Written by
G K Chesterton |
White founts falling in the Courts of the sun,
And the Soldan of Byzantium is smiling as they run;
There is laughter like the fountains in that face of all men feared,
It stirs the forest darkness, the darkness of his beard;
It curls the blood-red crescent, the crescent of his lips;
For the inmost sea of all the earth is shaken with his ships.
They have dared the white republics up the capes of Italy,
They have dashed the Adriatic round the Lion of the Sea,
And the Pope has cast his arms abroad for agony and loss,
And called the kings of Christendom for swords about the Cross.
The cold queen of England is looking in the glass;
The shadow of the Valois is yawning at the Mass;
From evening isles fantastical rings faint the Spanish gun,
And the Lord upon the Golden Horn is laughing in the sun.
Dim drums throbbing, in the hills half heard,
Where only on a nameless throne a crownless prince has stirred,
Where, risen from a doubtful seat and half attainted stall,
The last knight of Europe takes weapons from the wall,
The last and lingering troubadour to whom the bird has sung,
That once went singing southward when all the world was young.
In that enormous silence, tiny and unafraid,
Comes up along a winding road the noise of the Crusade.
Strong gongs groaning as the guns boom far,
Don John of Austria is going to the war,
Stiff flags straining in the night-blasts cold
In the gloom black-purple, in the glint old-gold,
Torchlight crimson on the copper kettle-drums,
Then the tuckets, then the trumpets, then the cannon, and he comes.
Don John laughing in the brave beard curled,
Spurning of his stirrups like the thrones of all the world,
Holding his head up for a flag of all the free.
Love-light of Spain--hurrah!
Death-light of Africa!
Don John of Austria
Is riding to the sea.
Mahound is in his paradise above the evening star,
(Don John of Austria is going to the war.
)
He moves a mighty turban on the timeless houri's knees,
His turban that is woven of the sunsets and the seas.
He shakes the peacock gardens as he rises from his ease,
And he strides among the tree-tops and is taller than the trees;
And his voice through all the garden is a thunder sent to bring
Black Azrael and Ariel and Ammon on the wing.
Giants and the Genii,
Multiplex of wing and eye,
Whose strong obedience broke the sky
When Solomon was king.
They rush in red and purple from the red clouds of the morn,
From the temples where the yellow gods shut up their eyes in scorn;
They rise in green robes roaring from the green hells of the sea
Where fallen skies and evil hues and eyeless creatures be,
On them the sea-valves cluster and the grey sea-forests curl,
Splashed with a splendid sickness, the sickness of the pearl;
They swell in sapphire smoke out of the blue cracks of the ground,--
They gather and they wonder and give worship to Mahound.
And he saith, "Break up the mountains where the hermit-folk can hide,
And sift the red and silver sands lest bone of saint abide,
And chase the Giaours flying night and day, not giving rest,
For that which was our trouble comes again out of the west.
We have set the seal of Solomon on all things under sun,
Of knowledge and of sorrow and endurance of things done.
But a noise is in the mountains, in the mountains, and I know
The voice that shook our palaces--four hundred years ago:
It is he that saith not 'Kismet'; it is he that knows not Fate;
It is Richard, it is Raymond, it is Godfrey at the gate!
It is he whose loss is laughter when he counts the wager worth,
Put down your feet upon him, that our peace be on the earth.
"
For he heard drums groaning and he heard guns jar,
(Don John of Austria is going to the war.
)
Sudden and still--hurrah!
Bolt from Iberia!
Don John of Austria
Is gone by Alcalar.
St.
Michaels on his Mountain in the sea-roads of the north
(Don John of Austria is girt and going forth.
)
Where the grey seas glitter and the sharp tides shift
And the sea-folk labour and the red sails lift.
He shakes his lance of iron and he claps his wings of stone;
The noise is gone through Normandy; the noise is gone alone;
The North is full of tangled things and texts and aching eyes,
And dead is all the innocence of anger and surprise,
And Christian killeth Christian in a narrow dusty room,
And Christian dreadeth Christ that hath a newer face of doom,
And Christian hateth Mary that God kissed in Galilee,--
But Don John of Austria is riding to the sea.
Don John calling through the blast and the eclipse
Crying with the trumpet, with the trumpet of his lips,
Trumpet that sayeth ha!
Domino gloria!
Don John of Austria
Is shouting to the ships.
King Philip's in his closet with the Fleece about his neck
(Don John of Austria is armed upon the deck.
)
The walls are hung with velvet that is black and soft as sin,
And little dwarfs creep out of it and little dwarfs creep in.
He holds a crystal phial that has colours like the moon,
He touches, and it tingles, and he trembles very soon,
And his face is as a fungus of a leprous white and grey
Like plants in the high houses that are shuttered from the day,
And death is in the phial and the end of noble work,
But Don John of Austria has fired upon the Turk.
Don John's hunting, and his hounds have bayed--
Booms away past Italy the rumour of his raid.
