Written by
Rainer Maria Rilke |
1906
The stamina of an old long-noble race
in the eyebrows' heavy arches. In the mild
blue eyes the solemn anguish of a child
and here and there humility-not a fool's
but feminine: the look of one who serves.
The mouth quite ordinary large and straight
composed yet not willing to speak out
when necessary. The forehead still na?ve
most comfortable in shadows looking down.
This as a whole just hazily foreseen-
never in any joy of suffering
collected for a firm accomplishment;
and yet as though from far off with scattered Things
a serious true work were being planned.
|
Written by
Delmira Agustini |
Spanish Yo te diré los sueños de mi vidaEn lo más hondo de la noche azul…Mi alma desnuda temblará en tus manos,Sobre tus hombros pesará mi cruz.Las cumbres de la vida son tan solas,Tan solas y tan frías! Y encerréMis ansias en mí misma, y toda enteraComo una torre de marfil me alcé.Hoy abriré a tu alma el gran misterio;Tu alma es capaz de penetrar en mí.En el silencio hay vértigos de abismo:Yo vacilaba, me sostengo en ti.Muero de ensueños; beberé en tus fuentesPuras y frescas la verdad, yo séQue está en el fondo magno de tu pechoEl manantial que vencerá mi sed.Y sé que en nuestras vidas se produjoEl milagro inefable del reflejo…En el silencio de la noche mi almaLlega a la tuya como a un gran espejo.Imagina el amor que habré soñadoEn la tumba glacial de mi silencio!Más grande que la vida, más que el sueño,Bajo el azur sin fin se sintió preso.Imagina mi amor, amor que quiereVida imposible, vida sobrehumana,Tú que sabes si pesan, si consumenAlma y sueños de Olimpo en carne humana.Y cuando frente al alma que sentiaPoco el azur para bañar sus alas,Como un gran horizonte aurisoladoO una playa de luz se abrió tu alma:Imagina! Estrecha vivo, radianteEl Imposible! La ilusión vivida!Bendije a Dios, al sol, la flor, el aire,La vida toda porque tú eras vida!Si con angustia yo compré esta dicha,Bendito el llanto que manchó mis ojos!¡Todas las llagas del pasado ríenAl sol naciente por sus labios rojos!¡Ah! tú sabrás mi amor, mas vamos lejosA través de la noche florecida;Acá lo humano asusta, acá se oye,Se ve, se siente sin cesar la vida.Vamos más lejos en la noche, vamosDonde ni un eco repercuta en mí,Como una flor nocturna allá en la sombraY abriré dulcemente para ti. EnglishI will tell you the dreams of my lifeOn this deepest of blue nights.In your hands my soul will tremble,On your shoulders my cross will rest.The summits of life are lonely,So lonely and so cold! I lockedMy yearnings inside, and all resideIn the ivory tower I raised.Today I will reveal a great mystery;Your soul has the power to penetrate me.In silence are vertigos of the abyss:I hesitate, I am sustained in you.I die of dreams; I will drink truth,Pure and cool, from your springs.I know in the well of your breastIs a fountain that vanquishes my thirst.And I know that in our lives, thisIs the inexpressible miracle of reflection…In the silence, my soul arrives at yoursAs to a magnificent mirror.Imagine the love I dreamedIn the glacial tomb of silence!Larger than life, larger than dream,A love imprisoned beneath an azure without end.Imagine my love, love which desiresImpossible life, superhuman life,You who know how it burdens and consumes,Dreams of Olympus bound by human flesh.And when met with a soul which foundA bit of azure to bathe its wings,Like a great, golden sun, or a shoreMade of light, your soul opened:Imagine! To embrace the Impossible!Radiant! The lived illusion!Blessed be God, the sun, the flower, the air,And all of life, because you are life!If I bought this happiness with my anguish,Bless the weeping that stains my eyes!All the ulcers of the past laughAt the sun rising from red lips!Ah you will know, My Love,We will travel far across the flowery night;There what is human frightens, there you can hear it,See it, feel it, life without end.We go further into night, we goWhere in me not an echo reverberates,Like a nocturnal flower in the shade,I will open sweetly for you.
|
Written by
J R R Tolkien |
Ai! laurië lantar lassi súrinen,
Yéni únótimë ve rámar aldaron!
