' dread forms Filled those terrible jaws of hell with their swarms.
" "There crowded, in union fearful and black, In a horrible mass entwined, The rock-fish, the ray with the thorny back, And the hammer-fish's misshapen kind, And the shark, the hyena dread of the sea, With his angry teeth, grinned fiercely on me.
" "There hung I, by fulness of terror possessed, Where all human aid was unknown, Amongst phantoms, the only sensitive breast, In that fearful solitude all alone, Where the voice of mankind could not reach to mine ear, 'Mid the monsters foul of that wilderness drear.
" "Thus shuddering methought--when a something crawled near, And a hundred limbs it out-flung, And at me it snapped;--in my mortal fear, I left hold of the coral to which I had clung; Then the whirlpool seized on me with maddened roar, Yet 'twas well, for it brought me to light once more.
" The story in wonderment hears the king, And he says, "The cup is thine own, And I purpose also to give thee this ring, Adorned with a costly, a priceless stone, If thou'lt try once again, and bring word to me What thou saw'st in the nethermost depths of the sea.
" His daughter hears this with emotions soft, And with flattering accent prays she: "That fearful sport, father, attempt not too oft! What none other would dare, he hath ventured for thee; If thy heart's wild longings thou canst not tame, Let the knights, if they can, put the squire to shame.
" The king then seizes the goblet in haste, In the gulf he hurls it with might: "When the goblet once more in my hands thou hast placed, Thou shalt rank at my court as the noblest knight, And her as a bride thou shalt clasp e'en to-day, Who for thee with tender compassion doth pray.
" Then a force, as from Heaven, descends on him there, And lightning gleams in his eye, And blushes he sees on her features so fair, And he sees her turn pale, and swooning lie; Then eager the precious guerdon to win, For life or for death, lo! he plunges him in! The breakers they hear, and the breakers return, Proclaimed by a thundering sound; They bend o'er the gulf with glances that yearn, And the waters are pouring in fast around; Though upwards and downwards they rush and they rave, The youth is brought back by no kindly wave.


Written by Edward Field | Create an image from this poem

The Return of Frankenstein

 He didn't die in the whirlpool by the mill
where he had fallen in after a wild chase
by all the people of the town.
Somehow he clung to an overhanging rock until the villagers went away.
And when he came out, he was changed forever, that soft heart of his had hardened and he really was a monster now.
He was out to pay them back, to throw the lie of brotherly love in their white Christian teeth.
Wasn't his flesh human flesh even made from the bodies of criminals, the worst the Baron could find? But love is not necessarily implicit in human flesh: Their hatred was now his hatred, so he set out on his new career his previous one being the victim, the good man who suffers.
Now no longer the hunted but the hunter he was in charge of his destiny and knew how to be cold and clever, preserving barely a spark of memory for the old blind musician who once took him in and offered brotherhood.
His idea -- if his career now had an idea -- was to kill them all, keep them in terror anyway, let them feel hunted.
Then perhaps they would look at others with a little pity and love.
Only a suffering people have any virtue.
Written by Godfrey Mutiso Gorry | Create an image from this poem

AFRICAN WRITINGS

 If you meet literature from Africa
Or even their mentors
In such works
You realize a trait of madness
Pumping into the throbbing poetics.
There is a knack in it that sparks alight The nearest shrubs; Intrigue and sensation incomparable.
The heart of African literature Pumping wordy blood into fragile young minds.
Rejuvenating the African word That merges into a whirlpool mixture Of creativity, and strengthen our verbosity.
Impregnated words Be borne from fertility the center.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

DEATH BY WATER

  Phlebas the Phoenician, a fortnight dead,
  Forgot the cry of gulls, and the deep sea swell
  And the profit and loss.
A current under sea Picked his bones in whispers.
As he rose and fell He passed the stages of his age and youth Entering the whirlpool.
Gentile or Jew O you who turn the wheel and look to windward, 320 Consider Phlebas, who was once handsome and tall as you.
Written by William Blake | Create an image from this poem

The Book of Thel

 THEL'S MOTTO 

1 Does the Eagle know what is in the pit? 
2 Or wilt thou go ask the Mole?
3 Can Wisdom be put in a silver rod?
4 Or Love in a golden bowl? 