Gun upon gun, ha! ha!
Gun upon gun, hurrah!
Don John of Austria
Has loosed the cannonade.
The Pope was in his chapel before day or battle broke,
(Don John of Austria is hidden in the smoke.
)
The hidden room in man's house where God sits all the year,
The secret window whence the world looks small and very dear.
He sees as in a mirror on the monstrous twilight sea
The crescent of his cruel ships whose name is mystery;
They fling great shadows foe-wards, making Cross and Castle dark,
They veil the plum?d lions on the galleys of St.
Mark;
And above the ships are palaces of brown, black-bearded chiefs,
And below the ships are prisons, where with multitudinous griefs,
Christian captives sick and sunless, all a labouring race repines
Like a race in sunken cities, like a nation in the mines.
They are lost like slaves that sweat, and in the skies of morning hung
The stair-ways of the tallest gods when tyranny was young.
They are countless, voiceless, hopeless as those fallen or fleeing on
Before the high Kings' horses in the granite of Babylon.
And many a one grows witless in his quiet room in hell
Where a yellow face looks inward through the lattice of his cell,
And he finds his God forgotten, and he seeks no more a sign--
(But Don John of Austria has burst the battle-line!)
Don John pounding from the slaughter-painted poop,
Purpling all the ocean like a bloody pirate's sloop,
Scarlet running over on the silvers and the golds,
Breaking of the hatches up and bursting of the holds,
Thronging of the thousands up that labour under sea
White for bliss and blind for sun and stunned for liberty.
Vivat Hispania!
Domino Gloria!
Don John of Austria
Has set his people free!
Cervantes on his galley sets the sword back in the sheath
(Don John of Austria rides homeward with a wreath.
)
And he sees across a weary land a straggling road in Spain,
Up which a lean and foolish knight for ever rides in vain,
And he smiles, but not as Sultans smile, and settles back the blade.
.
.
.
(But Don John of Austria rides home from the Crusade.
)
|
Written by
Amy Lowell |
I
The Trumpet-Vine Arbour
The throats of the little red trumpet-flowers are
wide open,
And the clangour of brass beats against the hot sunlight.
They bray and blare at the burning sky.
Red! Red! Coarse notes of red,
Trumpeted at the blue sky.
In long streaks of sound, molten metal,
The vine declares itself.
Clang! -- from its red and yellow trumpets.
Clang! -- from its long, nasal trumpets,
Splitting the sunlight into ribbons, tattered and shot with noise.
I sit in the cool arbour, in a green-and-gold twilight.
It is very still, for I cannot hear the trumpets,
I only know that they are red and open,
And that the sun above the arbour shakes with heat.
My quill is newly mended,
And makes fine-drawn lines with its point.
Down the long, white paper it makes little lines,
Just lines -- up -- down -- criss-cross.
My heart is strained out at the pin-point of my quill;
It is thin and writhing like the marks of the pen.
My hand marches to a squeaky tune,
It marches down the paper to a squealing of fifes.
My pen and the trumpet-flowers,
And Washington's armies away over the smoke-tree to the Southwest.
"Yankee Doodle," my Darling! It is you against the British,
Marching in your ragged shoes to batter down King George.
What have you got in your hat? Not a feather, I wager.
Just a hay-straw, for it is the harvest you are fighting for.
Hay in your hat, and the whites of their eyes for a target!
Like Bunker Hill, two years ago, when I watched all day from the
house-top
Through Father's spy-glass.
The red city, and the blue, bright water,
And puffs of smoke which you made.
Twenty miles away,
Round by Cambridge, or over the Neck,
But the smoke was white -- white!
To-day the trumpet-flowers are red -- red --
And I cannot see you fighting,
But old Mr.
Dimond has fled to Canada,
And Myra sings "Yankee Doodle" at her milking.
The red throats of the trumpets bray and clang in the sunshine,
And the smoke-tree puffs dun blossoms into the blue air.
II
The City of Falling Leaves
Leaves fall,
Brown leaves,
Yellow leaves streaked with brown.
They fall,
Flutter,
Fall again.
The brown leaves,
And the streaked yellow leaves,
Loosen on their branches
And drift slowly downwards.
One,
One, two, three,
One, two, five.
All Venice is a falling of Autumn leaves --
Brown,
And yellow streaked with brown.
"That sonnet, Abate,
Beautiful,
I am quite exhausted by it.
Your phrases turn about my heart
And stifle me to swooning.
Open the window, I beg.
Lord! What a strumming of fiddles and mandolins!
'Tis really a shame to stop indoors.
Call my maid, or I will make you lace me yourself.
Fie, how hot it is, not a breath of air!
See how straight the leaves are falling.
Marianna, I will have the yellow satin caught up with silver fringe,
It peeps out delightfully from under a mantle.
Am I well painted to-day, `caro Abate mio'?
You will be proud of me at the `Ridotto', hey?
Proud of being `Cavalier Servente' to such a lady?"
