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Best Famous Wane Poems

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Written by Dorothy Parker | Create an image from this poem

Transition

 Too long and quickly have I lived to vow
The woe that stretches me shall never wane,
Too often seen the end of endless pain
To swear that peace no more shall cool my brow.
I know, I know- again the shriveled bough
Will burgeon sweetly in the gentle rain,
And these hard lands be quivering with grain-
I tell you only: it is Winter now.

What if I know, before the Summer goes
Where dwelt this bitter frenzy shall be rest?
What is it now, that June shall surely bring
New promise, with the swallow and the rose?
My heart is water, that I first must breast
The terrible, slow loveliness of Spring.


Written by Christina Rossetti | Create an image from this poem

In The Willow Shade

 I sat beneath a willow tree,
Where water falls and calls;
While fancies upon fancies solaced me,
Some true, and some were false.

Who set their heart upon a hope
That never comes to pass,
Droop in the end like fading heliotrope
The sun's wan looking-glass.

Who set their will upon a whim
Clung to through good and ill,
Are wrecked alike whether they sink or swim,
Or hit or miss their will.

All things are vain that wax and wane,
For which we waste our breath;
Love only doth not wane and is not vain,
Love only outlives death.

A singing lark rose toward the sky,
Circling he sang amain;
He sang, a speck scarce visible sky-high,
And then he sank again.

A second like a sunlit spark
Flashed singing up his track;
But never overtook that foremost lark,
And songless fluttered back.

A hovering melody of birds
Haunted the air above;
They clearly sang contentment without words,
And youth and joy and love.

O silvery weeping willow tree
With all leaves shivering,
Have you no purpose but to shadow me
Beside this rippled spring?

On this first fleeting day of Spring,
For Winter is gone by,
And every bird on every quivering wing
Floats in a sunny sky;

On this first Summer-like soft day,
While sunshine steeps the air,
And every cloud has gat itself away,
And birds sing everywhere.

Have you no purpose in the world
But thus to shadow me
With all your tender drooping twigs unfurled,
O weeping willow tree?

With all your tremulous leaves outspread
Betwixt me and the sun,
While here I loiter on a mossy bed
With half my work undone;

My work undone, that should be done
At once with all my might;
For after the long day and lingering sun
Comes the unworking night.

This day is lapsing on its way,
Is lapsing out of sight;
And after all the chances of the day
Comes the resourceless night.

The weeping willow shook its head
And stretched its shadow long;
The west grew crimson, the sun smoldered red,
The birds forbore a song.

Slow wind sighed through the willow leaves,
The ripple made a moan,
The world drooped murmuring like a thing that grieves;
And then I felt alone.

I rose to go, and felt the chill,
And shivered as I went;
Yet shivering wondered, and I wonder still,
What more that willow meant;

That silvery weeping willow tree
With all leaves shivering,
Which spent one long day overshadowing me
Beside a spring in Spring.
Written by Edgar Allan Poe | Create an image from this poem

Fairy-Land

 Dim vales- and shadowy floods-
And cloudy-looking woods,
Whose forms we can't discover
For the tears that drip all over!
Huge moons there wax and wane-
Again- again- again-
Every moment of the night-
Forever changing places-
And they put out the star-light
With the breath from their pale faces.
About twelve by the moon-dial,
One more filmy than the rest
(A kind which, upon trial,
They have found to be the best)
Comes down- still down- and down,
With its centre on the crown
Of a mountain's eminence,
While its wide circumference
In easy drapery falls
Over hamlets, over halls,
Wherever they may be-
O'er the strange woods- o'er the sea-
Over spirits on the wing-
Over every drowsy thing-
And buries them up quite
In a labyrinth of light-
And then, how deep!- O, deep!
Is the passion of their sleep.
In the morning they arise,
And their moony covering
Is soaring in the skies,
With the tempests as they toss,
Like- almost anything-
Or a yellow Albatross.
They use that moon no more
For the same end as before-
Videlicet, a tent-
Which I think extravagant:
Its atomies, however,
Into a shower dissever,
Of which those butterflies
Of Earth, who seek the skies,
And so come down again,
(Never-contented things!)
Have brought a specimen
Upon their quivering wings.
Written by Friedrich von Schiller | Create an image from this poem