Yéni ve lintë yuldar avánier
Mi oromardi lissë-miruvóreva
Andúnë pella, Vardo tellumar
Nu luini yassen tintilar i eleni
Omaryo airetári-lírinen.
Sí man i yulma nin enquantuva?
An sí Tintallë Varda Oiolossëo
Ve fanyar máryat Elentári ortanë
Ar ilyë tier undulávë lumbulë
Ar sindanóriello caita mornië
I falmalinnar imbë met,
Ar hísië untúpa Calaciryo míri oialë.
Sí vanwa ná, Rómello vanwa, Valimar!
Namárië! Nai hiruvalyë Valimar!
Nai elyë hiruva! Namárië!
Ah! like gold fall the leaves in the wind,
Long years numberless as the wings of trees!
The long years have passed like swift draughts
Of the sweet mead in lofty halls
Beyond the West, beneath the blue vaults of Varda
Wherein the stars tremble
In the voice of her song, holy and queenly.
Who now shall refill the cup for me?
For now the Kindler, Varda, the Queen of the stars,
From Mount Everwhite has uplifted her hands like clouds
And all paths are drowned deep in shadow;
And out of a grey country darkness lies
On the foaming waves between us,
And mist covers the jewels of Calacirya for ever.
Now lost, lost to those of the East is Valimar!
Farewell! Maybe thou shalt find Valimar!
Maybe even thou shalt find it! Farewell!
|
Written by
Sergei Yesenin |
Are you still alive, my dear granny?
I am alive as well. Hello! Hello!
May there always be above you, honey,
The amazing stream of evening glow.
I"ve been told that hiding your disquiet,
Worrying about me a lot,
You go out to the roadside every night,
Wearing your shabby overcoat.
In the evening darkness, very often,
You conceive the same old scene of blood:
Kind of in a tavern fight some ruffian
Plunged a Finnish knife into my heart.
Now calm down, mom! And don"t be dreary!
It"s a painful fiction through and through.
I"m not so bad a drunkard, really,
As to die without seeing you.
I"m your tender son as ever, dear,
And the only thing I dream of now
Is to leave this dismal boredom here
And return to our little house. And how!
I"ll return in spring without warning
When the garden blossoms, white as snow.
Please don"t wake me early in the morning,
As you did before, eight years ago.
1924
Don"t disturb my dreams that now have flown,
Don"t perturb my vain and futile strife
For it"s much too early that I"ve known
Heavy loss and weariness in life.
Please don"t teach me how to say my prayers!
There is no way back to what is gone.
You"re my only joy, support and praise
And my only flare shining on.
Please forget about your pain and fear,
and don"t worry over me a lot
Don"t go out to the roadside, dear,
Wearing your shabby overcoat.
|
Written by
Andrew Marvell |
Quid facis Arctoi charissime transfuga coeli,
Ingele, proh sero cognite, rapte cito?
Num satis Hybernum defendis pellibus Astrum,
Qui modo tam mollis nec bene firmus eras?
Quae Gentes Hominum, quae sit Natura Locorum,
Sint Homines, potius dic ibi sintre Loca?
Num gravis horrisono Polus obruit omnia lapsu,
Jungitur & praeceps Mundas utraque nive?
An melius canis horrescit Campus Aristis,
Amuius Agricolis & redit Orbe labor?
Incolit, ut fertur, saevam Gens mitior Oram,
Pace vigil, Bello strenua, justa Foro.
Quin ibi sunt Urbes, atque alta Palatia Regum,
Musarumque domus, & sua Templa Deo.
Nam regit Imperio populum Christina ferocem,
Et dare jura potest regia Virgo viris.