"Can you doubt it, `Bellissima Contessa'?
A pinch more rouge on the right cheek,
And Venus herself shines less .
.
.
"
"You bore me, Abate,
I vow I must change you!
A letter, Achmet?
Run and look out of the window, Abate.
I will read my letter in peace.
"
The little black slave with the yellow satin turban
Gazes at his mistress with strained eyes.
His yellow turban and black skin
Are gorgeous -- barbaric.
The yellow satin dress with its silver flashings
Lies on a chair
Beside a black mantle and a black mask.
Yellow and black,
Gorgeous -- barbaric.
The lady reads her letter,
And the leaves drift slowly
Past the long windows.
"How silly you look, my dear Abate,
With that great brown leaf in your wig.
Pluck it off, I beg you,
Or I shall die of laughing.
"
A yellow wall
Aflare in the sunlight,
Chequered with shadows,
Shadows of vine leaves,
Shadows of masks.
Masks coming, printing themselves for an instant,
Then passing on,
More masks always replacing them.
Masks with tricorns and rapiers sticking out behind
Pursuing masks with plumes and high heels,
The sunlight shining under their insteps.
One,
One, two,
One, two, three,
There is a thronging of shadows on the hot wall,
Filigreed at the top with moving leaves.
Yellow sunlight and black shadows,
Yellow and black,
Gorgeous -- barbaric.
Two masks stand together,
And the shadow of a leaf falls through them,
Marking the wall where they are not.
From hat-tip to shoulder-tip,
From elbow to sword-hilt,
The leaf falls.
The shadows mingle,
Blur together,
Slide along the wall and disappear.
Gold of mosaics and candles,
And night blackness lurking in the ceiling beams.
Saint Mark's glitters with flames and reflections.
A cloak brushes aside,
And the yellow of satin
Licks out over the coloured inlays of the pavement.
Under the gold crucifixes
There is a meeting of hands
Reaching from black mantles.
Sighing embraces, bold investigations,
Hide in confessionals,
Sheltered by the shuffling of feet.
Gorgeous -- barbaric
In its mail of jewels and gold,
Saint Mark's looks down at the swarm of black masks;
And outside in the palace gardens brown leaves fall,
Flutter,
Fall.
Brown,
And yellow streaked with brown.
Blue-black, the sky over Venice,
With a pricking of yellow stars.
There is no moon,
And the waves push darkly against the prow
Of the gondola,
Coming from Malamocco
And streaming toward Venice.
It is black under the gondola hood,
But the yellow of a satin dress
Glares out like the eye of a watching tiger.
Yellow compassed about with darkness,
Yellow and black,
Gorgeous -- barbaric.
The boatman sings,
It is Tasso that he sings;
The lovers seek each other beneath their mantles,
And the gondola drifts over the lagoon, aslant to the coming dawn.
But at Malamocco in front,
In Venice behind,
Fall the leaves,
Brown,
And yellow streaked with brown.
They fall,
Flutter,
Fall.
|
Written by
John Greenleaf Whittier |
Pipes of the misty moorlands,
Voice of the glens and hills;
The droning of the torrents,
The treble of the rills!
Not the braes of bloom and heather,
Nor the mountains dark with rain,
Nor maiden bower, nor border tower,
Have heard your sweetest strain!
Dear to the Lowland reaper,
And plaided mountaineer, -
To the cottage and the castle
The Scottish pipes are dear; -
Sweet sounds the ancient pibroch
O'er mountain, loch, and glade;
But the sweetest of all music
The pipes at Lucknow played.
Day by day the Indian tiger
Louder yelled, and nearer crept;
Round and round the jungle-serpent
Near and nearer circles swept.
'Pray for rescue, wives and mothers, -
Pray to-day!' the soldier said;
'To-morrow, death's between us
And the wrong and shame we dread.
'
Oh, they listened, looked, and waited,
Till their hope became despair;
And the sobs of low bewailing
Filled the pauses of their prayer.
Then up spake a Scottish maiden.
With her ear unto the ground:
'Dinna ye hear it? - dinna ye hear it?
The pipes o' Havelock sound!'
Hushed the wounded man his groaning;
Hushed the wife her little ones;
Alone they heard the drum-roll
And the roar of Sepoy guns.
But to sounds of home and childhood
The Highland ear was true; -
As her mother's cradle-crooning
The mountain pipes she knew.
Like the march of soundless music
Through the vision of the seer,
More of feeling than of hearing,
Of the heart than of the ear,
She knew the droning pibroch,
She knew the Campbell's call:
'Hark! hear ye no MacGregor's,
The grandest o' them all!'
Oh, they listened, dumb and breathless,
And they caught the sound at last;
Faint and far beyond the Goomtee
Rose and fell the piper's blast!
Then a burst of wild thanksgiving
Mingled woman's voice and man's;
'God be praised! - the march of Havelock!
The piping of the clans!'
