Written by
Paul Laurence Dunbar |
Mammy's in de kitchen, an' de do' is shet;
All de pickaninnies climb an' tug an' sweat,[Pg 242]
Gittin' to de winder, stickin' dah lak flies,
Evah one ermong us des all nose an' eyes.
"Whut's she cookin', Isaac?"
"Whut's she cookin', Jake?"
"Is it sweet pertaters? Is hit pie er cake?"
But we couldn't mek out even whah we stood
Whut was mammy cookin' dat could smell so good.
Mammy spread de winder, an' she frown an' frown,
How de pickaninnies come a-tum-blin' down!
Den she say: "Ef you-all keeps a-peepin' in,
How I'se gwine to whup you, my! 't 'ill be a sin!
Need n' come a-sniffin' an' a-nosin' hyeah,
'Ca'se I knows my business, nevah feah."
Won't somebody tell us—how I wish dey would!—
Whut is mammy cookin' dat it smells so good?
We know she means business, an' we dassent stay,
Dough it's mighty tryin' fuh to go erway;
But we goes a-troopin' down de ol' wood-track
'Twell dat steamin' kitchen brings us stealin' back,
Climbin' an' a-peepin' so's to see inside.
Whut on earf kin mammy be so sha'p to hide?
I'd des up an' tell folks w'en I knowed I could,
Ef I was a-cookin' t'ings dat smelt so good.
Mammy in de oven, an' I see huh smile;
Moufs mus' be a-wat'rin' roun' hyeah fuh a mile;
Den we almos' hollah ez we hu'ies down,
'Ca'se hit's apple dumplin's, big an' fat an' brown!
W'en de do' is opened, solemn lak an' slow,
Wisht you see us settin' all dah in a row
Innercent an' p'opah, des lak chillun should
W'en dey mammy's cookin' t'ings dat smell so good.
|
Written by
Carl Sandburg |
RUM tiddy um,
tiddy um,
tiddy um tum tum.
My knees are loose-like, my feet want to sling their selves.
I feel like tickling you under the chin—honey—and a-asking: Why Does a Chicken Cross the Road?
When the hens are a-laying eggs, and the roosters pluck-pluck-put-akut and you—honey—put new potatoes and gravy on the table, and there ain’t too much rain or too little:
Say, why do I feel so gabby?
Why do I want to holler all over the place?.
.
.
Do you remember I held empty hands to you
and I said all is yours
the handfuls of nothing?.
.
.
I ask you for white blossoms.
I bring a concertina after sunset under the apple trees.
I bring out “The Spanish Cavalier” and “In the Gloaming, O My Darling.
”
The orchard here is near and home-like.
The oats in the valley run a mile.
Between are the green and marching potato vines.
The lightning bugs go criss-cross carrying a zigzag of fire: the potato bugs are asleep under their stiff and yellow-striped wings: here romance stutters to the western stars, “Excuse … me…”.
.
.
Old foundations of rotten wood.
An old barn done-for and out of the wormholes ten-legged roaches shook up and scared by sunlight.
So a pickax digs a long tooth with a short memory.
Fire can not eat this rubbish till it has lain in the sun.
.
.
.
The story lags.
The story has no connections.
The story is nothing but a lot of banjo plinka planka plunks.
The roan horse is young and will learn: the roan horse buckles into harness and feels the foam on the collar at the end of a haul: the roan horse points four legs to the sky and rolls in the red clover: the roan horse has a rusty jag of hair between the ears hanging to a white star between the eyes.
.
.
.
In Burlington long ago
And later again in Ashtabula
I said to myself:
I wonder how far Ophelia went with Hamlet.
What else was there Shakespeare never told?
There must have been something.
If I go bugs I want to do it like Ophelia.
There was class to the way she went out of her head.
.
.
.
Does a famous poet eat watermelon?
Excuse me, ask me something easy.
I have seen farmhands with their faces in fried catfish on a Monday morning.
And the Japanese, two-legged like us,
The Japanese bring slices of watermelon into pictures.
The black seeds make oval polka dots on the pink meat.
Why do I always think of niggers and buck-and-wing dancing whenever I see watermelon?
Summer mornings on the docks I walk among bushel peach baskets piled ten feet high.