The Ideal And The Actual Life

 Forever fair, forever calm and bright,
Life flies on plumage, zephyr-light,
For those who on the Olympian hill rejoice--
Moons wane, and races wither to the tomb,
And 'mid the universal ruin, bloom
The rosy days of Gods--With man, the choice,
Timid and anxious, hesitates between
The sense's pleasure and the soul's content;
While on celestial brows, aloft and sheen,
The beams of both are blent.

Seekest thou on earth the life of gods to share,
Safe in the realm of death?--beware
To pluck the fruits that glitter to thine eye;
Content thyself with gazing on their glow--
Short are the joys possession can bestow,
And in possession sweet desire will die.
'Twas not the ninefold chain of waves that bound
Thy daughter, Ceres, to the Stygian river--
She plucked the fruit of the unholy ground,
And so--was hell's forever!
The weavers of the web--the fates--but sway
The matter and the things of clay;
Safe from change that time to matter gives,
Nature's blest playmate, free at will to stray
With gods a god, amidst the fields of day,
The form, the archetype [39], serenely lives.
Would'st thou soar heavenward on its joyous wing?
Cast from thee, earth, the bitter and the real,
High from this cramped and dungeon being, spring
Into the realm of the ideal!

Here, bathed, perfection, in thy purest ray,
Free from the clogs and taints of clay,
Hovers divine the archetypal man!
Dim as those phantom ghosts of life that gleam
And wander voiceless by the Stygian stream,--
Fair as it stands in fields Elysian,
Ere down to flesh the immortal doth descend:--
If doubtful ever in the actual life
Each contest--here a victory crowns the end
Of every nobler strife.

Not from the strife itself to set thee free,
But more to nerve--doth victory
Wave her rich garland from the ideal clime.
Whate'er thy wish, the earth has no repose--
Life still must drag thee onward as it flows,
Whirling thee down the dancing surge of time.
But when the courage sinks beneath the dull
Sense of its narrow limits--on the soul,
Bright from the hill-tops of the beautiful,
Bursts the attained goal!

If worth thy while the glory and the strife
Which fire the lists of actual life--
The ardent rush to fortune or to fame,
In the hot field where strength and valor are,
And rolls the whirling thunder of the car,
And the world, breathless, eyes the glorious game--
Then dare and strive--the prize can but belong
To him whose valor o'er his tribe prevails;
In life the victory only crowns the strong--
He who is feeble fails.

But life, whose source, by crags around it piled,
Chafed while confined, foams fierce and wild,
Glides soft and smooth when once its streams expand,
When its waves, glassing in their silver play,
Aurora blent with Hesper's milder ray,
Gain the still beautiful--that shadow-land!
Here, contest grows but interchange of love,
All curb is but the bondage of the grace;
Gone is each foe,--peace folds her wings above
Her native dwelling-place.

When, through dead stone to breathe a soul of light,
With the dull matter to unite
The kindling genius, some great sculptor glows;
Behold him straining, every nerve intent--
Behold how, o'er the subject element,
The stately thought its march laborious goes!
For never, save to toil untiring, spoke
The unwilling truth from her mysterious well--
The statue only to the chisel's stroke
Wakes from its marble cell.

But onward to the sphere of beauty--go
Onward, O child of art! and, lo!
Out of the matter which thy pains control
The statue springs!--not as with labor wrung
From the hard block, but as from nothing sprung--
Airy and light--the offspring of the soul!
The pangs, the cares, the weary toils it cost
Leave not a trace when once the work is done--
The Artist's human frailty merged and lost
In art's great victory won! [40]

If human sin confronts the rigid law
Of perfect truth and virtue [41], awe
Seizes and saddens thee to see how far
Beyond thy reach, perfection;--if we test
By the ideal of the good, the best,
How mean our efforts and our actions are!
This space between the ideal of man's soul
And man's achievement, who hath ever past?
An ocean spreads between us and that goal,
Where anchor ne'er was cast!