Utque trahit rigidum Magnes Aquilone Metallum,
Gandet eam Soboles ferrea sponte sequii.
Dic quantum liceat fallaci credere Famae,
Invida num taceat plura, sonet ve loquax.
At, si vera fides, Mundi melioris ab ortu,
Saecula Christinae nulla tulere parem.
Ipsa licet redeat (nostri decus orbis) Eliza,
Qualis nostra tamen quantaque Eliza fuit.
Vidimus Effigiem, mistasque Coloribus Umbras:
Sic quoque Sceptripotens, sic quoque visa Dea.
Augustam decorant (raro concordia) frontem
Majestas & Amor, Forma Pudorque simul.
Ingens Virgineo spirat Gustavus in ore:
Agnoscas animos, fulmineumque Patrem.
Nulla suo nituit tam lucida Stella sub Axe;
Non Ea quae meruit Crimine Nympha Polum.
Ah quoties pavidum demisit conscia Lumen,
Utque suae timuit Parrhasis Ora Deae!
Et, simulet falsa ni Pictor imagine Vultus,
Delia tam similis nec fuit ipsa sibi.
Ni quod inornati Triviae sint forte Capilli,
Sollicita sed buic distribuantur Acu.
Scilicet ut nemo est illa reverentior aequi;
Haud ipsas igitur fert sine Lege Comas.
Gloria sylvarum pariter communis utrique
Est, & perpetuae Virginitatis Honos.
Sic quoque Nympharum supereminet Agmina collo,
Fertque Choros Cynthi per Juga, per Nives.
Haud aliter pariles Ciliorum contrahit Arcus
Acribus ast Oculis tela subesse putes.
Luminibus dubites an straverit illa Sagittis
Quae foret exuviis ardua colla Feram.
Alcides humeros coopertus pelle Nemaea
Haud ita labentis sustulit Orbis Onus.
Heu quae Cervices subnectunt Pectora tales.
Frigidiora Gelu, candidiora Nive.
Caetera non licuit, sed vix ea tota, videre;
Nam chau fi rigido stant Adamante Sinus.
Seu chlamys Artifici nimium succurrerit auso,
Sicque imperfectum fugerit impar Opus:
Sive tribus spernat Victrix certare Deabus,
Et pretium formae nec spoliata ferat.
Junonis properans & clara Trophaea Minervae;
Mollia nam Veneris praemia nosse piget.
Hinc neque consuluit fugitivae prodiga Formae,
Nectimuit seris invigilasse Libris.
Insommem quoties Nymphae monuere sequaces
Decedet roseis heu color ille Genis.
Jamque vigil leni cessit Philomela sopori,
Omnibus & Sylvis conticuere Ferae.
Acrior illa tamen pergit, Curasque fatigat:
Tanti est doctorum volvere scripta Virum.
Et liciti quae sint moderamina discere Regni,
Quid fuerit, quid sit, noscere quicquid erit.
Sic quod in ingenuas Gothus peccaverit Artes
Vindicat, & studiis expiat Una suis.
Exemplum dociles imitantur nobile Gentes,
Et geminis Infans imbuit Ora sonis.
Transpositos Suecis credas migrasse Latinos,
Carmine Romuleo sic strepit omne Nemus.
Upsala nec priscis impar memoratur Athenis,
Aegidaque & Currus hic sua Pallas habet.
Illinc O quales liceat sperasse Liquores,
Quum Dea praesideat fontibus ipsa sacris!
Illic Lacte ruant illic & flumina Melle,
Fulvaque inauratam tingat Arena Salam.
Upsalides Musae nunc & majora conemus,
Quaeque mihi Famae non levis Aura tulit.
Creditur haud ulli Christus signasse suorum
Occultam gemina de meliore Notam.
Quemque tenet charo descriptum Nomine semper,
Non minus exculptum Pectore fida refert.
Sola haec virgineas depascit Flamma Medullas,
Et licito pergit solvere corda foco.