Louder, nearer, fierce as vengeance,
Sharp and shrill as swords at strife,
Came the wild MacGregor's clan-call,
Stinging all the air to life.
But when the far-off dust-cloud
To plaided legions grew,
Full tenderly and blithesomely
The pipes of rescue blew!
Round the silver domes of Lucknow.
Moslem mosque and Pagan shrine,
Breathed the air to Britons dearest,
The air of Auld Lang Syne.
O'er the cruel roll of war-drums
Rose that sweet and homelike strain;
And the tartan clove the turban,
As the Goomtee cleaves the plain.
Dear to the corn-land reaper
And plaided mountaineer, -
To the cottage and the castle
The piper's song is dear.
Sweet sounds the Gaelic pibroch
O'er mountain, glen, and glade;
But the sweetest of all music
The pipes at Lucknow played!
|
Written by
Sarojini Naidu |
(Parvati at her lattice)
O Love! were you a basil-wreath to twine
among my tresses,
A jewelled clasp of shining gold to bind around my sleeve,
O Love! were you the keora's soul that haunts
my silken raiment,
A bright, vermilion tassel in the girdles that I weave;
O Love! were you the scented fan
that lies upon my pillow,
A sandal lute, or silver lamp that burns before my shrine,
Why should I fear the jealous dawn
that spreads with cruel laughter,
Sad veils of separation between your face and mine?
Haste, O wild-bee hours, to the gardens of the sun set!
Fly, wild-parrot day, to the orchards of the west!
Come, O tender night, with your sweet,
consoling darkness,
And bring me my Beloved to the shelter of my breast!
(Amar Singh in the saddle)
O Love! were you the hooded hawk upon my hand
that flutters,
Its collar-band of gleaming bells atinkle as I ride,
O Love! were you a turban-spray or
floating heron-feather,
The radiant, swift, unconquered sword
that swingeth at my side;
O Love! were you a shield against the
arrows of my foemen,
An amulet of jade against the perils of the way,
How should the drum-beats of the dawn
divide me from your bosom,
Or the union of the midnight be ended with the day?
Haste, O wild-deer hours, to the meadows of the sunset!
Fly, wild stallion day, to the pastures of the west!
Come, O tranquil night, with your soft,
consenting darkness,
And bear me to the fragrance of my Beloved's breast!
|
Written by
Sir Henry Newbolt |
It fell in the year of Mutiny,
At darkest of the night,
John Nicholson by Jal?ndhar came,
On his way to Delhi fight.
And as he by Jal?ndhar came,
He thought what he must do,
And he sent to the Rajah fair greeting,
To try if he were true.
"God grant your Highness length of days,
And friends when need shall be;
And I pray you send your Captains hither,
That they may speak with me.
"
On the morrow through Jal?ndhar town
The Captains rode in state;
They came to the house of John Nicholson,
And stood before the gate.
The chief of them was Mehtab Singh,
He was both proud and sly;
His turban gleamed with rubies red,
He held his chin full high.
He marked his fellows how they put
Their shoes from off their feet;
"Now wherefore make ye such ado
These fallen lords to greet?
"They have ruled us for a hundred years,
In truth I know not how,
But though they be fain of mastery
They dare not claim it now.
"
Right haughtily before them all
The durbar hall he trod,
With rubies red his turban gleamed,
His feet with pride were shod.
They had not been an hour together,
A scanty hour or so,
When Mehtab Singh rose in his place
And turned about to go.
Then swiftly came John Nicholson
Between the door and him,
With anger smouldering in his eyes,
That made the rubies dim.
"You are over-hasty, Mehtab Singh," --
Oh, but his voice was low!
He held his wrath with a curb of iron
That furrowed cheek and brow.
"You are over-hasty, Mehtab Singh,
When that the rest are gone,
I have a word that may not wait
To speak with you alone.
"
The Captains passed in silence forth
And stood the door behind;
To go before the game was played
Be sure they had no mind.
But there within John Nicholson
Turned him on Mehtab Singh,
"So long as the soul is in my body
You shall not do this thing.
"Have ye served us for a hundred years
And yet ye know not why?
We brook no doubt of our mastery,
We rule until we die.
"Were I the one last Englishman
Drawing the breath of life,
And you the master-rebel of all
That stir this land to strife --
"Were I," he said, "but a Corporal,
And you a Rajput King,
So long as the soul was in my body
You should not do this thing.
"Take off, take off, those shoes of pride,
Carry them whence they came;
Your Captains saw your insolence,
And they shall see your shame.
"
When Mehtab Singh came to the door
His shoes they burned his hand,
For there in long and silent lines
He saw the Captains stand.
When Mehtab Singh rode from the gate
His chin was on his breast:
The captains said, "When the strong command
Obedience is best.
"
|
Written by
William Cowper |
Hark! 'tis the twanging horn! O'er yonder bridge,
That with its wearisome but needful length
Bestrides the wintry flood, in which the moon
Sees her unwrinkled face reflected bright,
He comes, the herald of a noisy world,
With spatter'd boots, strapp'd waist, and frozen locks;
News from all nations lumb'ring at his back.