But fly the boundary of the senses--live
The ideal life free thought can give;
And, lo, the gulf shall vanish, and the chill
Of the soul's impotent despair be gone!
And with divinity thou sharest the throne,
Let but divinity become thy will!
Scorn not the law--permit its iron band
The sense (it cannot chain the soul) to thrall.
Let man no more the will of Jove withstand [42],
And Jove the bolt lets fall!

If, in the woes of actual human life--
If thou could'st see the serpent strife
Which the Greek art has made divine in stone--
Could'st see the writhing limbs, the livid cheek,
Note every pang, and hearken every shriek,
Of some despairing lost Laocoon,
The human nature would thyself subdue
To share the human woe before thine eye--
Thy cheek would pale, and all thy soul be true
To man's great sympathy.

But in the ideal realm, aloof and far,
Where the calm art's pure dwellers are,
Lo, the Laocoon writhes, but does not groan.
Here, no sharp grief the high emotion knows--
Here, suffering's self is made divine, and shows
The brave resolve of the firm soul alone:
Here, lovely as the rainbow on the dew
Of the spent thunder-cloud, to art is given,
Gleaming through grief's dark veil, the peaceful blue
Of the sweet moral heaven.

So, in the glorious parable, behold
How, bowed to mortal bonds, of old
Life's dreary path divine Alcides trod:
The hydra and the lion were his prey,
And to restore the friend he loved to-day,
He went undaunted to the black-browed god;
And all the torments and the labors sore
Wroth Juno sent--the meek majestic one,
With patient spirit and unquailing, bore,
Until the course was run--

Until the god cast down his garb of clay,
And rent in hallowing flame away
The mortal part from the divine--to soar
To the empyreal air! Behold him spring
Blithe in the pride of the unwonted wing,
And the dull matter that confined before
Sinks downward, downward, downward as a dream!
Olympian hymns receive the escaping soul,
And smiling Hebe, from the ambrosial stream,
Fills for a god the bowl!
Written by Oscar Wilde | Create an image from this poem

Apologia

 Is it thy will that I should wax and wane,
Barter my cloth of gold for hodden grey,
And at thy pleasure weave that web of pain
Whose brightest threads are each a wasted day?

Is it thy will - Love that I love so well -
That my Soul's House should be a tortured spot
Wherein, like evil paramours, must dwell
The quenchless flame, the worm that dieth not?

Nay, if it be thy will I shall endure,
And sell ambition at the common mart,
And let dull failure be my vestiture,
And sorrow dig its grave within my heart.

Perchance it may be better so - at least
I have not made my heart a heart of stone,
Nor starved my boyhood of its goodly feast,
Nor walked where Beauty is a thing unknown.

Many a man hath done so; sought to fence
In straitened bonds the soul that should be free,
Trodden the dusty road of common sense,
While all the forest sang of liberty,

Not marking how the spotted hawk in flight
Passed on wide pinion through the lofty air,
To where some steep untrodden mountain height
Caught the last tresses of the Sun God's hair.

Or how the little flower he trod upon,
The daisy, that white-feathered shield of gold,
Followed with wistful eyes the wandering sun
Content if once its leaves were aureoled.

But surely it is something to have been
The best beloved for a little while,
To have walked hand in hand with Love, and seen
His purple wings flit once across thy smile.

Ay! though the gorged asp of passion feed
On my boy's heart, yet have I burst the bars,
Stood face to face with Beauty, known indeed
The Love which moves the Sun and all the stars!