Tu quoque Sanctorum fastos Christina sacrabis,
Unica nec Virgo Volsiniensis erit.
Discite nunc Reges (Majestas proxima coelo)
Discite proh magnos hinc coluisse Deos.
Ah pudeat Tanitos puerilia fingere coepta,
Nugas nescio quas, & male quaerere Opes.
Acer Equo cunctos dum praeterit illa Britanno,
Et pecoris spolium nescit inerme sequi.
Ast Aquilam poscit Germano pellere Nido,
Deque Palatino Monte fugare Lupam.
Vos etiam latos in praedam jungite Campos,
Impiaque arctatis cingite Lustra Plagis.
Victor Oliverus nudum Caput exerit Armis,
Ducere sive sequi nobile laetus Iter.
Qualis jam Senior Solymae Godfredus ad Arces,
Spina cui canis floruit alba comis.
Et lappos Christina potest & solvere Finnos,
Ultima quos Boreae carcere Claustra premunt.
Aeoliis quales Venti fremuere sub antris,
Et tentant Montis corripuisse moras.
Hanc Dea si summa demiserit Arce procellam
Quam gravis Austriacis Hesperiisque cadat!
Omnia sed rediens olim narraveris Ipse;
Nec reditus spero tempora longa petit.
Non ibi lenta pigro stringuntur frigore Verba,
Solibus, & tandem Vere liquanda novo.
Sed radiis hyemem Regina potentior urit;
Haecque magis solvit, quam ligat illa Polum.
Dicitur & nostros moerens andisse Labores,
Fortis & ingenuam Gentis amasse Fidem.
Oblatae Batavam nec paci commodat Aurem;
Nec versat Danos insidiosa dolos.
Sed pia festinat mutatis Foedera rebus,
Et Libertatem quae dominatur amat.
Digna cui Salomon meritos retulisset honores,
Et Saba concretum Thure cremasset Iter.
Hanc tua, sed melius, celebraverit, Ingele, Musa;
Et labor est vestrae debitus ille Lyrae.
Nos sine te frustra Thamisis saliceta subimus,
Sparsaque per steriles Turba vagamur Agros.
Et male tentanti querulum respondet Avena:
Quin & Rogerio dissiluere fides.
Haec tamen absenti memores dictamus Amico,
Grataque speramus qualiacumque fore.
|
Written by
Robert Frost |
I stayed the night for shelter at a farm
Behind the mountains, with a mother and son,
Two old-believers. They did all the talking.
MOTHER: Folks think a witch who has familiar spirits
She could call up to pass a winter evening,
But won’t, should be burned at the stake or something.
Summoning spirits isn’t “Button, button,
Who’s got the button,†I would have them know.
SON: Mother can make a common table rear
And kick with two legs like an army mule.
MOTHER: And when I’ve done it, what good have I done?
Rather than tip a table for you, let me
Tell you what Ralle the Sioux Control once told me.
He said the dead had souls, but when I asked him
How could that be — I thought the dead were souls—
He broke my trance. Don’t that make you suspicious
That there’s something the dead are keeping back?
Yes, there’s something the dead are keeping back.
SON: You wouldn’t want to tell him what we have
Up attic, mother?
MOTHER: Bones — a skeleton.
SON: But the headboard of mother’s bed is pushed
Against the†attic door: the door is nailed.
It’s harmless. Mother hears it in the night
Halting perplexed behind the barrier
Of door and headboard. Where it wants to get
Is back into the cellar where it came from.
MOTHER: We’ll never let them, will we, son! We’ll never!
SON: It left the cellar forty years ago
And carried itself like a pile of dishes
Up one flight from the cellar to the kitchen,
Another from the kitchen to the bedroom,
Another from the bedroom to the attic,
Right past both father and mother, and neither stopped it.
Father had gone upstairs; mother was downstairs.
I was a baby: I don’t know where I was.
