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Best Famous Wear Out Poems

Here is a collection of the all-time best famous Wear Out poems. This is a select list of the best famous Wear Out poetry. Reading, writing, and enjoying famous Wear Out poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of wear out poems.

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Written by Jorge Luis Borges | Create an image from this poem

the Labirinth

The Labyrinth I

Zeus himself could not undo the web
of stone closing around me.
I have forgotten the men I was before; I follow the hated path of monotonous walls that is my destiny.
Severe galleries which curve in secret circles to the end of the years.
Parapets cracked by the days' usury.
In the pale dust I have discerned signs that frighten me.
In the concave evenings the air has carried a roar toward me, or the echo of a desolate howl.
I know there is an Other in the shadows, whose fate it is to wear out the long solitudes which weave and unweave this Hades and to long for my blood and devour my death.
Each of us seeks the other.
If only this were the final day of waiting.
The Labyrinth II There’ll never be a door.
You’re inside and the keep encompasses the world and has neither obverse nor reverse nor circling wall nor secret center.
Hope not that the straitness of your path that stubbornly branches off in two, and stubbornly branches off in two, will have an end.
Your fate is ironbound, as if your judge.
Forget the onslaught of the bull that is a man and whose strange and plural form haunts the tangle of unending interwoven stone.
He does not exist.
In the black dusk hope not even for the savage beast.


Written by John Donne | Create an image from this poem

Elegy IX: The Autumnal

 No spring nor summer Beauty hath such grace
As I have seen in one autumnall face.
Young beauties force our love, and that's a rape, This doth but counsel, yet you cannot 'scape.
If 'twere a shame to love, here 'twere no shame, Affection here takes Reverence's name.
Were her first years the Golden Age; that's true, But now she's gold oft tried, and ever new.
That was her torrid and inflaming time, This is her tolerable Tropique clime.
Fair eyes, who asks more heat than comes from hence, He in a fever wishes pestilence.
Call not these wrinkles, graves; if graves they were, They were Love's graves; for else he is no where.
Yet lies not Love dead here, but here doth sit Vowed to this trench, like an Anachorit.
And here, till hers, which must be his death, come, He doth not dig a grave, but build a tomb.
Here dwells he, though he sojourn ev'ry where, In progress, yet his standing house is here.
Here, where still evening is; not noon, nor night; Where no voluptuousness, yet all delight In all her words, unto all hearers fit, You may at revels, you at counsel, sit.
This is Love's timber, youth his under-wood; There he, as wine in June enrages blood, Which then comes seasonabliest, when our taste And appetite to other things is past.
Xerxes' strange Lydian love, the Platane tree, Was loved for age, none being so large as she, Or else because, being young, nature did bless Her youth with age's glory, Barrenness.
If we love things long sought, Age is a thing Which we are fifty years in compassing; If transitory things, which soon decay, Age must be loveliest at the latest day.
But name not winter-faces, whose skin's slack; Lank, as an unthrift's purse; but a soul's sack; Whose eyes seek light within, for all here's shade; Whose mouths are holes, rather worn out than made; Whose every tooth to a several place is gone, To vex their souls at Resurrection; Name not these living deaths-heads unto me, For these, not ancient, but antique be.
I hate extremes; yet I had rather stay With tombs than cradles, to wear out a day.
Since such love's natural lation is, may still My love descend, and journey down the hill, Not panting after growing beauties so, I shall ebb out with them, who homeward go.
Written by Henry Lawson | Create an image from this poem