Written by Christina Rossetti | Create an image from this poem

Cobwebs

 It is a land with neither night nor day, 
Nor heat nor cold, nor any wind, nor rain, 
Nor hills nor valleys; but one even plain 
Stretches thro' long unbroken miles away: 
While thro' the sluggish air a twilight grey 
Broodeth; no moons or seasons wax and wane, 
No ebb and flow are there among the main, 
No bud-time no leaf-falling there for aye, 
No ripple on the sea, no shifting sand, 
No beat of wings to stir the stagnant space, 
And loveless sea: no trace of days before, 
No guarded home, no time-worn restingplace 
No future hope no fear forevermore.
Written by George William Russell | Create an image from this poem

Endurance

 HE bent above: so still her breath
What air she breathed he could not say,
Whether in worlds of life or death:
So softly ebbed away, away,
The life that had been light to him,
So fled her beauty leaving dim
The emptying chambers of his heart
Thrilled only by the pang and smart,
The dull and throbbing agony
That suffers still, yet knows not why.
Love’s immortality so blind
Dreams that all things with it conjoined
Must share with it immortal day:
But not of this—but not of this—
The touch, the eyes, the laugh, the kiss,
Fall from it and it goes its way.
So blind he wept above her clay,
“I did not think that you could die.
Only some veil would cover you
Our loving eyes could still pierce through;
And see through dusky shadows still
Move as of old your wild sweet will,
Impatient every heart to win
And flash its heavenly radiance in.”
Though all the worlds were sunk in rest
The ruddy star within his breast
Would croon its tale of ancient pain,
Its sorrow that would never wane,
Its memory of the days of yore
Moulded in beauty evermore.
Ah, immortality so blind,
To dream all things with it conjoined
Must follow it from star to star
And share with it immortal years.
The memory, yearning, grief, and tears,
Fall from it and it goes afar.
He walked at night along the sands,
He saw the stars dance overhead,
He had no memory of the dead,
But lifted up exultant hands
To hail the future like a boy,
The myriad paths his feet might press.
Unhaunted by old tenderness
He felt an inner secret joy—
A spirit of unfettered will
Through light and darkness moving still
Within the All to find its own,
To be immortal and alone.
Written by Algernon Charles Swinburne | Create an image from this poem

A Watch In The Night

 Watchman, what of the night? - 
Storm and thunder and rain, 
Lights that waver and wane,
Leaving the watchfires unlit. 
Only the balefires are bright, 
And the flash of the lamps now and then 
From a palace where spoilers sit, 
Trampling the children of men.

Prophet, what of the night? - 
I stand by the verge of the sea, 
Banished, uncomforted, free, 
Hearing the noise of the waves 
And sudden flashes that smite 
Some man's tyrannous head, 
Thundering, heard among graves 
That hide the hosts of his dead.

Mourners, what of the night? - 
All night through without sleep 
We weep, and we weep, and we weep. 
Who shall give us our sons ? 
Beaks of raven and kite,
Mouths of wolf and of hound, 
Give us them back whom the guns 
Shot for you dead on the ground.

Dead men, what of the night? - 
Cannon and scaffold and sword,
Horror of gibbet and cord, 
Mowed us as sheaves for the grave, 
Mowed us down for the right. 
We do not grudge or repent. 
Freely to freedom we gave
Pledges, till life should be spent.

Statesman, what of the night? - 
The night will last me my time. 
The gold on a crown or a crime
Looks well enough yet by the lamps. 
Have we not fingers to write, 
Lips to swear at a need? 
Then, when danger decamps, 
Bury the word with the deed.

Warrior, what of the night? - 
Whether it be not or be 
Night, is as one thing to me.
I for one, at the least, 
Ask not of dews if they blight, 
Ask not of flames if they slay,
Ask not of prince or of priest
How long ere we put them away.

Master, what of the night? - 
Child, night is not at all 
Anywhere, fallen or to fall, 
Save in our star-stricken eyes.
Forth of our eyes it takes flight,
Look we but once nor before 
Nor behind us, but straight on the skies; 
Night is not then any more.