I 

1.
1 The daughters of the Seraphim led round their sunny flocks, 1.
2 All but the youngest: she in paleness sought the secret air, 1.
3 To fade away like morning beauty from her mortal day: 1.
4 Down by the river of Adona her soft voice is heard, 1.
5 And thus her gentle lamentation falls like morning dew: 1.
6 "O life of this our spring! why fades the lotus of the water, 1.
7 Why fade these children of the spring, born but to smile and fall? 1.
8 Ah! Thel is like a wat'ry bow, and like a parting cloud; 1.
9 Like a reflection in a glass; like shadows in the water; 1.
10 Like dreams of infants, like a smile upon an infant's face; 1.
11 Like the dove's voice; like transient day; like music in the air.
1.
12 Ah! gentle may I lay me down, and gentle rest my head, 1.
13 And gentle sleep the sleep of death, and gentle hear the voice 1.
14 Of him that walketh in the garden in the evening time.
" 1.
15 The Lily of the valley, breathing in the humble grass, 1.
16 Answer'd the lovely maid and said: "I am a wat'ry weed, 1.
17 And I am very small and love to dwell in lowly vales; 1.
18 So weak, the gilded butterfly scarce perches on my head.
1.
19 Yet I am visited from heaven, and he that smiles on all 1.
20 Walks in the valley and each morn over me spreads his hand, 1.
21 Saying, 'Rejoice, thou humble grass, thou new-born lily-flower, 1.
22 Thou gentle maid of silent valleys and of modest brooks; 1.
23 For thou shalt be clothed in light, and fed with morning manna, 1.
24 Till summer's heat melts thee beside the fountains and the springs 1.
25 To flourish in eternal vales.
' Then why should Thel complain? 1.
26 Why should the mistress of the vales of Har utter a sigh?" 1.
27 She ceas'd and smil'd in tears, then sat down in her silver shrine.
1.
28 Thel answer'd: "O thou little virgin of the peaceful valley, 1.
29 Giving to those that cannot crave, the voiceless, the o'ertired; 1.
30 Thy breath doth nourish the innocent lamb, he smells thy milky garments, 1.
31 He crops thy flowers while thou sittest smiling in his face, 1.
32 Wiping his mild and meekin mouth from all contagious taints.
1.
33 Thy wine doth purify the golden honey; thy perfume, 1.
34 Which thou dost scatter on every little blade of grass that springs, 1.
35 Revives the milked cow, and tames the fire-breathing steed.
1.
36 But Thel is like a faint cloud kindled at the rising sun: 1.
37 I vanish from my pearly throne, and who shall find my place?" 1.
38 "Queen of the vales," the Lily answer'd, "ask the tender cloud, 1.
39 And it shall tell thee why it glitters in the morning sky, 1.
40 And why it scatters its bright beauty thro' the humid air.
1.
41 Descend, O little Cloud, and hover before the eyes of Thel.
" 1.
42 The Cloud descended, and the Lily bow'd her modest head 1.
43 And went to mind her numerous charge among the verdant grass.
II 2.
1 "O little Cloud," the virgin said, "I charge thee tell to me 2.
2 Why thou complainest not when in one hour thou fade away: 2.
3 Then we shall seek thee, but not find.
Ah! Thel is like to thee: 2.
4 I pass away: yet I complain, and no one hears my voice.
" 2.
5 The Cloud then shew'd his golden head and his bright form emerg'd, 2.
6 Hovering and glittering on the air before the face of Thel.
2.
7 "O virgin, know'st thou not our steeds drink of the golden springs 2.
8 Where Luvah doth renew his horses? Look'st thou on my youth, 2.
9 And fearest thou, because I vanish and am seen no more, 2.
10 Nothing remains? O maid, I tell thee, when I pass away 2.
11 It is to tenfold life, to love, to peace and raptures holy: 2.
12 Unseen descending, weigh my light wings upon balmy flowers, 2.
13 And court the fair-eyed dew to take me to her shining tent: 2.
14 The weeping virgin trembling kneels before the risen sun, 2.
15 Till we arise link'd in a golden band and never part, 2.
16 But walk united, bearing food to all our tender flowers.
" 2.
17 "Dost thou, O little Cloud? I fear that I am not like thee, 2.
18 For I walk thro' the vales of Har, and smell the sweetest flowers, 2.
19 But I feed not the little flowers; I hear the warbling birds, 2.
20 But I feed not the warbling birds; they fly and seek their food: 2.
21 But Thel delights in these no more, because I fade away; 2.
22 And all shall say, 'Without a use this shining woman liv'd, 2.
23 Or did she only live to be at death the food of worms?' " 2.
24 The Cloud reclin'd upon his airy throne and answer'd thus: 2.
25 "Then if thou art the food of worms, O virgin of the skies, 2.
26 How great thy use, how great thy blessing! Every thing that lives 2.
27 Lives not alone nor for itself.
Fear not, and I will call 2.
28 The weak worm from its lowly bed, and thou shalt hear its voice, 2.
29 Come forth, worm of the silent valley, to thy pensive queen.
" 2.
30 The helpless worm arose, and sat upon the Lily's leaf, 2.
31 And the bright Cloud sail'd on, to find his partner in the vale.
III 3.
1 Then Thel astonish'd view'd the Worm upon its dewy bed.
3.
2 "Art thou a Worm? Image of weakness, art thou but a Worm? 3.
3 I see thee like an infant wrapped in the Lily's leaf 3.
4 Ah! weep not, little voice, thou canst not speak, but thou canst weep.
3.
5 Is this a Worm? I see thee lay helpless and naked, weeping, 3.
6 And none to answer, none to cherish thee with mother's smiles.
" 3.
7 The Clod of Clay heard the Worm's voice and rais'd her pitying head: 3.
8 She bow'd over the weeping infant, and her life exhal'd 3.
9 In milky fondness: then on Thel she fix'd her humble eyes.
3.
10 "O beauty of the vales of Har! we live not for ourselves.
3.
11 Thou seest me the meanest thing, and so I am indeed.
3.
12 My bosom of itself is cold, and of itself is dark; 3.
13 But he, that loves the lowly, pours his oil upon my head, 3.
14 And kisses me, and binds his nuptial bands around my breast, 3.
15 And says: 'Thou mother of my children, I have loved thee 3.
16 And I have given thee a crown that none can take away.
' 3.
17 But how this is, sweet maid, I know not, and I cannot know; 3.
18 I ponder, and I cannot ponder; yet I live and love.
" 3.
19 The daughter of beauty wip'd her pitying tears with her white veil, 3.
20 And said: "Alas! I knew not this, and therefore did I weep.
3.
21 That God would love a Worm I knew, and punish the evil foot 3.
22 That wilful bruis'd its helpless form; but that he cherish'd it 3.
23 With milk and oil I never knew, and therefore did I weep; 3.
24 And I complain'd in the mild air, because I fade away, 3.
25 And lay me down in thy cold bed, and leave my shining lot.
" 3.
26 "Queen of the vales," the matron Clay answer'd, "I heard thy sighs, 3.
27 And all thy moans flew o'er my roof, but I have call'd them down.
3.
28 Wilt thou, O Queen, enter my house? 'Tis given thee to enter 3.
29 And to return: fear nothing, enter with thy virgin feet.
" IV 4.
1 The eternal gates' terrific porter lifted the northern bar: 4.
2 Thel enter'd in and saw the secrets of the land unknown.
4.
3 She saw the couches of the dead, and where the fibrous roots 4.
4 Of every heart on earth infixes deep its restless twists: 4.
5 A land of sorrows and of tears where never smile was seen.
4.
6 She wander'd in the land of clouds thro' valleys dark, list'ning 4.
7 Dolours and lamentations; waiting oft beside a dewy grave 4.
8 She stood in silence, list'ning to the voices of the ground, 4.
9 Till to her own grave plot she came, and there she sat down, 4.
10 And heard this voice of sorrow breathed from the hollow pit.
4.
11 "Why cannot the Ear be closed to its own destruction? 4.
12 Or the glist'ning Eye to the poison of a smile? 4.
13 Why are Eyelids stor'd with arrows ready drawn, 4.
14 Where a thousand fighting men in ambush lie? 4.
15 Or an Eye of gifts and graces show'ring fruits and coined gold? 4.
16 Why a Tongue impress'd with honey from every wind? 4.
17 Why an Ear, a whirlpool fierce to draw creations in? 4.
18 Why a Nostril wide inhaling terror, trembling, and affright? 4.
19 Why a tender curb upon the youthful burning boy? 4.
20 Why a little curtain of flesh on the bed of our desire?" 4.
21 The Virgin started from her seat, and with a shriek 4.
22 Fled back unhinder'd till she came into the vales of Har.
Written by Randall Jarrell | Create an image from this poem

