Written by
Anonymous |
Oh! is there any cause to fear
That dol-ly will be very ill?
To cure my lit-tle dar-ling here,
Pray, doc-tor, use your ut-most skill.
And dol-ly, if you would get well,
Hold out your arm, that Dr. Gray
May feel your tiny pulse, and tell
What best will take the pain a-way.
And do not say: "I will not touch
That nas-ty phy-sic, nor the pill."
If lit-tle dolls will eat too much,
They must not won-der if they're ill.
If your mam-ma ate too much cake,
She would be very poor-ly too,
And nas-ty phy-sic have to take;
And, lit-tle dol-ly, so must you.
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Written by
Thomas Hardy |
"O 'Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty?"--
"O didn't you know I'd been ruined?" said she.
--"You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you've gay bracelets and bright feathers three!"--
"Yes: that's how we dress when we're ruined," said she.
--"At home in the barton you said 'thee' and 'thou,'
And 'thik oon,' and 'theäs oon,' and 't'other'; but now
Your talking quite fits 'ee for high compa-ny!"--
"Some polish is gained with one's ruin," said she.
--"Your hands were like paws then, your face blue and bleak
But now I'm bewitched by your delicate cheek,
And your little gloves fit as on any la-dy!"--
"We never do work when we're ruined," said she.
--"You used to call home-life a hag-ridden dream,
And you'd sigh, and you'd sock; but at present you seem
To know not of megrims or melancho-ly!"--
"True. One's pretty lively when ruined," said she.
"--I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town!"--
"My dear--a raw country girl, such as you be,
Cannot quite expect that. You ain't ruined," said she.
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Written by
Amy Lowell |
First Movement
Thin-voiced, nasal pipes
Drawing sound out and out
Until it is a screeching thread,
Sharp and cutting, sharp and cutting,
It hurts.
Whee-e-e!
Bump! Bump! Tong-ti-bump!
There are drums here,
Banging,
And wooden shoes beating the round, grey stones
Of the market-place.
Whee-e-e!
Sabots slapping the worn, old stones,
And a shaking and cracking of dancing bones;
Clumsy and hard they are,
And uneven,
Losing half a beat
Because the stones are slippery.
Bump-e-ty-tong! Whee-e-e! Tong!
The thin Spring leaves
Shake to the banging of shoes.
Shoes beat, slap,
Shuffle, rap,
And the nasal pipes squeal with their pigs' voices,
Little pigs' voices
Weaving among the dancers,
A fine white thread
Linking up the dancers.
Bang! Bump! Tong!
Petticoats,
Stockings,
Sabots,
Delirium flapping its thigh-bones;
Red, blue, yellow,
Drunkenness steaming in colours;
Red, yellow, blue,
Colours and flesh weaving together,
In and out, with the dance,
Coarse stuffs and hot flesh weaving together.
Pigs' cries white and tenuous,
White and painful,
White and --
Bump!
Tong!
Second Movement
Pale violin music whiffs across the moon,
A pale smoke of violin music blows over the moon,
Cherry petals fall and flutter,
And the white Pierrot,
Wreathed in the smoke of the violins,
Splashed with cherry petals falling, falling,
Claws a grave for himself in the fresh earth
With his finger-nails.
Third Movement
An organ growls in the heavy roof-groins of a church,
It wheezes and coughs.
The nave is blue with incense,
Writhing, twisting,
Snaking over the heads of the chanting priests.
`Requiem aeternam dona ei, Domine';
The priests whine their bastard Latin
And the censers swing and click.
The priests walk endlessly
Round and round,
Droning their Latin
Off the key.
The organ crashes out in a flaring chord,
And the priests hitch their chant up half a tone.
`Dies illa, dies irae,
Calamitatis et miseriae,
Dies magna et amara valde.'
A wind rattles the leaded windows.
The little pear-shaped candle flames leap and flutter,
`Dies illa, dies irae;'
The swaying smoke drifts over the altar,
`Calamitatis et miseriae;'
The shuffling priests sprinkle holy water,
`Dies magna et amara valde;'
And there is a stark stillness in the midst of them
Stretched upon a bier.
His ears are stone to the organ,
His eyes are flint to the candles,
His body is ice to the water.
Chant, priests,
Whine, shuffle, genuflect,
He will always be as rigid as he is now
Until he crumbles away in a dust heap.
`Lacrymosa dies illa,
Qua resurget ex favilla
Judicandus *****reus.'
Above the grey pillars the roof is in darkness.
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Written by
Anonymous |
ROSE.
The post-man has been, dear mam-ma,
And has brought me a let-ter so fine;
And Su-san has one, but it is not, by far,
So pret-ty a let-ter as mine.
And, pray, will you read it to me,
Mam-ma, if I give you a kiss?
I wish very much to know who it can be
That has sent me a let-ter like this.
MAM-MA.
To the lot of our dear lit-tle Rose
We trust every bless-ing may fall;
And this is the prayer and the fond hope of those
Who love her most dear-ly of all.
So now, lit-tle Rose, can you guess
Who sent you this let-ter by post?
ROSE.
Oh, yes, dear mam-ma, I can tell you; oh, yes!
For you, and pa-pa, love me most.
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Written by
William Strode |
What are thy gaines, O death, if one man ly
Stretch'd in a bed of clay, whose charity
Doth hereby get occasion to redeeme
Thousands out of the grave: though cold hee seeme
He keepes those warme that else would sue to thee,
Even thee, to ease them of theyr penury.