35
MOTHER: The only fault my husband found with me —
I went to sleep before I went to bed,
Especially in winter when the bed
Might just as well be ice and the clothes snow.
The night the bones came up the cellar-stairs
Toffile had gone to bed alone and left me,
But left an open door to cool the room off
So as to sort of turn me out of it.
I was just coming to myself enough
To wonder where the cold was coming from,
When I heard Toffile upstairs in the bedroom
And thought I heard him downstairs in the cellar.
The board we had laid down to walk dry-shod on
When there was water in the cellar in spring
Struck the hard cellar bottom. And then someone
Began the stairs, two footsteps for each step,
The way a man with one leg and a crutch,
Or a little child, comes up. It wasn’t Toffile:
It wasn’t anyone who could be there.
The bulkhead double-doors were double-locked
And swollen tight and buried under snow.
The cellar windows were banked up with sawdust
And swollen tight and buried under snow.
It was the bones. I knew them — and good reason.
My first impulse was to get to the knob
And hold the door. But the bones didn’t try
The door; they halted helpless on the landing,
Waiting for things to happen in their favor.â€
The faintest restless rustling ran all through them.
I never could have done the thing I did
If the wish hadn’t been too strong in me
To see how they were mounted for this walk.
I had a vision of them put together
Not like a man, but like a chandelier.
So suddenly I flung the door wide on him.
A moment he stood balancing with emotion,
And all but lost himself. (A tongue of fire
Flashed out and licked along his upper teeth.
Smoke rolled inside the sockets of his eyes.)
Then he came at me with one hand outstretched,
The way he did in life once; but this time
I struck the hand off brittle on the floor,
And fell back from him on the floor myself.
The finger-pieces slid in all directions.
(Where did I see one of those pieces lately?
Hand me my button-box- it must be there.)
I sat up on the floor and shouted, “Toffile,
It’s coming up to you.†It had its choice
Of the door to the cellar or the hall.
It took the hall door for the novelty,
And set off briskly for so slow a thing,
Still going every which way in the joints, though,
So that it looked like lightning or a scribble,
From the slap I had just now given its hand.
I listened till it almost climbed the stairs
From the hall to the only finished bedroom,
Before I got up to do anything;
Then ran and shouted, “Shut the bedroom door,
Toffile, for my sake!†“Company?†he said,
“Don’t make me get up; I’m too warm in bed.â€
So lying forward weakly on the handrail
I pushed myself upstairs, and in the light
(The kitchen had been dark) I had to own
I could see nothing. “Toffile, I don’t see it.
It’s with us in the room though. It’s the bones.â€
“What bones?†“The cellar bones— out of the grave.â€
That made him throw his bare legs out of bed
And sit up by me and take hold of me.
I wanted to put out the light and see
If I could see it, or else mow the room,
With our arms at the level of our knees,
And bring the chalk-pile down. “I’ll tell you what-
It’s looking for another door to try.
The uncommonly deep snow has made him think
Of his old song, The Wild Colonial Boy,
He always used to sing along the tote-road.
He’s after an open door to get out-doors.
Let’s trap him with an open door up attic.â€
Toffile agreed to that, and sure enough,
Almost the moment he was given an opening,
The steps began to climb the attic stairs.
I heard them. Toffile didn’t seem to hear them.
“Quick !†I slammed to the door and held the knob.
“Toffile, get nails.†I made him nail the door shut,
And push the headboard of the bed against it.
Then we asked was there anything
Up attic that we’d ever want again.
The attic was less to us than the cellar.
If the bones liked the attic, let them have it.
Let them stay in the attic. When they sometimes
Come down the stairs at night and stand perplexed
Behind the door and headboard of the bed,
Brushing their chalky skull with chalky fingers,
With sounds like the dry rattling of a shutter,
That’s what I sit up in the dark to say—
To no one any more since Toffile died.
Let them stay in the attic since they went there.
I promised Toffile to be cruel to them
For helping them be cruel once to him.
SON: We think they had a grave down in the cellar.