Exile, what of the night? - 
The tides and the hours run out, 
The seasons of death and of doubt, 
The night-watches bitter and sore.
In the quicksands leftward and right 
My feet sink down under me; 
But I know the scents of the shore 
And the broad blown breaths of the sea.

Captives, what of the night? - 
It rains outside overhead 
Always, a rain that is red, 
And our faces are soiled with the rain. 
Here in the seasons' despite
Day-time and night-time are one,
Till the curse of the kings and the chain 
Break, and their toils be undone.

Christian, what of the night? - 
I cannot tell; I am blind. 
I halt and hearken behind 
If haply the hours will go back 
And return to the dear dead light, 
To the watchfires and stars that of old
Shone where the sky now is black,
Glowed where the earth now is cold.

High priest, what of the night? - 
The night is horrible here 
With haggard faces and fear, 
Blood, and the burning of fire. 
Mine eyes are emptied of sight, 
Mine hands are full of the dust, 
If the God of my faith be a liar, 
Who is it that I shall trust?

Princes, what of the night? - 
Night with pestilent breath 
Feeds us, children of death, 
Clothes us close with her gloom. 
Rapine and famine and fright
Crouch at our feet and are fed. 
Earth where we pass is a tomb, 
Life where we triumph is dead.

Martyrs, what of the night? - 
Nay, is it night with you yet? 
We, for our part, we forget 
What night was, if it were. 
The loud red mouths of the fight 
Are silent and shut where we are. 
In our eyes the tempestuous air 
Shines as the face of a star.

England, what of the night? - 
Night is for slumber and sleep, 
Warm, no season to weep. 
Let me alone till the day. 
Sleep would I still if I might, 
Who have slept for two hundred years. 
Once I had honour, they say; 
But slumber is sweeter than tears.

France, what of the night? - 
Night is the prostitute's noon, 
Kissed and drugged till she swoon, 
Spat upon, trod upon, whored. 
With bloodred rose-garlands dight, 
Round me reels in the dance 
Death, my saviour, my lord,
Crowned; there is no more France.

Italy, what of the night? - 
Ah, child, child, it is long! 
Moonbeam and starbeam and song 
Leave it dumb now and dark. 
Yet I perceive on the height 
Eastward, not now very far, 
A song too loud for the lark, 
A light too strong for a star.

Germany, what of the night ? - 
Long has it lulled me with dreams;
Now at midwatch, as it seems, 
Light is brought back to mine eyes, 
And the mastery of old and the might 
Lives in the joints of mine hands, 
Steadies my limbs as they rise, 
Strengthens my foot as it stands.

Europe, what of the night ? - 
Ask of heaven, and the sea, 
And my babes on the bosom of me, 
Nations of mine, but ungrown. 
There is one who shall surely requite 
All that endure or that err: 
She can answer alone: 
Ask not of me, but of her.

Liberty, what of the night ? - 
I feel not the red rains fall, 
Hear not the tempest at all, 
Nor thunder in heaven any more. 
All the distance is white 
With the soundless feet of the sun. 
Night, with the woes that it wore, 
Night is over and done.
Written by John Trumbull | Create an image from this poem

To Ladies Of A Certain Age

 Ye ancient Maids, who ne'er must prove
The early joys of youth and love,
Whose names grim Fate (to whom 'twas given,
When marriages were made in heaven)
Survey'd with unrelenting scowl,
And struck them from the muster-roll;
Or set you by, in dismal sort,
For wintry bachelors to court;
Or doom'd to lead your faded lives,
Heirs to the joys of former wives;
Attend! nor fear in state forlorn,
To shun the pointing hand of scorn,
Attend, if lonely age you dread,
And wish to please, or wish to wed.


When beauties lose their gay appearance,
And lovers fall from perseverance,
When eyes grow dim and charms decay,
And all your roses fade away,
First know yourselves; lay by those airs,
Which well might suit your former years,
Nor ape in vain the childish mien,
And airy follies of sixteen.


