Written by
Walt Whitman |
I SIT and look out upon all the sorrows of the world, and upon all oppression and shame;
I hear secret convulsive sobs from young men, at anguish with themselves, remorseful after
deeds
done;
I see, in low life, the mother misused by her children, dying, neglected, gaunt,
desperate;
I see the wife misused by her husband—I see the treacherous seducer of young women;
I mark the ranklings of jealousy and unrequited love, attempted to be hid—I see these
sights on
the earth;
I see the workings of battle, pestilence, tyranny—I see martyrs and prisoners;
I observe a famine at sea—I observe the sailors casting lots who shall be
kill’d, to
preserve the lives of the rest;
I observe the slights and degradations cast by arrogant persons upon laborers, the poor,
and
upon
*******, and the like;
All these—All the meanness and agony without end, I sitting, look out upon,
See, hear, and am silent.
|
Written by
Erica Jong |
In Autumn,
as in Spring,
the sap flows,
the sap wishes to race
against heartbeats
before the winter,
before the winter
buries us
in her usual shroud of ice.
I turn to you
knowing that
unrequited love
is good
for poetry,
knowing that pain
will nudge the muse
as well as anything,
knowing that you
are afraid, fettered
to a life
you do not love,
& so unfree
that freedom seems
more fearful even
than the familiar
business
of being
a grumbling slave.
I lived
that way
once,
& I know
that freedom
is its own reward,
that it propagates
itself
by means
of runners,
that nobody
gives it to you,
not even me
to you,
but that you
must seize it
with your own
two quaking hands
& pluck
the strawberry
it bears
in the green
ungrumbling
Spring.
|
Written by
Johann Wolfgang von Goethe |
ON Petrarch's heart, all other days before,
In flaming letters written, was impress d
GOOD FRIDAY. And on mine, be it confess'd,
Is this year's ADVENT, as it passeth o'er.
I do not now begin,--I still adore
Her whom I early cherish'd in my breast;,
Then once again with prudence dispossess'd,
And to whose heart I'm driven back once more.
The love of Petrarch, that all-glorious love,
Was unrequited, and, alas, full sad;
One long Good Friday 'twas, one heartache drear
But may my mistress' Advent ever prove,
With its palm-jubilee, so sweet and glad,
One endless Mayday, through the livelong year!
1807.
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Written by
Delmore Schwartz |
Silence is a great blue bell
Swinging and ringing, tinkling and singing,
In measure's pleasure, and in the supple symmetry
of the soaring of the immense intense wings
glinting against
All the blue radiance above us and within us, hidden
Save for the stars sparking, distant and unheard in their
singing.
And this is the first meaning of the famous saying,
The stars sang. They are the white birds of silence
And the meaning of the difficult famous saying that the
sons and daughters of morning sang,
Meant and means that they were and they are the children
of God and morning,
Delighting in the lights of becoming and the houses of
being,
Taking pleasure in measure and excess, in listening as in
seeing.
Love is the most difficult and dangerous form of courage.
Courage is the most desperate, admirable and noble kind of
love.
So that when the great blue bell of silence is stilled and
stopped or broken
By the babel and chaos of desire unrequited, irritated and
frustrated,
When the heart has opened and when the heart has spoken
Not of the purity and symmetry of gratification, but action
of insatiable distraction's dissatisfaction,
Then the heart says, in all its blindness and faltering
emptiness:
There is no God. Because I am hope. And hope must be
fed.
And then the great blue bell of silence is deafened, dumbed,
and has become the tomb of the living dead.
|
Written by
Ella Wheeler Wilcox |
I think that the bitterest sorrow or pain
Of love unrequited, or cold death’s woe,
Is sweet, compared to that hour when we know
That some grand passion is on the wane.
When we see that the glory, and glow, and grace
Which lent a splendour to night and day,
Are surely fading, and showing grey
And dull groundwork of the commonplace.
When fond expressions on dull ears fall,
When the hands clasp calmly without one thrill,
When we cannot muster by force of will
The old emotions that came at call.
When the dream has vanished we fain would keep,
When the heart, like a watch, runs out of gear,
And all the savour goes out of the year,
Oh, then is the time – if we could – to weep!
But no tears soften this dull, pale woe;
We must sit and face it with dry, sad eyes.
If we seek to hold it, the swifter joy flies –
We can only be passive, and let it go.
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Written by
Dorothy Parker |
I'm sick of embarking in dories
Upon an emotional sea.
I'm wearied of playing Dolores
(A role never written for me).
I'll never again like a cub lick
My wounds while I squeal at the hurt.
No more I'll go walking in public,
My heart hanging out of my shirt.
I'm tired of entwining me garlands
Of weather-worn hemlock and bay.
I'm over my longing for far lands-
I wouldn't give that for Cathay.
I'm through with performing the ballet
Of love unrequited and told.
Euterpe, I tender you vale;
Good-by, and take care of that cold.
I'm done with this burning and giving
And reeling the rhymes of my woes.
And how I'll be making my living,
The Lord in His mystery knows.
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Written by
Johann Wolfgang von Goethe |
OH, unhappy stars! your fate I mourn,
Ye by whom the sea-toss'd sailor's lighted,
Who with radiant beams the heav'ns adorn,
But by gods and men are unrequited:
For ye love not,--ne'er have learnt to love!
Ceaselessly in endless dance ye move,
In the spacious sky your charms displaying,
What far travels ye have hasten'd through,
Since, within my loved one's arms delaying,
I've forgotten you and midnight too!
1789.*
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Written by
William Butler Yeats |
This night has been so strange that it seemed
As if the hair stood up on my head.
From going-down of the sun I have dreamed
That women laughing, or timid or wild,
In rustle of lace or silken stuff,
Climbed up my creaking stair. They had read
All I had rhymed of that monstrous thing
Returned and yet unrequited love.
They stood in the door and stood between
My great wood lectern and the fire
Till I could hear their hearts beating:
One is a harlot, and one a child
That never looked upon man with desire.
And one, it may be, a queen.
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Written by
Friedrich von Schiller |
By no kind Augustus reared,
To no Medici endeared,
German art arose;
Fostering glory smiled not on her,
Ne'er with kingly smiles to sun her,
Did her blooms unclose.
No,--she went by monarchs slighted
Went unhonored, unrequited,
From high Frederick's throne;
Praise and pride be all the greater,
That man's genius did create her,
From man's worth alone.
Therefore, all from loftier mountains,
Purer wells and richer fountains,
Streams our poet-art;
So no rule to curb its rushing--
All the fuller flows it gushing
From its deep--the heart!
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