True to his charge, the close-pack'd load behind,
Yet careless what he brings, his one concern
Is to conduct it to the destin'd inn:
And, having dropp'd th' expected bag, pass on.
He whistles as he goes, light-hearted wretch,
Cold and yet cheerful: messenger of grief
Perhaps to thousands, and of joy to some;
To him indiff'rent whether grief or joy.
Houses in ashes, and the fall of stocks,
Births, deaths, and marriages, epistles wet
With tears that trickled down the writer's cheeks
Fast as the periods from his fluent quill,
Or charg'd with am'rous sighs of absent swains,
Or nymphs responsive, equally affect
His horse and him, unconscious of them all.
But oh th' important budget! usher'd in
With such heart-shaking music, who can say
What are its tidings? have our troops awak'd?
Or do they still, as if with opium drugg'd,
Snore to the murmurs of th' Atlantic wave?
Is India free? and does she wear her plum'd
And jewell'd turban with a smile of peace,
Or do we grind her still? The grand debate,
The popular harangue, the tart reply,
The logic, and the wisdom, and the wit,
And the loud laugh--I long to know them all;
I burn to set th' imprison'd wranglers free,
And give them voice and utt'rance once again.
Now stir the fire, and close the shutters fast,
Let fall the curtains, wheel the sofa round,
And, while the bubbling and loud-hissing urn
Throws up a steamy column, and the cups,
That cheer but not inebriate, wait on each,
So let us welcome peaceful ev'ning in.
Not such his ev'ning, who with shining face
Sweats in the crowded theatre, and, squeez'd
And bor'd with elbow-points through both his sides,
Out-scolds the ranting actor on the stage:
Nor his, who patient stands till his feet throb,
And his head thumps, to feed upon the breath
Of patriots, bursting with heroic rage,
Or placemen, all tranquility and smiles.
This folio of four pages, happy work!
Which not ev'n critics criticise; that holds
Inquisitive attention, while I read,
Fast bound in chains of silence, which the fair,
Though eloquent themselves, yet fear to break;
What is it, but a map of busy life,
Its fluctuations, and its vast concerns?.
.
.
Oh winter, ruler of th' inverted year,
Thy scatter'd hair with sleet like ashes fill'd,
Thy breath congeal'd upon thy lips, thy cheeks
Fring'd with a beard made white with other snows
Than those of age, thy forehead wrapp'd in clouds,
A leafless branch thy sceptre, and thy throne
A sliding car, indebted to no wheels,
But urg'd by storms along its slipp'ry way,
I love thee, all unlovely as thou seem'st,
And dreaded as thou art! Thou hold'st the sun
A pris'ner in the yet undawning east,
Short'ning his journey between morn and noon,
And hurrying him, impatient of his stay,
Down to the rosy west; but kindly still
Compensating his loss with added hours
Of social converse and instructive ease,
And gath'ring, at short notice, in one group
The family dispers'd, and fixing thought,
Not less dispers'd by day-light and its cares.
I crown thee king of intimate delights,
Fire-side enjoyments, home-born happiness,
And all the comforts that the lowly roof
Of undisturb'd retirement, and the hours
Of long uninterrupted ev'ning, know.
No rattling wheels stop short before these gates;
No powder'd pert proficient in the art
Of sounding an alarm, assaults these doors
Till the street rings; no stationary steeds
Cough their own knell, while, heedless of the sound,
The silent circle fan themselves, and quake:
But here the needle plies its busy task,
The pattern grows, the well-depicted flow'r,
Wrought patiently into the snowy lawn,
Unfolds its bosom; buds, and leaves, and sprigs,
And curling tendrils, gracefully dispos'd,
Follow the nimble finger of the fair;
A wreath that cannot fade, or flow'rs that blow
With most success when all besides decay.
The poet's or historian's page, by one
Made vocal for th' amusement of the rest;
The sprightly lyre, whose treasure of sweet sounds
The touch from many a trembling chord shakes out;
And the clear voice symphonious, yet distinct,
And in the charming strife triumphant still;
Beguile the night, and set a keener edge
On female industry: the threaded steel
Flies swiftly, and, unfelt, the task proceeds.
The volume clos'd, the customary rites
Of the last meal commence.
A Roman meal;
Such as the mistress of the world once found
Delicious, when her patriots of high note,
Perhaps by moonlight, at their humble doors,
And under an old oak's domestic shade,
Enjoy'd--spare feast!--a radish and an egg!
Discourse ensues, not trivial, yet not dull,
Nor such as with a frown forbids the play
Of fancy, or proscribes the sound of mirth:
Nor do we madly, like an impious world,
Who deem religion frenzy, and the God
That made them an intruder on their joys,
Start at his awful name, or deem his praise
A jarring note.