We pardon faults in youth's gay flow,
While beauty prompts the cheek to glow,
While every glance has power to warm,
And every turn displays a charm,
Nor view a spot in that fair face,
Which smiles inimitable grace.


But who, unmoved with scorn, can see
The grey coquette's affected glee,
Her ambuscading tricks of art
To catch the beau's unthinking heart,
To check th' assuming fopling's vows,
The bridling frown of wrinkled brows;
Those haughty airs of face and mind,
Departed beauty leaves behind.


Nor let your sullen temper show
Spleen louring on the envious brow,
The jealous glance of rival rage,
The sourness and the rust of age.
With graceful ease, avoid to wear
The gloom of disappointed care:
And oh, avoid the sland'rous tongue,
By malice tuned, with venom hung,
That blast of virtue and of fame,
That herald to the court of shame;
Less dire the croaking raven's throat,
Though death's dire omens swell the note.


Contented tread the vale of years,
Devoid of malice, guilt and fears;
Let soft good humour, mildly gay,
Gild the calm evening of your day,
And virtue, cheerful and serene,
In every word and act be seen.
Virtue alone with lasting grace,
Embalms the beauties of the face,
Instructs the speaking eye to glow,
Illumes the cheek and smooths the brow,
Bids every look the heart engage,
Nor fears the wane of wasting age.


Nor think these charms of face and air,
The eye so bright, the form so fair,
This light that on the surface plays,
Each coxcomb fluttering round its blaze,
Whose spell enchants the wits of beaux,
The only charms, that heaven bestows.
Within the mind a glory lies,
O'erlook'd and dim to vulgar eyes;
Immortal charms, the source of love,
Which time and lengthen'd years improve,
Which beam, with still increasing power,
Serene to life's declining hour;
Then rise, released from earthly cares,
To heaven, and shine above the stars.


Thus might I still these thoughts pursue,
The counsel wise, and good, and true,
In rhymes well meant and serious lay,
While through the verse in sad array,
Grave truths in moral garb succeed:
Yet who would mend, for who would read?


But when the force of precept fails,
A sad example oft prevails.
Beyond the rules a sage exhibits,
Thieves heed the arguments of gibbets,
And for a villain's quick conversion,
A pillory can outpreach a parson.


To thee, Eliza, first of all,
But with no friendly voice I call.
Advance with all thine airs sublime,
Thou remnant left of ancient time!
Poor mimic of thy former days,
Vain shade of beauty, once in blaze!
We view thee, must'ring forth to arms
The veteran relics of thy charms;
The artful leer, the rolling eye,
The trip genteel, the heaving sigh,
The labour'd smile, of force too weak,
Low dimpling in th' autumnal cheek,
The sad, funereal frown, that still
Survives its power to wound or kill;
Or from thy looks, with desperate rage,
Chafing the sallow hue of age,
And cursing dire with rueful faces,
The repartees of looking-glasses.


Now at tea-table take thy station,
Those shambles vile of reputation,
Where butcher'd characters and stale
Are day by day exposed for sale:
Then raise the floodgates of thy tongue,
And be the peal of scandal rung;
While malice tunes thy voice to rail,
And whispering demons prompt the tale--
Yet hold thy hand, restrain thy passion,
Thou cankerworm of reputation;
Bid slander, rage and envy cease,
For one short interval of peace;
Let other's faults and crimes alone,
Survey thyself and view thine own;
Search the dark caverns of thy mind,
Or turn thine eyes and look behind:
For there to meet thy trembling view,
With ghastly form and grisly hue,
And shrivel'd hand, that lifts sublime
The wasting glass and scythe of Time,
A phantom stands: his name is Age;
Ill-nature following as his page.
While bitter taunts and scoffs and jeers,
And vexing cares and torturing fears,
Contempt that lifts the haughty eye,
And unblest solitude are nigh;
While conscious pride no more sustains,
Nor art conceals thine inward pains,
And haggard vengeance haunts thy name,
And guilt consigns thee o'er to shame,
Avenging furies round thee wait,
And e'en thy foes bewail thy fate.