Peter Anderson And Co

 He had offices in Sydney, not so many years ago, 
And his shingle bore the legend `Peter Anderson and Co.
', But his real name was Careless, as the fellows understood -- And his relatives decided that he wasn't any good.
'Twas their gentle tongues that blasted any `character' he had -- He was fond of beer and leisure -- and the Co.
was just as bad.
It was limited in number to a unit, was the Co.
-- 'Twas a bosom chum of Peter and his Christian name was Joe.
'Tis a class of men belonging to these soul-forsaken years: Third-rate canvassers, collectors, journalists and auctioneers.
They are never very shabby, they are never very spruce -- Going cheerfully and carelessly and smoothly to the deuce.
Some are wanderers by profession, `turning up' and gone as soon, Travelling second-class, or steerage (when it's cheap they go saloon); Free from `ists' and `isms', troubled little by belief or doubt -- Lazy, purposeless, and useless -- knocking round and hanging out.
They will take what they can get, and they will give what they can give, God alone knows how they manage -- God alone knows how they live! They are nearly always hard-up, but are cheerful all the while -- Men whose energy and trousers wear out sooner than their smile! They, no doubt, like us, are haunted by the boresome `if' or `might', But their ghosts are ghosts of daylight -- they are men who live at night! Peter met you with the comic smile of one who knows you well, And is mighty glad to see you, and has got a joke to tell; He could laugh when all was gloomy, he could grin when all was blue, Sing a comic song and act it, and appreciate it, too.
Only cynical in cases where his own self was the jest, And the humour of his good yarns made atonement for the rest.
Seldom serious -- doing business just as 'twere a friendly game -- Cards or billiards -- nothing graver.
And the Co.
was much the same.
They tried everything and nothing 'twixt the shovel and the press, And were more or less successful in their ventures -- mostly less.
Once they ran a country paper till the plant was seized for debt, And the local sinners chuckle over dingy copies yet.
They'd been through it all and knew it in the land of Bills and Jims -- Using Peter's own expression, they had been in `various swims'.
Now and then they'd take an office, as they called it, -- make a dash Into business life as `agents' -- something not requiring cash.
(You can always furnish cheaply, when your cash or credit fails, With a packing-case, a hammer, and a pound of two-inch nails -- And, maybe, a drop of varnish and sienna, too, for tints, And a scrap or two of oilcloth, and a yard or two of chintz).
They would pull themselves together, pay a week's rent in advance, But it never lasted longer than a month by any chance.
The office was their haven, for they lived there when hard-up -- A `daily' for a table cloth -- a jam tin for a cup; And if the landlord's bailiff happened round in times like these And seized the office-fittings -- well, there wasn't much to seize -- They would leave him in possession.
But at other times they shot The moon, and took an office where the landlord knew them not.
And when morning brought the bailiff there'd be nothing to be seen Save a piece of bevelled cedar where the tenant's plate had been; There would be no sign of Peter -- there would be no sign of Joe Till another portal boasted `Peter Anderson and Co.
' And when times were locomotive, billiard-rooms and private bars -- Spicy parties at the cafe -- long cab-drives beneath the stars; Private picnics down the Harbour -- shady campings-out, you know -- No one would have dreamed 'twas Peter -- no one would have thought 'twas Joe! Free-and-easies in their `diggings', when the funds began to fail, Bosom chums, cigars, tobacco, and a case of English ale -- Gloriously drunk and happy, till they heard the roosters crow -- And the landlady and neighbours made complaints about the Co.
But that life! it might be likened to a reckless drinking-song, For it can't go on for ever, and it never lasted long.
.
.
.
.
.
Debt-collecting ruined Peter -- people talked him round too oft, For his heart was soft as butter (and the Co.
's was just as soft); He would cheer the haggard missus, and he'd tell her not to fret, And he'd ask the worried debtor round with him to have a wet; He would ask him round the corner, and it seemed to him and her, After each of Peter's visits, things were brighter than they were.
But, of course, it wasn't business -- only Peter's careless way; And perhaps it pays in heaven, but on earth it doesn't pay.
They got harder up than ever, and, to make it worse, the Co.
Went more often round the corner than was good for him to go.
`I might live,' he said to Peter, `but I haven't got the nerve -- I am going, Peter, going -- going, going -- no reserve.
Eat and drink and love they tell us, for to-morrow we may die, Buy experience -- and we bought it -- we're experienced, you and I.
' Then, with a weary movement of his hand across his brow: `The death of such philosophy's the death I'm dying now.
Pull yourself together, Peter; 'tis the dying wish of Joe That the business world shall honour Peter Anderson and Co.
`When you feel your life is sinking in a dull and useless course, And begin to find in drinking keener pleasure and remorse -- When you feel the love of leisure on your careless heart take holt, Break away from friends and pleasure, though it give your heart a jolt.
Shun the poison breath of cities -- billiard-rooms and private bars, Go where you can breathe God's air and see the grandeur of the stars! Find again and follow up the old ambitions that you had -- See if you can raise a drink, old man, I'm feelin' mighty bad -- Hot and sweetened, nip o' butter -- squeeze o' lemon, Pete,' he sighed.
And, while Peter went to fetch it, Joseph went to sleep -- and died With a smile -- anticipation, maybe, of the peace to come, Or a joke to try on Peter -- or, perhaps, it was the rum.
.
.
.
.
.
Peter staggered, gripped the table, swerved as some old drunkard swerves -- At a gulp he drank the toddy, just to brace his shattered nerves.
It was awful, if you like.
But then he hadn't time to think -- All is nothing! Nothing matters! Fill your glasses -- dead man's drink.
.
.
.
.
.
Yet, to show his heart was not of human decency bereft, Peter paid the undertaker.
He got drunk on what was left; Then he shed some tears, half-maudlin, on the grave where lay the Co.
, And he drifted to a township where the city failures go.
Where, though haunted by the man he was, the wreck he yet might be, Or the man he might have been, or by each spectre of the three, And the dying words of Joseph, ringing through his own despair, Peter `pulled himself together' and he started business there.
But his life was very lonely, and his heart was very sad, And no help to reformation was the company he had -- Men who might have been, who had been, but who were not in the swim -- 'Twas a town of wrecks and failures -- they appreciated him.
They would ask him who the Co.
was -- that ***** company he kept -- And he'd always answer vaguely -- he would say his partner slept; That he had a `sleeping partner' -- jesting while his spirit broke -- And they grinned above their glasses, for they took it as a joke.
He would shout while he had money, he would joke while he had breath -- No one seemed to care or notice how he drank himself to death; Till at last there came a morning when his smile was seen no more -- He was gone from out the office, and his shingle from the door, And a boundary-rider jogging out across the neighb'ring run Was attracted by a something that was blazing in the sun; And he found that it was Peter, lying peacefully at rest, With a bottle close beside him and the shingle on his breast.
Well, they analysed the liquor, and it would appear that he Qualified his drink with something good for setting spirits free.
Though 'twas plainly self-destruction -- `'twas his own affair,' they said; And the jury viewed him sadly, and they found -- that he was dead.
Written by The Bible | Create an image from this poem