Summer mornings I smell new wood and the river wind along with peaches.
I listen to the steamboat whistle hong-honging, hong-honging across the town.
And once I saw a teameo straddling a street with a hayrack load of melons.
.
.
.
Niggers play banjos because they want to.
The explanation is easy.
It is the same as why people pay fifty cents for tickets to a policemen’s masquerade ball or a grocers-and-butchers’ picnic with a fat man’s foot race.
It is the same as why boys buy a nickel’s worth of peanuts and eat them and then buy another nickel’s worth.
Newsboys shooting craps in a back alley have a fugitive understanding of the scientific principle involved.
The jockey in a yellow satin shirt and scarlet boots, riding a sorrel pony at the county fair, has a grasp of the theory.
It is the same as why boys go running lickety-split
away from a school-room geography lesson
in April when the crawfishes come out
and the young frogs are calling
and the pussywillows and the cat-tails
know something about geography themselves.
.
.
.
I ask you for white blossoms.
I offer you memories and people.
I offer you a fire zigzag over the green and marching vines.
I bring a concertina after supper under the home-like apple trees.
I make up songs about things to look at:
potato blossoms in summer night mist filling the garden with white spots;
a cavalryman’s yellow silk handkerchief stuck in a flannel pocket over the left side of the shirt, over the ventricles of blood, over the pumps of the heart.
Bring a concertina after sunset under the apple trees.
Let romance stutter to the western stars, “Excuse … me…”
|
Written by
Eugene Field |
Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened,
And, when the story is told, let us pay heed to the lesson.
Once on a time, long ago, lived in the State of Kentucky
One that was reckoned a witch--full of strange spells and devices;
Nightly she wandered the woods, searching for charms voodooistic--
Scorpions, lizards, and herbs, dormice, chameleons, and plantains!
Serpents and caw-caws and bats, screech-owls and crickets and adders--
These were the guides of that witch through the dank deeps of the forest.
Then, with her roots and her herbs, back to her cave in the morning
Ambled that hussy to brew spells of unspeakable evil;
And, when the people awoke, seeing that hillside and valley
Sweltered in swathes as of mist--"Look!" they would whisper in terror--
"Look! the old witch is at work brewing her spells of great evil!"
Then would they pray till the sun, darting his rays through the vapor,
Lifted the smoke from the earth and baffled the witch's intentions.
One of the boys at that time was a certain young person named Peter,
Given too little to work, given too largely to dreaming;
Fonder of books than of chores, you can imagine that Peter
Led a sad life on the farm, causing his parents much trouble.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
So it was "Peter!" all day--calling, reminding, and chiding--
Peter neglected his work; therefore that nagging at Peter!
Peter got hold of some books--how, I'm unable to tell you;
Some have suspected the witch--this is no place for suspicions!
It is sufficient to stick close to the thread of the legend.
Nor is it stated or guessed what was the trend of those volumes;
What thing soever it was--done with a pen and a pencil,
Wrought with a brain, not a hoe--surely 't was hostile to farming!
"Fudge on all readin'!" they quoth; or "that's what's the ruin of
Peter!"
So, when the mornings were hot, under the beech or the maple,
Cushioned in grass that was blue, breathing the breath of the blossoms,
Lulled by the hum of the bees, the coo of the ring-doves a-mating,
Peter would frivol his time at reading, or lazing, or dreaming.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
"Peter!" and "Peter!" all day--calling, reminding, and chiding--
Peter neglected his chores; therefore that outcry for Peter;
Therefore the neighbors allowed evil would surely befall him--
Yes, on account of these things, ruin would come upon Peter!
Surely enough, on a time, reading and lazing and dreaming
Wrought the calamitous ill all had predicted for Peter;
For, of a morning in spring when lay the mist in the valleys--
"See," quoth the folk, "how the witch breweth her evil decoctions!
See how the smoke from her fire broodeth on woodland and meadow!
Grant that the sun cometh out to smother the smudge of her caldron!
She hath been forth in the night, full of her spells and devices,
Roaming the marshes and dells for heathenish magical nostrums;
Digging in leaves and at stumps for centipedes, pismires, and spiders,
Grubbing in poisonous pools for hot salamanders and toadstools;
Charming the bats from the flues, snaring the lizards by twilight,
Sucking the scorpion's egg and milking the breast of the adder!"