But see, with gentler looks and air,
Sophia comes. Ye youths beware!
Her fancy paints her still in prime,
Nor sees the moving hand of time;
To all her imperfections blind,
Hears lovers sigh in every wind,
And thinks her fully ripen'd charms,
Like Helen's, set the world in arms.


Oh, save it but from ridicule,
How blest the state, to be a fool!
The bedlam-king in triumph shares
The bliss of crowns, without the cares;
He views with pride-elated mind,
His robe of tatters trail behind;
With strutting mien and lofty eye,
He lifts his crabtree sceptre high;
Of king's prerogative he raves,
And rules in realms of fancied slaves.


In her soft brain, with madness warm,
Thus airy throngs of lovers swarm.
She takes her glass; before her eyes
Imaginary beauties rise;
Stranger till now, a vivid ray
Illumes each glance and beams like day;
Till furbish'd every charm anew,
An angel steps abroad to view;
She swells her pride, assumes her power,
And bids the vassal world adore.


Indulge thy dream. The pictured joy
No ruder breath should dare destroy;
No tongue should hint, the lover's mind
Was ne'er of virtuoso-kind,
Through all antiquity to roam
For what much fairer springs at home.
No wish should blast thy proud design;
The bliss of vanity be thine.
But while the subject world obey,
Obsequious to thy sovereign sway,
Thy foes so feeble and so few,
With slander what hadst thou to do?
What demon bade thine anger rise?
What demon glibb'd thy tongue with lies?
What demon urged thee to provoke
Avenging satire's deadly stroke?


Go, sink unnoticed and unseen,
Forgot, as though thou ne'er hadst been.
Oblivion's long projected shade
In clouds hangs dismal o'er thy head.
Fill the short circle of thy day,
Then fade from all the world away;
Nor leave one fainting trace behind,
Of all that flutter'd once and shined;
The vapoury meteor's dancing light
Deep sunk and quench'd in endless night
Written by Matthew Arnold | Create an image from this poem

Mycerinus

 'Not by the justice that my father spurn'd,
Not for the thousands whom my father slew,
Altars unfed and temples overturn'd,
Cold hearts and thankless tongues, where thanks are due;
Fell this dread voice from lips that cannot lie,
Stern sentence of the Powers of Destiny.

'I will unfold my sentence and my crime.
My crime--that, rapt in reverential awe,
I sate obedient, in the fiery prime
Of youth, self-govern'd, at the feet of Law;
Ennobling this dull pomp, the life of kings,
By contemplation of diviner things.

'My father loved injustice, and lived long;
Crown'd with grey hairs he died, and full of sway.
I loved the good he scorn'd, and hated wrong--
The Gods declare my recompense to-day.
I look'd for life more lasting, rule more high;
And when six years are measured, lo, I die!

'Yet surely, O my people, did I deem
Man's justice from the all-just Gods was given;
A light that from some upper fount did beam,
Some better archetype, whose seat was heaven;
A light that, shining from the blest abodes,
Did shadow somewhat of the life of Gods.

'Mere phantoms of man's self-tormenting heart,
Which on the sweets that woo it dares not feed!
Vain dreams, which quench our pleasures, then depart
When the duped soul, self-master'd, claims its meed;
When, on the strenuous just man, Heaven bestows,
Crown of his struggling life, an unjust close!

'Seems it so light a thing, then, austere Powers,
To spurn man's common lure, life's pleasant things?
Seems there no joy in dances crown'd with flowers,
Love, free to range, and regal banquetings?
Bend ye on these, indeed, an unmoved eye,
Not Gods but ghosts, in frozen apathy?

'Or is it that some Force, too wise, too strong,
Even for yourselves to conquer or beguile,
Sweeps earth, and heaven, and men, and Gods along,
Like the broad volume of the insurgent Nile?
And the great powers we serve, themselves may be
Slaves of a tyrannous necessity?