GOD'S GLORY AND MAJESTY

“O Jehovah, you yourself have proved to be a real dwelling for us
During generation after generation.
Before the mountains themselves were born, Or you proceeded to bring forth as with labor pains the earth and the productive land, Even from time indefinite to time indefinite you are God.
 .
 .
 .
For a thousand years are in your eyes but as yesterday when it is past, And as a watch during the night.
”—Ps.
90:1-4.
“Long ago you laid the foundations of the earth itself, And the heavens are the work of your hands.
They themselves will perish, but you yourself will keep standing; And just like a garment they will all of them wear out.
Just like clothing you will replace them, and they will finish their turn.
But you are the same, and your own years will not be completed.
”—Ps.
102:25-27.
“Clouds and thick gloom are all around him; Righteousness and judgment are the established place of his throne.
Before him a very fire goes, And it consumes his adversaries all around.
His lightnings lighted up the productive land; The earth saw and came to be in severe pains.
The mountains themselves proceeded to melt just like wax on account of Jehovah, On account of the Lord of the whole earth.
”—Ps.
97:2-5.
Written by Oliver Wendell Holmes | Create an image from this poem

The Deacons Masterpiece Or The Wonderful One-Hoss Shay: A Logical Story

 Have you heard of the wonderful one-hoss shay, 
That was built in such a logical way
It ran a hundred years to a day,
And then, of a sudden, it -- ah, but stay,
I'll tell you what happened without delay,
Scaring the parson into fits,
Frightening people out of their wits, --
Have you ever heard of that, I say?