MOTHER: We know they had a grave down in the cellar.
SON: We never could find out whose bones they were.
MOTHER: Yes, we could too, son. Tell the truth for once.
They were a man’s his father killed for me.
I mean a man he killed instead of me.
The least I could do was to help dig their grave.
We were about it one night in the cellar.
Son knows the story: but “twas not for him
To tell the truth, suppose the time had come.
Son looks surprised to see me end a lie
We’d kept all these years between ourselves
So as to have it ready for outsiders.
But to-night I don’t care enough to lie—
I don’t remember why I ever cared.
Toffile, if he were here, I don’t believe
Could tell you why he ever cared himself-
She hadn’t found the finger-bone she wanted
Among the buttons poured out in her lap.
I verified the name next morning: Toffile.
The rural letter-box said Toffile Lajway.
|
Written by
John Berryman |
I am the little man who smokes & smokes.
I am the girl who does know better but.
I am the king of the pool.
I am so wise I had my mouth sewn shut.
I am a government official & a goddamned fool.
I am a lady who takes jokes.
I am the enemy of the mind.
I am the auto salesman and lóve you.
I am a teenage cancer, with a plan.
I am the blackt-out man.
I am the woman powerful as a zoo.
I am two eyes screwed to my set, whose blind—
It is the Fourth of July.
Collect: while the dying man,
forgone by you creator, who forgives,
is gasping 'Thomas Jefferson still lives'
in vain, in vain, in vain.
I am Henry Pussy-cat! My whiskers fly.
|
Written by
J R R Tolkien |
Snow-white! Snow-white! O lady clear!
O Queen beyond the Western Sea!
O Light to us that wander here
Amid the world of woven trees!
Gilthoniel! O Elbereth!
Clear are thy eyes and bright thy breath.
Snow-white! Snow-white! We sing to thee
In a far land beyond the Sea.
O stars that in the Sunless Year
With shining hand by her were sown,
In windy fields now bright and clear
We see your silver blossom blown.
O Elbereth! Gilthoniel!
We still remember, we who dwell
In this far land beneath the trees,
Thy starlight on the Western Seas.
A Elbereth Gilthoniel,
Silivren penna miriel
O menal aglar elenath!
Na-chaered palan-diriel
O galadhremmin ennorath,
Fanuilos, le linnathon
nef aear, si nef aearon!
Ai! laurie lantar lassi surinen!
Yeni unotime ve ramar aldaron,
Yeni ve linte yuldar vanier
Mi oromardi lisse-miruvoreva
Andune pella Vardo tellumar
Nu luini yassen tintilar i eleni
Omaryo airetari-lirinen.
Si man i yulma nin enquantuva?
An si Tintalle Varda Oilosseo
Ve fanyar maryat Elentari ortane,
Ar ilye tier undulare lumbule;
Ar sindanoriello caita mornie
I falmalinnar imbe met, ar hisie
Untupa Calaciryo miri oiale.
Si vanwa na, Romello vanwa, Valimar!
Namarie! Nai hiruvalye Valimar.
Nai elye hiruva. Namarie!
Ah! Like gold fall the leaves in the wind,
Long years numberless as the wings of trees!
The long years have passed like swift draughts of the sweet mead
In lofty halls beyond the West
Beneath the blue vaults of Varda
Wherein the stars tremble in the song of her voice,
Holy and queenly.
Who now shall refill the cup for me?
For now the Kindler, Varda,
The Queen of the Stars, from Mount Everwhite
Has uplifted her hands like clouds,
And all paths are drowned deep in shadow;
And out of a grey country darkness lies on the foaming waves between us,
And mist covers the jewels of Calacirya for ever.
Now lost, lost to those from the East is Valimar!
Farewell! Maybe thou shalt find Valimar.
Maybe even thou shalt find it! Farewell!
Gilthoniel A Elbereth!
A Elbereth Gilthoniel
O menel palan-diriel,
Le nallon si dinguruthos!