'Or in mid-heaven, perhaps, your golden cars,
Where earthly voice climbs never, wing their flight,
And in wild hunt, through mazy tracts of stars,
Sweep in the sounding stillness of the night?
Or in deaf ease, on thrones of dazzling sheen,
Drinking deep draughts of joy, ye dwell serene?

'Oh, wherefore cheat our youth, if thus it be,
Of one short joy, one lust, one pleasant dream?
Stringing vain words of powers we cannot see,
Blind divinations of a will supreme;
Lost labour! when the circumambient gloom
But hides, if Gods, Gods careless of our doom?

'The rest I give to joy. Even while I speak,
My sand runs short; and--as yon star-shot ray,
Hemm'd by two banks of cloud, peers pale and weak,
Now, as the barrier closes, dies away--
Even so do past and future intertwine,
Blotting this six years' space, which yet is mine.

'Six years--six little years--six drops of time!
Yet suns shall rise, and many moons shall wane,
And old men die, and young men pass their prime,
And languid pleasure fade and flower again,
And the dull Gods behold, ere these are flown,
Revels more deep, joy keener than their own.

'Into the silence of the groves and woods
I will go forth; though something would I say--
Something--yet what, I know not; for the Gods
The doom they pass revoke not, nor delay;
And prayers, and gifts, and tears, are fruitless all,
And the night waxes, and the shadows fall.

'Ye men of Egypt, ye have heard your king!
I go, and I return not. But the will
Of the great Gods is plain; and ye must bring
Ill deeds, ill passions, zealous to fulfil
Their pleasure, to their feet; and reap their praise,
The praise of Gods, rich boon! and length of days.'

--So spake he, half in anger, half in scorn;
And one loud cry of grief and of amaze
Broke from his sorrowing people; so he spake,
And turning, left them there; and with brief pause,
Girt with a throng of revellers, bent his way
To the cool region of the groves he loved.
There by the river-banks he wander'd on,
From palm-grove on to palm-grove, happy trees,
Their smooth tops shining sunward, and beneath
Burying their unsunn'd stems in grass and flowers;
Where in one dream the feverish time of youth
Might fade in slumber, and the feet of joy
Might wander all day long and never tire.
Here came the king, holding high feast, at morn,
Rose-crown'd; and ever, when the sun went down,
A hundred lamps beam'd in the tranquil gloom,
From tree to tree all through the twinkling grove,
Revealing all the tumult of the feast--
Flush'd guests, and golden goblets foam'd with wine;
While the deep-burnish'd foliage overhead
Splinter'd the silver arrows of the moon.

It may be that sometimes his wondering soul
From the loud joyful laughter of his lips
Might shrink half startled, like a guilty man
Who wrestles with his dream; as some pale shape
Gliding half hidden through the dusky stems,
Would thrust a hand before the lifted bowl,
Whispering: A little space, and thou art mine!
It may be on that joyless feast his eye
Dwelt with mere outward seeming; he, within,
Took measure of his soul, and knew its strength,
And by that silent knowledge, day by day,
Was calm'd, ennobled, comforted, sustain'd.
It may be; but not less his brow was smooth,
And his clear laugh fled ringing through the gloom,
And his mirth quail'd not at the mild reproof
Sigh'd out by winter's sad tranquillity;
Nor, pall'd with its own fulness, ebb'd and died
In the rich languor of long summer-days;
Nor wither'd when the palm-tree plumes, that roof'd
With their mild dark his grassy banquet-hall,
Bent to the cold winds of the showerless spring;
No, nor grew dark when autumn brought the clouds.

So six long years he revell'd, night and day.
And when the mirth wax'd loudest, with dull sound
Sometimes from the grove's centre echoes came,
To tell his wondering people of their king;
In the still night, across the steaming flats,
Mix'd with the murmur of the moving Nile.

Book: Reflection on the Important Things