Seventeen hundred and fifty-five.
Georgius Secundus was then alive, -- Snuffy old drone from the German hive.
That was the year when Lisbon-town Saw the earth open and gulp her down, And Braddock's army was done so brown, Left without a scalp to its crown.
It was on the terrible Earthquake-day That the Deacon finished the one-hoss shay.
Now in building of chaises, I tell you what, There is always somewhere a weakest spot, -- In hub, tire, felloe, in spring or thill, In panel, or crossbar, or floor, or sill, In screw, bolt, thoroughbrace, -- lurking still, Find it somewhere you must and will, -- Above or below, or within or without, -- And that's the reason, beyond a doubt, A chaise breaks down, but does n't wear out.
But the Deacon swore (as Deacons do, With an "I dew vum," or an "I tell yeou") He would build one shay to beat the taown 'N' the keounty 'n' all the kentry raoun'; It should be so built that it could n' break daown: "Fur," said the Deacon, "'t 's mighty plain Thut the weakes' place mus' stan' the strain; 'N' the way t' fix it, uz I maintain, Is only jest T' make that place uz strong uz the rest.
" So the Deacon inquired of the village folk Where he could find the strongest oak, That could n't be split nor bent nor broke, -- That was for spokes and floor and sills; He sent for lancewood to make the thills; The crossbars were ash, from the straightest trees, The panels of white-wood, that cuts like cheese, But lasts like iron for things like these; The hubs of logs from the "Settler's ellum," -- Last of its timber, -- they could n't sell 'em, Never an axe had seen their chips, And the wedges flew from between their lips, Their blunt ends frizzled like celery-tips; Step and prop-iron, bolt and screw, Spring, tire, axle, and linchpin too, Steel of the finest, bright and blue; Thoroughbrace bison-skin, thick and wide; Boot, top, dasher, from tough old hide Found in the pit when the tanner died.
That was the way he "put her through.
" "There!" said the Deacon, "naow she'll dew!" Do! I tell you, I rather guess She was a wonder, and nothing less! Colts grew horses, beards turned gray, Deacon and deaconess dropped away, Children and grandchildren -- where were they? But there stood the stout old one-hoss shay As fresh as on Lisbon-earthquake-day! EIGHTEEN HUNDRED; -- it came and found The Deacon's masterpiece strong and sound.
Eighteen hundred increased by ten; -- "Hahnsum kerridge" they called it then.
Eighteen hundred and twenty came; -- Running as usual; much the same.
Thirty and forty at last arrive, And then come fifty, and FIFTY-FIVE.
Little of all we value here Wakes on the morn of its hundreth year Without both feeling and looking *****.
In fact, there's nothing that keeps its youth, So far as I know, but a tree and truth.
(This is a moral that runs at large; Take it.
-- You're welcome.
-- No extra charge.
) FIRST OF NOVEMBER, -- the Earthquake-day, -- There are traces of age in the one-hoss shay, A general flavor of mild decay, But nothing local, as one may say.
There could n't be, -- for the Deacon's art Had made it so like in every part That there was n't a chance for one to start.
For the wheels were just as strong as the thills, And the floor was just as strong as the sills, And the panels just as strong as the floor, And the whipple-tree neither less nor more, And the back crossbar as strong as the fore, And spring and axle and hub encore.
And yet, as a whole, it is past a doubt In another hour it will be worn out! First of November, 'Fifty-five! This morning the parson takes a drive.
Now, small boys, get out of the way! Here comes the wonderful one-horse shay, Drawn by a rat-tailed, ewe-necked bay.
"Huddup!" said the parson.
-- Off went they.
The parson was working his Sunday's text, -- Had got to fifthly, and stopped perplexed At what the -- Moses -- was coming next.
All at once the horse stood still, Close by the meet'n'-house on the hill.
First a shiver, and then a thrill, Then something decidedly like a spill, -- And the parson was sitting upon a rock, At half past nine by the meet'n-house clock, -- Just the hour of the Earthquake shock! What do you think the parson found, When he got up and stared around? The poor old chaise in a heap or mound, As if it had been to the mill and ground! You see, of course, if you're not a dunce, How it went to pieces all at once, -- All at once, and nothing first, -- Just as bubbles do when they burst.
End of the wonderful one-hoss shay.
Logic is logic.
That's all I say.