Peter derided these things held in such faith by the farmer,
Scouted at magic and charms, hooted at Jonahs and hoodoos--
Thinking and reading of books must have unsettled his reason!
"There ain't no witches," he cried; "it isn't smoky, but foggy!
I will go out in the wet--you all can't hender me, nuther!"
Surely enough he went out into the damp of the morning,
Into the smudge that the witch spread over woodland and meadow,
Into the fleecy gray pall brooding on hillside and valley.
Laughing and scoffing, he strode into that hideous vapor;
Just as he said he would do, just as he bantered and threatened,
Ere they could fasten the door, Peter had done gone and done it!
Wasting his time over books, you see, had unsettled his reason--
Soddened his callow young brain with semi-pubescent paresis,
And his neglect of his chores hastened this evil condition.
Out of the woods by the creek cometh a calling for Peter
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that shrill crying for Peter,
Up from the spring house the wail stealeth anon like a whisper,
Over the meadows that call is aye and forever repeated.
Such were the voices that whooped wildly and vainly for Peter
Decades and decades ago down in the State of Kentucky--
Such are the voices that cry now from the woodland and meadow,
"Peter--O Peter!" all day, calling, reminding, and chiding--
Taking us back to the time when Peter he done gone and done it!
These are the voices of those left by the boy in the farmhouse
When, with his laughter and scorn, hatless and bootless and sockless,
Clothed in his jeans and his pride, Peter sailed out in the weather,
Broke from the warmth of his home into that fog of the devil,
Into the smoke of that witch brewing her damnable porridge!
Lo, when he vanished from sight, knowing the evil that threatened,
Forth with importunate cries hastened his father and mother.
"Peter!" they shrieked in alarm, "Peter!" and evermore "Peter!"--
Ran from the house to the barn, ran from the barn to the garden,
Ran to the corn-crib anon, then to the smoke-house proceeded;
Henhouse and woodpile they passed, calling and wailing and weeping,
Through the front gate to the road, braving the hideous vapor--
Sought him in lane and on pike, called him in orchard and meadow,
Clamoring "Peter!" in vain, vainly outcrying for Peter.
Joining the search came the rest, brothers and sisters and cousins,
Venting unspeakable fears in pitiful wailing for Peter!
And from the neighboring farms gathered the men and the women,
Who, upon hearing the news, swelled the loud chorus for Peter.
Farmers and hussifs and maids, bosses and field-hands and niggers,
Colonels and jedges galore from cornfields and mint-beds and thickets,
All that had voices to voice, all to those parts appertaining,
Came to engage in the search, gathered and bellowed for Peter.
The Taylors, the Dorseys, the Browns, the Wallers, the Mitchells, the
Logans,
The Yenowines, Crittendens, Dukes, the Hickmans, the Hobbses, the Morgans;
The Ormsbys, the Thompsons, the Hikes, the Williamsons, Murrays, and
Hardins,
The Beynroths, the Sherleys, the Hokes, the Haldermans, Harneys, and
Slaughters--
All, famed in Kentucky of old for prowess prodigious at farming,
Now surged from their prosperous homes to join in that hunt for the
truant,
To ascertain where he was at, to help out the chorus for Peter.
Still on those prosperous farms where heirs and assigns of the people
Specified hereinabove and proved by the records of probate--
Still on those farms shall you hear (and still on the turnpikes
adjacent)
That pitiful, petulant call, that pleading, expostulant wailing,
That hopeless, monotonous moan, that crooning and droning for Peter.
Some say the witch in her wrath transmogrified all those good people;
That, wakened from slumber that day by the calling and bawling for Peter,
She out of her cave in a thrice, and, waving the foot of a rabbit
(Crossed with the caul of a coon and smeared with the blood of a chicken),
She changed all those folk into birds and shrieked with demoniac venom:
"Fly away over the land, moaning your Peter forever,
Croaking of Peter, the boy who didn't believe there were hoodoos,
Crooning of Peter, the fool who scouted at stories of witches,
Crying of Peter for aye, forever outcalling for Peter!"