Themes of a graver tone,
Exciting oft our gratitude and love,
While we retrace with mem'ry's pointing wand,
That calls the past to our exact review,
The dangers we have 'scaped, the broken snare,
The disappointed foe, deliv'rance found
Unlook'd for, life preserv'd and peace restor'd--
Fruits of omnipotent eternal love.
Oh ev'nings worthy of the gods! exclaim'd
The Sabine bard.
Oh ev'nings, I reply,
More to be priz'd and coveted than yours,
As more illumin'd, and with nobler truths.
That I, and mine, and those we love, enjoy.
.
.
.
|
Written by
Robert Herrick |
THE FAIRY TEMPLE; OR, OBERON'S CHAPEL
DEDICATED TO MR JOHN MERRIFIELD,
COUNSELLOR AT LAW
RARE TEMPLES THOU HAST SEEN, I KNOW,
AND RICH FOR IN AND OUTWARD SHOW;
SURVEY THIS CHAPEL BUILT, ALONE,
WITHOUT OR LIME, OR WOOD, OR STONE.
THEN SAY, IF ONE THOU'ST SEEN MORE FINE
THAN THIS, THE FAIRIES' ONCE, NOW THINE.
THE TEMPLE
A way enchaced with glass and beads
There is, that to the Chapel leads;
Whose structure, for his holy rest,
Is here the Halcyon's curious nest;
Into the which who looks, shall see
His Temple of Idolatry;
Where he of god-heads has such store,
As Rome's Pantheon had not more.
His house of Rimmon this he calls,
Girt with small bones, instead of walls.
First in a niche, more black than jet,
His idol-cricket there is set;
Then in a polish'd oval by
There stands his idol-beetle-fly;
Next, in an arch, akin to this,
His idol-canker seated is.
Then in a round, is placed by these
His golden god, Cantharides.
So that where'er ye look, ye see
No capital, no cornice free,
Or frieze, from this fine frippery.
Now this the Fairies would have known,
Theirs is a mixt religion:
And some have heard the elves it call
Part Pagan, part Papistical.
If unto me all tongues were granted,
I could not speak the saints here painted.
Saint Tit, Saint Nit, Saint Is, Saint Itis,
Who 'gainst Mab's state placed here right is.
Saint Will o' th' Wisp, of no great bigness,
But, alias, call'd here FATUUS IGNIS.
Saint Frip, Saint Trip, Saint Fill, Saint Filly;--
Neither those other saint-ships will I
Here go about for to recite
Their number, almost infinite;
Which, one by one, here set down are
In this most curious calendar.
First, at the entrance of the gate,
A little puppet-priest doth wait,
Who squeaks to all the comers there,
'Favour your tongues, who enter here.
'Pure hands bring hither, without stain.
'
A second pules, 'Hence, hence, profane!'
Hard by, i' th' shell of half a nut,
The holy-water there is put;
A little brush of squirrels' hairs,
Composed of odd, not even pairs,
Stands in the platter, or close by,
To purge the fairy family.
Near to the altar stands the priest,
There offering up the holy-grist;
Ducking in mood and perfect tense,
With (much good do't him) reverence.
The altar is not here four-square,
Nor in a form triangular;
Nor made of glass, or wood, or stone,
But of a little transverse bone;
Which boys and bruckel'd children call
(Playing for points and pins) cockall.
Whose linen-drapery is a thin,
Sub|ile, and ductile codling's skin;
Which o'er the board is smoothly spread
With little seal-work damasked.
The fringe that circumbinds it, too,
Is spangle-work of trembling dew,
Which, gently gleaming, makes a show,
Like frost-work glitt'ring on the snow.
Upon this fetuous board doth stand
Something for shew-bread, and at hand
(Just in the middle of the altar)
Upon an end, the Fairy-psalter,
Graced with the trout-flies' curious wings,
Which serve for watchet ribbonings.
Now, we must know, the elves are led
Right by the Rubric, which they read:
And if report of them be true,
They have their text for what they do;
Ay, and their book of canons too.
And, as Sir Thomas Parson tells,
They have their book of articles;
And if that Fairy knight not lies
They have their book of homilies;
And other Scriptures, that design
A short, but righteous discipline.
The bason stands the board upon
To take the free-oblation;
A little pin-dust, which they hold
More precious than we prize our gold;
Which charity they give to many
Poor of the parish, if there's any.
Upon the ends of these neat rails,
Hatch'd with the silver-light of snails,
The elves, in formal manner, fix
Two pure and holy candlesticks,
In either which a tall small bent
Burns for the altar's ornament.
For sanctity, they have, to these,
Their curious copes and surplices
Of cleanest cobweb, hanging by
In their religious vestery.
They have their ash-pans and their brooms,
To purge the chapel and the rooms;
Their many mumbling mass-priests here,
And many a dapper chorister.
Their ush'ring vergers here likewise,
Their canons and their chaunteries;
Of cloister-monks they have enow,
Ay, and their abbey-lubbers too:--
And if their legend do not lie,
They much affect the papacy;
And since the last is dead, there's hope
Elve Boniface shall next be Pope.