Written by Henry Lawson | Create an image from this poem

The Vagabond

 White handkerchiefs wave from the short black pier 
As we glide to the grand old sea -- 
But the song of my heart is for none to hear 
If one of them waves for me.
A roving, roaming life is mine, Ever by field or flood -- For not far back in my father's line Was a dash of the Gipsy blood.
Flax and tussock and fern, Gum and mulga and sand, Reef and palm -- but my fancies turn Ever away from land; Strange wild cities in ancient state, Range and river and tree, Snow and ice.
But my star of fate Is ever across the sea.
A god-like ride on a thundering sea, When all but the stars are blind -- A desperate race from Eternity With a gale-and-a-half behind.
A jovial spree in the cabin at night, A song on the rolling deck, A lark ashore with the ships in sight, Till -- a wreck goes down with a wreck.
A smoke and a yarn on the deck by day, When life is a waking dream, And care and trouble so far away That out of your life they seem.
A roving spirit in sympathy, Who has travelled the whole world o'er -- My heart forgets, in a week at sea, The trouble of years on shore.
A rolling stone! -- 'tis a saw for slaves -- Philosophy false as old -- Wear out or break 'neath the feet of knaves, Or rot in your bed of mould! But I'D rather trust to the darkest skies And the wildest seas that roar, Or die, where the stars of Nations rise, In the stormy clouds of war.
Cleave to your country, home, and friends, Die in a sordid strife -- You can count your friends on your finger ends In the critical hours of life.
Sacrifice all for the family's sake, Bow to their selfish rule! Slave till your big soft heart they break -- The heart of the family fool.
Domestic quarrels, and family spite, And your Native Land may be Controlled by custom, but, come what might, The rest of the world for me.
I'd sail with money, or sail without! -- If your love be forced from home, And you dare enough, and your heart be stout, The world is your own to roam.
I've never a love that can sting my pride, Nor a friend to prove untrue; For I leave my love ere the turning tide, And my friends are all too new.
The curse of the Powers on a peace like ours, With its greed and its treachery -- A stranger's hand, and a stranger land, And the rest of the world for me! But why be bitter? The world is cold To one with a frozen heart; New friends are often so like the old, They seem of the past a part -- As a better part of the past appears, When enemies, parted long, Are come together in kinder years, With their better nature strong.
I had a friend, ere my first ship sailed, A friend that I never deserved -- For the selfish strain in my blood prevailed As soon as my turn was served.
And the memory haunts my heart with shame -- Or, rather, the pride that's there; In different guises, but soul the same, I meet him everywhere.
I had a chum.
When the times were tight We starved in Australian scrubs; We froze together in parks at night, And laughed together in pubs.
And I often hear a laugh like his From a sense of humour keen, And catch a glimpse in a passing phiz Of his broad, good-humoured grin.
And I had a love -- 'twas a love to prize -- But I never went back again .
.
.
I have seen the light of her kind brown eyes In many a face since then.
.
.
.
.
.
The sailors say 'twill be rough to-night, As they fasten the hatches down, The south is black, and the bar is white, And the drifting smoke is brown.
The gold has gone from the western haze, The sea-birds circle and swarm -- But we shall have plenty of sunny days, And little enough of storm.
The hill is hiding the short black pier, As the last white signal's seen; The points run in, and the houses veer, And the great bluff stands between.
So darkness swallows each far white speck On many a wharf and quay.
The night comes down on a restless deck, -- Grim cliffs -- and -- The Open Sea!
Written by Hilaire Belloc | Create an image from this poem

October

 Ay, thou art welcome, heaven's delicious breath! 
When woods begin to wear the crimson leaf, 
And suns grow meek, and the meek suns grow brief 
And the year smiles as it draws near its death.
Wind of the sunny south! oh, still delay In the gay woods and in the golden air, Like to a good old age released from care, Journeying, in long serenity, away.
In such a bright, late quiet, would that I Might wear out life like thee, 'mid bowers and brooks And dearer yet, the sunshine of kind looks, And music of kind voices ever nigh; And when my last sand twinkled in the glass, Pass silently from men, as thou dost pass.
Written by Oliver Wendell Holmes | Create an image from this poem

The Deacons Masterpiece Or The Wonderful One-Hoss Shay: A Logical Story

 Have you heard of the wonderful one-hoss shay, 
That was built in such a logical way
It ran a hundred years to a day,
And then, of a sudden, it -- ah, but stay,
I'll tell you what happened without delay,
Scaring the parson into fits,
Frightening people out of their wits, --
Have you ever heard of that, I say?