This is the story they tell; so in good sooth saith the legend;
As I have told it to you, so tell the folk and the legend.
That it is true I believe, for on the breezes this morning
Come the shrill voices of birds calling and calling for Peter;
Out of the maple and beech glitter the eyes of the wailers,
Peeping and peering for him who formerly lived in these places--
Peter, the heretic lad, lazy and careless and dreaming,
Sorely afflicted with books and with pubescent paresis,
Hating the things of the farm, care of the barn and the garden,
Always neglecting his chores--given to books and to reading,
Which, as all people allow, turn the young person to mischief,
Harden his heart against toil, wean his affections from tillage.
This is the legend of yore told in the state of Kentucky
When in the springtime the birds call from the beeches and maples,
Call from the petulant thorn, call from the acrid persimmon;
When from the woods by the creek and from the pastures and meadows,
When from the spring house and lane and from the mint-bed and orchard,
When from the redbud and gum and from the redolent lilac,
When from the dirt roads and pikes cometh that calling for Peter;
Cometh the dolorous cry, cometh that weird iteration
Of "Peter" and "Peter" for aye, of "Peter" and "Peter" forever!
This is the legend of old, told in the tum-titty meter
Which the great poets prefer, being less labor than rhyming
(My first attempt at the same, my last attempt, too, I reckon!);
Nor have I further to say, for the sad story is ended.
|
Written by
T S (Thomas Stearns) Eliot |
The Rum Tum Tugger is a Curious Cat:
If you offer him pheasant he would rather have grouse.
If you put him in a house he would much prefer a flat,
If you put him in a flat then he'd rather have a house.
If you set him on a mouse then he only wants a rat,
If you set him on a rat then he'd rather chase a mouse.
Yes the Rum Tum Tugger is a Curious Cat--
And there isn't any call for me to shout it:
For he will do
As he do do
And there's no doing anything about it!
The Rum Tum Tugger is a terrible bore:
When you let him in, then he wants to be out;
He's always on the wrong side of every door,
And as soon as he's at home, then he'd like to get about.
He likes to lie in the bureau drawer,
But he makes such a fuss if he can't get out.
Yes the Rum Tum Tugger is a Curious Cat--
And there isn't any use for you to doubt it:
For he will do
As he do do
And there's no doing anything about it!
The Rum Tum Tugger is a curious beast:
His disobliging ways are a matter of habit.
If you offer him fish then he always wants a feast;
When there isn't any fish then he won't eat rabbit.
If you offer him cream then he sniffs and sneers,
For he only likes what he finds for himself;
So you'll catch him in it right up to the ears,
If you put it away on the larder shelf.
The Rum Tum Tugger is artful and knowing,
The Rum Tum Tugger doesn't care for a cuddle;
But he'll leap on your lap in the middle of your sewing,
For there's nothing he enjoys like a horrible muddle.
Yes the Rum Tum Tugger is a Curious Cat--
And there isn't any need for me to spout it:
For he will do
As he do do
And theres no doing anything about it!
|
Written by
Amy Lowell |
The little boy pressed his face against the window-pane
and looked out
at the bright sunshiny morning.
The cobble-stones of
the square
glistened like mica.
In the trees, a breeze danced and
pranced,
and shook drops of sunlight like falling golden coins into the brown
water
of the canal.
Down stream slowly drifted a long string
of galliots
piled with crimson cheeses.
The little boy thought they
looked as if
they were roc's eggs, blocks of big ruby eggs.
He said,
"Oh!" with delight,
and pressed against the window with all his might.
The golden cock on the top of the `Stadhuis' gleamed.
His
beak was open
like a pair of scissors and a narrow piece of blue sky was wedged
in it.
"Cock-a-doodle-do," cried the little boy.
"Can't you
hear me
through the window, Gold Cocky? Cock-a-doodle-do! You
should crow
when you see the eggs of your cousin, the great roc.
" But
the golden cock
stood stock still, with his fine tail blowing in the wind.
He could not understand the little boy, for he said "Cocorico"
when he said anything.
But he was hung in the air to
swing, not to sing.
His eyes glittered to the bright West wind, and the crimson cheeses
drifted away down the canal.
It was very dull there in the big room.