They have their cups and chalices,
Their pardons and indulgences,
Their beads of nits, bells, books, and wax-
Candles, forsooth, and other knacks;
Their holy oil, their fasting-spittle,
Their sacred salt here, not a little.
Dry chips, old shoes, rags, grease, and bones,
Beside their fumigations.
Many a trifle, too, and trinket,
And for what use, scarce man would think it.
Next then, upon the chanter's side
An apple's-core is hung up dried,
With rattling kernels, which is rung
To call to morn and even-song.
The saint, to which the most he prays
And offers incense nights and days,
The lady of the lobster is,
Whose foot-pace he doth stroke and kiss,
And, humbly, chives of saffron brings
For his most cheerful offerings.
When, after these, he's paid his vows,
He lowly to the altar bows;
And then he dons the silk-worm's shed,
Like a Turk's turban on his head,
And reverently departeth thence,
Hid in a cloud of frankincense;
And by the glow-worm's light well guided,
Goes to the Feast that's now provided.
|
Written by
William Blake |
The nameless shadowy female rose from out the breast of Orc,
Her snaky hair brandishing in the winds of Enitharmon;
And thus her voice arose:
'O mother Enitharmon, wilt thou bring forth other sons?
To cause my name to vanish, that my place may not be found,
For I am faint with travail,
Like the dark cloud disburden'd in the day of dismal thunder.
My roots are brandish'd in the heavens, my fruits in earth beneath
Surge, foam and labour into life, first born and first consum'd!
Consumed and consuming!
Then why shouldst thou, accursed mother, bring me into life?
I wrap my turban of thick clouds around my lab'ring head,
And fold the sheety waters as a mantle round my limbs;
Yet the red sun and moon
And all the overflowing stars rain down prolific pains.
Unwilling I look up to heaven, unwilling count the stars:
Sitting in fathomless abyss of my immortal shrine
I seize their burning power
And bring forth howling terrors, all devouring fiery kings,
Devouring and devoured, roaming on dark and desolate mountains,
In forests of eternal death, shrieking in hollow trees.
Ah mother Enitharmon!
Stamp not with solid form this vig'rous progeny of fires.
I bring forth from my teeming bosom myriads of flames,
And thou dost stamp them with a signet; then they roam abroad
And leave me void as death.
Ah! I am drown'd in shady woe and visionary joy.
And who shall bind the infinite with an eternal band?
To compass it with swaddling bands? and who shall cherish it
With milk and honey?
I see it smile, and I roll inward, and my voice is past.
'
She ceased, and roll'd her shady clouds
Into the secret place.
|
Written by
Alan Seeger |
My spirit only lived to look on Beauty's face,
As only when they clasp the arms seem served aright;
As in their flesh inheres the impulse to embrace,
To gaze on Loveliness was my soul's appetite.
I have roamed far in search; white road and plunging bow
Were keys in the blue doors where my desire was set;
Obedient to their lure, my lips and laughing brow
The hill-showers and the spray of many seas have wet.
Hot are enamored hands, the fragrant zone unbound,
To leave no dear delight unfelt, unfondled o'er,
The will possessed my heart to girdle Earth around
With their insatiate need to wonder and adore.
The flowers in the fields, the surf upon the sands,
The sunset and the clouds it turned to blood and wine,
Were shreds of the thin veil behind whose beaded strands
A radiant visage rose, serene, august, divine.
A noise of summer wind astir in starlit trees,
A song where sensual love's delirium rose and fell,
Were rites that moved my soul more than the devotee's
When from the blazing choir rings out the altar bell.
I woke amid the pomp of a proud palace; writ
In tinted arabesque on walls that gems o'erlay,
The names of caliphs were who once held court in it,
Their baths and bowers were mine to dwell in for a day.
Their robes and rings were mine to draw from shimmering trays---
Brocades and broidered silks, topaz and tourmaline--
Their turban-cloths to wind in proud capricious ways,
And fasten plumes and pearls and pendent sapphires in.
I rose; far music drew my steps in fond pursuit
Down tessellated floors and towering peristyles:
Through groves of colonnades fair lamps were blushing fruit,
On seas of green mosaic soft rugs were flowery isles.
And there were verdurous courts that scalloped arches wreathed,
Where fountains plashed in bowls of lapis lazuli.
Through enigmatic doors voluptuous accents breathed,
And having Youth I had their Open Sesame.
I paused where shadowy walls were hung with cloths of gold,
And tinted twilight streamed through storied panes above.
In lamplit alcoves deep as flowers when they unfold
Soft cushions called to rest and fragrant fumes to love.
I hungered; at my hand delicious dainties teemed---
Fair pyramids of fruit; pastry in sugared piles.
I thirsted; in cool cups inviting vintage beamed---
Sweet syrups from the South; brown muscat from the isles.