Seventeen hundred and fifty-five.
Georgius Secundus was then alive, -- Snuffy old drone from the German hive.
That was the year when Lisbon-town Saw the earth open and gulp her down, And Braddock's army was done so brown, Left without a scalp to its crown.
It was on the terrible Earthquake-day That the Deacon finished the one-hoss shay.
Now in building of chaises, I tell you what, There is always somewhere a weakest spot, -- In hub, tire, felloe, in spring or thill, In panel, or crossbar, or floor, or sill, In screw, bolt, thoroughbrace, -- lurking still, Find it somewhere you must and will, -- Above or below, or within or without, -- And that's the reason, beyond a doubt, A chaise breaks down, but does n't wear out.
But the Deacon swore (as Deacons do, With an "I dew vum," or an "I tell yeou") He would build one shay to beat the taown 'N' the keounty 'n' all the kentry raoun'; It should be so built that it could n' break daown: "Fur," said the Deacon, "'t 's mighty plain Thut the weakes' place mus' stan' the strain; 'N' the way t' fix it, uz I maintain, Is only jest T' make that place uz strong uz the rest.
" So the Deacon inquired of the village folk Where he could find the strongest oak, That could n't be split nor bent nor broke, -- That was for spokes and floor and sills; He sent for lancewood to make the thills; The crossbars were ash, from the straightest trees, The panels of white-wood, that cuts like cheese, But lasts like iron for things like these; The hubs of logs from the "Settler's ellum," -- Last of its timber, -- they could n't sell 'em, Never an axe had seen their chips, And the wedges flew from between their lips, Their blunt ends frizzled like celery-tips; Step and prop-iron, bolt and screw, Spring, tire, axle, and linchpin too, Steel of the finest, bright and blue; Thoroughbrace bison-skin, thick and wide; Boot, top, dasher, from tough old hide Found in the pit when the tanner died.
That was the way he "put her through.
" "There!" said the Deacon, "naow she'll dew!" Do! I tell you, I rather guess She was a wonder, and nothing less! Colts grew horses, beards turned gray, Deacon and deaconess dropped away, Children and grandchildren -- where were they? But there stood the stout old one-hoss shay As fresh as on Lisbon-earthquake-day! EIGHTEEN HUNDRED; -- it came and found The Deacon's masterpiece strong and sound.
Eighteen hundred increased by ten; -- "Hahnsum kerridge" they called it then.
Eighteen hundred and twenty came; -- Running as usual; much the same.
Thirty and forty at last arrive, And then come fifty, and FIFTY-FIVE.
Little of all we value here Wakes on the morn of its hundreth year Without both feeling and looking *****.
In fact, there's nothing that keeps its youth, So far as I know, but a tree and truth.
(This is a moral that runs at large; Take it.
-- You're welcome.
-- No extra charge.
) FIRST OF NOVEMBER, -- the Earthquake-day, -- There are traces of age in the one-hoss shay, A general flavor of mild decay, But nothing local, as one may say.
There could n't be, -- for the Deacon's art Had made it so like in every part That there was n't a chance for one to start.
For the wheels were just as strong as the thills, And the floor was just as strong as the sills, And the panels just as strong as the floor, And the whipple-tree neither less nor more, And the back crossbar as strong as the fore, And spring and axle and hub encore.
And yet, as a whole, it is past a doubt In another hour it will be worn out! First of November, 'Fifty-five! This morning the parson takes a drive.
Now, small boys, get out of the way! Here comes the wonderful one-horse shay, Drawn by a rat-tailed, ewe-necked bay.
"Huddup!" said the parson.
-- Off went they.
The parson was working his Sunday's text, -- Had got to fifthly, and stopped perplexed At what the -- Moses -- was coming next.
All at once the horse stood still, Close by the meet'n'-house on the hill.
First a shiver, and then a thrill, Then something decidedly like a spill, -- And the parson was sitting upon a rock, At half past nine by the meet'n-house clock, -- Just the hour of the Earthquake shock! What do you think the parson found, When he got up and stared around? The poor old chaise in a heap or mound, As if it had been to the mill and ground! You see, of course, if you're not a dunce, How it went to pieces all at once, -- All at once, and nothing first, -- Just as bubbles do when they burst.
End of the wonderful one-hoss shay.
Logic is logic.
That's all I say.
Written by Robert William Service | Create an image from this poem

At San Sebastian

 The Countess sprawled beside the sea
As naked a she well could be;
Indeed her only garments were
A "G" string and a brassière
Her washerwoman was amazed,
And at the lady gazed and gazed, -
From billowy-bosom swell
To navel like a pink sea shell.
The Countess has of robes three score, She doffs and leaves them on the floor; She changes gowns ten times a ay, Her chambermaid puts them away.
"How funny!" thinks the washer-wife; "I've toiled and toiled throughout my life, And only have, to hide my skin, This old rag that I'm standing in.
" The Countess never toiled at all; She begged for coin when she was small, And later, in the ancient fashion, In gay resorts she peddled passion.
| But now to noble rank arrived, (Tom wed the old Count she contrived) Her youthful lover, lounging there, Is hirsute as a teddy-bear.
The Countess will be honoured when She dies past three-score years and ten.
The washer-women will wear out With labour fifty years about .
.
.
Yet as the two look at each other The Countess thinks: "So was my mother; And washer-wife to live and die, But for God's grace so would be I.
"
Written by Dorothy Parker | Create an image from this poem

The Red Dress

 I always saw, I always said
If I were grown and free,
I'd have a gown of reddest red
As fine as you could see,

To wear out walking, sleek and slow,
Upon a Summer day,
And there'd be one to see me so
And flip the world away.
And he would be a gallant one, With stars behind his eyes, And hair like metal in the sun, And lips too warm for lies.
I always saw us, gay and good, High honored in the town.
Now I am grown to womanhood.
.
.
.
I have the silly gown.

Book: Shattered Sighs