Outside in the
square, the wind
was playing tag with some fallen leaves.
A man passed,
with a dogcart
beside him full of smart, new milkcans.
They rattled
out a gay tune:
"Tiddity-tum-ti-ti.
Have some milk for your tea.
Cream
for your coffee
to drink to-night, thick, and smooth, and sweet, and white,"
and the man's sabots beat an accompaniment: "Plop! trop!
milk for your tea.
Plop! trop! drink it to-night.
" It was very pleasant
out there,
but it was lonely here in the big room.
The little boy
gulped at a tear.
It was ***** how dull all his toys were.
They were so
still.
Nothing was still in the square.
If he took his eyes
away a moment
it had changed.
The milkman had disappeared round the
corner,
there was only an old woman with a basket of green stuff on her
head,
picking her way over the shiny stones.
But the wind pulled
the leaves
in the basket this way and that, and displayed them to beautiful
advantage.
The sun patted them condescendingly on their flat surfaces, and
they seemed
sprinkled with silver.
The little boy sighed as he looked
at his disordered
toys on the floor.
They were motionless, and their colours
were dull.
The dark wainscoting absorbed the sun.
There was none
left for toys.
The square was quite empty now.
Only the wind ran round
and round it,
spinning.
Away over in the corner where a street opened
into the square,
the wind had stopped.
Stopped running, that is, for it
never
stopped spinning.
It whirred, and whirled, and gyrated,
and turned.
It burned like a great coloured sun.
It hummed, and buzzed,
and sparked,
and darted.
There were flashes of blue, and long smearing
lines of saffron,
and quick jabs of green.
And over it all was a sheen
like a myriad
cut diamonds.
Round and round it went, the huge wind-wheel,
and the little boy's head reeled with watching it.
The
whole square
was filled with its rays, blazing and leaping round after one another,
faster and faster.
The little boy could not speak, he
could only gaze,
staring in amaze.
The wind-wheel was coming down the square.
Nearer and
nearer it came,
a great disk of spinning flame.
It was opposite the window
now,
and the little boy could see it plainly, but it was something more
than the wind which he saw.
A man was carrying a huge
fan-shaped frame
on his shoulder, and stuck in it were many little painted paper
windmills,
each one scurrying round in the breeze.
They were bright
and beautiful,
and the sight was one to please anybody, and how much more a little
boy
who had only stupid, motionless toys to enjoy.
The little boy clapped his hands, and his eyes danced and whizzed,
for the circling windmills made him dizzy.
Closer and
closer
came the windmill man, and held up his big fan to the little boy
in the window of the Ambassador's house.
Only a pane
of glass
between the boy and the windmills.
They slid round before
his eyes
in rapidly revolving splendour.
There were wheels and
wheels of colours --
big, little, thick, thin -- all one clear, perfect spin.
The
windmill vendor
dipped and raised them again, and the little boy's face was glued
to the window-pane.
Oh! What a glorious, wonderful
plaything!
Rings and rings of windy colour always moving! How had
any one ever preferred
those other toys which never stirred.
"Nursie, come quickly.
Look!
I want a windmill.
See! It is never still.
You
will buy me one, won't you?
I want that silver one, with the big ring of blue.
"
So a servant was sent to buy that one: silver, ringed
with blue,
and smartly it twirled about in the servant's hands as he stood
a moment
to pay the vendor.
Then he entered the house, and in
another minute
he was standing in the nursery door, with some crumpled paper on
the end
of a stick which he held out to the little boy.
"But
I wanted a windmill
which went round," cried the little boy.
"That is the
one you asked for,
Master Charles," Nursie was a bit impatient, she had mending to
do.
"See, it is silver, and here is the blue.
" "But it is
only a blue streak,"
sobbed the little boy.
"I wanted a blue ring, and this
silver
doesn't sparkle.
" "Well, Master Charles, that is what
you wanted,
now run away and play with it, for I am very busy.
"
The little boy hid his tears against the friendly window-pane.
On
the floor
lay the motionless, crumpled bit of paper on the end of its stick.
But far away across the square was the windmill vendor, with his
big wheel
of whirring splendour.
It spun round in a blaze like
a whirling rainbow,
and the sun gleamed upon it, and the wind whipped it, until it seemed
a maze of spattering diamonds.
