Written by
Amy Lowell |
Pale, with the blue of high zeniths, shimmered
over with silver, brocaded
In smooth, running patterns, a soft stuff, with dark knotted fringes,
it lies there,
Warm from a woman's soft shoulders, and my fingers close on it,
caressing.
Where is she, the woman who wore it? The scent of her
lingers and drugs me!
A languor, fire-shotted, runs through me, and I crush the scarf
down
on my face,
And gulp in the warmth and the blueness, and my eyes swim
in cool-tinted heavens.
Around me are columns of marble, and a diapered, sun-flickered pavement.
Rose-leaves blow and patter against it. Below the stone
steps a lute tinkles.
A jar of green jade throws its shadow half over the floor. A
big-bellied
Frog hops through the sunlight and plops in the gold-bubbled water
of a basin,
Sunk in the black and white marble. The west wind has
lifted a scarf
On the seat close beside me, the blue of it is a violent outrage
of colour.
She draws it more closely about her, and it ripples beneath
her slight stirring.
Her kisses are sharp buds of fire; and I burn back against her,
a jewel
Hard and white; a stalked, flaming flower; till I break to
a handful of cinders,
And open my eyes to the scarf, shining blue in the afternoon sunshine.
How loud clocks can tick when a room is empty,
and one is alone!
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Written by
Andrew Marvell |
C.
Damon come drive thy flocks this way.
D.
No : 'tis too late they went astray.
C.
I have a grassy Scutcheon spy'd,
Where Flora blazons all her pride.
The grass I aim to feast thy Sheep :
The Flow'rs I for thy Temples keep.
D.
Grass withers; and the Flow'rs too fade.
C.
Seize the short Joyes then, ere they vade.
Seest thou that unfrequented Cave ?
D.
That den?
C.
Loves Shrine.
D.
But Virtue's Grave.
C.
In whose cool bosome we may lye
Safe from the Sun.
D.
Not Heaven's Eye.
C.
Near this, a Fountaines liquid Bell
Tinkles within the concave Shell.
D.
Might a Soul bath there and be clean,
Or slake its Drought?
C.
What is 't you mean?
D.
These once had been enticing things,
Clorinda, Pastures, Caves, and Springs.
C.
And what late change?
D.
The other day
Pan met me.
C.
What did great Pan say?
D.
Words that transcend poor Shepherds skill,
But he ere since my Songs does fill:
And his Name swells my slender Oate.
C.
Sweet must Pan sound in Damons Note.
D.
Clorinda's voice might make it sweet.
C.
Who would not in Pan's Praises meet ?
Chorus
Of Pan the flowry pastures sing,
Caves eccho and the Fountains ring.
Sing then while he doth us inspire;
For all the world is our Pan's Quire.
|
Written by
Rupert Brooke |
Swiftly out from the friendly lilt of the band,
The crowd's good laughter, the loved eyes of men,
I am drawn nightward; I must turn again
Where, down beyond the low untrodden strand,
There curves and glimmers outward to the unknown
The old unquiet ocean. All the shade
Is rife with magic and movement. I stray alone
Here on the edge of silence, half afraid,
Waiting a sign. In the deep heart of me
The sullen waters swell towards the moon,
And all my tides set seaward.
From inland
Leaps a gay fragment of some mocking tune,
That tinkles and laughs and fades along the sand,
And dies between the seawall and the sea.
|
Written by
Robert Southey |
"Lo I, the man who erst the Muse did ask
Her deepest notes to swell the Patriot's meeds,
Am now enforst a far unfitter task
For cap and gown to leave my minstrel weeds,"
For yon dull noise that tinkles on the air
Bids me lay by the lyre and go to morning prayer.
Oh how I hate the sound! it is the Knell,
That still a requiem tolls to Comfort's hour;
And loth am I, at Superstition's bell,
To quit or Morpheus or the Muses bower.
Better to lie and dose, than gape amain,
Hearing still mumbled o'er, the same eternal strain.
Thou tedious herald of more tedious prayers
Say hast thou ever summoned from his rest,
One being awakening to religious awe?
Or rous'd one pious transport in the breast?
Or rather, do not all reluctant creep
To linger out the hour, in listlessness or sleep?
I love the bell, that calls the poor to pray
Chiming from village church its chearful sound,
When the sun smiles on Labour's holy day,
And all the rustic train are gathered round,
Each deftly dizen'd in his Sunday's best
And pleas'd to hail the day of piety and rest.
Or when, dim-shadowing o'er the face of day,
The mantling mists of even-tide rise slow,
As thro' the forest gloom I wend my way,
The minster curfew's sullen roar I know;
I pause and love its solemn toll to hear,
As made by distance soft, it dies upon the ear.
Nor not to me the unfrequent midnight knell
Tolls sternly harmonizing; on mine ear
As the deep death-fraught sounds long lingering dwell
Sick to the heart of Love and Hope and Fear
Soul-jaundiced, I do loathe Life's upland steep
And with strange envy muse the dead man's dreamless sleep.
But thou, memorial of monastic gall!
What Fancy sad or lightsome hast thou given?
Thy vision-scaring sounds alone recall
The prayer that trembles on a yawn to heaven;
And this Dean's gape, and that Dean's nosal tone,
And Roman rites retain'd, tho' Roman faith be flown.
|
Written by
Emile Verhaeren |
The sky has unfolded into night, and the moon seems to watch over the sleeping silence.
All is so pure and clear; all is so pure and so pale in the air and on the lakes of the friendly countryside, that there is anguish in the fall from a reed of a drop of water, that tinkles and then is silent in the water.
But I have your hands between mine and your steadfast eyes that hold me so gently with their earnestness; and I feel that you are so much at peace with everything that nothing, not even a fleeting suspicion of fear, will overcast, be it but for a moment, the holy trust that sleeps in us as an infant rests.
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Written by
Amy Lowell |
The rain gullies the garden paths
And tinkles on the broad sides of grass blades.
A tree, at the end of my arm, is hazy with mist.
Even so, I can see that it has red berries,
A scarlet fruit,
Filmed over with moisture.
It seems as though the rain,
Dripping from it,
Should be tinged with colour.
I desire the berries,
But, in the mist, I only scratch my hand on the thorns.
Probably, too, they are bitter.
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Written by
Robert Louis Stevenson |
I WHO all the winter through
Cherished other loves than you,
And kept hands with hoary policy in marriage-bed and pew;
Now I know the false and true,
For the earnest sun looks through,
And my old love comes to meet me in the dawning and the dew.
Now the hedged meads renew
Rustic odour, smiling hue,
And the clean air shines and tinkles as the world goes wheeling through;
And my heart springs up anew,
Bright and confident and true,
And my old love comes to meet me in the dawning and the dew.
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