Sorrow I would, but cannot thinke him dead,
Whose parts are rather all distributed
To those that live; His pitty lendeth eyes
Unto the blind, and to the cripple thighes,
Bones to the shatter'd corps, his hand doth make
Long armes for those that begg and cannot take:
All are supply'd with limbs, and to his freind
Hee leaves his heart, the selfe-same heart behind;
Scarce man and wife so much one flesh are found
As these one soule; the mutuall ty that bound
The first prefer'd in heav'n to pay on earth
Those happy fees which made them strive for death,
Made them both doners of each others store,
And each of them his own executor:
Those hearty summes are twice confer'd by either,
And yet so given as if confer'd by neither.
Lest some incroching governour might pare
Those almes and damne himselfe with pooremens share,
Lameing once more the lame, and killing quite
Those halfe-dead carcases, by due foresight
His partner is become the hand to act
Theyr joynt decree, who else would fain have lackt
This longer date that so hee might avoyd
The praise wherewith good eares would not be cloy'd,
For praises taint our charity, and steale
From Heav'ns reward; this caus'd them to conceale
Theyr great intendment till the grave must needs
Both hide the Author and reveale the deeds.
His widdow-freind still lives to take the care
Of children left behind; Why is it rare
That they who never tied the marriage knott,
And but good deeds no issue ever gott,
Should have a troupe of children? All mankind
Beget them heyres, heyres by theyr freinds resign'd
Back into nature's keepeinge. Th' aged head
Turn'd creeping child of them is borne and bredd;
The prisons are theyr cradles where they hush
Those piercing cryes. When other parents blush
To see a crooked birth, by these the maim'd
Deform'd weake offcasts are sought out and claim'd
To rayse a Progeny: before on death
Thus they renew mens lives with double breath,
And whereas others gett but halfe a man
Theyr nobler art of generation can
Repayr the soule itselfe, and see that none
Bee cripled more in that then in a bone,
For which the Cleargy being hartned on
Weake soules are cur'd in theyr Physition,
Whose superannuat hatt or threadbare cloake
Now doth not make his words so vainly spoke
To people's laughter: this munificence
At once hath giv'n them ears, him eloquence.
Now Henryes sacriledge is found to bee
The ground that sets off Fishborne's charity,
Who from lay owners rescueing church lands,
Buys out the injury of wrongfull hands,
And shewes the blackness of the other's night
By lustre of his day that shines so bright.
Sweet bee thy rest until in heav'n thou see
Those thankefull soules on earth preserv'd by thee,
Whose russet liv'ryes shall a Robe repay
That by reflex makes white the milky way.
Then shall those feeble limbs which as thine owne
Thou here didst cherish, then indeed bee known
To bee thy fellow limbs, all joyn'd in one;
For temples here renew'd the corner stone
Shall yeild thee thanks, when thou shall wonder at
The churches glory, but so poore of late,
Glad of thy almes! Because thy tender eare
Was never stop'd at cryes, it there shall heare
The Angells quire. In all things thou shalt see
Thy gifts were but religious Usury
|
Written by
Rudyard Kipling |
'E was warned agin' 'er --
That's what made 'im look;
She was warned agin' 'im --
That is why she took.
'Wouldn't 'ear no reason,
'Went an' done it blind;
We know all about 'em,
They've got all to find!
Cheer for the Sergeant's weddin' --
Give 'em one cheer more!
Grey gun-'orses in the lando,
An' a rogue is married to, etc.
What's the use o' tellin'
'Arf the lot she's been?
'E's a bloomin' robber,
An' 'e keeps canteen.
'Ow did 'e get 'is buggy?
Gawd, you needn't ask!
'Made 'is forty gallon
Out of every cask!
Watch 'im, with 'is 'air cut,
Count us filin' by --
Won't the Colonel praise 'is
Pop -- u -- lar -- i -- ty!
We 'ave scores to settle --
Scores for more than beer;
She's the girl to pay 'em --
That is why we're 'ere!
See the chaplain thinkin'?
See the women smile?
Twig the married winkin'
As they take the aisle?
Keep your side-arms quiet,
Dressin' by the Band.
Ho! You 'oly beggars,
Cough be'ind your 'and!
Now it's done an' over,
'Ear the organ squeak,
"'Voice that breathed o'er Eden" --
Ain't she got the cheek!
White an' laylock ribbons,
Think yourself so fine!
I'd pray Gawd to take yer
'Fore I made yer mine!
Escort to the kerridge,
Wish 'im luck, the brute!
Chuck the slippers after --
[Pity 'tain't a boot!]
Bowin' like a lady,
Blushin' like a lad --
'Oo would say to see 'em
Both is rotten bad?
Cheer for the Sergeant's weddin' --
Give 'em one cheer more!
Grey gun-'orses in the lando,
An' a rogue is married to, etc.
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Written by
Carl Sandburg |
STYLE--go ahead talking about style.
You can tell where a man gets his style just
as you can tell where Pavlowa got her legs
or Ty Cobb his batting eye.
Go on talking.
Only don't take my style away.
It's my face.
Maybe no good
but anyway, my face.
I talk with it, I sing with it, I see, taste and feel with it,
I know why I want to keep it.
Kill my style
and you break Pavlowa's legs,
and you blind Ty Cobb's batting eye.
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