"Cocorico!" crowed the
golden cock
on the top of the `Stadhuis'.
"That is something worth
crowing for.
"
But the little boy did not hear him, he was sobbing over the crumpled
bit of paper on the floor.
|
Written by
Walter de la Mare |
Three jolly Farmers
Once bet a pound
Each dance the others would
Off the ground.
Out of their coats
They slipped right soon,
And neat and nicesome
Put each his shoon.
One--Two--Three!
And away they go,
Not too fast,
And not too slow;
Out from the elm-tree's
Noonday shadow,
Into the sun
And across the meadow.
Past the schoolroom,
With knees well bent,
Fingers a flicking,
They dancing went.
Up sides and over,
And round and round,
They crossed click-clacking
The Parish bound;
By Tupman's meadow
They did their mile,
Tee-to-tum
On a three-barred stile.
Then straight through Whipham,
Downhill to Week,
Footing it lightsome,
But not too quick,
Up fields to Watchet
And on through Wye,
Till seven fine churches
They'd seen slip by --
Seven fine churches,
And five old mills,
Farms in the valley,
And sheep on the hills;
Old Man's Acre
And Dead Man's Pool
All left behind,
As they danced through Wool.
And Wool gone by,
Like tops that seem
To spin in sleep
They danced in dream:
Withy -- Wellover --
Wassop -- Wo --
Like an old clock
Their heels did go.
A league and a league
And a league they went,
And not one weary,
And not one spent.
And log, and behold!
Past Willow-cum-Leigh
Stretched with its waters
The great green sea.
Says Farmer Bates,
'I puffs and I blows,
What's under the water,
Why, no man knows !'
Says Farmer Giles,
'My mind comes weak,
And a good man drownded
Is far to seek.
'
But Farmer Turvey,
On twirling toes,
Up's with his gaiters,
And in he goes:
Down where the mermaids
Pluck and play
On their twangling harps
In a sea-green day;
Down where the mermaids
Finned and fair,
Sleek with their combs
Their yellow hair.
.
.
.
Bates and Giles --
On the shingle sat,
Gazing at Turvey's
Floating hat.
But never a ripple
Nor bubble told
Where he was supping
Off plates of gold.
Never an echo
Rilled through the sea
Of the feasting and dancing
And minstrelsy.
They called -- called -- called;
Came no reply:
Nought but the ripples'
Sandy sigh.
Then glum and silent
They sat instead,
Vacantly brooding
On home and bed,
Till both together
Stood up and said: --
'Us knows not, dreams not,
Where you be,
Turvey, unless
In the deep blue sea;
But axcusing silver --
And it comes most willing --
Here's us two paying our forty shilling;
For it's sartin sure, Turvey,
Safe and sound,
You danced us a square, Turvey,
Off the ground.
'
|
Written by
Siegfried Sassoon |
(EGYPTIAN BASE CAMP)
They are gathering round.
.
.
.
Out of the twilight; over the grey-blue sand,
Shoals of low-jargoning men drift inward to the sound—
The jangle and throb of a piano .
.
.
tum-ti-tum.
.
.
Drawn by a lamp, they come
Out of the glimmering lines of their tents, over the shuffling sand.
O sing us the songs, the songs of our own land,
You warbling ladies in white.
Dimness conceals the hunger in our faces,
This wall of faces risen out of the night,
These eyes that keep their memories of the places
So long beyond their sight.
Jaded and gay, the ladies sing; and the chap in brown
Tilts his grey hat; jaunty and lean and pale,
He rattles the keys .
.
.
some actor-bloke from town.
.
.
God send you home; and then A long, long trail;
I hear you calling me; and Dixieland.
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Sing slowly .
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now the chorus .
.
.
one by one
We hear them, drink them; till the concert’s done.
Silent, I watch the shadowy mass of soldiers stand.
Silent, they drift away, over the glimmering sand.