90 North

 At home, in my flannel gown, like a bear to its floe,
I clambered to bed; up the globe's impossible sides
I sailed all night—till at last, with my black beard,
My furs and my dogs, I stood at the northern pole.
There in the childish night my companions lay frozen, The stiff fur knocked at my starveling throat, And I gave my great sigh: the flakes came huddling, Were they really my end? In the darkness I turned to my rest.
—Here, the flag snaps in the glare and silence Of the unbroken ice.
I stand here, The dogs bark, my beard is black, and I stare At the North Pole .
.
.
And now what? Why, go back.
Turn as I please, my step is to the south.
The world—my world spins on this final point Of cold and wretchedness: all lines, all winds End in this whirlpool I at last discover.
And it is meaningless.
In the child's bed After the night's voyage, in that warm world Where people work and suffer for the end That crowns the pain—in that Cloud-Cuckoo-Land I reached my North and it had meaning.
Here the actual pole of my existence, Where all that I have done is meaningless, Where I die or live by accident alone— Where, living or dying, I am still alone; Here where North, the night, the berg of death Crowd me out of the ignorant darkness, I see at last that all the knowledge I wrung from the darkness—that the darkness flung me— Is worthless as ignorance: nothing comes from nothing, The darkness from the darkness.
Pain comes from the darkness And we call it wisdom.
It is pain.

Book: Reflection on the Important Things