I yearned for passionate Love; faint gauzes fell away.
Pillowed in rosy light I found my heart's desire.
Over the silks and down her florid beauty lay,
As over orient clouds the sunset's coral fire.
Joys that had smiled afar, a visionary form,
Behind the ranges hid, remote and rainbow-dyed,
Drew near unto my heart, a wonder soft and warm,
To touch, to stroke, to clasp, to sleep and wake beside.
Joy, that where summer seas and hot horizons shone
Had been the outspread arms I gave my youth to seek,
Drew near; awhile its pulse strove sweetly with my own,
Awhile I felt its breath astir upon my cheek.
I was so happy there; so fleeting was my stay,
What wonder if, assailed with vistas so divine,
I only lived to search and sample them the day
When between dawn and dusk the sultan's courts were mine !
Speak not of other worlds of happiness to be,
As though in any fond imaginary sphere
Lay more to tempt man's soul to immortality
Than ripens for his bliss abundant now and here!
Flowerlike I hope to die as flowerlike was my birth.
Rooted in Nature's just benignant law like them,
I want no better joys than those that from green Earth
My spirit's blossom drew through the sweet body's stem.
I see no dread in death, no horror to abhor.
I never thought it else than but to cease to dwell
Spectator, and resolve most naturally once more
Into the dearly loved eternal spectacle.
Unto the fields and flowers this flesh I found so fair
I yield; do you, dear friend, over your rose-crowned wine,
Murmur my name some day as though my lips were there,
And frame your mouth as though its blushing kiss were mine.
Yea, where the banquet-hall is brilliant with young men,
You whose bright youth it might have thrilled my breast to know,
Drink .
.
.
and perhaps my lips, insatiate even then
Of lips to hang upon, may find their loved ones so.
Unto the flush of dawn and evening I commend
This immaterial self and flamelike part of me,---
Unto the azure haze that hangs at the world's end,
The sunshine on the hills, the starlight on the sea,---
Unto angelic Earth, whereof the lives of those
Who love and dream great dreams and deeply feel may be
The elemental cells and nervules that compose
Its divine consciousness and joy and harmony.
|
Written by
Edward Lear |
Who, or why, or which, or what, Is the Akond of SWAT?
Is he tall or short, or dark or fair?
Does he sit on a stool or a sofa or a chair,
or SQUAT,
The Akond of Swat?
Is he wise or foolish, young or old?
Does he drink his soup and his coffee cold,
or HOT,
The Akond of Swat?
Does he sing or whistle, jabber or talk,
And when riding abroad does he gallop or walk
or TROT,
The Akond of Swat?
Does he wear a turban, a fez, or a hat?
Does he sleep on a mattress, a bed, or a mat,
or COT,
The Akond of Swat?
When he writes a copy in round-hand size,
Does he cross his T's and finish his I's
with a DOT,
The Akond of Swat?
Can he write a letter concisely clear
Without a speck or a smudge or smear
or BLOT,
The Akond of Swat?
Do his people like him extremely well?
Or do they, whenever they can, rebel,
or PLOT,
At the Akond of Swat?
If he catches them then, either old or young,
Does he have them chopped in pieces or hung,
or SHOT,
The Akond of Swat?
Do his people prig in the lanes or park?
Or even at times, when days are dark,
GAROTTE,
The Akond of Swat?
Does he study the wants of his own dominion?
Or doesn't he care for public opinion
a JOT,
The Akond of Swat?
To amuse his mind do his people show him
Pictures, or any one's last new poem,
or WHAT,
For the Akond of Swat?
At night if he suddenly screams and wakes,
Do they bring him only a few small cakes,
or a LOT,
For the Akond of Swat?
Does he live on turnips, tea, or tripe?
Does he like his shawl to be marked with a stripe,
or a DOT,
The Akond of Swat?
Does he like to lie on his back in a boat
Like the lady who lived in that isle remote,
SHALLOTT,
The Akond of Swat?
Is he quiet, or always making a fuss?
Is his steward a Swiss or a Swede or Russ,
or a SCOT,
The Akond of Swat?
Does like to sit by the calm blue wave?
Or to sleep and snore in a dark green cave,
or a GROTT,
The Akond of Swat?
Does he drink small beer from a silver jug?
Or a bowl? or a glass? or a cup? or a mug?
or a POT,
The Akond of Swat?
Does he beat his wife with a gold-topped pipe,
When she let the gooseberries grow too ripe,
or ROT,
The Akond of Swat?
Does he wear a white tie when he dines with friends,
And tie it neat in a bow with ends,
or a KNOT.
The Akond of Swat?
Does he like new cream, and hate mince-pies?
When he looks at the sun does he wink his eyes,
or NOT,
The Akond of Swat?
Does he teach his subjects to roast and bake?
Does he sail about on an inland lake
in a YACHT,
The Akond of Swat?
Some one, or nobody, knows I wot
Who or which or why or what
Is the Akond of Swat?
|