A tiro nin, Fanuilos!
A! Elbereth Gilthoniel!
Silivren penna miriel
O menal aglar elenath,
Gilthoniel, A! Elbereth!
We still remember, we who dwell
In this far land beneath the trees
Thy starlight on the Western Seas.
|
Written by
Stephane Mallarme |
La lune s'attristait. Des s?raphins en pleurs
R?vant, l'archet aux doigts, dans le calme des fleurs
Vaporeuses, tiraient de mourantes violes
De blancs sanglots glissant sur l'azur des corolles.
—C'?tait le jour b?ni de ton premier baiser.
Ma songerie aimant ? me martyriser
s'enivrait savamment du parfum de tristesse
Que m?me sans regret et sans d?boire laisse
La cueillaison d'un R?ve au coeur qui l'a cueilli.
J'errais donc, l'oeil riv? sur le pav? vieilli
Quand avec du soleil aux cheveux, dans la rue
Et dans le soir, tu m'es en riant apparue
Et j'ai cru voir la f?e au chapeau de clart?
Qui jadis sur mes beaux sommeils d'enfant g?t?
Passait, laissant toujours de ses mains mal ferm?es
Neiger de blancs bouquets d'?toiles parfum?es.
|
Written by
Andre Breton |
Je connais le d?sespoir dans ses grandes lignes. Le d?sespoir n'a pas d'ailes, il ne
se tient pas n?cessairement ? une table desservie sur une terrasse, le soir, au bord de
la mer. C'est le d?sespoir et ce n'est pas le retour d'une quantit? de petits faits
comme des graines qui quittent ? la nuit tombante un sillon pour un autre. Ce n'est pas
la mousse sur une pierre ou le verre ? boire. C'est un bateau cribl? de neige, si vous
voulez, comme les oiseaux qui tombent et leur sang n'a pas la moindre ?paisseur. Je
connais le d?sespoir dans ses grandes lignes. Une forme tr?s petite, d?limit?e par un
bijou de cheveux. C'est le d?sespoir. Un collier de perles pour lequel on ne saurait
trouver de fermoir et dont l'existence ne tient pas m?me ? un fil, voil? le d?sespoir.
Le reste, nous n'en parlons pas. Nous n'avons pas fini de des?sp?rer, si nous
commen?ons. Moi je d?sesp?re de l'abat-jour vers quatre heures, je d?sesp?re de
l'?ventail vers minuit, je d?sesp?re de la cigarette des condamn?s. Je connais le
d?sespoir dans ses grandes lignes. Le d?sespoir n'a pas de coeur, la main reste toujours
au d?sespoir hors d'haleine, au d?sespoir dont les glaces ne nous disent jamais s'il est
mort. Je vis de ce d?sespoir qui m'enchante. J'aime cette mouche bleue qui vole dans le
ciel ? l'heure o? les ?toiles chantonnent. Je connais dans ses grandes lignes le
d?sespoir aux longs ?tonnements gr?les, le d?sespoir de la fiert?, le d?sespoir de
la col?re. Je me l?ve chaque jour comme tout le monde et je d?tends les bras sur un
papier ? fleurs, je ne me souviens de rien, et c'est toujours avec d?sespoir que je
d?couvre les beaux arbres d?racin?s de la nuit. L'air de la chambre est beau comme des
baguettes de tambour. Il fait un temps de temps. Je connais le d?sespoir dans ses grandes
lignes. C'est comme le vent du rideau qui me tend la perche. A-t-on id?e d'un d?sespoir
pareil! Au feu! Ah! ils vont encore venir... Et les annonces de journal, et les r?clames
lumineuses le long du canal. Tas de sable, esp?ce de tas de sable! Dans ses grandes
lignes le d?sespoir n'a pas d'importance. C'est une corv?e d'arbres qui va encore faire
une for?t, c'est une corv?e d'?toiles qui va encore faire un jour de moins, c'est une
corv?e de jours de moins qui va encore faire ma vie.
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