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Written by
Eugene Field |
Achievin' sech distinction with his moddel tabble dote
Ez to make his Red Hoss Mountain restauraw a place uv note,
Our old friend Casey innovated somewhat round the place,
In hopes he would ameliorate the sufferin's uv the race;
'Nd uv the many features Casey managed to import
The most important wuz a Steenway gran' pianny-fort,
An' bein' there wuz nobody could play upon the same,
He telegraffed to Denver, 'nd a real perfesser came,--
The last an' crownin' glory uv the Casey restauraw
Wuz that tenderfoot musicianer, Perfesser Vere de Blaw!
His hair wuz long an' dishybill, an' he had a yaller skin,
An' the absence uv a collar made his neck look powerful thin:
A sorry man he wuz to see, az mebby you'd surmise,
But the fire uv inspiration wuz a-blazin' in his eyes!
His name wuz Blanc, wich same is Blaw (for that's what Casey said,
An' Casey passed the French ez well ez any Frenchie bred);
But no one ever reckoned that it really wuz his name,
An' no one ever asked him how or why or whence he came,--
Your ancient history is a thing the Coloradan hates,
An' no one asks another what his name wuz in the States!
At evenin', when the work wuz done, an' the miners rounded up
At Casey's, to indulge in keerds or linger with the cup,
Or dally with the tabble dote in all its native glory,
Perfessor Vere de Blaw discoursed his music repertory
Upon the Steenway gran' piannyfort, the wich wuz sot
In the hallway near the kitchen (a warm but quiet spot),
An' when De Blaw's environments induced the proper pride,--
Wich gen'rally wuz whiskey straight, with seltzer on the side,--
He throwed his soulful bein' into opry airs 'nd things
Wich bounded to the ceilin' like he'd mesmerized the strings.
Oh, you that live in cities where the gran' piannies grow,
An' primy donnies round up, it's little that you know
Uv the hungerin' an' the yearnin' wich us miners an' the rest
Feel for the songs we used to hear before we moved out West.
Yes, memory is a pleasant thing, but it weakens mighty quick;
It kind uv dries an' withers, like the windin' mountain crick,
That, beautiful, an' singin' songs, goes dancin' to the plains,
So long ez it is fed by snows an' watered by the rains;
But, uv that grace uv lovin' rains 'nd mountain snows bereft,
Its bleachin' rocks, like dummy ghosts, is all its memory left.
The toons wich the perfesser would perform with sech eclaw
Would melt the toughest mountain gentleman I ever saw,--
Sech touchin' opry music ez the Trovytory sort,
The sollum "Mizer Reery," an' the thrillin' "Keely Mort;"
Or, sometimes, from "Lee Grond Dooshess" a trifle he would play,
Or morsoze from a' opry boof, to drive dull care away;
Or, feelin' kind uv serious, he'd discourse somewhat in C,--
The wich he called a' opus (whatever that may be);
But the toons that fetched the likker from the critics in the crowd
Wuz not the high-toned ones, Perfesser Vere de Blaw allowed.
'T wuz "Dearest May," an' "Bonnie Doon," an' the ballard uv "Ben Bolt,"
Ez wuz regarded by all odds ez Vere de Blaw's best holt;
Then there wuz "Darlin' Nellie Gray," an' "Settin' on the Stile,"
An' "Seein' Nellie Home," an' "Nancy Lee," 'nd "Annie Lisle,"
An' "Silver Threads among the Gold," an' "The Gal that Winked at Me,"
An' "Gentle Annie," "Nancy Till," an' "The Cot beside the Sea.
"
Your opry airs is good enough for them ez likes to pay
Their money for the truck ez can't be got no other way;
But opry to a miner is a thin an' holler thing,--The
music that he pines for is the songs he used to sing.
One evenin' down at Casey's De Blaw wuz at his best,
With four-fingers uv old Wilier-run concealed beneath his vest;
The boys wuz settin' all around, discussin' folks an' things,
'Nd I had drawed the necessary keerds to fill on kings;
Three-fingered Hoover kind uv leaned acrosst the bar to say
If Casey'd liquidate right off, he'd liquidate next day;
A sperrit uv contentment wuz a-broodin' all around
(Onlike the other sperrits wich in restauraws abound),
When, suddenly, we heerd from yonder kitchen-entry rise
A toon each ornery galoot appeared to recognize.
Perfesser Vere de Blaw for once eschewed his opry ways,
An' the remnants uv his mind went back to earlier, happier days,
An' grappled like an' wrassled with a' old familiar air
The wich we all uv us had heern, ez you have, everywhere!
Stock still we stopped,--some in their talk uv politics an' things,
I in my unobtrusive attempt to fill on kings,
'Nd Hoover leanin' on the bar, an' Casey at the till,--
We all stopped short an' held our breaths (ez a feller sometimes will),
An' sot there more like bumps on logs than healthy, husky men,
Ez the memories uv that old, old toon come sneakin' back again.
You've guessed it? No, you hav n't; for it wuzn't that there song
Uv the home we'd been away from an' had hankered for so long,--
No, sir; it wuzn't "Home, Sweet Home," though it's always heard around
Sech neighborhoods in wich the home that is "sweet home" is found.
And, ez for me, I seemed to see the past come back again,
And hear the deep-drawed sigh my sister Lucy uttered when
Her mother asked her if she 'd practised her two hours that day,
Wich, if she hadn't, she must go an' do it right away!
The homestead in the States 'nd all its memories seemed to come
A-floatin' round about me with that magic lumty-tum.
And then uprose a stranger wich had struck the camp that night;
His eyes wuz sot an' fireless, 'nd his face wuz spookish white,
'Nd he sez: "Oh, how I suffer there is nobody kin say,
Onless, like me, he's wrenched himself from home an' friends away
To seek surcease from sorrer in a fur, seclooded spot,
Only to find--alars, too late!--the wich surcease is not!
Only to find that there air things that, somehow, seem to live
For nothin' in the world but jest the misery they give!
I've travelled eighteen hundred miles, but that toon has got here first;
I'm done,--I'm blowed,--I welcome death, an' bid it do its worst!"
Then, like a man whose mind wuz sot on yieldin' to his fate,
He waltzed up to the counter an' demanded whiskey straight,
Wich havin' got outside uv,--both the likker and the door,--
We never seen that stranger in the bloom uv health no more!
But some months later, what the birds had left uv him wuz found
Associated with a tree, some distance from the ground;
And Husky Sam, the coroner, that set upon him, said
That two things wuz apparent, namely: first, deceast wuz dead;
And, second, previously had got involved beyond all hope
In a knotty complication with a yard or two uv rope!
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Written by
Eugene Field |
I'm a beautiful red, red drum,
And I train with the soldier boys;
As up the street we come,
Wonderful is our noise!
There's Tom, and Jim, and Phil,
And Dick, and Nat, and Fred,
While Widow Cutler's Bill
And I march on ahead,
With a r-r-rat-tat-tat
And a tum-titty-um-tum-tum -
Oh, there's bushels of fun in that
For boys with a little red drum!
The Injuns came last night
While the soldiers were abed,
And they gobbled a Chinese kite
And off to the woods they fled!
The woods are the cherry-trees
Down in the orchard lot,
And the soldiers are marching to seize
The booty the Injuns got.
With tum-titty-um-tum-tum,
And r-r-rat-tat-tat,
When soldiers marching come
Injuns had better scat!
Step up there, little Fred,
And, Charley, have a mind!
Jim is as far ahead
As you two are behind!
Ready with gun and sword
Your valorous work to do -
Yonder the Injun horde
Are lying in wait for you.
And their hearts go pitapat
When they hear the soldiers come
With a r-r-rat-tat-tat
And a tum-titty-um-tum-tum!
Course it's all in play!
The skulking Injun crew
That hustled the kite away
Are little white boys, like you!
But "honest" or "just in fun,"
It is all the same to me;
And, when the battle is won,
Home once again march we
With a r-r-rat-tat-tat
And tum-titty-um-tum-tum;
And there's glory enough in that
For the boys with their little red drum!
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Written by
Amir Khusro |
Man kunto Maula
Fa Ali-un Maula
Dara dil-e dara dil-e dar-e daani
Hum tum tanana nana
Nana nana ray
Yalali yalali yala
Yala yala ray…
~ By Amir Khusro
Translation:
“Whoever accepts me as a master, Ali is his master too.”
(The above is a hadith – a saying of the Prophet Mohammad (PBUH). Rest of the lines are tarana bols that are generally meaningless and are used for rhythmic chanting by Sufis.)
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